--- was not only drawn into the painting but also drawn to follow the man down the street and around the corner into the shadows as he walks where his face is looking.
can see his seasoned gait moving through your painting.
i really enjoyed the larger view i clicked on...the colors in the back wall, the shadows, the green of the "thorns"...(am reminded of your Good Friday post with the crown of thorns over the man's hat)... there's something very spiritual about that man carrying those green thorns as his daily walk.
thank you for such a nice end to my evening! your painting and marc hanson's spring forest - great visions to take with me into sleep!
The background scene may be the same yet the painting has a completely different effect. It reminds me of the soft glow of light that follows a rain shower in the early morning.
Seeing your figures leaving instead of coming really captivates the viewer and pulls you in- beckoning you to follow.
Hello Anonymous. Thank you for the kind comments. Glad you noticed the subtle stuff like his head turned a bit to the right. Well, it is around the corner from that Good Friday painting. If I panned back, the church is straight ahead. Same crowns of thorns. I cropped in close on these compositions, a simpler background suited my needs better. I'll be posting some of the same scene with a broader view soon. That painting of Marc's is simple and well done. I visited it a few times yesterday.
Hi David. It is a bit of a series. I like working in series so I don't feel the need to cram it all into one piece. I can try different colors, compositions, and levels of finish. It is all about learning to make better paintings right? Thanks for stopping by.
Hi Bonnie. Interesting how those colors work for you. There was no rain around at that time of year (March). We have had some unusually early May rains this year. I love the smell of the clean air after a rain. Thanks for you thoughts, as always.
My favorite figurative paintings always depict figures walking away from the viewer. I think not seeing the face adds a wonderful element of mystery. Lovely painting, Frank! Faye
Ohh I love this.. I love his pace, his stride.. it's got rhythm (can you hear it :o))
This street is marvelous on it own, don't know why really, find it very interesting. This one is different from the other painting, the subject of course and also it seems cooler to me even though the colors of the walls are warm.
I agree, people walking away in a painting are always much more interesting. My theory is for 2 reasons: First you don't get to see their faces so there is a mystery right there, and the second and most important, is that to me, a painting is like a doorway to another world and having people walk away giving their backs to us is an invitation to follow them.. that is why I think we feel more drawn in.
Awesome work Frank!
May 17, 2008 at 4:35 PM
Anonymous said...
...the crown of thorns has been an ongoing topic of meditation and conversation for a couple of months - so interesting that you have painted about thorns......this remains with me.....
and, i can't say why, exactly, but i was very moved by what you said about Marc's painting.
Alicia, It does have some cooler colors. The green and blue of the figure push it a little. I am doing several of this street, but going for different effects/ moods. Thanks for your thoughts on people walking away. :-)
Hi again Anonymous. I'm glad that this one speaks to you in that way. Even though the thorns are not visible. I guess the title makes this one. The absence of much distraction in the painting kind of gives that feeling of meditation or calm. I appreciate your visits.
You have an excellent eye for colour Frank. Makes me realise how far I have to go yet. The big planes like the walls and floor surface are full of subtle colour variations and yet they act as a whole. Beautiful painting.
Thanks for the nice comment on my blog Frank, I have no doubt i'll be eating more Jelly Bellies than the average person can handle. This is quite a corner. You've painted it so well and with such a sense of familiarity, that it was instantly recognizable from the previous painting. I like the idea of doing series of people moving through this same place.
May 18, 2008 at 6:46 AM
Anonymous said...
no need to comment back.....but, yes, there are thorns - the green bundle, poignantly luminous even without your blog-post explanation - in your painting; it's not just the title.
a few months ago, I heard someone explain the prophetic fulfillments of the crown of thorns. I'd never heard it before; and ran through my thoughts all these months.
Somewhere in there, on this unrelated journey through artist blogs/sites, I saw your Good Friday blog and the paintings surrounding it.....then, your painting and blog from a couple of days ago - awe-ingly, it all brought my thoughts before my eyes......
and, I had just been telling someone about the thorn crown when your "Thorns" post came up.
Frank, I too knew this corner right away.Isn't it wonderful to think , that if anyone who loves your paintings(many)would want to search out this very spot, in your lovely town in Mexico. That is something I would do. This old fellow is alive in your painting. We want to go back & forth to compare the two paintings. The light is different.You know they were done at two different times of the day.What a happy corner.Love it. amy
Excellent job as always, Frank. I too like the figure from the back concept. For one thing, when seen from the front, it becomes a portrait in the viewer's mind. Then they start thinking "who does that look like", etc. It turns into a distraction instead of provoking thought and mystery.
Hi Amy, it won't be too hard to find once I put up my next piece. (maybe next piece). If you looked hard enough you could find another post on My Paint Box that would give it away. The time of day is similar in these two paintings. I think it is all of the reflected warm light on the three figures that makes it look a lot hotter. Thanks for the comments.
