Company One: Changing the Face of Boston Theatre

Grace Geller: Putting it all Together

2009-07-08T20:37:00.000-07:00

Happy July 4th to everyone! I hope you all had a great weekend. This was the first year I spent the 4th in Boston and it was beautiful! I got a spot with some friends on the Esplanade RIGHT in front of the barge. The fireworks (and Boston Pops) were amazing!

On Thursday I went to help ‘clean’ and add small touches to the set. I was under the impression this would mean sweeping (which it did), but was unaware I would also be given power tools – not my forte but I managed. I’ve been looking at the set model for weeks and enjoyed watching the elements come together. I don’t want to give anything away, but the set contains many surprises. As in “After the Quake,” where the story transitions from fantasy to reality, the set itself is full of magical transformations. Watch out for people and objects appearing out of nowhere!

As for rehearsals, we had a long break and are now in the theater! The set is mostly finished and so today we were able to play with all the different prop and set pieces. Unlike many plays where stagehands move elements of a set, such as chairs, in “After the Quake” the actors are the ones to change things. We spent a while today explaining all the transformative elements to the actors and working out kinks.

Besides using the set, tonight we also rehearsed a full run with music for the first time. We’ve added music to every section individually, but have never run through the whole play at once with all the music. Although we added a lot, the run went pretty well. It was also great to be able to hear the play – actors and musicians – and check the volume in the theater. The incorporation of music tonight went really well. The music feels very fluid and truly is a necessary character in the play.

This week we’re doing full run-throughs of the production leading in to tech next week. Because we’ve already worked in sound and set (which are normally two major components of tech week), hopefully tech will go pretty easily as we will mostly just have to work in lights.

I look forward to watching it for the next two weeks from every seat, every angle, to make sure every audience members gets the full experience. I’m so excited for the show to start! Buy your tickets! It’s going to be a great production.

See you there!

* Grace

The World Comes Together

2009-07-07T07:03:00.000-07:00

First off, I just have to say that I forgot how much I absolutely adore walking through Boston at night in the summer. One of my favorite things to do. I was thinking about that as I walked to the T from rehearsal tonight and deciding exactly what I would write in this blog entry.

That being said, the show has grown so much it’s hard to believe we have so little time left before opening. I’ve spent the past week or so away from rehearsals. When I wasn’t off celebrating the fourth (hope you had a good one) I was helping Nick and Mark build the set. Now, I’ll be honest. When it comes to carpentry, I’m much better at building a quarter-inch scale model of a set than the “full scale model”, as one of my teachers fondly refers to it. I can work an X-Acto knife much better than a table saw. Still, it was nice to be back in a scene shop. I find the smell of sawdust oddly comforting. And it was nice to be able really feel progress coming along. I mean, watching the rehearsals you can see the actors get more and more into character each night. They truly are progressing, but for me I was really gearing to go. And it was great to be given a drill, some screws and wood and told to build a step, and then to have that step there. It’s a nice little ego boost.

Problem was, the scene shop was at the rehearsal space which is not near the theater. And so we had that day where we carried every piece of furniture into a uhaul, and then out of the uhaul and into the theater. I was reminded of carrying set from the stage of my high school to the back of the bomb shelter (yea we had one, it was creepy) where we stored things. But on load-in day, when I was doing my best to help carry the bed, I just kept thinking about those long walks with some obscure piece of set. I had a little nostalgic moment there. But once we had everything unloaded in the actual space I jumped immediately back to ATQ mode. Soon enough, this little world we’ve been talking about for months was actually taking shape. And once the painting started it just started to come together that much more. I helped a bit with the texture of the bamboo and Sean did a really great job making the floor actually look like bamboo. Props to him.

But now that I’m back in rehearsals I’m a bit baffled by how far they’ve come. It’s almost a completely different show, but in a great way. There was one moment tonight where Sydney screamed a scream of terror and I had completely forgot it was coming. I literally jumped. And though I’m only twenty, my innate maternal instincts went crazy. And then I was just impressed by the work they’re doing.

You’ll just have to see for yourselves what I’m talking about. I’m really glad I’ve gotten to see this show transform so much.

Have a good one!

Jessica

Alycia Marucci, a frog?

2009-07-01T21:59:00.000-07:00

Hello again everyone!

Another week down, and I am happy to report that we have made great progress since I last posted. This week has been subject to run-thru's and long work lists of very specific moments. Its working out very well though, the scene between Sayoko and Junpei in college changed a lot this week, and now the moments in that scene are clearer than ever.

I got to play Frog this week! Well, sort of. Mike was not in rehearsal on Monday, so we worked around most of the Frog and Narrator moments, but we had to work a couple of transitions with music, so it was necessary to know the specific timing of the onstage frog to narrator quick change, which means of course that I was asked to put on an overly large mens green jacket, white gloves and the narrator hat. It was pretty hilarious I think, the jacket pretty much swallowed me. I also always feel badly when I have to stand in during scenes, because usually all of the actors are forced to adjust to the fact that I am much shorter than their usual scene partner. If I could I would remedy the situation by wearing super awesome platform shoes, or boots or something, but alas, I am not equipped with such luxuries.

