tag:blogger.com,1999:blog-43551747643649065312009-07-11T06:22:04.954+03:00LA FOLIE DU JOURbegemothttp://www.blogger.com/profile/13128731751776877639noreply@blogger.comBlogger295125tag:blogger.com,1999:blog-4355174764364906531.post-54479268599772097792009-07-08T10:36:00.012+03:002009-07-09T00:01:10.082+03:00ULRICH LASK "Sucht + Ordnung" (GER, 1984)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SlRPD5qNBgI/AAAAAAAABwY/oH172a1rwz8/s1600-h/lask+%281984%29+front+sucht+%2B+ordnung.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 309px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SlRPD5qNBgI/AAAAAAAABwY/oH172a1rwz8/s320/lask+%281984%29+front+sucht+%2B+ordnung.JPG" alt="" id="BLOGGER_PHOTO_ID_5355992785286399490" border="0" /></a><br /><br /><div style="text-align: justify;"><div style="text-align: justify;">Having not much to do with "<span style="font-style: italic;">ECM sound</span>", <span style="font-weight: bold;">"SUCHT + ORDNUNG"</span> is one of the label's greatest obscurities. <span style="font-weight: bold;">LASK</span> suggests an unsual but delightful sound based on jazz, improvisation, programmed sounds, electronic rhythms, and vocal experimentations... The references are a lot... and the way they are combined really challenging. In spite of the many "weird" ingredients, the album has an accessible avant-pop taste that is still irresistible.<br /></div><br /></div> <div style="text-align: center;"><span style="font-weight: bold;">ULRICH LASK</span> (saxes, programming, composition, lyrics)<br /><span style="font-weight: bold;">MEINOLF BAUSCHULTE</span> (drums, electronics, percussion arrangements)<br /><span style="font-weight: bold;">MAGGIE NICOLS</span> (vocals, donky kong II, lyrics on "None The Wiser")<br /><span style="font-weight: bold;">SIGRID MEYER, MONIKA LINGES</span> (narration)<br />Recorded Jan 1984, engineered by Martin Wieland, produced by Lask/Bauschulte<br /><br /><a href="http://www.mediafire.com/?zmom5gmg1ix">SUCHT + ORDNUNG</a><br />(11 tracks, 40min)<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-5447926859977209779?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com2tag:blogger.com,1999:blog-4355174764364906531.post-71405221772475605872009-07-08T09:34:00.008+03:002009-07-08T14:35:01.295+03:00NEW & USED "Consensus" (US, 1995)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SlRJNKMiEEI/AAAAAAAABwQ/aNOiCCXaR3k/s1600-h/CONSENSUS.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 280px; height: 268px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SlRJNKMiEEI/AAAAAAAABwQ/aNOiCCXaR3k/s400/CONSENSUS.jpg" alt="" id="BLOGGER_PHOTO_ID_5355986347274408002" border="0" /></a><br /><div style="text-align: justify;">NY outfit NEW & USED explore the spaces between jazz improvisation and modern composition. "CONSENSUS", their second work, recorded in 1993 and released in 1995 through <span style="font-weight: bold;">Knitting</span> <span style="font-weight: bold;">Factory</span> label.<br /></div><br /><div style="text-align: center;">Musicians: <span style="font-weight: bold;">DAVE DOUGLAS</span> trumpet, <span style="font-weight: bold;">MARK FELDMAN</span> violin, <span style="font-weight: bold;">ANDY LASTER</span> sax, <span style="font-weight: bold;">KERMIT DRISCOLL</span> bass,<span style="font-weight: bold;"> TOM RAINY</span> drums.<br /><br /><a href="http://www.mediafire.com/?dztmmtqnzyi">CONSENSUS</a><br />(10 tracks, 70min)<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-7140522177247560587?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com1tag:blogger.com,1999:blog-4355174764364906531.post-6470903881878371092009-07-04T12:09:00.024+03:002009-07-07T00:58:18.461+03:00The Discovery Of Fire<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SlJPUar7iYI/AAAAAAAABwI/EhP8gEXxtcA/s1600-h/discovery+of+fire.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 325px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SlJPUar7iYI/AAAAAAAABwI/EhP8gEXxtcA/s400/discovery+of+fire.jpg" alt="" id="BLOGGER_PHOTO_ID_5355430119076497794" border="0" /></a><span style="font-size:85%;">RENE MAGRITTE, <span style="font-weight: bold;">La Decouverte De Feu</span>, oil on canvas, 1934/5</span><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><br /><div style="text-align: center;"><span style="font-weight: bold;font-family:georgia;" >Le Feu Du Jour</span><br /><br /></div><div style="text-align: center;">01. LES I - Zukini<br /><span style="font-size:85%;">(album: Dans L' Hemisphere Nord, 1983)</span><br /><br />02. LES I -Itineraire Perilleux<br /><span style="font-size:85%;">(album: Ou Bien, 1986)</span><br /><br />03. LES BATTERIES - Dummy up<br /><span style="font-size:85%;">(album: Bell System, 1998)</span><br /><br />04. LES BATTERIES - Identity Parade<br /><span style="font-size:85%;">(album: Noisy Champs, 1986)</span><br /><br />05. ULRICH P. LASK -Kleine Narkosen<br /><span style="font-size:85%;">(album: Sucht + Ordnung, 1984)</span><br /><br />06.JIM STALEY (with SHELLEY HIRSCH) - Genuine Risk<br /><span style="font-size:85%;">(album: Mumbo Jumbo, 1987)</span><br /><br />07. THE DANUBIANS - Odpoledne<br /><span style="font-size:85%;">(album: THE DANUBIANS, 1999)</span><br /><br />08. X-LEGGED SALLY - Two Volcanoes<br /><span style="font-size:85%;">(album: Eggs & Ashes, 1994)</span><br /><br />09. X-LEGGED SALLY & SMITH QUARTET - Der Doppleganger<br /><span style="font-size:85%;">(album: Bereft Of A Blissful Union, 1997)</span><br /><br />10. THE WORLDS OF LOVE - The Whirls Of Love<br /><span style="font-size:85%;">(album: The Worlds Of Love, 1989/2000)</span><br /><br />11. LA SOCIETE DES TIMIDES A LA PARADE DES OISEAUX - ...2<br /><span style="font-size:85%;">(album: sametitled, 1990)</span><br /><br />12. GUIGOU CHENEVIER - Le Demarche Du Crabe<br /><span style="font-size:85%;">(album: Les Rumeurs De La Ville, 1998)</span><br /><br />13. GUIGOU CHENEVIER - limelight<br /><span style="font-size:85%;">(album: Les Rumeurs De La Ville, 1998)</span><br /></div><br /><div style="text-align: center;"><br /><div style="text-align: left;"><div style="text-align: center;">Few infos:<span style="font-weight: bold;"> </span><br /></div><span>French prog</span><span style="font-weight: bold;"> </span><span>band</span><span style="font-weight: bold;"> LES I</span> made 3 albums. Name of (sometime <span style="font-weight: bold;">Etron Fou</span>'s member), <span style="font-weight: bold;">Bruno Mellier</span> in their lineup, may have caused for LES I, in some circles, an interest rather bigger than they deserve.<br /><br />Another <span style="font-weight: bold;">Etron Fou</span> musician, the important percussionist/improvisor <span style="font-weight: bold;">Guigou Chenevier</span> is behind <span style="font-weight: bold;">LES BATTERIES</span>. Their "DEMESURE REVOLUTIONNAIRE" LP was posted by paramo few months ago on this blog. <span style="font-weight: bold;">Chenevier'</span>s solo release "LES RUMEURS DE LA VILLE"<br /></div></div><div style="text-align: left;">(Cuneiform) mixes succesfully at parts, live and taped material.<br /><br /><br /></div>The first lp of <span style="font-weight: bold;">LA SOCIETE DES TIMIDES</span>...seeks for innovations in a rather tired avant-prog/RIO ground... Some good new ideas appeared here, but the overall result seems to be sentimentally blocked by an excessive eccentrity.<br /><br /><span><span style="font-size:100%;">Belgian avant band</span></span><span style="font-weight: bold;"> X-LEGGED SALLY</span> are influenced by Zappa but their experimental rock explores also music relations beyond prog. Some fine tracks can be found in most of their works.<br /><br /><span style="font-weight: bold;">JIM STALEY</span> is a trombonist and improvisor known for collaborations with avant musicians and composers such as FRITH, WEINSTEIN, CORA and others... Important vocalist <span style="font-weight: bold;">SHELLEY</span> <span style="font-weight: bold;">HIRSCH</span> participated on some of the best moments of Staley's "MUMBO JUMBO" release.<br /><br /><span style="font-weight: bold;">DAV</span><span style="font-weight: bold;">ID GARLAND</span> and <span style="font-weight: bold;">IKUE MORI</span> (plus <span style="font-weight: bold;">Cinnie Cole</span> on vocals, banjo, synths) are <span style="font-weight: bold;">THE WORLDS OF LOVE</span>. A sametitled album released in 1989 from Review label. The composition "The Whirls Of Love" belongs to the extra material appeared in 2000 reissue.<br /><br /><span style="font-weight: bold;">DANUBIANS</span> are <span style="font-weight: bold;">AMY DENIO,</span> <span style="font-weight: bold;">PAVEL FAJT</span> and members of <span style="font-weight: bold;">KAMPEC DOLORES. </span>Their<span style="font-weight: bold;"> </span>selftitled release<span style="font-weight: bold;"> </span>consists of<span style="font-weight: bold;"> </span>live recordings with exquisite vocals and ethic-flavoured experimentations.