We are fortunate to have in Our Fair City of Hartford the country's oldest public art museum, a treasure chest of masterworks by everyone from Caravaggio to Mondrian to the most recent (as in "last week") acquisition, Slightly Open Clam Shell by Georgia O'Keefe. The museum's castle-like facade, complete with battlements and leaded glass, is often festooned with enormous banners advertising the latest exhibition, usually with a close-up of one of the artworks, to entice one to come in. Or, in the case of Folkert de Jong in Watou, to totally creep one out. To wit:

[Image] {Folkert de Jong in Watou, from the Wadsworth Atheneum Museum of Art.}
Creepy, right? Good morning Mr. MeltyFace. You know what is even creepier? The sculptures are life size or larger. Enormous. 8 -10 feet tall. They are made of Styrofoam and polyurethane, materials chosen specifically for their manipulative qualities as for their significance as elements of war, impermeability and toxicity. The figures depict a David and Goliath-like representation of Spain vs The Netherlands during the Eighty Years War that began in the 16th century. I understand the use of the grotesque in art. Compelling, historical stuff, a la Picasso's Guernica. But I could not stop thinking:

[Image]Here is another one, with a great dental plan.

[Image] {kunstwerk van Folkert de Jong in Watou, (say that three times fast) originally uploaded by mjiwill}

Zombie letterpress sign from Yeehaw, found via Good Mouse, Bad Mouse