What a great period the mid 1960s through the early 2000s was for film music, given the exemplary work of John Barry and other composers such as Jerry Goldsmith and John Williams. Today the idea of a richly textured film score, like the ones these composers wrote is almost non-existant (the fact that the "score" for "The Social Network" - if you can call it that - was nominated for an Oscar is an insult to the profession.)
I agree with you on Barry's music, especially his brilliant melody for "You Only Live Twice." I'd also like to note his Oscar-winning score for "The Lion in Winter"; though not as well known as some of his other works, is just as accomplished.
February 2, 2011 at 1:48 PM
[Image]by Tony Dayoub
British John Barry was a distinctive Oscar-winning composer who contributed greatly to the style of the contemporary spy film with his themes for the Bond series. He brought a lush romanticism at odds with the violence depicted onscreen which helped shape 007, the secret agent which men everywhere wished they could be. But this aural opulence also benefited action/adventure movies, historical epics, and of course romantic melodramas like the first film whose theme I highlight below, Somewhere in Time (1980).
Here's my favorite piece from his Academy Award-winning score for Dances with Wolves (1990).
However, it's worth remembering that it is the 007 series which really brought him into the public eye. His experience with popular music as leader of the John Barry Seven informed both the jazz-inflected themes of the series and his collaborations with notable pop artists of the time, like Tom Jones in the theme to Thunderball (1965).
His instrumental title theme for On Her Majesty's Secret Service (1969) is among his most exciting.
And here is my personal favorite, in which he collaborates with singer Nancy Sinatra, You Only Live Twice (1967).
John Barry died yesterday at the age of 77.
Recommended Film Scores -From Russia With Love, Goldfinger, The Ipcress File, Thunderball, Born Free, You Only Live Twice, The Lion in Winter, On Her Majesty's Secret Service, Walkabout, Mary, Queen of Scots, The Deep, The Black Hole, Somewhere in Time, Body Heat, The Cotton Club, A View to a Kill, Out of Africa, The Living Daylights, Dances with Wolves, Chaplin, Indecent Proposal, The Specialist
"RIP John Barry"
7 Comments -
Loved all those, apart from that other favorite scores of John Barry
* Midnight Cowboy-Loved the use of harmonica and guitar here, pretty much 70's style.
* Born Free- His Oscar winning score, brilliant.
* Indecent Proposal-Movie was rather stupid, but the soft theme track was lovely.
* Zulu- Great military march style score.
* Out of Africa- Another lovely score, he sure does well with all those epic movies.
January 31, 2011 at 10:57 AM
Oops , I forgot MIDNIGHT COWBOY. Thanks for the reminder Ratnakar.
January 31, 2011 at 2:49 PM
http://blogs.laweekly.com/westcoastsound/2011/01/john_barry_rip.php
February 1, 2011 at 5:33 AM
He was the king!! May he rest in peace.....
February 1, 2011 at 5:34 AM
Thanks for the link, Garry.
February 1, 2011 at 5:58 AM
As a very serious Bond fan, this news made me pretty sad this morning.
February 1, 2011 at 7:19 PM
Tony:
What a great period the mid 1960s through the early 2000s was for film music, given the exemplary work of John Barry and other composers such as Jerry Goldsmith and John Williams. Today the idea of a richly textured film score, like the ones these composers wrote is almost non-existant (the fact that the "score" for "The Social Network" - if you can call it that - was nominated for an Oscar is an insult to the profession.)
I agree with you on Barry's music, especially his brilliant melody for "You Only Live Twice." I'd also like to note his Oscar-winning score for "The Lion in Winter"; though not as well known as some of his other works, is just as accomplished.
February 2, 2011 at 1:48 PM