We have the weekend off of rehearsal for the fourth of July, so we will be 4 days away from the show after Wednesday night's run-thru. Usually something falls apart when you take that many days off from a show, so we will see what happens. I am hoping though, that enough has solidified in the last couple of days, and we worked moments specifically enough so that everyone will be able to fall back into it when we come back from the break...and before we know it we will be in tech! I love tech, its my favorite part of the rehearsal process because it moves both the fastest and slowest of all the rehearsals throughout the whole production process. More to come next week!

Alycia

Russ likes Japanese food...

2009-07-01T08:13:00.000-07:00

The show is getting closer!! That means a lot of running around for me. In the last few weeks I’ve made some follow up e-mails and phone calls to businesses and clubs in the Boston area that expressed interest in either coming to the show, or buying advertising. Most restaurants that I called were really fun to contact for a couple reasons. First, the people even if they couldn’t make a commitment on the phone seemed genuinely interested in the show. Secondly, I came to realize just how many family- owned Japanese restaurants there are in Boston. Sometimes there was a bit of a language barrier and it was cool to be able to get our message out there despite temporary obstacles! It makes you realize how many small, family-owned companies make an imprint in our city. Third, it reminded me of just how much I love Japanese food.

This week however I start postering and leaving postcards at businesses all around Boston. That way, when someone is waiting to get their hair cut wondering what to do on July 17 there is a poster/postcard right there. This is also great because the owners of the establishments ask about the show, any of their customers also ask, and the word is spread!

So hopefully by Wednesday there will be a green poster with a frog on it saying AFTER THE QUAKE everywhere you go.

-Russ

Paige Warren: Holding Down the Fort

2009-06-29T11:16:00.000-07:00

So while Miranda is away on a vacation this week, she left me with a couple assignments to work on. I'm currently in the middle of working on Sala's (Sydney's character's) pajamas and trying to think of more ways to make the illusive 'bra trick' work as well as researching different potential narrator hats.

Last week she asked me to look up "too cool for school" hairdos for Sala which was great! I'm a huge fan of Harajuku fashions (particularly Decora and EGL) so I realized a lot of those styles, which are based on little girl hairstyles, would work really well on Sala. I happen to have the Fruits and Fresh Fruits books which I went through, marking the styles that would work for Sydney, and passed the research off to Miranda.

This process has already been really rewarding and I'm eager to get back to work on the pj's. I am a little anxious since I'll be speaking in Miranda's place for her at this Sunday's production meeting but I know I don't have too much to be worried about since everyone's always been really nice and welcoming at the meetings. Next week we're really gonna dive right into building, shopping for, and painting more of the pieces as we get closer to tech week.

*Paige*

Nick Tosches: The Technical Side

2009-06-28T18:42:00.000-07:00

Hello once again everyone out in internet land. A lot has happened since my last blog and since there is no sense in beating around the bush with pleasantries, so I shall get right down to business.

We started set build this week and things have been going awesomely. Mark asked me what project I would like to take on with the set, and after some thought I decided to work on the archway (it’s going to be a floating Japanese style pagoda roof/arch thing). I chose this project because I wanted to learn how to rig and hang something large that isn’t just a flat piece of scenery. So most of the job will be done during load in, but I succeeded in finishing building the frame work and 3 sides of the facing in only two days. Besides the set building, Mark has been teaching me the nuances of being a tech director from scheduling to what pieces of scenery are a priority and such. He has taken the time to discuss how to deal with designers and directors and how you can make their vision come true while doing your other duties, and this week’s lesson was that something should not fail simply from a lack of trying. Even though your first instinct may be to say no because what is designed or asked for seems impossible, impractical, or over budget, there is almost always a way to execute it.

So next week is looking to be just as fun and tiring as this week was, as we finish the set build and begin our load in. I am also looking forward to the designer run this weekend and hopefully we’ll be able to keep up this awesome pace that we have set for ourselves. See you all later around the blogosphere!

-Nick

ATQ: Jess Strikes Again...

2009-06-27T15:57:00.000-07:00

Hello again from your friendly PA. After the Quake is going swimmingly (I like adjectives). But honestly, as each week passes the show gets better and better. Now with the rough blocking done, the actors are starting to really delve into their characters and why they do the things they do. It’s part of what I personally love about theater, watching a play grow and transform from the first read-through to opening night. You see ‘characters’ become people and a whole be created in front of you. It’s really something and this cast is really growing with their characters.

The set is now being started as well and I’m excited to see this world literally come into being. I have a soft spot for scenic design, specifically painting, and I can’t wait to finish the building and get to work on painting it. I think the model and designs fit the concepts for this show so well, that I really just want it to be opening night so everything falls into place. I won’t give too many details; I couldn’t do it justice, so you’ll just have to come see it for yourself (:. But I just love that everything is starting to take shape. We’ve been talking about this deadline of sorts, opening night being in the middle of july, but as it gets closer and closer everything sort of starts coming together. It’s exciting and I’m so happy to be a part of it.