<br /><br />Fusing electronics, minimal electronics, jazz improvisation, narrations, etc... saxophonist <span style="font-weight: bold;">ULRICH LASK</span> created back in 80's, two albums quite unsual for the general aesthetics of the ECM label which released them. "Kleine Narkosen" is taken from the second one...<br /><br /><div style="text-align: center;">Listen to<br /><a href="http://sharebee.com/463812eb">Le Feu Du Jour <span style="font-size:85%;">compilation</span></a><br /><br /></div><div style="text-align: center;"> a collective post by Koroviov, Semilunio, paramo</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-647090388187837109?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com2tag:blogger.com,1999:blog-4355174764364906531.post-82452542456416111822009-06-25T20:10:00.008+03:002009-06-25T23:49:55.995+03:00Stella Gadedi "gardens of the night"<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_v3zB_VnhyBA/SkOwUXeaw7I/AAAAAAAAABA/qu_R23NI9rU/s1600-h/GARDENS+OF+THE+NIGHT++front.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 318px; height: 320px;" src="http://1.bp.blogspot.com/_v3zB_VnhyBA/SkOwUXeaw7I/AAAAAAAAABA/qu_R23NI9rU/s320/GARDENS+OF+THE+NIGHT++front.jpg" alt="" id="BLOGGER_PHOTO_ID_5351314646191752114" border="0" /></a> Στέλλα Γαδέδη "Οι κήποι της νύχτας"<br /></div><br /><div style="text-align: justify;"> "Tα ποιήματα είναι αυτόνομα έργα και έχουν γραφτεί για να υπάρχουν χωρίς μουσική. Προσθέτοντας μουσική ο συνθέτης τα -οικειοποιείται-, τα φωτίζει με το δικό του τρόπο και φτιάχνει ένα νέο διαφορετικό έργο".<br /><br />Φλαουτίστρια και συνθέτρια με κλασσική μουσική παιδεία η Στέλλα Γαδέδη στον τρίτο προσωπικό δίσκο της (ΣΕΙΡΙΟΣ, 1996) μελοποιεί με "Χατζηδακική" ευαισθησία (όντας μόνιμη συνεργάτης του Μ.Χ) δεκατρία έργα κορυφαίων νεοελλήνων ποιητών.<br /><br /><div style="text-align: center;">1 ΤΡΑΓΟΥΔΙ ΤΟ ΦΘΙΝΟΠΩΡΟ (SONG IN AUTUMN)<br />Ποίηση Ναπολέων Λαπαθιώτης<br /><span style="font-weight: bold; color: rgb(255, 204, 0);">2 ΛΥΠΗΣΟΥ... (HAVE PITY...)</span><br /><span style="font-weight: bold; color: rgb(255, 204, 0);">Ποίηση Ναπολέων Λαπαθιώτης</span><br />3 ΕΝΑ ΤΡΑΓΟΥΔΙ ΤΗΣ ΑΥΓΗΣ (SONG AT DOWN)<br />Ποίηση Ναπολέων Λαπαθιώτης<br />4 ΕΝΑ ΞΕΡΟ ΚΙΤΡΥΝΟ ΧΡΩΜΑ (A DRY, YELLOW COLOUR)<br />Ποίηση Γιώργος Χρονάς<br />5 ΤΟ ΧΑΜΟΓΕΛΟ (A SMILE)<br />Ποίηση Λάμπρος Πορφύρας<br />6 ΑΠΟΔΕΙΠΝΟ (EVENING SERVICE)<br />Ποίηση Γιώργος Χρονάς<br />7 ΜΕΛΑΓΧΟΛΙΑ (MELANCHOLY)<br />Ποίηση Ναπολέων Λαπαθιώτης<br />8 ΜΟΝΗ (ALONE)<br />Ποίηση Γιώργος Σεφέρης<br />9 ΓΡΑΜΜΑ (LETTER)<br />Ποίηση Ναπολέων Λαπαθιώτης<br />10 Τ' ΑΗΔΟΝΙ (THE NIGHTINGALE)<br />Ποίηση Ναπολέων Λαπαθιώτης<br />11 ΠΗΝΕΛΟΠΗ ΔΕΛΤΑ (PENELOPE DELTA)<br />Ποίηση Αφροδίτη Ραϊλα<br />12 ΒΑΛΣ (WALTZ)[instr]<br />13 ΤΑ ΛΥΠΗΜΕΝΑ ΔΕΙΛΙΝΑ (SAD EVENINGS)<br />14 ΣΑΒΒΑΤΟ ΒΡΑΔΥ (SATURDAY NIGHT)<br />Ποίηση Κώστας Καρυωτάκης<br />15 ΤΡΑΓΟΥΔΙ ΤΟ ΦΘΙΝΟΠΩΡΟ (SONG IN AUTUMN)[instr]<br /><br /></div><br /><div style="text-align: center;"><span style="font-weight: bold; color: rgb(255, 204, 0);">Λυπήσου</span><span style="color: rgb(255, 204, 0);">...</span><br /><br />Λυπήσου εκείνους που πονούν, βουβά κι ανώφελα για κάτι, και παίρνουν για να λησμονούν,<br />της ζωής κάποιο άθλιο μονοπάτι<br /><br />Λυπήσου αυτούς που εχουν χαθεί, μες στην θλιμμένη ύπαρξή μας, κι έγιναν αίνιγμα βαθύ,<br />μια και δεν είναι μεταξύ μας....<br /><br />Κι αυτόν, κι αυτόν που αναπολεί τα περασμένα του λυπήσου: μα όμως, ακόμα πιο πολύ,<br />τις ώρες της βαθιάς σιωπής σου,<br /><br />λυπήσου αυτούς, που μια φορά, με φτερά ζούσαν, και τα χάνουν, και δεν τους μένει άλλη χαρά, παρά η χαρά πως θα πεθάνουν...<br /><br /><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7753943-ce2"><embed src="http://www.divshare.com/flash/playlist?myId=7753943-ce2" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br />STELLA GADEDI - Have Pity... (poetry: Napoleon Lapathiotis)<br /><br /></div></div><br />Άνθρωπος ανήσυχος, ο <span style="font-weight: bold;">Ναπολέων Λαπαθιώτης</span> ( 1888-1944) κατά πολλούς προσπάθησε να ενσαρκώσει το Ουαϊλδικό πρότυπο. Το έργο του αποτελείται από μια έκδοση εν ζωή πενήντα περίπου ποιημάτων του καθώς και απο διασκορπισμένο υλικό σε εφημερίδες και περιοδικά.<br /><br />In her third album, flutist and composer <span style="font-weight: bold;">Stella Gadedi</span> sets thirteen greek poems to music using conventional instruments and synthesizers. Orchestration is by Minas Alexiades. Gadedi's interpratations are influenced by composer Manos Hatzidakis.<br /><br /><span style="font-weight: bold;">Napoleon Lapathiotis (1888-1944</span>) was one of the characteristic greek poets of the first quarter of the 20th century. His life was an extension of the decadent spirit of his poetry. He killed himself in 1944.<br /><br /><div style="text-align: center;"><a href="http://www.megaupload.com/?d=MZ09PMAL">GARDENS OF THE NIGHT</a><br />(15 tracks, approx time 44min)<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-8245254245641611182?l=01fragments.blogspot.com'/></div>semiluniohttp://www.blogger.com/profile/06678832233208529764noreply@blogger.com1tag:blogger.com,1999:blog-4355174764364906531.post-22886240559970288672009-06-22T20:05:00.096+03:002009-06-25T11:59:35.843+03:00the free art-directions of nato label<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJ9eNkxfeI/AAAAAAAABug/5GCOz22-QGc/s1600-h/nato.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 308px; height: 320px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJ9eNkxfeI/AAAAAAAABug/5GCOz22-QGc/s320/nato.jpg" alt="" id="BLOGGER_PHOTO_ID_5350977265263017442" border="0" /></a><div style="text-align: left;"><span style="font-family:georgia;"><br />September 1980, jazz artists </span><span style="font-weight: bold;font-family:georgia;" >FRANCOIS MECHALI</span><span style="font-family:georgia;"> and </span><span style="font-weight: bold;font-family:georgia;" >BEB GUERIN</span><span style="font-family:georgia;"> appear as a bass duo at </span><span style="font-style: italic; font-weight: bold;font-family:georgia;" >Chantenay - Villedieu</span><span style="font-family:georgia;"> </span><span style="font-family:georgia;">festival... About a year later, </span><span style="font-family:georgia;">festival </span><span style="font-family:georgia;">co-founder, photographer and music </span><span style="font-family:georgia;">producer<span style="font-weight: bold;"> </span></span><span style="font-weight: bold;">JEAN ROCHARD</span><span style="font-family:georgia;"> releases these </span><span style="font-family:georgia;">contrabass dialogues </span><span style="font-family:georgia;">on vinyl LP... </span><span style="font-family:georgia;">and here it is,</span> label<span style="font-weight: bold; color: rgb(0, 0, 0);font-family:georgia;font-size:100%;" > </span><span style="font-weight: bold;">nato</span><span style="font-family:georgia;"> is </span><span style="font-family:georgia;">born.</span><span style="font-family:georgia;"> </span><span style="font-family:georgia;">Soon, more</span><span style="font-family:georgia;"> </span><span style="font-family:georgia;">releases from festival artists will follow and gradually, the label will become the joining </span><span style="font-family:georgia;">point for pioneering musicians and artists </span><span style="font-family:georgia;">from France (</span><span style="font-weight: bold;font-family:georgia;" >Berrocal, </span><span style="font-weight: bold;font-family:georgia;" >Pauvros, Sclavis, Levaillant</span><span style="font-weight: bold;font-family:georgia;" >, Doned</span><span style="font-weight: bold;font-family:georgia;" >a,</span><span style="font-family:georgia;"> </span><span style="font-weight: bold;font-family:georgia;" >Thollot,</span><span style="font-weight: bold;font-family:georgia;" > Portal</span><span style="font-family:georgia;">...), UK (</span><span style="font-weight: bold;font-family:georgia;" >Beresford, Eastley, Coxhill, Toop, Coe, Hymas...</span><span style="font-family:georgia;">), </span><span style="font-family:georgia;">Europe (</span><span style="font-weight: bold;font-family:georgia;" >Benni</span><span style="font-weight: bold;font-family:georgia;" >nk, </span><span style="font-weight: bold;font-family:georgia;" >Sommer, Gumpert</span><span style="font-family:georgia;">...), U.S. (</span><span style="font-weight: bold;font-family:georgia;" >Lindsay, Frisell, Zorn...</span><span style="font-family:georgia;">), Japan (</span><span style="font-weight: bold;font-family:georgia;" >Ikue Mori, Kazuko Hohki..</span><span style="font-family:georgia;">.).