[Image] Sometimes I wonder about that age-old question: Does every critic, at heart, really yearn to be a curator? I know I'm really bad with space and objects and such, so that's not such a great fit for me. But y'know, I can't resist a good theme--linking art together that way is certainly up my alley sometimes.
Bodies & Politics at Katharine Mulherin 1086 Queen St. W., to Feb. 6 Ontario-raised, New York-based artist Michael Caines wittily takes on the political animal in his recent paintings, showcased in this three-person exhibition. These meticulous canvases show a Jesus-like Reagan cuddling a Glenn Beck lamb, a childish Nixon playing with kittens, and a ruby-slippered Karl Rove wandering a fairytale forest, Bambi in tow. Though conservatives could be upset by the uncertain implications, Caines’ dexterity and Honoré Daumier evocations will likely seduce most viewers. Elsewhere in the show, Balint Zsako’s remarkable recent watercolours offer a different take on human-as-animal. In them, human flesh, milk, blood and tears become transformative imagery for narratives that are at once primal and uplifting. (In these images, art and romance are the two things that seem to differentiate us from the other mammals kicking around.) Finally, the dark, Goya-esque drawings of Oscar de las Flores picture a more dog-eat-dog angle on civilization. Overall, highly recommended.
You can read the rest here at the Posted Toronto blog. I know I'm reading in some of that animal stuff... but I guess that's the good part of being a critic, not a curator.
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