tag:blogger.com,1999:blog-9550232490474423942009-02-20T19:56:40.853-08:00Brandon Ruckdashel (work/stage)Brandonhttp://www.blogger.com/profile/13964493757514303651noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-955023249047442394.post-46172041830609932262008-08-10T21:48:00.002-07:002008-11-02T10:36:39.982-08:00The Next Big Thing<span style="font-family:Times New Roman;font-size:78%;">Release Date: Thursday, July 10, 2008</span></p> <ul><p><span style="font-family:Times New Roman;font-size:100%;"> <br /> <br />(Los Angeles) Brandon Ruckdashel stars as Chip in the world premiere musical <b>The Next Big Thing</b>, which opens on Saturday, July 19th, and continues through August 16th at Art Works Theatre on Santa Monica Boulevard. <br /></span></p></ul> <ul><p><span style="font-family:Times New Roman;font-size:100%;">Set in 1983 <b>The Next Big Thing</b> is about Chip and his budding garage band, who are desperately looking for a new sound to take them to the next level. The songs performed by Chip and his band are straight 80s retro pop dominated by the ubiquitous DX7, the first commercially successful digital synthesize</span><span style="font-family:Times New Roman;font-size:100%;">r. As Chip, Brandon plays guitar and keyboards and is a singer in the group. </span><br /></p></ul> <ul><p><span style="font-family:Times New Roman;font-size:100%;">Brandon recently moved to Los Angeles and immediately landed a lead role in the network series <b> The Lair</b> and last month was the lead in the Jerry Zucker pilot <b> National Debt</b>. He played Virgil, a naïve young man caught in the decadent 1920's Parisian demimonde, in the independent feature <b>Virgil</b> and will play Rick, a young struggling actor, in the upcoming feature <b> One Degree</b>.</span><br /></p></ul> <ul><p><span style="font-family:Times New Roman;font-size:100%;">In addition to film and television Brandon has continued his stage work. He played Twist in the Los Angeles production of <b>Twist</b>, nominated for a Drama Desk Award. He most recently returned to New York for George Carr's <b>A Body Without A Head</b>, based on the work of former Calvin Klein Creative Director Zack Carr and designed by its current Creative Director Kevin Carrigan. </span><br /></p></ul> <ul><p><span style="font-family:Times New Roman;font-size:100%;">Brandon made his professional stage debut as the lead in the hit play <b>Ascension</b>. Anita Gates in the New York Times wrote "the 23-year-old Mr. Ruckdashel is making his Off Broadway debut and it is a stunning one. This is partly because he has the intense blond good looks of a young Brad Pitt with a soupcon of James Dean." Elyse Sommer called him “a young Leonardo DiCaprio.” </span><br /></p></ul> <ul><p><span style="font-family:Times New Roman;font-size:100%;">Brandon is available for interviews in New York and in Los Angeles. For Press Passes and Press Kits and for more information about him, contact his management company at 212-410-9404 or 213-840-6224 or <a href="mailto:barney@barneyoldfield.com" target="_blank">barney@barneyoldfield.com</a></span></p></ul><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/955023249047442394-4617204183060993226?l=work.brandonruckdashel.com'/></div>Brandonhttp://www.blogger.com/profile/13964493757514303651noreply@blogger.comtag:blogger.com,1999:blog-955023249047442394.post-80928984363060779092008-08-10T21:48:00.001-07:002008-08-10T22:05:15.483-07:00A Body Without A HeadPress Release 05/02/08<span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;" ><p><span style=";font-family:tahoma,arial,helvetica,sans-serif;" >The Reviews are in and <span class="nfakPe">Body</span> <span class="nfakPe">Without</span> <span class="nfakPe">A</span> <span class="nfakPe">Head</span> is <span class="nfakPe">a</span> major creative success. Playing to sold out houses, <span class="nfakPe">Body</span> <span class="nfakPe">Without</span> <span class="nfakPe">A</span> <span class="nfakPe">Head</span> tells the story of renown gladiator Saint Torpes, who gave his name to St. Tropez. He is played brilliantly by Brandon Ruckdashel.<br /><br />Director George Carr wrote the play about unconditional love as <span class="nfakPe">a</span> tribute to his late brother. Carr previously wrote and directed Jamie ... Another Side Of James Dean. Kevin Carrigan, Creative Director of Calvin Klein, designed the classic costumes.<br /> <br />The limited performance show finishes its run with added performances today at New York's Manhattan Theater Source</span><span style=";font-family:tahoma,arial,helvetica,sans-serif;" >.</span></p><p><span style=";font-family:Arial,Helvetica,sans-serif;" ><span style=";font-family:Tahoma;" ><span style="font-family:Verdana;">The unique look and feel of </span><span class="nfakPe">Body</span> <span class="nfakPe">Without</span> <span class="nfakPe">A</span> <span class="nfakPe">Head</span> was based on the sketches of the late Zack Carr. who joined Calvin Klein in 1970 and, as his Creative Director, played an integral role in creating the spare, streamlined aesthetic associated with the fashion house.<br /><br />Zack Carr oversaw the design teams who produce Mr. Klein's men's, women's, CK, and home collections. and was also instrumental in conceiving the company's well-known advertising campaigns and in attracting celebrity clients.