<br /><br /></span></div><div style="text-align: justify;"><div style="text-align: left;"><div style="text-align: justify;"><div style="text-align: justify;"><span style="font-family:georgia;"><span style="font-family:georgia;">Jazz, improvisation, avant pop, clas</span></span><span style="font-family:georgia;"><span style="font-family:georgia;">sical, </span></span><span style="font-family:georgia;"><span style="font-family:georgia;">world music, electronics, poetry, visual arts, melt together into hu</span></span><span style="font-family:georgia;"><span style="font-family:georgia;">morous and often h</span></span><span style="font-family:georgia;"><span style="font-family:georgia;">appy eccentri</span></span><span style="font-family:georgia;"><span style="font-family:georgia;">ty... </span></span><span style="font-family:georgia;">famous</span><span style="font-weight: bold;font-family:georgia;" ><span style="font-weight: bold;"> </span></span><span style="font-family:georgia;">themes are revisited... conceptual projects give ho</span><span style="font-family:georgia;">nours to great master</span><span style="font-family:georgia;">s (F. G. Lorca, Erik Satie,</span><span style="font-family:georgia;"> Alfred Hitchcock, J-L Godard...)... </span><span style="font-family:georgia;">fine painters/illustrato</span><span style="font-family:georgia;">rs (</span><span style="font-weight: bold;font-family:georgia;" >Espagno</span><span style="font-weight: bold;font-family:georgia;" >n,</span><span style="font-family:georgia;"> </span><span style="font-weight: bold;font-family:georgia;" >Moe</span><span style="font-weight: bold;font-family:georgia;" >bius, Pier</span><span style="font-weight: bold;font-family:georgia;" >re Cornuel</span><span style="font-family:georgia;">...)</span><span style="font-family:georgia;"> add their art...</span><span style=";font-family:georgia;font-size:130%;" ><span style="font-weight: bold;"><span style="font-size:100%;"> </span></span></span><span style="font-weight: bold;">nato</span><span style=";font-family:georgia;font-size:130%;" ><span style="font-weight: bold;font-size:100%;" > </span></span><span style="font-family:georgia;">embraces life and c</span><span style="font-family:georgia;">reation in both a fictional and a documentary way.</span><br /></div><div style="text-align: left;"><br /></div>Sublabels: Chabada, Cinenato, Hope Street, wan + wan<br /><br /></div></div><div style="text-align: center;"><span style="font-weight: bold;font-family:georgia;" >La </span><span style="font-weight: bold;font-family:georgia;" >Folie </span><span style="font-family:georgia;"><span style="font-weight: bold;">Du Jour</span> selects </span><span style="font-weight: bold;">nato</span><span style="font-family:georgia;">music:</span><br /></div><br /><div style="text-align: left;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-size:85%;"><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >I</span>. </span></span><br /></div><div style="text-align: center;"><span style="font-weight: bold;">GUNTER SOMMER ET TROIS VIEUX AMIS</span><span style="font-size:85%;"><span style="font-size:100%;"><span style="font-weight: bold;"> </span><span style="font-size:85%;">isabel records boxes</span><span style="font-size:85%;"> </span></span></span><br /><span style="font-size:85%;"><span style="font-size:100%;"><span><span style="font-size:85%;">(album: Ascenseur</span> <span style="font-size:85%;">pour le</span> <span style="font-size:85%;">28, 1985) </span></span></span></span><br /><br /><span style="font-weight: bold;">ALTERATIONS</span><span style="font-size:85%;"><span style="font-size:100%;"> </span>sleeping beauty<br /></span><span style="font-size:85%;">(album: My Favourite Anim</span><span style="font-size:85%;">als, 1984)</span><br /><br /><span style="font-size:85%;"> </span><span style="font-weight: bold;">JAC BERROCAL</span> <span style="font-size:85%;">distinguee </span><br /></div><div style="text-align: center;"><span style="font-size:85%;">(album: Hotel Hotel, 1986)</span><br /><br /></div><div style="text-align: center;"> <span style="font-weight: bold;">JAC BERROCAL</span> <span style="font-size:85%;">minuit la nuit<br />(album: Hotel, Hotel, 1986)</span><br /><br /><span style="font-weight: bold;">JACQUES THOLL</span><span style="font-weight: bold;">OT</span> <span style="font-size:85%;">l' au-dela</span> <span style="font-size:85%;"><br />(album: Tenga Nina, 1996)</span><br /><br /><span style="font-weight: bold;">STEVE BERESFO</span><span style="font-weight: bold;">RD</span> <span style="font-size:85%;">altitude<br />(album: Dancing The Line, 1985)</span><br /><br /><span style="font-weight: bold;">BERESFORD, TOOP, ZORN, MARSHALL</span> <span style="font-size:85%;">jayne manshfield</span> <span style="font-size:85%;"><br />(album: Deadly Weapons, 1986)<br /><br /></span><span style="font-weight: bold;">CAROLINE GAUTIER & OLIVIER FOY</span><span style="font-size:85%;"> la croisi</span><span style="font-size:85%;">ere immobile</span><br /><span style="font-size:85%;">(v.a. album: Godard ca vous chante?</span><span style="font-size:85%;">, 1985)</span><br /><br /><span style="font-weight: bold;">THE MELODY FOUR</span> <span style="font-size:85%;">Lydia the tatooed lady<br />(album: Hello! We Must Be Going, 1987)<br /><br /></span><span style="font-weight: bold;"> LEE KONI</span><span style="font-weight: bold;">TZ</span> <span style="font-size:85%;">a</span><span style="font-size:85%;">s tu le cafard<br />(v.a. album: Vol Pour Sidney, 199</span><span style="font-size:85%;">2)<br /><br /></span><span style="font-weight: bold;"> DENIS COLIN</span> <span style="font-size:85%;">par rayon</span><span style="font-size:85%;">neme</span><span style="font-size:85%;">nt</span> <span style="font-size:85%;"><br />(album: Etude De </span><span style="font-size:85%;">Terrain, 2000)<br /><br /></span><span style="font-weight: bold;">KAHONDO STYLE</span> <span style="font-size:85%;">werewolf woman<br />(alb</span><span style="font-size:85%;">um: Green Tea & Crocodiles, 198</span><span style="font-size:85%;">7)<br /><br /></span><span style="font-weight: bold;">KAZUKO HOHKI</span> <span style="font-size:85%;">rain on</span><span style="font-size:85%;"> the railway line<br />(album: Love In Rainy Days, 1991)</span><br /><br /><span style="font-weight: bold;">JEAN FRANCOIS PAUVROS</span> <span style="font-size:85%;">cri de cour<br />(album: Le Grand Amour, 1985)</span><br /><br /><span style="font-weight: bold;">JEAN FRANCOIS PAUVROS </span><span style="font-size:85%;">phillipine<br />(</span><span style="font-size:85%;">album: Le Grand Amour,</span><span style="font-size:85%;"> 1985)</span>.<br /><br /><br /></div></div><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkMePFn0o1I/AAAAAAAABvQ/ot9rgTOp1cY/s1600-h/cat.gif"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 158px; height: 55px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkMePFn0o1I/AAAAAAAABvQ/ot9rgTOp1cY/s320/cat.gif" alt="" id="BLOGGER_PHOTO_ID_5351154026802357074" border="0" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-size:100%;"><span style="font-weight: bold;">II.</span></span><br /></div><div style="text-align: center;"><span style="font-weight: bold;"> BERESFORD, TO</span><span style="font-weight: bold;">OP, ZORN, </span><span style="font-weight: bold;">MARSHALL</span> <span style="font-size:85%;">king cobra<br />(album: Deadly Weapons, 1986)</span><br /><br /><span style="font-weight: bold;">COXHILL, THOMAS</span> <span style="font-size:85%;">petite fleur<br />(v.a. album: Vol Pour Sidney, 1992)</span><br /><br /><span style="font-weight: bold;">BRITISH SUMMER TIME ENDS</span> <span style="font-size:85%;">la nui</span><span style="font-size:85%;">t est une so</span><span style="font-size:85%;">rciere<br />(v.a. albu</span><span style="font-size:85%;">m: Vol Pour Sidney, 1992)</span><br /><br /><span style="font-weight: bold;">FAT KID WEDNES</span><span style="font-weight: bold;">DAYS</span> <span style="font-size:85%;">bamako love<br />(album: The Art Of Cherry, 2</span><span style="font-size:85%;">004)</span><br /><br /><span style="font-weight: bold;">DENIS COLIN TRIO</span> <span style="font-size:85%;">sing swan song<br />(album: Songs For Swans, 2006)</span><span style="font-weight: bold;"><br /><br />TONY COE</span> <span style="font-size:85%;">la legende de l'oiseau<br />(album: Les Voix D'Itxsassou, 1990)<br /><br /></span><span style="font-weight: bold;">TONY COE</span> <span style="font-size:85%;">nuit sur une place Helsinki<br />(album: Les </span><span style="font-size:85%;">Voix D'Itxassou, 1990)<br /><br /></span><span style="font-weight: bold;">MICHEL D</span><span style="font-weight: bold;">ONEDA, DAUNI LAZRO</span> <span style="font-size:85%;">fla flu<br />(album: General Gramofon, 1988)</span><span style="font-weight: bold;"><br /><br />THE LONEL</span><span style="font-weight: bold;">Y BEARS</span> <span style="font-size:85%;">entre le Tigre et l'Euphrate<br />(album: Injustice, 1993)</span><span style="font-weight: bold;"><br /><br />TH</span><span style="font-weight: bold;">E RECEDENTS</span><span style="font-size:85%;"><span style="font-weight: bold;"> </span>zombie bloodbath on the isle of dogs<br />(</span><span style="font-size:85%;">album: Zombie Bloodbath On The Isle Of Dogs, 1991)<br /><br /></span><span style="font-weight: bold;">PHILIPPE DESCHEPPER</span> <span style="font-size:85%;">choc o</span><span style="font-size:85%;">u louvre<br />(v.a. album: Ba</span><span style="font-size:85%;">ndes Originales Du Journal De Spirou, 1989)</span><span style="font-weight: bold;"><br /><br />THE MELODY FOUR</span> <span style="font-size:85%;">working is the job<br />(album: Shopping For Melodies, 1988)</span><span style="font-weight: bold;"><br /><br />CLIVE BELL</span> <span style="font-size:85%;">aventure birmane<br />(v.a. alb</span><span style="font-size:85%;">u</span><span style="font-size:85%;">m: Bandes Originales Du Journal De Spirou, 1989)</span><br /><br /><span style="font-weight: bold;">TON</span><span style="font-weight: bold;">Y HYMAS</span><span style="font-size:85%;"> qnr sur bretzelburg<br />(v.a album: B</span><span style="font-size:85%;">andes Originales Du Journal De Spirou, 1989)</span><br /><br /><span style="font-weight: bold;">AMATI ENSEMBLE</span> <span style="font-size:85%;">sonate en </span><span style="font-size:85%;">re mineur<br />(v.a album: Godard ca vous chante?, 1985)</span>.