I really am ready to get into House Manager mode. The stage management crew and I have all been joking, we all wear glasses, but when I trade my PA hat for my house manager hat I’ll start donning my contacts. Just a little anecdote to make you chuckle. Speaking of stage management, I told Alycia I’d mention her fantastic drawings that are decorating my folder. My particular favorite is the wood that says “Hey. We’re Norwegian.” But thanks to this show Norwegian Wood is slowly climbing its way up my list of favorite Beatles songs. The music is really bringing this show together. The cast was doing such a good job, but me saying music when the script calls for it just isn’t the same as hearing the violin and bass clarinet come in with their haunting melodies. It was like the missing piece to the puzzle and it fits so organically that it’s no wonder why the script calls for so many specific music cues. I’m really just excited to see it all finished and come together.

Happy Theatering!
Jessica

P.S. If you haven’t checked out the video trailer, you should. It’s pretty baller: http://www.companyone.org/theatre_show_2008_quake/photos_videos.shtml

Grace Geller: Take Two

2009-06-23T10:25:00.000-07:00

What’s scary about boiling Brussels sprouts? I have no idea, but there’s something creepy when Frog compares inflicting ‘physiological terror’ on Big Bear Trading to boiling Brussels sprouts. This is one of my many favorite moments in “After the Quake.” Murakami is a beautiful author. His words paint an elegant story that has been masterfully translated into a play by Frank Galati.

Despite the shudders Brussels sprouts now give me, “After the Quake” is not about terror. As we’ve been working through the production process there have been many discussions about the element of ‘fear’ in the play. The play hinges on nightmares surrounding the 1995 Kobe earthquake. But, as the title states, it is a play about what happens ‘after the quake.’ It is a play about how people deal with fear – from widespread death and destruction to personal insecurities. The play depicts universal problems and showcases the best of people. There is hope for every character, from the lonely honey bear Masakichi to the central character Junpei. There is hope that everyone can face their fears.

We have a little under a month left and we’ve already started doing runs of the show. Last week we incorporated the musicians into some scenes. Music is a HUGE element to “After the Quake.” The musicians will constantly be on stage and act almost like another character, helping to drive the show. Music is also vital to help the audience understand the progression of the play, as it switches between time, place, and character rapidly. Although I knew all this from reading the play (and seeing all the music cues), it was a shock to hear the musicians actually there working with us in rehearsals. I had grown accustomed to all those awkward moments. But now, music really brings the show together; it fills in pauses and creates charming moments.

Working on the show so far has been a truly rewarding experience. I am able to talk with Shawn (the director) and Liana (the dramaturg) during each rehearsal and then watch my comments effect the scene. I’ve also been working individually with some of the actors before each rehearsal, helping them with character work and their objectives for long monologues. I feel like I’m really a part of the rehearsal process.

I’m off now to start “Norwegian Wood,” one of Murakami’s novels. You should watch the video trailer and get your tickets for this amazing play.

I’ll write again soon!

* Grace

Russ is busy!

2009-06-22T09:04:00.000-07:00

Hello Again!

The last couple of weeks have really gotten the ball rolling. E-mails and phone calls have gone out to more businesses and clubs than I can count. Each message is spreading the word about After the Quake. I have gotten feedback from many of the companies that I have called and they sound genuinely interested in our upcoming show.

Giving out postcards continues as always, and posters will be going up around town this week. The posters look fantastic!

I am going in on Tuesday to map out an effective postering strategy, and to make more calls.

Short but sweet, as things get underway.

Also remember… the best way to spread the word about After the Quake is by word of mouth. So if you can think of anyone or any groups that would be interested, let them (and me) know! We want all of Boston talking about the show!

-Russ

Alycia Marucci, ASM, Round 2...Fight!

2009-06-19T16:24:00.001-07:00

Hello again everyone!

This week has been quite productive in rehearsal. We managed to work on a lot of the dynamic between characters during scenes as well as add in music to some of the transitions. It is definitely a challenge working with live original music, but I think that the end result will be phenomenal, it already sounds really good when the chaos of adding the new element to the play subsides. We are doing our first run through on sunday, which should be super helpful for stage management to really understand the flow of the piece, as well as the specific timing for a lot of stuff that we haven't been able to work as a whole yet.

I have taken to spending my down time in rehearsal doodling on post-its and giving them to various people. Emily's and Eliza's production books are already littered with my periwinkle 2-dimensional masterpieces. So far I have successfully animated the following:

- the character of Katagiri as a cheerleader, jumping in support of Frog in the middle of his battle with worm.
- Sayoko hiding behind her japanese fan.
- the stage management team (with a caption stating that "Stage Managers are Coo.")
- the weather outside the rehearsal room on Sunday (mother nature thought it would be quite spectacular to allow the sun to show its face only during the hours of our rehearsal, and deemed the rest of the day rainy)
- a spy. (unrelated to the text of the play, it was however a secret-spy note regarding very important prop information...)

more next week once we start doing run-throughs!

