tag:blogger.com,1999:blog-51007199461699654042009-12-15T14:34:27.663+09:00"Do not try to find the footprints of the ancestors, search for what they were searching for" - Kukai (774–835CE)Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.comBlogger415125tag:blogger.com,1999:blog-5100719946169965404.post-89410059049318364022009-12-13T12:32:00.000+09:002009-12-13T12:32:46.385+09:00

This is the addition to my Galpin SJ which I have never uploaded anywhere, while the main article has been available online since the moment of its publication with the kind permission from Galpin SJ.  Comments welcome. It is interesting what the newest edition of the Suites by Barenreiter writes about the cello of J.S.Bach.

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-19942874210635391322009-12-08T16:40:00.003+09:002009-12-15T14:32:54.297+09:00

The dates for the Rendez-vous Baroque concerts-lectures at CIC are now being filled up. Please, check this page for the updates soon. 2011 2011, January 30 -- Kyoko Moriyoshi and Antelope recorder quartet 2011, February 27 -- 2011, March 27 -- 2011, April 24 -- Natsumi Wakamatsu, baroque violin 2011, May 29 -- 2011, June 26 -- 2011, July 31 -- 2011, August 28 -- (workshop) 2011, September 25 -

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-10788355089909485282009-12-08T14:54:00.003+09:002009-12-08T16:41:53.130+09:00

06.12.2009 -- Tokyo. This year's 10th and the last monthly workshop for baroque violinists and Historically Informed Performance Practice took place as usual at 16:00. It was dedicated to a church sonata by Ignazio Albertini for violin and B.C. in d-minor: phrasing, accentuation, bowing, rhythm, stringing etc. I regret to inform that due to the overloaded schedule the regular monthly workshops

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-49870546126240785752009-12-08T02:52:00.002+09:002009-12-08T02:57:17.521+09:00

Kaoru Ouchiyama (The Hague, The Netherlands) gives a recital on one of my baroque violins.Visit my studio's homepage for more information on Badiarov violins.

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com1tag:blogger.com,1999:blog-5100719946169965404.post-14409967131987347682009-12-07T00:27:00.002+09:002009-12-07T05:07:53.559+09:00

12月13日 (日)18:00~20:30~ 開場 17:30Kaminoge Cultural Institute at 上野毛CICBaroque violin バロック•ヴァイオリン。モダン・ヴァイオリン との違いはガット弦の使用と、弓の反り方が逆。音発する速さが全く異なるため、音量は少ないが、摩擦が強いため、少し触っ ただけで様々な子音を持つ音を出すことができる。言葉のように喋り、語りかける音楽を目指すバロック音楽の理想に答える楽器。Violoncello da spalla ヴィオロンチェロ•ダ•スパッラ。アルト・ヴァイオリンよりずっと大きく、普通のチェロよりも小さい。バロック時代の絵画や彫刻に存在が認められ、バッハも含め、多くの作曲家がこの楽器のために数多く作曲。しかし当時の現存物は全く存在しない。そんな幻の楽器 をディミトリー゙バディアロフ氏が再現!Program for

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-2839779751037886772009-12-02T21:23:00.005+09:002009-12-02T22:12:08.275+09:00

From a guide book to Changdeokgung palace in Seoul: "In A.D. 353, forty-one notable Chinese scholars including Wang Xizhi, the esteemed calligrapher, gathered at a pavilion in Shaoxing. They held parties there during which they composed poetry while sending wine cups afloat on the waters. When a wine cup was sent to a specific person, the recipient had to drink the wine from the cup then compose

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-85492158862447122772009-11-26T14:11:00.005+09:002009-12-02T06:46:07.881+09:00

Follow the link to hear the sound of my 4th violoncello da spalla.私の制作した４台目のヴィオロンチェロ・ダ・スパッラの音色を聞けるリンクを貼ります。http://violadabraccio.com/ads/vcpdaspalla.mp3It may seem that due to the size of the instrument it is hard to play it. However, it is not harder than playing, say, the viola. Firstly, it is supported with the strap. Secondly, the position of the left hand is not like that on the violin but

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-47246679129340162842009-11-25T01:25:00.006+09:002009-12-02T10:15:39.477+09:00

Carving the grotesque creature on my last baroque violin's fingerboard was quite a challenge. This sort of ornaments had never been really common due to the complexity of this time consuming process.However, when it was done, it was usually done with thin soft-wood veneers which can be easily cut and bent to fit the curvature of the fingerboard. The technique is knows as marquetry. Well, that's

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-40620610976713468632009-11-24T01:14:00.009+09:002009-12-08T16:47:11.655+09:00