<br /></div><div style="text-align: center;"><br /><span style="font-weight: bold;">listen here: <a href="http://www.mediafire.com/?xtaeeqdqvm4">part I</a> & <a href="http://www.megaupload.com/?d=PWJ5MDQG">part II</a></span><br /><div style="text-align: left;"><br /></div></div><br /><br /><div style="text-align: center;">La Folie Du Jour recommends <span style="font-weight: bold; color: rgb(51, 0, 51);"></span><span style="font-weight: bold;">nato</span> works:<br /></div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SkJohmIZN4I/AAAAAAAABsI/pkkOYdqeRyA/s1600-h/buenaventura+durruti.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SkJohmIZN4I/AAAAAAAABsI/pkkOYdqeRyA/s320/buenaventura+durruti.jpg" alt="" id="BLOGGER_PHOTO_ID_5350954233650296706" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SkJx_HGwpiI/AAAAAAAABto/CIOM_ymm1DI/s1600-h/f+g+lorca+poemas.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SkJx_HGwpiI/AAAAAAAABto/CIOM_ymm1DI/s320/f+g+lorca+poemas.jpg" alt="" id="BLOGGER_PHOTO_ID_5350964636322670114" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJykbOQwgI/AAAAAAAABtw/D2nxQgG1K8o/s1600-h/sept+tableaux.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJykbOQwgI/AAAAAAAABtw/D2nxQgG1K8o/s320/sept+tableaux.jpg" alt="" id="BLOGGER_PHOTO_ID_5350965277378003458" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJsl-WKLqI/AAAAAAAABsg/ioa8vM9KYhk/s1600-h/Spy+among+the+roses.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJsl-WKLqI/AAAAAAAABsg/ioa8vM9KYhk/s320/Spy+among+the+roses.jpg" alt="" id="BLOGGER_PHOTO_ID_5350958706916470434" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJwpXK8B5I/AAAAAAAABtQ/WPVX4VvLRPA/s1600-h/Alterations.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJwpXK8B5I/AAAAAAAABtQ/WPVX4VvLRPA/s320/Alterations.jpg" alt="" id="BLOGGER_PHOTO_ID_5350963163166410642" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SkJu52SBLDI/AAAAAAAABtI/GPrWlyHQITc/s1600-h/Le+grand+amour.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SkJu52SBLDI/AAAAAAAABtI/GPrWlyHQITc/s320/Le+grand+amour.jpg" alt="" id="BLOGGER_PHOTO_ID_5350961247372258354" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJ2JQlcEGI/AAAAAAAABt4/PHrfQYvxLoQ/s1600-h/Mechali+-+Guerin+CONVERSATIONS.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJ2JQlcEGI/AAAAAAAABt4/PHrfQYvxLoQ/s320/Mechali+-+Guerin+CONVERSATIONS.jpg" alt="" id="BLOGGER_PHOTO_ID_5350969208712466530" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SkJw_yPBGeI/AAAAAAAABtY/qycaIRzB-mU/s1600-h/Shopping+for+melodies.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SkJw_yPBGeI/AAAAAAAABtY/qycaIRzB-mU/s320/Shopping+for+melodies.jpg" alt="" id="BLOGGER_PHOTO_ID_5350963548388399586" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJtGBIhFcI/AAAAAAAABso/fynKCXW0kOU/s1600-h/les+voix.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJtGBIhFcI/AAAAAAAABso/fynKCXW0kOU/s320/les+voix.jpg" alt="" id="BLOGGER_PHOTO_ID_5350959257420371394" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SkJumt351ZI/AAAAAAAABtA/gSGydX-E_gA/s1600-h/Hotel+hotel.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SkJumt351ZI/AAAAAAAABtA/gSGydX-E_gA/s320/Hotel+hotel.jpg" alt="" id="BLOGGER_PHOTO_ID_5350960918697727378" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJuEJN5VpI/AAAAAAAABs4/CbcV1I4myJM/s1600-h/DeadlyWeapons.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SkJuEJN5VpI/AAAAAAAABs4/CbcV1I4myJM/s320/DeadlyWeapons.jpg" alt="" id="BLOGGER_PHOTO_ID_5350960324742305426" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SkJtz2CY8oI/AAAAAAAABsw/_tJN9-XhonM/s1600-h/Green+tea.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SkJtz2CY8oI/AAAAAAAABsw/_tJN9-XhonM/s320/Green+tea.jpg" alt="" id="BLOGGER_PHOTO_ID_5350960044715864706" border="0" /></a></div></div><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><div style="text-align: center; font-style: italic;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;">"Depechons-nous d'oeuvrer ensemble avant que ce qui nous fait converger l'un vers l'autre ne tourne inexplicablement a l'hostile"<br />[Let's swiftly act together, before what makes us converge inexplicably turn hostile]<br /><span style="font-weight: bold;">RENE CHAR</span></span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-2288624055997028867?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com4tag:blogger.com,1999:blog-4355174764364906531.post-11171901854074457572009-06-17T18:16:00.018+03:002009-06-18T10:24:03.456+03:00VICTORY OF THE BETTER MAN " >L'utopiste< " (GER, 1991)<div style="text-align: justify;"><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SjkK5RVQwkI/AAAAAAAABro/csoW219W550/s1600-h/L%27+UTOPISTE.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 316px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SjkK5RVQwkI/AAAAAAAABro/csoW219W550/s320/L%27+UTOPISTE.jpg" alt="" id="BLOGGER_PHOTO_ID_5348318011500577346" border="0" /></a><br /><span style="font-weight: bold;font-family:times new roman;font-size:85%;" >...victory of the better man is the result of a labour, not the result of a competition; it is the long neglected and unseen forces prevailing against easiness and any profitable </span><span style=";font-family:times new roman;font-size:85%;" ><span style="font-weight: bold;">"goodness"... </span>[excerpt<span style="font-weight: bold;"> </span>from <span style="font-weight: bold;">KOROVIOV</span> notes]<br /></span></div><div style="text-align: center;"><br /></div>"<span style="font-weight: bold;">>L'UTOPISTE<</span>" is the first work of the german ensemble <span style="font-weight: bold;">VICTORY OF THE BETTER MAN</span>. It created the years 1989-90 under the significant assistance of CMP's sound-engineer <span style="font-weight: bold;">WALTER QUINTUS</span>. Band's line up, that period, beside core members <span style="font-weight: bold;">UK RATTAY</span> (guitar, synth, various sounds) and ex-NECRONOMICON drummer <span style="font-weight: bold;">HARALD BERNHARD</span> (voice, percussion, keyboards) included <span style="font-weight: bold;"></span><span style="font-weight: bold;"></span> <span style="font-weight: bold;">MATTHIAS KRATZENSTEIN</span> on bass, piano, keyboards, guitar and <span style="font-weight: bold;">MARTIN FREDEBEUL </span>on sax, flute, clarinet, piano, keyboards. (Additional musicians: MARC LEHAN on drums, percussion & PETRA SAHM on vocals).<br /><br /><span style="font-weight: bold;">>L'UTOPISTE<</span> is a seductive mosaic of influences, a solution of recognisable but indivisible different densities. Avant poetic-operatic narrations of <span style="font-weight: bold;">Harald Bernhard</span>, bathed into fluid, unquiet, intellectual, jazz-impro atmosphere, recall artists like SCOT WALKER or KIP HANRAHAN, to mention only two... And, trully, an encounter of the schizophrenic universe of the former with the enigmatic after-hour eclecticism of the later, how hypothetical can really be?<br /></div><br /><br /><div style="text-align: center;"><span style="font-weight: bold;">VICTORY OF THE BETTER MAN</span> works:<br /><br />"<span style="font-weight: bold;"> >L'UTOPISTE<</span> ", (CMP, 1991)<br /><br />"<span style="font-weight: bold;"> ...WEGEN BROT</span> ", (CMP, 1995)<br /><br />" <span style="font-weight: bold;">CITIZENS</span> ", (rent a dog, 2004)<br /><br /><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7683987-e96"><embed src="http://www.divshare.com/flash/playlist?myId=7683987-e96" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><span style="font-size:85%;">sample track</span>: GONDOLA<br /><br /><span style="font-size:85%;">track provided by</span> <span style="font-size:85%;"><span style="font-weight: bold;">KOROVIOV</span></span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-1117190185407445757?