Alycia

After The Quake: Paige Warren

2009-06-16T07:14:00.000-07:00

I was beside myself nervous when I first met the Costume Designer, Miranda Giurleo, for whom I would be interning, and again when I met the rest of the cast and crew for After the Quake. I had no idea what to expect since this would be my first costuming position outside of an academic setting and it was the first time I would be working in Boston. Although I kept reminding myself that the three years I spent in high school working on costumes and the two I've spent so far in college at UVM had prepared me for the majority of my responsibilities as Assistant Costume Designer, I was nervous that I would fall short and let the designer, and myself, down.

When the time came I was relieved to find out that many of my responsibilities were just what I was eagerly anticipating and that the cast and crew have been very welcoming, supportive, and helpful. Since the company and the production are a smaller scale than I expected at first, I've found that I've been able to really focus on the business side of costuming (less of what goes on stage and more of how it got there to begin with). I can't begin to describe how amazingly helpful this process has been, especially at a professional company, and how much I've learned in just the first few weeks of working. Speaking of which, I actually need to update the Costume Bible for After the Quake now. I can already tell that this production is going to be enriching in many ways.

Paige

After The Quake: Nick Tosches

2009-06-15T07:53:00.001-07:00

Greetings to you all in the blogosphere! I’m Nick and I am currently a upcoming Senior at Emerson College majoring in stage management. Yes, I know what your thinking; “What is a stage manager doing building things and not taking rehearsal notes?” Well that’s cause I also enjoy carpentry/propping/anything that requires a hammer to bang things into shape just as much as banging out paperwork. I first started working in theatre as a stagehand/carpenter at my high school. After my director asked me to be the school’s production manager my senior year, I learned that I also liked organizing and running rehearsal/tech/and the other general fiddly bits of management. So while I stage manage by night I usually spend my days as a carpenter.

This is, however, my first time as assistant technical director and I want to thank both the technical director Mark VanDerzee and production manager Sarah Cohan for giving me this great opportunity. Hopefully I just have to combine my skills as a stage manager and carpenter and everything should be fine right? So far I’ve learned that there is a lot of looking at the big picture as a TD that a stage manager does not necessarily have to do. For example, while a stage manager might have to think about the safety of an actor who has to stand up on a 5’ tall platform, a TD has to think about not only the safety of the actor, but how is that 5’ platform going to be built so that it is both safe/structurally sound/and aesthetically pleasing. It’s definitely a different way of thinking, but coming up with a solution to a problem is the fun part.

So far it’s been a read through and production meetings with the occasional meeting with Mark about budgetary and technical elements, but I am really looking forward to the build for this show because this set is kick ass! I’ve always been a fan of combining the traditional with the modern, and the set designer, Sean Cote, has taken the elegance of traditional Japanese style and combined it with the boldness of modern design. I won't give too much away as I want all of you to come see this play for yourselves. This set along with everything else truly portrays the kind of magic you can only get in theatre. And I get to build it! I know you are all jealous, but you should have thought about that before reading my blog.

So thank you all for reading this and I will catch you all later in the continuation of this blog, And as Jessica said before me, I hope you all are getting excited for the show, because I certainly am.

-Nick

After The Quake: Jessica Hegarty

2009-06-12T07:15:00.000-07:00

Hi all! I’m going to start with an introduction, which seems to be the trend. My name is Jessica and this coming fall I will be a junior at the University of Massachusetts Amherst. I’m majoring in theater and minoring in french out there in the valley and cannot express how excited I am to be back in the city and working with such a great company. Originally from the north shore, I’ve been doing theater since the age of nine and really just love everything about it. For this production I will be serving as the Production Assistant and also as the House Manager.

For me, I really just love theater. I knew I couldn’t spend another summer working in a tiny kitchen without air conditioning, pretending that I didn’t miss the stage. Well, let’s just say things seem to be working out better than I ever could have hoped. Being a production assistant is really the perfect way to just dive right in and get a great hands on experience. I change my mind every day about what career I want to pursue in theater and just being able to see all aspects, jobs I didn’t even know existed, is truly an amazing experience. So thanks Company One for making that happen :). But if you want the specifics, I
am in rehearsals, helping as much as I can. I tend to stick with the stage management team, assisting them primarily. I also work in the office at times helping with general company needs.

As far as House Managing goes, well I’ll be the one to answer your questions when you come and see this fabulous show :). I’ll be connecting with the stage managers and making sure the show starts when it’s supposed to and that you all find your seats. Front of house is going to be a new experience for me, but I’m excited to learn and try something new.

I hope you all are getting excited for this show; it’s really coming along and I think you’ll enjoy it. I look forward to blogging with y’all a bit more!