<br /><br />The Zack Carr Foundation in his memory is dedicated to the inspiration of the human spirit.</span></span></p></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/955023249047442394-8092898436306077909?l=work.brandonruckdashel.com'/></div>Brandonhttp://www.blogger.com/profile/13964493757514303651noreply@blogger.comtag:blogger.com,1999:blog-955023249047442394.post-85221662505069506992008-08-10T21:47:00.002-07:002008-08-10T22:14:01.800-07:00Twist<table border="0" cellpadding="5" cellspacing="0" width="600"><tbody><tr valign="top"><td align="left" valign="top"><div style="text-align: justify;"><img src="http://www.mainstreetmail.com/msgs/1197168917_0.jpg" align="left" border="0" height="168" hspace="5" vspace="5" width="225" /> <span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"> <table border="0" height="78" width="366"><tbody><tr><td> <span style="font-size: xx-large; font-family: arial,helvetica,sans-serif;"><strong><em><span class="nfakPe">Twist</span></em></strong><strong><em><br /></em><span style="font-size: small;"><em><span>The New Hit Musical Drama<br />That Los Angeles Is Talking Abou</span></em><em><span>t</span></em></span></strong><strong><em><span style="font-size: medium;"><br /> <span style="font-size: x-large;"> </span><br /></span></em></strong></span><span style="font-family: Arial,Helvetica,sans serif;"><span style="font-size: x-small;">Brandon Ruckdashel, Chris Carlisle, and<br />the other boys in the Los Angeles Production<br />at the Avery Schreiber Theater</span><strong><br /></strong></span></td></tr></tbody></table><br /> </span> </div></td></tr> <tr valign="top"><td align="left" valign="top"><span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;color:blue;"> <a href="http://www.mainstreetmail.com/clickthru.php?story=12410&subID=819915" target="_blank">Ticket Are Available On Theatermania</a></span><br /></td></tr> <tr><td><hr /></td></tr> </tbody></table> <table border="0" cellpadding="5" cellspacing="0" width="600"> <tbody><tr valign="top"><td align="left" valign="top"> <div style="text-align: justify;"><img src="http://www.mainstreetmail.com/msgs/1197163480_1.jpg" align="left" border="0" height="33" hspace="5" vspace="5" width="225" /> <span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"> <table border="0" height="124" width="361"><tbody><tr><td><span style="font-size: small; font-family: tahoma,arial,helvetica,sans-serif;">Dickens scholars and workhouse tyrants have long appreciated the masochistic element underlying the iconic orphan's plaintive "Please, sir, I want some more." But why settle for subtext?<br /><br />It's a question asked and answered (repeatedly) in the tune-lashed saga of Oliver, here transformed from underage boy into "an attractive youth of indeterminate (but legal) age," convincingly portrayed by <strong>Brandon Ruckdashel</strong>.</span> </td></tr></tbody></table> </span> </div></td></tr> <tr><td><hr /></td></tr> </tbody></table> <table border="0" cellpadding="5" cellspacing="0" width="600"> <tbody><tr valign="top"><td align="left" valign="top"> <div style="text-align: justify;"><img src="http://www.mainstreetmail.com/msgs/1197164096_2.jpg" align="left" border="0" height="52" hspace="5" vspace="5" width="225" /> <span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"> <table border="0" height="166" width="364"><tbody><tr><td><span style="font-size: small; font-family: tahoma,arial,helvetica,sans-serif;">The concept behind <em><span class="nfakPe">Twist</span></em> is good, dirty, campy fun. You get the feeling that someone got the idea for it when noticing that Oliver Twists' famous "Please sir, can I have some more?" sounds suspiciously like something a masochist might say during a beating session....<br /><br /></span><div><div><span style="font-size: small; font-family: tahoma,arial,helvetica,sans-serif;">But the core - the sad youth who says "It's what I know" - is never too far from the surface of this Oliver. <strong>Brandon Ruckdashel </strong>plays him (here called <span class="nfakPe">Twist</span>) with a simple earnest innocence. Even though the sort of thing that makes his face light up with joy isn't what most would call "innocent." <strong><br /><br />Ruckdashel's <span class="nfakPe">Twist</span></strong> is basically just looking for a place where he can feel safe. And putting that sort of heart into the piece, from beginning to end, grounds the entire production.<br /><br /></span></div></div> </td></tr></tbody></table> </span> </div></td></tr> <tr><td><hr /></td></tr> </tbody></table> <img src="http://www.mainstreetmail.com/msgs/1197165987_3.jpg" align="left" border="0" height="38" hspace="5" vspace="5" width="225" /> <span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"> <table border="0" height="370" width="364"><tbody><tr><td><span style="font-size: small; font-family: tahoma,arial,helvetica,sans-serif;"> <span><span style="font-size: 16px; line-height: 21px;">From the poignant “Bound and Tied,” sung beautifully by <strong>Ruckdashel</strong>, to the Artful Dodger’s infectious “Sucker” (“fill up my mouth and I’ll be a sucker for you”), to the rousing Act 1 finale “You Can’t Choose Your Family,” this is one of the best original scores I’ve heard in a long time. (There’s also the Abba-esque “Clothing Makes the Man” and the touching “Reflection,” a gorgeous love song for <span class="nfakPe">Twist</span> and Dodger, among other winners.)