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com3tag:blogger.com,1999:blog-4355174764364906531.post-18066263357135609982009-06-10T13:39:00.021+03:002009-06-11T13:20:39.908+03:00KIRJUHEL : Pulsating Transparencies<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SjDYgMuEvzI/AAAAAAAABrg/qTpwpQ1LFio/s1600-h/img013.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 315px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SjDYgMuEvzI/AAAAAAAABrg/qTpwpQ1LFio/s400/img013.jpg" alt="" id="BLOGGER_PHOTO_ID_5346010805370666802" border="0" /></a><br />Με ορμητήριο τις μεταλλαγμένες σε ιδίωμα προσωπικό, κέλτικες παραδόσεις της ιδιαίτερης πατρίδας του Βρετάνης, αλλά και τους παγκόσμιους ήχους, το διαχρονικό μεσογειακό πολιτισμό και την ποίηση... η μουσική του JEAN-FREDERIC KIRJUHEL, επικεντρωμένη λιτά κυρίως γύρω από κέλτικη άρπα και φωνή, ονειροποιεί την χωροχρονική συνάφεια, επιδιώκοντας μια βαθύτερη εμπλοκή του σύγχρονου με τις αρχέγονες δυνάμεις της ύλης: τη γονιμότητα , την αρμονία, την κοσμική συνοχή...<br /><br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SjDQ8naw0XI/AAAAAAAABrI/U6VMVSrtl0c/s1600-h/tide+2.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 350px; height: 232px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SjDQ8naw0XI/AAAAAAAABrI/U6VMVSrtl0c/s400/tide+2.jpg" alt="" id="BLOGGER_PHOTO_ID_5346002497480741234" border="0" /></a><span style="font-weight: bold;">tide </span><span style="font-size:85%;"><br /><span style="font-size:78%;">(photo by <span style="font-weight: bold;">SOLVEIGH KAEHLER</span>)</span><br /></span><br /></div><span>For an introduction to the art of french harpist/composer/poet <span style="font-weight: bold;">KIRJUHEL</span>, listen here to the 1999 REVOE compilation "</span><span style="font-weight: bold;">Portrait".</span> <span style="font-weight: bold;">KIRJUHEL</span> releases are often accompanied by the fine works of german photographer <span style="font-weight: bold;">SOLVEIGH KAEHLER</span>, so check out website of <span style="font-weight: bold;">REVOE </span>publishing company for the original items (CDs, photobooks, poetrybooks, etc... ).<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SjDQmBznmHI/AAAAAAAABq4/JmAaUnpvXcM/s1600-h/carnac+2.jpg"><br /></a><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SjDQe20GuDI/AAAAAAAABqw/xKu3h6tq9sw/s1600-h/carnac.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 350px; height: 232px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SjDQe20GuDI/AAAAAAAABqw/xKu3h6tq9sw/s400/carnac.jpg" alt="" id="BLOGGER_PHOTO_ID_5346001986217490482" border="0" /></a><span style="font-weight: bold;">CARNAC words of stone</span><br /><span style="font-size:78%;">(photo by <span style="font-weight: bold;">SOLVEIGH KAEHL</span></span><span style="font-size:78%;"><span style="font-weight: bold;">ER</span>)</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SjDQquDd5RI/AAAAAAAABrA/_g9kPSa4qS4/s1600-h/epic+fragments.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 247px; height: 350px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SjDQquDd5RI/AAAAAAAABrA/_g9kPSa4qS4/s400/epic+fragments.jpg" alt="" id="BLOGGER_PHOTO_ID_5346002190024434962" border="0" /></a><span style="font-weight: bold;">epic fragments<br /><span style="font-weight: bold;"></span></span><span style="font-size:78%;">(photo by <span style="font-weight: bold;">SOLVEIGH KAEHLER</span>)</span><span style="font-weight: bold;"><span style="font-size:78%;"><span style="font-weight: bold;"></span></span><br /><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SjDRSeLzTlI/AAAAAAAABrY/DnotETyE19w/s1600-h/transparencies.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 234px; height: 350px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SjDRSeLzTlI/AAAAAAAABrY/DnotETyE19w/s400/transparencies.jpg" alt="" id="BLOGGER_PHOTO_ID_5346002872959192658" border="0" /></a><span style="font-weight: bold;">transparencies</span><br /><span style="font-size:78%;">(photo <span style="font-weight: bold;">SOLVEIGH KAEHLER</span>)<br /></span><br /></div><div style="text-align: center;"><a href="http://www.mediafire.com/?zjfm22m5nyt">KIRJUHEL - PORTRAIT</a><br /><span style="font-size:85%;">(13 tracks, 55 min) </span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-1806626335713560998?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com0tag:blogger.com,1999:blog-4355174764364906531.post-50243739884570023102009-06-05T12:24:00.013+03:002009-06-06T02:28:55.847+03:00KAHONDO STYLE<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SimEZj_BhDI/AAAAAAAABpY/mps_ciDZElw/s1600-h/Kahondo.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 229px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SimEZj_BhDI/AAAAAAAABpY/mps_ciDZElw/s400/Kahondo.jpg" alt="" id="BLOGGER_PHOTO_ID_5343948007542981682" border="0" /></a>Crazy multiculturalists, experimentalists and improvisators, KAHONDO STYLE represented in 80's one of the most idiosyncratic attempts for making original music against geographical and stylistic separations.<br />Collecting (or stealing) sound elements from any corner of the planet and unifying, at the same time, both structures and improvisations under one elastic form, KAHONDO STYLE created original music with plethora of references... music exotic, humorous, surrealistic, theatrical, strongly rooted to the far-east culture, to eastern and south europe folk traditions, to old jazz, to pop...<br /><br /><span style="font-weight: bold;">KAZUKO HOHKI </span>(vocals) - <span style="font-weight: bold;">PETER CUSACK</span> (guitar, bouzouki) - <span style="font-weight: bold;">MAX EASTLEY</span>( guitar, percussion, arc, various) - <span style="font-weight: bold;">SIANED JONES</span> (violin) - <span style="font-weight: bold;">STUART JONES</span> (cello, trumpet, bass) - <span style="font-weight: bold;">DAVID HOLMES</span> (drums, clarinettes) - <span style="font-weight: bold;">ALAN TOMLINSON</span> (trombone) - <span style="font-weight: bold;">CLIVE BELL</span> ( accordion, flute, shakuhatsi,) - <span style="font-weight: bold;">TERRY DAY</span> (drums) - <span style="font-weight: bold;">STEVE NOBLE</span> (drums).<br /></div><br /><div style="text-align: center;">Selections from the two <span style="font-weight: bold;">KAHONDO STYLE</span> albums released for <span style="font-weight: bold;">Nato</span> label you can listen<br /><a href="http://sharebee.com/39e8e4b1">HERE<span style="font-weight: bold;"></span></a><br /><div style="text-align: left;"><br /><div style="text-align: justify;"><span style="font-size:85%;">tracks:</span><span style="font-weight: bold;font-size:85%;" > 01. Tokyo Ondo / 02. Barbaria* / 03. Holloway Road / 04. Ghost Of A Flea / 05. My Heart's In Motion [1985] / 06. No More Gravity / 07. Green Dream / 08. Shanghai Rain / 09.Werewolf Woman /10. Survival [1987] </span><br /></div><div style="text-align: center;"><span style="font-size:85%;">(approx 52 min - compiled by LFDJ)</span><br /></div></div></div><br /><span style="font-size:85%;">*originally greek folk song</span><br /><br /><br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SimD6T5iKDI/AAAAAAAABpI/64pQWM--S3o/s1600-h/nato+kahondo+style+1st.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SimD6T5iKDI/AAAAAAAABpI/64pQWM--S3o/s320/nato+kahondo+style+1st.jpg" alt="" id="BLOGGER_PHOTO_ID_5343947470649042994" border="0" /></a><span style="font-size:85%;"><span style="font-weight: bold;">"MY HEART'S IN MOTION"</span>, 1985, nato</span><br /></div><br /><span style="text-decoration: underline;"><br /></span><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SimEJYGuDuI/AAAAAAAABpQ/ctRQZUBK2Sw/s1600-h/nato+kahondo+2nd.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 319px; height: 320px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SimEJYGuDuI/AAAAAAAABpQ/ctRQZUBK2Sw/s320/nato+kahondo+2nd.jpg" alt="" id="BLOGGER_PHOTO_ID_5343947729476128482" border="0" /></a><span style="font-weight: bold;font-size:85%;" >"GREEN TEA & CROCODILES",</span><span style="font-size:85%;"> 1987, nato</span><br /></div><div style="text-align: center;"><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-5024373988457002310?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com4tag:blogger.com,1999:blog-4355174764364906531.post-38912766625322565722009-06-03T10:45:00.010+03:002009-06-03T15:01:43.679+03:00JIRI STIVIN "Alchymia Musicae" (CZE,1995)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SiY8ThI1lAI/AAAAAAAABoY/6XwxQQc0VFg/s1600-h/alchymia+musicae.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 317px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SiY8ThI1lAI/AAAAAAAABoY/6XwxQQc0VFg/s400/alchymia+musicae.jpg" alt="" id="BLOGGER_PHOTO_ID_5343024313932289026" border="0" /></a><br /><div style="text-align: justify;">Seeking new passages towards both future and past, this work tests the flexibility of medieval/renaissance/baroque forms in their fusional or transformative coexistence with the angular directions of modern composition and freejazz.