Happy theatering! <3
Jessica

After The Quake: Grace Geller

2009-06-10T11:47:00.000-07:00

Did you know that at 5:46 A.M. on January 17, 1995, the Great Hanshin Earthquake hit near the city of Kobe, destroying the city and killing over 5,000 people? I didn’t, until I started working this summer as Assistant to the Director and Dramaturg for “After the Quake.” In the past month I have learned about this earthquake and many other facts about Japan.

A little about me – my name is Grace and I’m a rising senior at Wheaton College, a Classical Civilizations major and Theater minor. I am excited to be working with Company One this summer. I started work one month ago and I’ve met so many amazing people!

So what do I do as Assistant to the Director and Assistant to the Dramaturg (yes, I do both these jobs, there was some confusion about that as the assistant stage manager thought the Assistant to the Dramaturg was just never around for the first week)? For much of May, I was working with the Dramaturg to create the Dramaturgy Packet for the actors. For any who don’t know, a Dramaturgy Packet is researched information given to the actors to help explain different aspects of that show. For “After the Quake,” the packet consisted of information on Japan, earthquakes, and Murakami, as well as shorter definitions of people or places referenced in the play.

Now that rehearsals have started, I’m working as the Assistant to both the Director and Dramaturg. I’m getting the opportunity to watch and be a part of every rehearsal. As part of my job, the Director or Dramaturg will also ask me to look up something before the next rehearsal. For example, today I’m learning how to bow properly in Japan so I can teach one of the actors.

I love working for Company One. I also LOVE “After the Quake,” Murakami has such beautiful imagery that translates perfectly into the play. Anyone reading this really ought to go buy tickets for the show. I’ll write again in a few weeks! I’m excited to see how the play develops!

-Grace

After The Quake: Alycia Marucci

2009-06-09T20:46:00.000-07:00

I suppose I should introduce myself since this is my first blog entry. I am Alycia, the second assistant stage manager for After the Quake. This is my first time blogging, so we will see how it goes. Ummm…

I am super excited to be working with Company One for the first time! I am having an amazing time in rehearsal, everyone who is here is fantastic, the attitude in rehearsal in incredibly low-key, and yet we still manage to focus and move forward really well.

We are a little over a week into rehearsal at this point. We finished blocking the show yesterday, and we are going to begin reworking scenes tomorrow morning. So far everything is going along smoothly, we are working with props and are partially off book so we are doing well.

We had to change rehearsal spaces because we had a morning rehearsal today, which meant we had to bring the props from our normal rehearsal space to the BCA studio in the south end. I must say I felt slightly ridiculous carrying 90’s cordless phone, an empty sprite can around in my bag all day.

I hope that was a good first blog entry! I would write more now except that my foot is falling asleep and I feel as though I should attend to the situation. More to come next week!

-Alycia

After The Quake: Russ Woron-Simons

2009-06-08T13:33:00.000-07:00

Hi! I'm Russell Woron-Simons. I am a native of Brookline and a rising senior at Vassar College. My double majors of Classics and Drama, as well as membership in various student-run organizations, keep me pretty busy during the school year. This summer I am very excited to be the marketing Intern for Company One!

So far my efforts have focused on getting the word out about “After the Quake”. I’ve been drafting letters and emails reaching out to different communities in Boston. I’m really trying to get people excited about the show, and am hoping to help build Company One’s reputation as a source of theatrical inspiration and thought.

I have also been handing out postcards on the street. (My job is very glamorous!) Actually, I’ve found passing out the cards has been pretty rewarding! The massive stack of cards are quickly dispersed and people seem glad to get them! And they read them! And ask questions! It has been fun to talk with all sorts of people about the play and Company One -- and I've met some really unusual people in the process.

I just began my internship a week or so ago… looking forward to seeing how else I can help as the “After the Quake” grows closer.

The Merry Month of May

2009-05-21T11:22:00.001-07:00

We are less then two months away from After The Quake. Two Months!

Let’s see where we stand…

We have our cast, we have our designers, some fantastic new assistants for the summer (who you’ll get to meet soon as well)… our team is good to go!

About a week ago we had our first production meeting, the first chance to get all the designers in one room with the director (Shawn LaCount, also known as the Artistic Director for Company One) This play is going to dip into the emotional basin of the audience, and bring to the front some amazing feelings. I hope you’re ready for the ride.

In other exciting news, the Elliott Norton Awards just passed (May 11th), and our own Summer Williams took home the 2009 award for Best Director of a fringe/small company (Voyeurs De Venus), CONGRATULATIONS!
http://www.stagesource.org/pages/22600_27th_elliot_norton_awards_2009.cfm

For those of you who have or know (or are) teenagers looking to sharpen their/your young acting chops, or need a great program for the student that does NOT want to spend their summer in the woods using an outhouse (just saying), click on this link --> http://www.companyone.org/StageOne_summer_program.shtml <-- and you'll be happy

Become acquainted with Company One's summer program: Stage One. Four two-week sessions, morning and afternoon options, running July 20th to August 14th, you can’t go wrong.