<br /><br />Director Storiale spent several months casting <span class="nfakPe">Twist</span>, and it shows in the musical theater talent he has assembled. The title role was the hardest to fill until, at the end of several months of searching, <strong>Ruckdashel</strong> arrived from New York and blew the competition away. Looking and singing like an angel (with a naughty gleam in his eye), <strong>Ruckdashel</strong> is, as they say, “a find.”</span></span></span></td></tr></tbody></table></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/955023249047442394-8522166250506950699?l=work.brandonruckdashel.com'/></div>Brandonhttp://www.blogger.com/profile/13964493757514303651noreply@blogger.comtag:blogger.com,1999:blog-955023249047442394.post-36876664422441666522008-08-10T21:47:00.001-07:002008-08-10T22:17:31.627-07:00Ascension<span style="font-family:arial,helvetica;"><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><b>Red Light District</b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:85%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" >presents the world premiere of</span><span style="color: rgb(0, 0, 0);font-family:Geneva;font-size:85%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:P22 Victorian Gothic;font-size:7;" lang="0" ><span class="nfakPe">Ascension</span></span><span style="color: rgb(0, 0, 0);font-family:Geneva;font-size:85%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" >by </span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><b>Edmund De Santis<br /></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" >directed by</span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><b> Marc Geller</b></span><span style="color: rgb(0, 0, 0);font-family:Geneva;font-size:85%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:Geneva;font-size:130%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" >with<br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>Stephen Hope</b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>Lucy McMichael</b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><br />& </span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>Brandon Ruckdashel<br /><br /></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" >set design </span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>Aaron Mastin<br /></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" >costume design </span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>Dennis Ballard<br /></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" >lighting design </span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>Frank DenDanto III<br /></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" >stage manager</span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b> Christy Thede</b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><br />general press representative </span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>KPM Associates</b></span><span style="color: rgb(0, 0, 0);font-family:Geneva;font-size:85%;" ><br /><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><b>Fri., October 6th - Sat., October 21st<br /><br />The Lion Theatre on Theatre Row<br /></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" >410 West 42nd Street (between 9th & 10th Avenues)</span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:78%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:130%;" ><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" >Previews: Friday, Oct. 6th through Monday, Oct. 9th<br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><b>Opening Night: Wednesday, October 11th</b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><br />Monday through Saturday performances at 8:00 <br />Sundays performances at 3:00 & 7:00<br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><i>No performances on Tuesday, October 10th<br />or Monday, October 16th<br /></i></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" >Tickets: $18 For reservations call: </span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><b>(212) 279-4200<br /></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" >or visit</span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" ><b> <a href="http://www.ticketcentral.com/" target="_blank">www.ticketcentral.com</a></b></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:85%;" ><br /><br /></span><span style="color: rgb(0, 0, 0);font-family:Helvetica;font-size:180%;" >NO ONE WILL BE ADMITTED AFTER<br />THE PERFORMANCE HAS BEGUN</span></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/955023249047442394-3687666442244166652?l=work.brandonruckdashel.com'/></div>Brandonhttp://www.blogger.com/profile/13964493757514303651noreply@blogger.comtag:blogger.com,1999:blog-955023249047442394.post-28273644815671998062008-08-10T21:46:00.000-07:002008-08-10T21:47:14.790-07:00Surf's Up!My First musical with TNT<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/955023249047442394-2827364481567199806?l=work.brandonruckdashel.com'/></div>Brandonhttp://www.blogger.com/profile/13964493757514303651noreply@blogger.com