<br />Czech composer <span style="font-weight: bold;">Jiri Stivin</span> engages a jazz trio, a string quartet and a vocal ensemble to give life to his vision. Himself plays flutes, clarinets, saxophones... and calls this ambitious, daring or at least humourous plan, ALCHYMIA MUSICAE. Listen to it <a href="http://www.mediafire.com/?djjnjm2uj5m">HERE</a> (7tracks, 1hour).<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-3891276662532256572?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com0tag:blogger.com,1999:blog-4355174764364906531.post-83114128646940865352009-05-31T00:05:00.011+03:002009-05-31T01:33:35.344+03:00HARMONIA ENSEMBLE "Nino Rota" (ITA, 1992)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SiGyLcn7BjI/AAAAAAAABoQ/TvEQDqHy0yg/s1600-h/harmoniaNinoRota.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 300px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SiGyLcn7BjI/AAAAAAAABoQ/TvEQDqHy0yg/s400/harmoniaNinoRota.jpg" alt="" id="BLOGGER_PHOTO_ID_5341746542770062898" border="0" /></a><br /><div style="text-align: justify;">Italian chamber music ensemble <span style="font-weight: bold;">HARMONIA</span> works at the crossroads of classical and modern musical languages. Initially a trio of <span style="font-weight: bold;">ORIO ODORI</span> (clarinet), <span style="font-weight: bold;">DAMIANO PULITI</span> (cello) and <span style="font-weight: bold;">ALESSANDRA GAROSI</span> (piano) formed in 1991 and debuted in <span style="font-weight: bold;">Materiali Sonori </span>label with a work dedicated to <span style="font-weight: bold;">NINO ROTA</span>.<br />Including both covers on Rota's famous themes (from "8 1/2", "La Strada", "Rocco e i suoi frattelli", "Il Gattopardo", "Amarcord"...) and original HARMONIA compositions, the album suggests perhaps a not so innovative but certainly a romantic and emotionally valuable view of the work of the great master, refreshing the pleasures of that unrepeatable cinematic magnificence.<br /></div><br /><div style="text-align: center;"><a href="http://sharebee.com/d5fa10ce">HARMONIA - Nino Rota</a><br />(12 tracks, approx 49 min)<br /><br /><div style="text-align: center;">*Check out also their remarkable 1994 release "<span style="font-weight: bold;">Harmonia Meets Zappa</span>"<br /></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-8311412864694086535?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com1tag:blogger.com,1999:blog-4355174764364906531.post-67669487139411742282009-05-27T23:23:00.025+03:002009-05-29T21:14:12.018+03:00CLUSONE TRIO 1988 - 1998<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/Sh76ojsNiPI/AAAAAAAABn4/n8TRKTP9REI/s1600-h/i+am+an+indian.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 280px; height: 280px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/Sh76ojsNiPI/AAAAAAAABn4/n8TRKTP9REI/s320/i+am+an+indian.jpg" alt="" id="BLOGGER_PHOTO_ID_5340981782790375666" border="0" /></a><br /><div style="text-align: justify;">Cellist <span style="font-weight: bold;">ERNST REIJSEGER</span>, clarinetist/saxophonist <span style="font-weight: bold;">MICHAEL MOORE</span> and legendary dutch percussionist <span style="font-weight: bold;">HAN BENNINK</span> started their collaboration in 1980. After their contributions to BENNINK's famous <span style="font-weight: bold;">ICP ORCHESTRA</span>, they formed <span style="color: rgb(255, 102, 0);"><span style="color: rgb(0, 0, 0);"></span></span>in 1988 <span style="font-weight: bold; color: rgb(255, 102, 0);">CLUSONE TRIO</span>, touring in many countries and leaving behind some interesting live and studio works.<br />Apart their own compositions their repertoire included many old jazz standards which were performed by the trio in an unpredictable way ranging from faithfulness and form respect to inventive improvised free ways.<br />CLUSONE TRIO paused activities in 1998.<br /></div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/Sh76wgt6B0I/AAAAAAAABoA/zsfCNtaJxGU/s1600-h/love+henry.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 280px; height: 280px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/Sh76wgt6B0I/AAAAAAAABoA/zsfCNtaJxGU/s320/love+henry.jpg" alt="" id="BLOGGER_PHOTO_ID_5340981919431132994" border="0" /></a><br /><br /><div style="text-align: justify;">The selected tracks of this compilation are from albums: "<span style="font-weight: bold;">Clusone 3</span>" (1992, live) "<span style="font-weight: bold;">I Am An Indian</span>" (1994, live), "<span style="font-weight: bold;">Love Henry</span>"(1997, live), "<span style="font-weight: bold;">Rara Avis</span>" (1998).<br /></div><br /><div style="text-align: center;">TRACKS: 01<span style="font-weight: bold;"> Hindu wu</span> (1992) - 02<span style="font-weight: bold;"> Angelica</span> - 03 <span style="font-weight: bold;">Bella Coola</span> - 04 <span style="font-weight: bold;">Sonoroso</span> - 05 <span style="font-weight: bold;">Salish </span>(1994) - 06 <span style="font-weight: bold;">Uninhabited island</span> - 07 <span style="font-weight: bold;">Restless in pieces - </span>08<span style="font-weight: bold;"> Love Henry</span> (1997) - 09<span style="font-weight: bold;"> Yellow bird - </span> 10 <span style="font-weight: bold;">Le cygne</span> - 11 <span style="font-weight: bold;">Tico tico no fuba</span> - 12<span style="font-weight: bold;"> My bird of Paradise </span>(1998)<br /><br /></div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/Sh78GSwCKJI/AAAAAAAABoI/M-ziU8YcJM4/s1600-h/rara+avis.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 280px; height: 251px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/Sh78GSwCKJI/AAAAAAAABoI/M-ziU8YcJM4/s320/rara+avis.jpg" alt="" id="BLOGGER_PHOTO_ID_5340983393150707858" border="0" /></a><br /><div style="text-align: center;"><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7512090-4c7"><embed src="http://www.divshare.com/flash/playlist?myId=7512090-4c7" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><span style="font-weight: bold;">CLUSONE TRIO - Baltimore Oriole</span><br /><br /><a href="http://www.mediafire.com/?wyimlmnhzyj">CLUSONE TRIO </a><br />(51 min, <span style="font-size:85%;">compiled by La Folie Du Jour)</span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-6766948713941174228?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com5tag:blogger.com,1999:blog-4355174764364906531.post-51306035629608897512009-05-23T00:18:00.015+03:002009-05-26T12:09:37.948+03:00DAVID THOMAS AND TWO PALE BOYS "Erewhon" (1996)<div style="text-align: center;"><div style="text-align: left;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/ShcaoMHRU7I/AAAAAAAABnQ/OPOsL5XSPyY/s1600-h/EREWHON.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 290px; height: 289px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/ShcaoMHRU7I/AAAAAAAABnQ/OPOsL5XSPyY/s400/EREWHON.jpg" alt="" id="BLOGGER_PHOTO_ID_5338765161019823026" border="0" /></a><br /></div>Urban siberiana for places exiled from reality and sheltered to nowhere.<br /><br />DAVID THOMAS - voice, mellodeon<br />KEITH MOLINE - guitar<br />ANDY DIAGRAM - thumb piano<br /></div><br /><div style="text-align: center;"><a href="http://www.mediafire.com/?nyzyzowjnze">EREWHON</a><br />(9 tracks, approx time 50 min)<br /><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7485355-de0"><embed src="http://www.divshare.com/flash/playlist?myId=7485355-de0" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><div style="text-align: center;"><span style="font-weight: bold;">Morbid Sky</span><br /></div><br /><a href="http://ubuprojex.net/lyrics/ere.html">lyrics</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-5130603562960889751?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com1tag:blogger.com,1999:blog-4355174764364906531.post-33824734830381098132009-05-17T01:09:00.024+03:002009-05-17T12:15:08.794+03:00The Saragossa Manuscript<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Rs_uJzqkj0M/Sg9E1Nk9_eI/AAAAAAAAAQs/FNjWCzm0UWg/s1600-h/saragossa_manuscript_dvd_cover1.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 282px; height: 400px;" src="http://3.bp.blogspot.com/_Rs_uJzqkj0M/Sg9E1Nk9_eI/AAAAAAAAAQs/FNjWCzm0UWg/s400/saragossa_manuscript_dvd_cover1.jpg" alt="" id="BLOGGER_PHOTO_ID_5336559764425801186" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Rs_uJzqkj0M/Sg9FN-JmdsI/AAAAAAAAAQ0/sAlKHJTgv7E/s1600-h/saragossa_manuscript_dvd_cover_back.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 282px; height: 400px;" src="http://3.bp.blogspot.com/_Rs_uJzqkj0M/Sg9FN-JmdsI/AAAAAAAAAQ0/sAlKHJTgv7E/s400/saragossa_manuscript_dvd_cover_back.jpg" alt="" id="BLOGGER_PHOTO_ID_5336560189781210818" border="0" /></a><br /><br /><span style="font-weight: bold;">He spend his days filling the silver sphere that adorns his tea kettle lid.</span><br /><br /><span style="font-weight: bold;">Still too big.</span><br /><span style="font-weight: bold;">A bizzare avocation that marks his life’s last three years.