In the meantime, keep checking back here for updates!

We (of course) have some more meetings coming up, rehearsals are starting soon, and I’ll be here to leak news, (hopefully photos!!!), and anything else I can get away with!

-Alyssa

Well Hello!

2009-04-18T08:23:00.000-07:00

Who is this blogging you may ask? It’s time for another voice on the blog. For those of you who have not run into me at an audition or with a paint brush in hand, this is Alyssa McKeon, Asst. Production Manager. I want to meet you (yes, every last one of you), so I’ll let you on to a little secret. I’m working the door at The Superheroine Monologues, A Parody of Super Proportions (Check out the link if you missed the review in The Metro - http://www.metro.us/us/article/2009/04/17/01/0811-77/index.xml )

What I’m trying to say, dear people reading my posting, is that if you want to meet me, get out, get to the theatre, and come see my smiling face (along with a fantastic show!)! I’ll be there tonight, and next week, but the rest of the cast and crew will be working their spandex off all weekend long!

(Let me give you a helping hand: https://www.ovationtix.com/trs/cal/168/1238612400000)

I’m not here to promote The Metro, but let’s be serious, they write about things I care about (like the Boston Theatre Scene) and have been known to break news before CNN (I’ve seen it happen my soon to be friends, soon to be as soon as you get out, get to the monologues and meet me… I’m serious).

The point being, right now, the BCA, home to giants such as SpeakEasy, The Theatre Offensive, Public Theatre, Up You Mighty Race, and DRUM ROLL PLEASE...Company One, is up to grab some serious money in a grant contest. 25 historic sights are competing for a $100,000 grant.

Wow.

$100,000 to go towards the BCA! The only thing missing is your vote (not mine, I’ve voted 3 times today. Do not ask questions, and do not tell…).

Click it and make it a reality: http://www.partnersinpreservation.com/boston/index.php?sec=vot.

I’m going to digress a bit, since we touched on resident companies at the BCA… lets sound some congrats out to all the Companies for a great showing at the IRNE awards! In case you weren’t there (some of us like myself tend to forget what day of the week it is or what their own name is, so we can’t always remember to make it to events…), our own MASON SAND took home the IRNE for Best Supporting Actor in a Musical for his role in Company One’s Assassins this past summer. Yes, I am going to tell you to share the love with Mason on our facebook page. He deserves it.

Enough about other people, lets get back to me and my life. The past few weeks have been consumed with After The Quake casting and callbacks, and I have to say, we are proud to present the Cast (head shots and all) to you on our webpage! I’m assuming you know where that is, since you clearly found this blog by facebook or our homepage… unless there’s something you’re not telling me. We’ll talk about it after we become friends at The Superheroine Monologues. Either way, we’re heading into the final stretch of preparations before full scale rehearsal breaks out! Don’t worry, we’ll be keeping you titillated until opening night (mark your calendars) on July 17th with teasers such as production photos and the by now FAMOUS Company One Video Trailers.

Ok people. I am, frankly, simply out of exciting news to tell you, unless you want to chat about the hair cut I’m planning (look out Boston!). Check back soon, I’m sure to have more links for you to click, and more things you NEED to know.

-Alyssa

THE PAIN & THE ITCH - Video Trailer + Boston Globe Article!

2009-03-09T11:10:00.001-07:00

Read the Boston Globe's article on playwright Bruce Norris and check out the video trailer for THE PAIN & THE ITCH, just released!

Company One nominated for 4 IRNE Awards!

2009-03-04T09:53:00.000-08:00

Company One has been nominated for 4 2008 IRNE Awards!

-Best Supporting Actress: Marvelyn McFarlane in VOYEURS DE VENUS

-Best Supporting Actor: Mason Sand in ASSASSINS

-Best Director of a Musical: Shawn LaCount - ASSASSINS

-Best Musical: ASSASSINS

Congratulations to all the artists involved!

To view all the nominees, visit http://www.stagesource.org/pages/22464_irne_awards_2008_page_one.cfm

Coming Up: THE PAIN & THE ITCH!

2009-03-02T13:55:00.001-08:00

Company One is proud to present the Boston premiere of Bruce Norris's controversial play THE PAIN AND THE ITCH, featuring Nancy E. Carroll. With a young daughter in serious need of attention and a ravenous creature possibly prowling the upstairs bedrooms, what begins as an average Thanksgiving for one privileged family unravels into an exposé of disastrous choices and less-than-altruistic motives. THE PAIN AND THE ITCH is a scathing satire of the politics of class and race, a compelling, painfully human examination of denial and its consequences. Following sold out runs at Chicago’s Steppenwolf Theatre and New York’s Playwright’s Horizons, Company One is proud to stage this highly anticipated Boston premiere.