UPDATED SCHEDULE! January ３１(Sun),１８：００〜 Toru Sakurada, vihuela February ２８ (Sun),１８：００〜 "The Bruggel Band" (Naoki Ueo, renaissance bagpipes, percussions) March ２８(Sun),１８：００〜 Okada Ryunosuke, Harpsichord April ２５(Sun),１８：００〜 Hiroshi Fukuzawa, viola da gamba May ３０(Sun),１８：００〜 Akiko Sato, Baroque lute solo June ２７ (Sun),１８：００〜 Koji Takahashi, baroque cello solo July ２５ (Sun),１８：００〜 Baroque

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-89957587362005299922009-11-22T20:57:00.013+09:002009-12-02T07:15:19.427+09:00

Here we are, almost in December. That will be my last month of teaching the violin-making at Daikanyama Ongakuin. The time passed fast! In fact, you don't notice the time when it's fun, and it almost stops when it's boring... Yeah, yeah, you know!もうまもなく12月。それは代官山音楽院で教える、私の最後のヴァイオリン製作コースの月になる。 時が経つのは速い！事実、楽しいことをしていると時間が経つのを忘れ、つまらないときにはほとんど時間が止まっている・・・えぇ、えぇ、もちろんご存知でしょう！So, 2007-2009 was incredibly

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-67300159197134109212009-11-22T11:26:00.000+09:002009-11-22T11:27:15.873+09:00

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-79201997144497049992009-11-22T11:05:00.003+09:002009-11-22T11:14:07.192+09:00

Sigiswald Kuijken, to whom I am entirely indebted for finding my true vocation in both music and violin-making and whose example inspired me to apply the principles of HIPP to the violin-making, plays Bach on one of the violoncellos piccolo (da spalla) I built for him upon his request.

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-19752491135777020502009-11-22T10:45:00.004+09:002009-11-22T10:58:22.162+09:00

Despite of all efforts to keep it up, my monthly baroque music workshop in November (24th) has been canceled due to the overloaded schedule. The workshops in the 1st half of 2010 aren't likely to take place until I return from the multiple trips in Europe and Mexico in the end of May. Check the workshop's page on my music website for the updates.The Historically Informed Violin-Making Course is

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-13675410533231580942009-11-22T01:31:00.009+09:002009-12-08T16:50:08.407+09:00

ディミトリー・バディアロフによる、歴史的事実に基づいた ヴァイオリン製作コース 2010年6月頃よりスタート予定！グループでなく、個人レッスン！ 参加資格 どなたでもどうぞ。学歴不問。木工経験のない初心者からプロの方まで。アマチュアも大歓迎。18歳～120歳まで。 言語 以下よりお選び下さい；日本語、英語、イタリア語、フランス語、ロシア語、スペイン語 コースの期間 合計200時間を生徒さんの都合に合わせて調整します。 奨励：一日５時間を 週５日 工具 ディミトリー・バディアロフの工房にある工具の使用も可能です(使用料別途)。最低限の基本セットは個人のご購入をお勧め致します(工房で購入するこもとも可能です)。 木材等 木材、弦、ニス等の材料費は別途かかります。 場所 〒192-0351 東京都八王子市東中野165-13 その他詳細は以下までお問合せ下さい +81(0)90

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-68348523974280450242009-11-21T23:37:00.011+09:002009-12-08T16:53:27.233+09:00

Historically Informed Violin-making Course with luthier Dmitry Badiarov Start around June 2010! No groups, individual lessons! Intended audience Anyone can join, with or without wood-working experience: amateurs, beginners, professionals. Minimum age -18, maximum age - 120. Languages At the choice of the student: Japanese, English, Italian, French, Russian, Spanish. Duration of the course

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-32045843403753544892009-11-21T16:48:00.011+09:002009-12-08T16:45:06.155+09:00

UPDATED SCHEDULE! January ３１(Sun),１８：００〜 February ２８ (Sun),１８：００〜 "The Bruggel Band" (Naoki Ueo, renaissance bagpipes, percussions) March ２８(Sun),１８：００〜 Okada Ryunosuke, Harpsichord April ２５(Sun),１８：００〜 Hiroshi Fukuzawa, viola da gamba May ３０(Sun),１８：００〜 Akiko Sato, Baroque lute solo June ２７ (Sun),１８：００〜 July ２５ (Sun),１８：００〜 Baroque musette, Naoki Ueo; Harpsichord - NN August ２９ (Sun),１８：００〜

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-48582646767268691612009-11-08T10:53:00.002+09:002009-11-24T01:12:49.248+09:00

The next event at Baroque je t'aime club Tokyo.(Setagaya, Kaminoge station)

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-64806076489257021902009-11-07T10:51:00.005+09:002009-11-07T19:08:39.873+09:00