Once again the simplicity of this piece is captivating Frank. The warm light and subtle colour...I love the way the green in the bundle of thorns adds so much colour to the painting against the muted tones of the surrounding background. A really wonderful painting Frank!
Thanks Jeffrey. I appreciate your comments and the visit to my blog.
May 21, 2008 at 1:41 PM
Anonymous said...
very nice work. I couldn't imagine selling something for $600, that's awesome... hehe. My biggest seller was like 250 or something :(
May 21, 2008 at 8:04 PM
Anonymous said...
Very interesting. Thanks for the explanation re: why the figures are walking away in your paintings. Makes a lot of sense. I like this painting (I like all your paintings).
Hi Simon, good to hear from you, it's been a while. It is a lot better to start out with low prices and sell as much as you can. Raise them slowly once you're selling consistently.
I recognized the site immediately from your "untitled" painting - a beautiful, evocative place. As others noted, I want to see what's around the corner, or where the figure(s) came from - very narrative.
This guy is carrying thin branches from a mesquite tree. He will bend them, while they are still green and pliable, into crowns of thorns. Then dry them.
You may wonder why a lot of the figures in my paintings are walking away. I think that it ads to the movement by having them walking into the scene as opposed to out of it at me. That would be a much more static pose. Most of the time I would rather have the viewer being led into my painting.
posted by Frank Gardner at 10:06 PM on May 16, 2008
""Thorns""
37 Comments -
--- was not only drawn into the painting but also drawn to follow the man down the street and around the corner into the shadows as he walks where his face is looking.
can see his seasoned gait moving through your painting.
i really enjoyed the larger view i clicked on...the colors in the back wall, the shadows, the green of the "thorns"...(am reminded of your Good Friday post with the crown of thorns over the man's hat)...
there's something very spiritual about that man carrying those green thorns as his daily walk.
thank you for such a nice end to my evening! your painting and marc hanson's spring forest - great visions to take with me into sleep!
May 16, 2008 at 10:59 PM
I agree Frank. Same street as a recent and previous post. Got a series happening here?
May 16, 2008 at 11:37 PM
I wanted to follow the man to see where he was going and what was round the corner...definitely a narrative painting, Frank :)
Would you like to see my Chinese dragon painted on silk? Here's the link :)
http://2.bp.blogspot.com/_SRJAqXNdv9c/SBc_MXqXJUI/AAAAAAAACyE/YqF1CB4r498/s1600-h/Chinese+Dragon+Silk+Painting.jpg
May 17, 2008 at 5:51 AM
The background scene may be the same yet the painting has a completely different effect.
It reminds me of the soft glow of light that follows a rain shower in the early morning.
Seeing your figures leaving instead of coming really captivates the viewer and pulls you in- beckoning you to follow.
This is another beauty Frank.
May 17, 2008 at 6:38 AM
Hello Anonymous. Thank you for the kind comments.
Glad you noticed the subtle stuff like his head turned a bit to the right.
Well, it is around the corner from that Good Friday painting. If I panned back, the church is straight ahead. Same crowns of thorns.
I cropped in close on these compositions, a simpler background suited my needs better.
I'll be posting some of the same scene with a broader view soon.
That painting of Marc's is simple and well done. I visited it a few times yesterday.
May 17, 2008 at 8:56 AM
Hi David. It is a bit of a series. I like working in series so I don't feel the need to cram it all into one piece.
I can try different colors, compositions, and levels of finish. It is all about learning to make better paintings right?
Thanks for stopping by.
May 17, 2008 at 9:00 AM
Thanks wildlifegardener.
May 17, 2008 at 9:02 AM
Hi Bonnie. Interesting how those colors work for you. There was no rain around at that time of year (March).
We have had some unusually early May rains this year. I love the smell of the clean air after a rain.
Thanks for you thoughts, as always.
May 17, 2008 at 9:06 AM
My favorite figurative paintings always depict figures walking away from the viewer. I think not seeing the face adds a wonderful element of mystery.
Lovely painting, Frank!
Faye
May 17, 2008 at 3:16 PM
Ohh I love this.. I love his pace, his stride.. it's got rhythm (can you hear it :o))
This street is marvelous on it own, don't know why really, find it very interesting. This one is different from the other painting, the subject of course and also it seems cooler to me even though the colors of the walls are warm.
I agree, people walking away in a painting are always much more interesting.
My theory is for 2 reasons: First you don't get to see their faces so there is a mystery right there, and the second and most important, is that to me, a painting is like a doorway to another world and having people walk away giving their backs to us is an invitation to follow them.. that is why I think we feel more drawn in.
Awesome work Frank!
May 17, 2008 at 4:35 PM
...the crown of thorns has been an ongoing topic of meditation and conversation for a couple of months - so interesting that you have painted about thorns......this remains with me.....
and, i can't say why, exactly, but i was very moved by what you said about Marc's painting.
i wish i had something to share back.
May 17, 2008 at 8:54 PM
Hi Faye. I think you are right. That is good to know that others like figures moving away from the viewer too.