March 13 - April 4, 2009 - Boston Center for the Arts Plaza Theatre
Wednesdays + Thursdays @ 7:30 pm
Fridays + Saturdays @ 8:00 pm
Sundays @ 2:00 pm

Purchase Tickets
View Cast + Crew
View Photos

All In One

2009-02-02T10:59:00.000-08:00

Hello Ladies and Gents,

It is I, Tory Bullock, here and back in full effect for one last final post. Hold your "awwws" and "please don't go’s" because it is time for me to fade off into the sunset with my ARTiculation crew riding towards our next adventure. Due to the fact that i have fallen behind in a lot of the bloggage (yes i did in fact make up a word) this blog will be the most epic in length blog you will ever see, so brace yourself. I will be breaking down this blog into weeks so you will be brought up to speed on the entire process, and not just reflection. So our story will pick up where we left off: opening week.

OPENING WEEK:
Wow. The day is almost here. We are all set with costumes, the set is done, our dressing rooms are in order, our headshots are already up in the lobby, AND i just found out that i can get a free gift card to Qdoba which happens to be the main outlet for actual food around the theatre so it goes without saying that i am a very happy man. This is the first show that I’m not nervous for. I have done a lot of Theatre in my time - even though my time hasn't been very long, it is still time none the less and i have never not been nervous. This is due, yet again, to the fact that what we are performing has been a part of my life for so long. We have performed this piece in so many different ways that to do it in the same space with the same cast every night is really a relief. But while i am not nervous i am something else that may prove to be a little worse and that is 100% anxious. I say its worse because with my anxiousness comes the questions that actors DREAD: "Will people come?" "will they like it?" "am i going to mess up?" and those questions are currently making the rounds in my head…

OPENING NIGHT into WEEK 2:
I’m at the Theatre early. Call is at 6:30 and i am here at 5. Call it being antsy but i just could not stay home and from the looks of it neither could the rest of my cast. We are all here with the exception of Ms. Terri D. Nik is lying down on the stage doing his "actor thing" while Danny is sitting in the audience chairs going over his lesson plan for his class the next week. Lindsay is cueing lights with Mark and Eliza, Marvelyn is in the dressing room listening to Beyonce and eating mac and cheese, i am watching it all. Like an old man sitting on his porch with a cup of ice cold lemonade on a blistering hot day, i sit on the side of the stage and just watch in complete awe of everyone and everything that is about to happen. I’m still NOT NERVOUS, but there is a new feeling: pride. i am filled with such pride to share the stage with these people. From the core four all the way to the new recruits, we have become a real family and in the wonderful gypsy world of theatre you don't get too many of those – I’m still trying to figure out how i got so lucky. Fast forward two hours and we are at half hour until the show begins. We have already done our group warm ups - you could tell because the back rooms were filled with air, breathe, bellowing diaphragm supported hoots, and insane calls of UNIQUE NEW YORK (its a tongue twister try it sometime. Repeat it over and over UNIQUE NEW YORK). But the time for group warm ups has ended and we all find our own space in our dressing rooms and just get ourselves to a place where we can fully understand what we are about to do. For a lot of us this isn't just a show - this is a belief and a mantra. This show has been there for us when our own family and friends weren’t. It is much more than theatre because it is a piece of all of us. As Eliza comes through the door and gives us the call that all actors gear up for - "Places" - i stand up, look over at Nik and Danny and just say "Lets go". The Show was AMAZING! Wow it was one of those things where you couldn’t anticipate what the reaction would be, but once you got it you knew that everything was going to be ok and it was. It REALLY WAS!

WEEK 2:
So now the real game begins because since we have been chosen to be Company One’s "Page to Stage" educational production, we perform 10am shows with an 8am call - I don’t mind because I love the kids! The shows were really good - the kids get things that the late night crowd doesn’t pick up on sometimes so it was a lot of fun.

CLOSING NIGHT:
Ok so this is the big one. Emotions are running high and everyone is moving a little bit slower. I can see everyone's faces both excited and sad because this is the last time we will do this show in this space. After working on something for so long you miss it soooo much when it suddenly leaves. But we are actors and the job at hand is to put on a show and it is beyond me to not give two of the best last shows of all time.

We are back stage waiting, getting prepared to do it one last time. Before we go on stage I pull Terri, Nik, and Danny to a small section of the back corridor and we get into a huddle. Since I am a private guy (hah!) i will not tell you exactly what was said, but we all gave each other one big hug in acknowledgment of the journey that the four of us have taken as original creators of ARTiculation. Eliza comes through the doors and says "Places." We all walk out, and proceed to leave as much of ourselves as we can on that stage. Hopefully, we entertained some people while doing it.

-Tory

Opening Night!

2009-01-09T12:02:00.000-08:00

Its been a while, but I am back and in full effect.

So first off I would like to just say - wow!

This process will have special meaning for me for a long time. Since it has been a while I will start off from about a week ago. We started to build the set - I haven't done tech work in about four years so it was nice to get a drill and screws back into my hand. From the beginning I knew this was going to be something special but it didn't really hit me until I went to Boston Playwrights' Theatre for the first time and saw the most breathtaking sight i have possibly seen in my life...(dramatic pause)

ARTiculation is on the MARQUEE!!!