</span><br /><br />A STRANGE LIFE<br /><br />A young Polish aristocrat, Jan Potocki (1761-1815) inherits 18th century treasures. A citizen of the world, he can fluently speak eight languages and, very young, dives into the vortex of travels: aside from Poland and Europe – which is his country - he is fascinated by Turkey and Egypt. In 1805, recommendend by the Russian foreign minister, the Polish prince Adam Czartoryski, he joins a russian expedition in China.<br /><br />His encyclopaedic education allows him to commit in a series of scientific researches: he either traces the origin of the Slavs in a amazingly’s erudition work entitled Rechearches about Sarmatia (1789-1792) or fly over Warsow into Blanchard’s balloon, accompanying the French scientist along with his Turk servant and his dog Lulu.<br /><br />Devoted to political intrigue, being a deputy favourable to reforms, he develops an intence political activitie in Poland, in the era of the four year diet ( the Polish parliament). Suspect of affinity to the Jacobines, he is forced to leave Poland for Spain and Morocco, where he arrogantly boasts that he is “the new kingdom’s Suetonius” .<br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Rs_uJzqkj0M/Sg9GYX6meEI/AAAAAAAAAQ8/4lkmfma44Vg/s1600-h/PDVD_042.BMP"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 181px;" src="http://1.bp.blogspot.com/_Rs_uJzqkj0M/Sg9GYX6meEI/AAAAAAAAAQ8/4lkmfma44Vg/s400/PDVD_042.BMP" alt="" id="BLOGGER_PHOTO_ID_5336561468007938114" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Rs_uJzqkj0M/Sg9Go-PBbwI/AAAAAAAAARE/4pOXZpPYO1Q/s1600-h/PDVD_057.BMP"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 181px;" src="http://2.bp.blogspot.com/_Rs_uJzqkj0M/Sg9Go-PBbwI/AAAAAAAAARE/4pOXZpPYO1Q/s400/PDVD_057.BMP" alt="" id="BLOGGER_PHOTO_ID_5336561753172045570" border="0" /></a><br />AN INITIATORY NARRATIVE<br /><br />Potocki’s literature work lies under the sign of travel. His real wandering is followed by an imaginary travel. His novel Manuscrit trouve a Saragosse (The Saragossa Manuscript, 1804-1814) is presented as the last fruit of his numerus tours. It is about an initiatory narrative which chronicles the adventures of young officer Alfonse Van Worden. Written in french and translated in polish in the 19th century, this collection of bizarre episodes, some times imaginary, some times philosophical and some times pointing to picaresque, is a frame narrative which’s structure reminds of the arab tales. In the haunted mountains of Sierra Morena, the characters that narrate their stories are often and involuntary drifted in space and time due to mysterious forces, incarnated in two Tunisian beauties, messengers of the night.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Rs_uJzqkj0M/Sg9G5hM5gpI/AAAAAAAAARM/DJmdLQxDJi4/s1600-h/PDVD_056.BMP"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 181px;" src="http://1.bp.blogspot.com/_Rs_uJzqkj0M/Sg9G5hM5gpI/AAAAAAAAARM/DJmdLQxDJi4/s400/PDVD_056.BMP" alt="" id="BLOGGER_PHOTO_ID_5336562037436285586" border="0" /></a><br /><br />The fate reserved for The Saragossa Manuscript stood anything else but common. This large book, divided into 66 days, was brokenly and without the writer’s name published in Saint Petesburg in 1804, and by the first moment was accepted with enthusiasm, and with Alexander Pushkin’s admiration. Then the novel went all around Europe in manuscripts and also anonynous copies. Plagiarists – and among them some not at all inconsiderable writers such as Charles Nodier and Washinton Irving – appropriate some of the episodes and publish them under their name, achieving great commercial success. In this way, the eccentric passions, very close to mysticism, if not even to satanism, that hounted Potocki’s soul, keep fascinating next century’s wide public, eager for “black” novels.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Rs_uJzqkj0M/Sg9HZxnkXzI/AAAAAAAAARc/4jrWCbIcRto/s1600-h/PDVD_053.BMP"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 181px;" src="http://1.bp.blogspot.com/_Rs_uJzqkj0M/Sg9HZxnkXzI/AAAAAAAAARc/4jrWCbIcRto/s400/PDVD_053.BMP" alt="" id="BLOGGER_PHOTO_ID_5336562591598927666" border="0" /></a><br /><br /><span style="font-weight: bold;">The sphere has at last the desirable dimensions and fits with no difficulty into the barrel of the gun aiming the head.</span><br /><span style="font-weight: bold;">Count Jan Potocki suicided in November 20, 1815.</span><br /><br />"Annick Benoit-Dusausoy & Guy Fontaine: Europeean Literature". Translated by Begemot<br /><br /><div style="text-align: center;"><object width="420" height="349" class="BLOG_video_class" id="BLOG_video-2e9c9a6f54bb2139" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="movie" value="http://www.blogger.com/img/videoplayer.swf?videoUrl=http%3A%2F%2Fvp.video.google.com%2Fvideodownload%3Fversion%3D0%26secureurl%3DqAAAAO3T1daHheEeH3ZcEQIwEb_I3z2IZkYZJGegvB5pGaP-Z8ZgeNpSjsmAyhYOAw-N4k-ZG4zh4wfLQBbxEoRWYaWWjT2NzCUaKTFe_l2vzJ8nXSa3hpIToQ1EZc8VCBJ9izd4OZAvN4Jl3RYq7kMBvI1sHezUr0pm5FfdPXPqTztxiFXtFUEDw0_v0b79hlibVsIxnPyEG3ZtqbJFacY3IsB1S3wvI6V1BRII7-xbpspL%26sigh%3DfLU76TXmtEqmRSuUSWyWaeLRjpk%26begin%3D0%26len%3D86400000%26docid%3D0&nogvlm=1&thumbnailUrl=http%3A%2F%2Fvideo.google.com%2FThumbnailServer2%3Fapp%3Dblogger%26contentid%3D2e9c9a6f54bb2139%26offsetms%3D5000%26itag%3Dw320%26sigh%3DaWkTs-0PP-xQivEMRtPIMvrG7hc&messagesUrl=video.google.com%2FFlashUiStrings.xlb%3Fframe%3Dflashstrings%26hl%3Den"><param name="bgcolor" value="#FFFFFF"><embed width="420" height="349" src="http://www.blogger.com/img/videoplayer.swf?videoUrl=http%3A%2F%2Fvp.video.google.com%2Fvideodownload%3Fversion%3D0%26secureurl%3DqAAAAO3T1daHheEeH3ZcEQIwEb_I3z2IZkYZJGegvB5pGaP-Z8ZgeNpSjsmAyhYOAw-N4k-ZG4zh4wfLQBbxEoRWYaWWjT2NzCUaKTFe_l2vzJ8nXSa3hpIToQ1EZc8VCBJ9izd4OZAvN4Jl3RYq7kMBvI1sHezUr0pm5FfdPXPqTztxiFXtFUEDw0_v0b79hlibVsIxnPyEG3ZtqbJFacY3IsB1S3wvI6V1BRII7-xbpspL%26sigh%3DfLU76TXmtEqmRSuUSWyWaeLRjpk%26begin%3D0%26len%3D86400000%26docid%3D0&nogvlm=1&thumbnailUrl=http%3A%2F%2Fvideo.google.com%2FThumbnailServer2%3Fapp%3Dblogger%26contentid%3D2e9c9a6f54bb2139%26offsetms%3D5000%26itag%3Dw320%26sigh%3DaWkTs-0PP-xQivEMRtPIMvrG7hc&messagesUrl=video.google.com%2FFlashUiStrings.xlb%3Fframe%3Dflashstrings%26hl%3Den" type="application/x-shockwave-flash"></embed></object><br /></div><br />THE FILM<br /><br />Potocki’s novel (to be exact a version of it), was adapted for the big screen by the Polish director Wojciech Has in 1965. It’s about a three hours ( the original version was 182 minutes long) black-and-white film which indends to depict Potocki’s vision. Has keeps the main plot of the story (it would be impossible anyway to attribute the entire book, with it’s endless minor stories embeding into the major ones, and one into the other), the main characters (Alfonse, Velasquez, the Cabalist, Avadoro, Rebecca e.t.c.), and is also faithfull to the novel’s main charasteristics ( it’s frame narrative, the mysticism that colours Potocki’s world, the erotic elements, the humor, the piqaresqe and often grotesque elements). Along with the above, very good actors and Penderecki’s music score contribute to an excellent result. You can easily find and download the film ( the restoration of which was done by Jerry Garcia, Martin Scorsese and Francis Ford Coppola) with English and Spanish subtitles, through torrents. Begemot has also made an adaptation of the subtitles in Greek, which can be downloaded below.<br /><br /><a href="http://www.divshare.com/download/7403396-149">Το χειρόγραφο της Σαραγόσα_Υπότιτλοι</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-3382473483038109813?l=01fragments.blogspot.com'/></div>begemothttp://www.blogger.com/profile/13128731751776877639noreply@blogger.com2tag:blogger.com,1999:blog-4355174764364906531.post-14391155307268264512009-05-13T19:04:00.014+03:002009-05-13T22:32:07.257+03:00GARETH WILLIAMS "Flaming Tunes" (UK, 1985)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/Sgscp2168CI/AAAAAAAABmc/rHNwz4iGMa4/s1600-h/flaming+tunes.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 365px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/Sgscp2168CI/AAAAAAAABmc/rHNwz4iGMa4/s400/flaming+tunes.jpg" alt="" id="BLOGGER_PHOTO_ID_5335389688972374050" border="0" /></a><div style="text-align: justify;"><br />Nearly 25 years after original release, great cassette album <span style="font-weight: bold;">FLAMING TUNES</span> is meeting finally its first (authorised) CD edition by <span style="font-weight: bold;">LIFE AND LIVING </span>Records who have announced reissue (carefully remastered and come out with 16-page booklet) for this month.<br />Bootlegged and misleadingly appeared as "<span style="font-weight: bold;">This Heat'</span>s last demo", this obscured gem, product of collaboration among <span style="font-weight: bold;">This Heat</span> keyboardist/bassist <span style="font-weight: bold;">GARETH WILLIAMS</span> (1953 - 2001), his longtime friend <span style="font-weight: bold;">MARY CURRIE</span> and several guest musicians, was written after <span style="font-weight: bold;">This Heat</span> disbandment and , released on cassette in 1985.