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Introduction	I am a visual artist working in machine embroidery. The Small Excursions are based on my painterly desire to mess around with colour and form as organic abstractions against a blank surface. Because the embroidered white surface must be worked up stitch by stitch it is possible to dwell on the feel of surface disruption (such as direction changes, displacement, the action of thread stumbling repeatedly over thread) caused by the spreading of the colour and the growth into being of the forms. These are translations to thread the act of embroidery becoming my interpreter of the language of paint. They are meant to be viewed in groups.

Introduction

I am a visual artist working in machine embroidery. The Small Excursions are based on my painterly desire to mess around with colour and form as organic abstractions against a blank surface. Because the embroidered white surface must be worked up stitch by stitch it is possible to dwell on the feel of surface disruption (such as direction changes, displacement, the action of thread stumbling repeatedly over thread) caused by the spreading of the colour and the growth into being of the forms. These are translations to thread the act of embroidery becoming my interpreter of the language of paint. They are meant to be viewed in groups.