Outside of the theatre, we are literally the only thing on the marquee, and in that moment I realized just how big of a deal this is. When you're 18 and you say "this is what I want to do," whether it is college, a job, a career, or in my case a production, and about four years later you are standing in front of your name lit up in lights - it's pretty cool.

Now back to the set. Myself and Nik Walker had an unspoken agreement that our work on ARTiculation doesn't end with the words or rehearsal but it continues into all other areas. That's one of the things that I love about the people involved with this production - it's not about vanity or who has the most lines or who gets paid the most - it's about the family atmosphere. I love the fact that I can leave a 6 hour rehearsal and show up at the theatre an hour later ready to put up lights , sweep floors, and run errands side by side with the same people who I share the stage with. So, long story short, the set has been built and it looks amazing. Like I said in an earlier post, it is a sidewalk playground on steroids filled with poles and grates and just a lot of cool scenery.

We had our first dress rehearsals this week and they felt really good, with the exception of one where I froze and completely forgot MY LINES! I'm pretty positive it was noticeable and I was so down on myself about that because I don't forget lines! But anyway, at one point while I was sitting backstage halfway through the opening where Nik Walker is delivering "Dinner and a Conversion" I realized that we truly have a show on our hands. We have always had a performance, but we have never had a production, and this ladies and gentlemen is a production. It is the absolute best version of ARTiculation and I cannot wait to open officially in about 5 hours!

More post-opening,
Tory

2008-12-22T10:20:00.000-08:00

Hello again beautiful people. Tory here back and in full effect.

So we are wrapping up our first full week of rehearsals and WOW we are moving really fast. The week started off last Monday when we began to read through the final draft of the script. After that, we began to do what us Theatre folk call "putting it up on its feet". We played around with a lot of different staging ideas and wordplay, and what developed through the rest of the week was the beginnings of what will be the best ARTiculation show ever!

It's kind of funny because i'm just so excited about every aspect of this process from seeing the new postcards, to seeing pictures of us on the C1 web site, or even taking a glance a our brand spankin' new trailer that you'll all see on YouTube very soon. We also got a little glance at our costumes for the run and all I can say, while keeping it under wraps, is a LOT of color. The set can only be described as an emo playground on steroids - I will be the first to say it: Terri D. will hurt herself on this set. It is written.

In addition to adding a lot of new production elements we are also adding a LOT of music - we have turntables, acoustic guitars, lots of singing, electric bass, and tons of movement. This is definitely taking people out of their comfort zones, but it's also opening us up to things we never even thought about performance-wise. THANK YOU LOIS ROACH!

Ok guys and gals that's it for this time around. Good write, good night.

-Tory

ARTiculation Begins

2008-12-14T13:57:00.000-08:00

Hello beautiful people out there in internet world. This is your master of ceremonies, Duke of Linguistics, Commander of Funk, and all around good guy, Tory Bullock. For the duration of these first ever ARTiculation blog entries I will be playing the part of your poetic flight coordinator, weaving you through the ins and outs of the production. While I come with many titles, the one that I am most proud of is "co-founder of ARTiculation". For those of you who don't know, ARTiculation was founded in the steamy hot summer of 2005 by cast members Danny Balel, Terri Deletetsky, Simon Moody, Adobuere Ebiama, Nik Walker, and yours truly. Along the years we have shifted and shaped to form many different variations of which I am as proud of as the one we are currently taking. This is our first mainstage performance run of ARTiculation with four of the original founders performing. Danny, Terri, Nik and I, and new members Mike Cognata, Marvelyn McFarlane, Liz Rimar, and DJ Reazon, will be coming to you guys with 13 powerhouse shows, and we hope you're ready (i.e we hope you all have gone online and purchased your tickets!)

Since I get to talk to you guys well before the show even opens, there will be tons of breaking news (which i will represent by saying *BREAKING NEWS*) about sets, sounds, backstage updates and all of that jazz. Did Nik Walker injure himself in a musical retelling of the grinch that went awry? Did Danny Balel have an unfortunate tongue twister poem accident that resulted in him having to be sidelined for a show or two? These are the juicy gossip details that you will only find here at the C1 blog.

Enough of the small talk - here comes the juicy information that I know you all are dying for. We had our last script / production meeting last Sunday and let me just tell you all how EXCITING it was! We were sitting in our director's apartment, and just looking around the room gave me this intense feeling of "wow, we are really going to have an amazing show." For those of you who are in the dark, this run is, in part, a culmination of four years of tweaking, performing, touring, work-shopping, and testing, so I compare this run to a person who has been training for the Olympics for four years and then finally gets the chance to step onto the world's greatest stage.

That is exactly whatʼs going to happen in January when we set foot on the Boston Playwrights' stage, backed by Bostonʼs most creative and innovative Theatre company, Company One, all the while standing next to great friends who have been building this piece for years. It is going to be amazing, and I look forward to taking everyone through the process with us.

More soon...
Tory