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Introduction There was a time when commercial culture was romanticized, not mistrusted as an advertising domain wielded by the monetary elite. If Shakespeare and Wilde were relegated to "trending topics," "shares," and "likes," would their works have been as timeless? In our current age of information oversaturation and permanent mass media, the art of language has been relinquished, now resigned to acronyms and social bookmarking in a desperate struggle for mass appeal and viral attention. The volume of media currently exchanged has muddied any opportunity for resplendence in jargon, especially regarding pop culture.

This is simply an experiment in utilizing a less fleeting expression of language concerning popular culture phenomena.