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Post a Comment On: Mayerson on Animation

"Disney Buys Lucas"

9 Comments -

1 – 9 of 9
Blogger paul said...

well said mark.

October 30, 2012 8:35 PM

Blogger Steven M. said...

That seems to sum it up nicely.

October 30, 2012 9:47 PM

Anonymous Anonymous said...

ILM is Union. Pixar is not. They cannot be mixed. Unless Pixar Unionizes, which they could.

October 30, 2012 10:40 PM

Anonymous Anonymous said...

I disagree about one point, slightly. Lucas has a handful of properties that can be milked. I, for one, look forward to Howard the Duck 2 (!). Marvel, at least, has a large cast of characters. And while audiences will soon tire of superhero movies (yes, they will), Pixar and Disney's own animation divisions are the only ones providing new, original (at least in the case of Pixar) material. If Disney respects originality (even if they're followed by sequels), they can keep growing. ILM will probably be shut down--Disney isn't interested in owning a top heavy, money losing effects unit, especially when the work can be done as well elsewhere much cheaper.

October 30, 2012 10:45 PM

Blogger Leif Jones said...

Disney's never been in the business of creating original ideas: Alice and Wonderland, Peter Pan, Pinocchio, Sleeping Beauty, Beauty and the Beast, Aladdin, The Lion King, Snow White, Tarzan, and on and on and on and on, and it's all a new take on something else.

Independent creatives come up with original IPs, Disney buys them. Marvel has so many stories yet to tell on film (that it's already told in one way or another as comics, though much of that swiped from others) that Disney would not repeat itself after a hundred years of non-stop Marvel movie making and an entire Marvel TV soap opera network devoted to it.

What you wrote about forcing Pixar to make sequels to pay off the purchase price might be right, but Robert Iger is looking backward because he's a businessman and that's where the money is.

The art and success of storytelling is always about looking back, remixing past experiences, trying to understand them. Like memory, that is what storytelling is for. That and, like religion, filling the gaps in knowledge.

Disney is quickly becoming what the Catholic Church was 500 years ago, a powerful storytelling entity, reinvisioning old myths for new generations. And yes, like the church, it narrows the choices creatives have. If they don't want to live and work in obscurity, they may have to play into the current corporate take on our ever changing mythology.

But if all they want to do it create, then they're as free as anyone has ever been.

October 31, 2012 3:56 AM

Blogger Steven Kaplan said...

"ILM is Union. Pixar is not. They cannot be mixed."

Unfortunately, this is not true. ILM's union contract has long since lapsed. The artists at both studios will have to stand and demand unionization.

October 31, 2012 10:08 AM

Anonymous Anonymous said...

Thanks for that update, i truly was unaware/info out of date.

"What you wrote about forcing Pixar to make sequels to pay off the purchase price might be right, "

The Disney/Pixar deal paid itself off several times over already, with the Cars and Toy Story franchises. Especially where consumer products are concerned.

October 31, 2012 11:08 PM

Anonymous Michael Fukushima said...

Nicely done, Mark. Particularly your closing lines about where good ideas come from. Good reminder.

November 03, 2012 7:18 AM

Anonymous Anonymous said...

Not necessarily. If Disney continues to dominate market share like it currently does, the same brands or iterations on the same brands will continue to be made throughout our lifetime. Everyone will want to come in to do their own take on iconic characters.

Maybe youtubers will get some fans, but those seem like flash in the pan, 15-minutes of fame things. And ad-blockers make revenue from them very very difficult.

January 14, 2017 11:02 PM

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