Thanks.
May 17, 2008 at 9:46 PM
Alicia, It does have some cooler colors. The green and blue of the figure push it a little. I am doing several of this street, but going for different effects/ moods.
Thanks for your thoughts on people walking away.
:-)
May 17, 2008 at 9:50 PM
Hi again Anonymous. I'm glad that this one speaks to you in that way. Even though the thorns are not visible. I guess the title makes this one. The absence of much distraction in the painting kind of gives that feeling of meditation or calm.
I appreciate your visits.
May 17, 2008 at 9:55 PM
I recognized the scene right away from the previous painting of it. I like it very much.
May 17, 2008 at 10:32 PM
You have an excellent eye for colour Frank. Makes me realise how far I have to go yet. The big planes like the walls and floor surface are full of subtle colour variations and yet they act as a whole. Beautiful painting.
May 18, 2008 at 6:38 AM
Thanks for the nice comment on my blog Frank, I have no doubt i'll be eating more Jelly Bellies than the average person can handle.
This is quite a corner. You've painted it so well and with such a sense of familiarity, that it was instantly recognizable from the previous painting.
I like the idea of doing series of people moving through this same place.
May 18, 2008 at 6:46 AM
no need to comment back.....but, yes, there are thorns - the green bundle, poignantly luminous even without your blog-post explanation - in your painting; it's not just the title.
a few months ago, I heard someone explain the prophetic fulfillments of the crown of thorns. I'd never heard it before; and ran through my thoughts all these months.
Somewhere in there, on this unrelated journey through artist blogs/sites, I saw your Good Friday blog and the paintings surrounding it.....then, your painting and blog from a couple of days ago - awe-ingly, it all brought my thoughts before my eyes......
and, I had just been telling someone about the thorn crown when your "Thorns" post came up.
It's like that.
: )
: )
: )
May 18, 2008 at 7:08 AM
Frank, I too knew this corner right away.Isn't it wonderful to think , that if anyone who loves your paintings(many)would want to search out this very spot, in your lovely town in Mexico.
That is something I would do.
This old fellow is alive in your painting.
We want to go back & forth to compare the two paintings. The light is different.You know they were done at two different times of the day.What a happy corner.Love it.
amy
May 18, 2008 at 8:44 AM
Excellent job as always, Frank. I too like the figure from the back concept. For one thing, when seen from the front, it becomes a portrait in the viewer's mind. Then they start thinking "who does that look like", etc. It turns into a distraction instead of provoking thought and mystery.
May 18, 2008 at 12:58 PM
Thanks Mary.
May 18, 2008 at 10:34 PM
Thanks a lot Sheila. I love this corner because of those big planes.
Thanks for visiting.
May 18, 2008 at 10:36 PM
Hi Ambera. Good luck with that. The jelly bellies that is.
Thanks!
May 18, 2008 at 10:38 PM
Hi Amy, it won't be too hard to find once I put up my next piece. (maybe next piece).
If you looked hard enough you could find another post on My Paint Box that would give it away.
The time of day is similar in these two paintings. I think it is all of the reflected warm light on the three figures that makes it look a lot hotter.
Thanks for the comments.
May 18, 2008 at 10:45 PM
Good point Dean. Thanks.
May 18, 2008 at 10:49 PM
i love your blog! have a great day!
May 20, 2008 at 2:05 AM
Thanks Theresa! You have a great day too! Thanks for looking.
May 20, 2008 at 9:00 AM
Once again the simplicity of this piece is captivating Frank. The warm light and subtle colour...I love the way the green in the bundle of thorns adds so much colour to the painting against the muted tones of the surrounding background. A really wonderful painting Frank!
May 21, 2008 at 8:00 AM
Thanks Jeffrey. I appreciate your comments and the visit to my blog.
May 21, 2008 at 1:41 PM
very nice work. I couldn't imagine selling something for $600, that's awesome... hehe. My biggest seller was like 250 or something :(
May 21, 2008 at 8:04 PM
Very interesting. Thanks for the explanation re: why the figures are walking away in your paintings. Makes a lot of sense. I like this painting (I like all your paintings).
Paz
May 21, 2008 at 8:30 PM
Hi Simon, good to hear from you, it's been a while.
It is a lot better to start out with low prices and sell as much as you can. Raise them slowly once you're selling consistently.
May 21, 2008 at 9:07 PM
Thanks Paz.
Much appreciated as always.
May 21, 2008 at 9:09 PM
A beautiful painting.
May 22, 2008 at 8:31 AM
Thanks onpainting.
May 22, 2008 at 4:16 PM
I recognized the site immediately from your "untitled" painting - a beautiful, evocative place. As others noted, I want to see what's around the corner, or where the figure(s) came from - very narrative.
May 30, 2008 at 3:31 PM
Thanks Terry! I'll have to take all of you around that corner some day.
June 8, 2008 at 9:07 PM