h2, p, td, li {
font-family: Times; /* Use Times for Chin Family Posts, Helvetica for Hong Family posts */
font-size: medium;
}
h1, h3, h4, h5, h6 {
font-family: Times; /* Use Times for Chin Family Posts, Helvetica for Hong Family posts */
}
td.tr-caption {
font-family: Helvetica; /* Use Helvetica for Chin Family Posts, Times for Hong Family posts */
font-size: medium;
}
h3.post-title {
font-size: 20px;
}
by Kenneth Hong July 16, 2023
As I wind my way up Interstate 280, I take in the golden hills of California
and glimpses of the Bay through the cool fog of an ordinary San Francisco
summer morning. Exiting the highway, I drive by the rows of regimented white
tombstones of the Golden Gate National Cemetery and up to the gray concrete
bunker that is the National Archives. The usual feelings of anticipation
build, a mixture of excitement and dread--excitement that I might find
something new and dread that I end up with empty folders.
[Image]
Entrance to the National Archives in San Bruno, CA July 3, 2023
This time, I have largely dodged the real prospect of coming up empty. The
archivist have located the Chinese Exclusion Act era immigration files* for my
maternal grandfather, both of his wives, but nothing for his father. What I
get are files that I have never seen before.
The research room at the National Archives is open by appointment only.
Researchers contact the Archives ahead of time, which allows the archivists to
perform an initial search. If they have something, researchers make an
appointment and take a test to certify they understand the strict safety
and security protocols. No jackets or bags. No pens or books. Only approved
single sheets of paper. No flash photography. No photographing the room or
researchers. Review one file at a time. Keep the pages in order. You get the
idea.
Thank goodness for smart phones. Remember to bring your charger (I didn't on
my first day).
I pull out the first file and slowly, nervously flip though the pages. Most
documents are typewritten on extremely thin onion paper. Some documents are
fastened together. Most photos, loose or attached to documents, are in clear
sleeves. I ask questions. Can I take items out of the sleeves? Yes. How do I
photograph items that are fastened together? They carefully unbind the pages
for me.
I take care to keep these national and personal treasures intact.
I am overjoyed at finding so much new information. New photographs of my
family when they were young and full of possibility. A photo of my
great-grandfather in my grandfather's file. Forms with personal details. Legal
affidavits. Letters to and from family members. Interview transcripts from my
great-grandfather, my grandparents, and their Chinese and white witnesses.
Experienced researchers know how to use their time at the Archives
efficiently. They get a folder and the meticulously scan or photograph
everything then review them at their leisure. In my excitement, I stop to skim
through the documents trying to glean a little bit of what they might hold.
I read through my great-grandfather's transcripts and learn that he first
arrived in the US aboard the SS China on November 26, 1910. I learn about his
work as a merchant in a jewelry and watch store, its name and address. I learn
similar details about my grandfather. I see wonderful original photographs of
my grandfather's first wife and sadly, her 1933 death certificate. I find
their wedding date and read their descriptions of the ceremony and how she
lived with his mother while he lived at school from Monday through Saturday.
After arriving in the US, he studied at the Lincoln School in Oakland. The
same school as my mother. Wow!
The transcripts are dense, single-spaced, and can go on for 20 or 30 pages.
There are documents in duplicate and triplicate. It is too much. It's now 1 pm
and the Archives are closing at 3 pm, an hour early. It's the day before the
4th of July, and they are understaffed. I begin once again to methodically
photograph the pages without reading them.
When I'm done I ask the archivist to look for my great-grandfather's file once
again, this time armed with the date of his arrival and the name of his ship.
We make another appointment for Friday in case they find anything. After
looking through the documents which mention my grandfather's brothers, I ask
them to look for his older brother who is buried in South San Francisco and
for his famous first cousin. They find a thin file for my great-grandfather
with nothing new, a thick file for my grandfather's cousin, and nothing for my
great-uncle.
[Image]
Outside the iron fence surrounding the National Archives July 7,
2023
When I have time to sift through my copies, and the exhilaration fades and
turns to sadness and grief as I see the transparent purpose behind all of the
photographs and interviews. I see the intrusiveness of the Immigration Service
examiners and the lengths to which they went to ferret out any inconsistency
between the "alleged husband", his "alleged wife", his business partners, and
their corroborating Chinese and white witnesses. The use of language was
deliberate. The Immigration Service made no presumption of innocence.