Finished the 64th baroque violin! Sounds great! Tomorrow will have fun blind-testing it against some violins in an orchestra, hoping the musicians will be nicely confused. The pictures will be uploaded asap.It had been a busy few months: many news but no time to update the website. Among the news are the plans to start teaching violin-making privately at my studio next year. I am also looking

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-2064477807674517802009-10-23T18:00:00.003+09:002009-10-23T18:08:20.626+09:00

I thought to participate the JSIMA Stringed Instrument Fair this year, however I sold all instruments which were meant to be shown at the Fair.今年の弦楽器フェアに参加しょうと思ったが、フェアのため作った楽器をぜんぶ売れてしまいました。

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-74814210476843982752009-10-23T08:16:00.004+09:002009-10-23T08:44:57.497+09:00

"子供のころ、絵本にでてきた「ぶどう酒」というものに、心惹かれたことを憶えています。なにしろそれは、ごちそうのならぶ場面にきまってでてきましたし、言葉の響きが得も言われずふっくらとして、うっとりするほどいいものに思えたのです。その後私は大人になって、ワインをのむようにもなりました。でもそれは、子供のころにうっとりと思い描いた「ぶどう酒」とは、どうしても一致しません。永遠にしないだろうと思います。私はその不一致が嬉しい。 子供たちに読んでもらえる詩を書こうと決めたとき、私が考えていたのはそういうことです。実物に出会う前に言葉に出会うということ、永遠にのめない「ぶどう酒」のある人生は、ない人生よりずっと愉しいということ。のめないぶどう酒なんて無駄だと思われるでしょうか。もしそうであるなら、この本が、無駄なものばかりでできた一冊になっていることを願って—。"-- 江國香織"As a child

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-74608540359255749832009-10-12T10:36:00.002+09:002009-10-12T10:52:01.932+09:00

The date of the next workshop for Baroque Music has been changed from 16th to 24th of October! New date: 24th of October! The time, as usual, at 16:00~ The program shall be announced asap. The program for the next year, based on the experience of this year, is ready, however the dates are to be confirmed because I shall be outside Japan most of the time (Netherlands, Belgium, Italy, Mexico:

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-75405746185039563012009-10-11T02:44:00.004+09:002009-10-12T12:51:50.969+09:00

Updated my profile:ディミトリー・バディアロフDmitry Badiarov - violoncello da spalla, baroque violin, luthier-creatorロシアで生まれ、サンクトペテルブルク国立音楽院を卒業後、ブリュッセル王立音楽院にてシギスヴァルト・クイケンにバロック・ヴァイオリンを学ぶ。 1995年以来、La Petite Bande, Ricercar Consortの主要メンバーとして演奏する傍ら、シギスヴァルト・クイケンをはじめとする、ヨーロッパ中の著名な音楽家の楽器を制作し、またアドヴァイザーとして活躍。 彼の独自の研究に基づいて製作された楽器は非常に高く評価され、ベルギー政府よりLa Petite Bandeへの助成金を得るのに貢献した。国内では、Bach Collegium Japan, Les Boreades等で

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-8438338898205194182009-10-05T03:31:00.003+09:002009-10-06T22:44:37.423+09:00

Nagano-based artist Natsumi Mihara sketched this portrait recently, using pencil, crayons and chalk on tinted paper.The technique used in the picture reminded me what Cennini wrote in the Il Libro dell'Arte (15th century, Firenze) so I wanted to look it up: "Then, using a model, start to copy the easiest possible subjects, to get your hand in; and run the style over the little panel so lightly

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0tag:blogger.com,1999:blog-5100719946169965404.post-59354209839244810162009-10-04T02:43:00.007+09:002009-10-04T08:09:15.700+09:00

This month's schedule is dedicated to teaching violin-making the Historically Informed way, that is the way based on the same principles as the Historically Informed Performance Practice. I'd call it Historically Informed Instrument-Making Practice.今月は、歴史的に知らされるヴァイオリン制作、主に歴史的ピリオﾄﾞ奏法に基づいたｳﾞｧｲｵﾘﾝ制作についてを扱います。私はこれを歴史的ヴァイオリン製作法(HIPP)と名づけます。Additionally, I am varnishing my 64th violin, giving a

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com2tag:blogger.com,1999:blog-5100719946169965404.post-10006680414653669742009-10-03T01:24:00.004+09:002009-10-03T01:33:48.534+09:00

October 16th (Fri), 19:00, The Italian Institute in Tokyo -- forthcoming concert with I Carissimi ensemble and Roberta Invernizzi in Tokyo. Amazing program, rarely performed, do not miss!

Dmitry Badiarovhttp://www.blogger.com/profile/11068674151982780338noreply@blogger.com0