Everything was alleged or suspect until they judged otherwise.
Mugshots of My Maternal Grandmothers These photos were attached to applications for their Chinese Certificates of Identity. Chinese found without an ID could be arrested and deported regardless of their citizenship or legal immigration status.
[Image]
Lee Moon Yee, May 16, 1918 Application for Chinese
Certificate of Identity No. 27206
[Image]
Tso Mee Shew, July 20, 1937 Application for
Chinese Certificate of Identity No. 74138
They asked for detailed descriptions about my grandfather's village not out of
curiosity or interest but in order to find disagreement between the applicant
and other witnesses regarding the layout of the village, who the neighbors
were, and who stayed in which room of their house. There were lengthy
discourses on my great-grandfather and grandfather's business and partners.
Two white witnesses were required to attest that they were in fact merchants,
who were allowed to be in the US under the Chinese Exclusion Act, and not
laborers, who were not. Hands were inspected for calluses. After lengthy first
interviews, the alleged husband and wife had to be recalled more than once to
pursue new lines of questioning or cross check facts.
Then I came across a relatively short 11 page transcript from May 4, 1936,
covering the interviews of ten people. Not too bad you might say. That's
barely one page per person. The interviews were for my grandfather and all of
my uncles and aunts.
On that May day in 1936, 2 1/2 years after his wife died, my widowed
grandfather with his nine native-born American children, ages 5 to 16, took a
ferry to the Angel Island Immigration Station. They then, in turn, sat through
an interview about their alleged parents and siblings. Each interview started
something like this:
Q What is your name? Q How old are you? Q When and where
were you born? Q Who is your father? Q Who is your mother? Q
Where is your mother? Q Describe your brothers and sisters? Q
Where do you live? Q Do you go to school? Q How about your
brothers and sisters?
The younger children had fewer questions; the older ones more. For example,
names and ages of their siblings, where they had lived previously, what they
knew about their grandparents, and their father's work. The transcript also
included a physical description of each of them including height, hair and eye
color, complexion, and scars and moles on their faces and hands.
William, age 5, signed his interview with an "X". The older kids signed their
names in English and Chinese. Elsie had the best penmanship in both languages.
Helene, age 6, could not identify a file photograph (probably taken 18 years
earlier) of her mother who died when she was 3. Henry and Morris could not do
this either. The children give slightly different ages for each other. The
younger ones didn't know the year they were born, and Henry, age 7, gets his
birth month wrong. Edith, age 15, was the only one who knew that their
grandmother was still alive in China and that their grandfather had died.
After I share the transcript with a cousin, she comments about her mother
Helene's interview with familiar feelings of pride, confusion, curiosity, and
outrage:
"She knew most of the answers."
"She didn’t even come into the country, she was born here. Doesn’t make
sense!"
"It’s still cool stuff."
"I don’t know how the interviewers expected 5- and 6-year-old kids to answer
those types of questions."
They asked those types of questions because they were just doing their jobs in
an immigration service bureaucracy build around the Chinese Exclusion Act,
which was the law of the land for the 61 years from 1882 to 1943.
Gallery of New Photos from the National
Archives. To learn more about what else I found in my family's
immigration files, check out my
Angel Island Files post.
[Image]
My Grandfather Chin Pak Yick (Alleged Husband) and his 1st Wife
Lee Moon Yee (Applicant) May 16, 1918
[Image]
[Image]
Lee Moon Yee, 1918 An "entirely respectable Chinese woman"
Chin Pak Yick, 1918 "Well-dressed in American Clothes"
[Image]
My Grandparents Chin Pak Yick and Tso Mee Shew 1937
[Image]
Great-grandfather Hong Yin Ming's Certificate of Identity issued
November 10, 1915 Chinese found without an ID could be
arrested and deported regardless of citizenship or
immigration status (An update of a previous black and white
copy)
[Image]
[Image]
Chin Lain, Departed San Francisco per S.S. Doric April
13, 1905
Chin Lain before trip to the Orient with his wife and
daughters August 1922
Notes:* These immigrations files were from the Angel Island Immigration Station in San Francisco Bay. This immigration station was more akin to an Alcatraz for late-19th and early-20th century Asian immigrants than it's rosie East Coast counterpart Ellis Island in New York Harbor. Like many other processed at Angel Island, several of my father and mother's relatives were detained in the island's caged barracks for weeks and in some cases months while their immigration status was investigated.
No comments yet.
Close this window