<br />Williams uses elements from This Heat aeshtetics but he goes beyond...exposing himself to wider, worldsound visions and deeper calls.<br />Grown like under the touch of a generous moon, FLAMING TUNES is a work original, eclectic, influenced by Williams trips to India, but above all, haunted by the revelation of a rare-quality songsmithness that unfortunately left no further output.<br /><br /></div><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7371416-f9c"><embed src="http://www.divshare.com/flash/playlist?myId=7371416-f9c" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br />Restless Mind<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-1439115530726826451?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com1tag:blogger.com,1999:blog-4355174764364906531.post-62964897860925762802009-05-11T20:54:00.016+03:002009-05-17T02:41:37.458+03:00MICHAEL RIESSLER<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/Sg8xuSnY0yI/AAAAAAAABnI/E6RkSmgH090/s1600-h/riessler.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 266px; height: 400px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/Sg8xuSnY0yI/AAAAAAAABnI/E6RkSmgH090/s400/riessler.jpg" alt="" id="BLOGGER_PHOTO_ID_5336538754798113570" border="0" /></a><br />Compilation-introduction to german composer and clarinettist <span style="font-weight: bold;">MICHAEL RIESSLER </span>(born in Ulm 1957) whose works are trully occupying a unique, boundary-free and full of imaginative crossings space among jazz, experimental, classical, medieval, european folk, improvisation...<br /><br /><br />Selections are taken from albums:<br /><br />"<span style="font-weight: bold; color: rgb(255, 204, 51);font-size:100%;" >Tentations d'Abelard</span>" <span style="font-size:85%;">[<span style="font-weight: bold;">Riessler</span>: clarinets - <span style="font-weight: bold;">V. Clastrier</span>: hurdy gurdy - <span style="font-weight: bold;">Michel Godard</span>: tuba - <span style="font-weight: bold;">M. Ambrosini</span>: nyckelharp/bagpipe - <span style="font-weight: bold;">Brigitte Sylvestre</span>: harp - <span style="font-weight: bold;">Gaston Sylvestre</span>: cymbalon - <span style="font-weight: bold;">J.L. Matinier</span>: accordion - <span style="font-weight: bold;">Renaud Garcia Fons</span>: double bass - <span style="font-weight: bold;">Gerard Siracusa</span>: drums/percussion - <span style="font-weight: bold;">Carlo Rizzo</span>: tambourine/bendir - <span style="font-weight: bold;">Robie Ameen</span>: drums], 1995, WERGO<br /></span><br />"<span style="font-weight: bold;"><span style="color: rgb(255, 255, 153);">Orange</span>"</span><span style="font-size:85%;"> [<span style="font-weight: bold;">Riessler: </span>clarinet/bassclarinet/sopranino sax - <span style="font-weight: bold;">J.L. Matineir</span>: accordion - <span style="font-weight: bold;">Elise Caron</span>: vocals - </span><span style="font-weight: bold;font-size:85%;" >Pierre Charial</span><span style="font-size:85%;">: barrel organ], 1999, ACT</span><br /><br />"<span style="font-weight: bold; color: rgb(255, 204, 51);">Ahi Vita</span>" <span style="font-size:85%;">[<span style="font-weight: bold;">Riessler</span>: clarinets - <span style="font-weight: bold;">Vincent Courtois</span>: cello - <span style="font-weight: bold;">Claudia Reinhard, Klaus Wenk, Markus Zapp, Andeas Hirtreiter, Guido Heidloff, Marcus Schmidl: </span>voices], 2003, ACT</span><br /><br />"<span style="font-weight: bold; color: rgb(255, 204, 51);">Palude</span>"<span style="font-size:85%;">[collaboration of <span style="font-weight: bold;">Riessler</span>: clarinets/sax - <span style="font-weight: bold;">Valentin Clastrier</span>: hurdy gurdy - <span style="font-weight: bold;">Carlo Rizzo</span>: tambourine], 1995, WERGO</span><br /><br />"<span style="font-weight: bold; color: rgb(255, 204, 51);">Bach In 1 Hour</span>" <span style="font-size:85%;">[<span style="font-weight: bold;">Riessler</span> and <span style="font-weight: bold;">Trio Di Clarone</span> ensemble], 2000, EMI</span><br /><br /><div style="text-align: center;"><a href="http://sharebee.com/665cb38e">Riessler in 1 hour</a><br />(14 tracks)<br /><br /><span style="font-size:85%;">compiled by LFDJ</span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-6296489786092576280?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com3tag:blogger.com,1999:blog-4355174764364906531.post-23237287640575121102009-05-10T19:08:00.006+03:002009-05-10T19:45:46.676+03:00Leonardo da Vinci: Images from an Exhibition<div style="width: 380px; text-align: center;"><embed type="application/x-shockwave-flash" wmode="transparent" src="http://w294.photobucket.com/pbwidget.swf?pbwurl=http://w294.photobucket.com/albums/mm91/giorgospan/Da%20Vinci/0831aed4.pbw" width="380" height="360"></embed><a href="http://photobucket.com/slideshows" target="_blank"><img src="http://pic.photobucket.com/slideshows/btn.gif" style="border-width: 0pt; float: left;" /></a><a href="http://s294.photobucket.com/albums/mm91/giorgospan/Da%20Vinci/?action=view&current=0831aed4.pbw" target="_blank"><img src="http://pic.photobucket.com/slideshows/btn_viewallimages.gif" style="border-width: 0pt; float: left;" /></a></div><br /><br /><span style="font-size:85%;">(Click on the pictures for full size image)</span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-2323728764057512110?l=01fragments.blogspot.com'/></div>begemothttp://www.blogger.com/profile/13128731751776877639noreply@blogger.com0tag:blogger.com,1999:blog-4355174764364906531.post-5398433225743279792009-05-09T19:11:00.021+03:002009-05-09T23:56:15.090+03:00HANNS EISLER / DAGMAR KRAUSE<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SgWsmV2LgNI/AAAAAAAABmM/ydikbajZtzU/s1600-h/hanns+eisler.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SgWsmV2LgNI/AAAAAAAABmM/ydikbajZtzU/s320/hanns+eisler.jpg" alt="" id="BLOGGER_PHOTO_ID_5333859108389617874" border="0" /></a><span style="font-weight: bold;">HANNS EISLER</span> [Leipzig 1898 - Berlin 1962]<br /><br /><span style="font-weight: bold;font-size:85%;" >"Open the window. Remember that the street noise is not mere noise, but it is made by man" H. EISLER</span><br /><div style="text-align: justify;"><br /><span style="font-weight: bold;">DAGMAR KRAUSE</span> : Eisler's songs were written with sharpness and precision, bound by tenderness and strenth. They are an encounter with some of our more worthwhile feelings. He set the pace for the fight against stupidity in music.<br /></div></div><div style="text-align: justify;"><span style="font-size:85%;"><span style="font-weight: bold;"></span></span><br /><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7329692-d5f"><embed src="http://www.divshare.com/flash/playlist?myId=7329692-d5f" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><div style="text-align: left;"><span style="font-weight: bold;">Mutterns Hande</span>, <span style="font-size:85%;">music: <span style="font-weight: bold;">HANNS EISLER</span>, poem: <span style="font-weight: bold;">KURT TUCHOLSKY</span><br />(taken from <span style="font-weight: bold;">DAGMAR KRAUSE</span>'s "<span style="font-weight: bold;">Panzerschlact: Die Lieder Von Hanns Eisler"</span> )</span><br /></div><br /><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7329722-cc7"><embed src="http://www.divshare.com/flash/playlist?myId=7329722-cc7" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><span style="font-weight: bold;">Mother's Hands</span> <span style="font-size:85%;">(english version, translation by Malcolm Green)</span><br /><br /><span style="font-weight: bold;"></span><br /><div style="text-align: center;"><span style="font-weight: bold;font-family:georgia;" ><br />MUTTERNS HANDE</span><br /></div><p style="text-align: center;" class="zentrierts">Hast uns Stulln jeschnitten<br />un Kaffe jekocht<br />un de Töppe rübajeschohm -<br />un jewischt un jenäht<br />un jemacht un jedreht...<br />alles mit deine Hände.</p><div style="text-align: center;"> </div><p style="text-align: center;" class="zentrierts">Hast de Milch zujedeckt,<br />uns bonbongs zujesteckt<br />un Zeitungen ausjetragen -<br />hast die Hemden jezählt<br />und Kartoffeln jeschält...<br />alles mit deine Hände.</p><div style="text-align: center;"> </div><p style="text-align: center;" class="zentrierts">Hast uns manches Mal<br />bei jroßem Schkandal<br />auch'n Katzenkopp jejeben.<br />Hast uns hochjebracht.<br />Wir wahn Sticker acht,<br />sechse sind noch am Leben...<br />Alles mit deine Hände.</p><div style="text-align: center;"> </div><p style="text-align: center;" class="zentrierts">Heiß warn se un kalt.<br />Nu sind se alt.<br />Nu bist du bald am Ende.<br />Da stehn wir nu hier,<br />und denn komm wir bei dir<br />und streicheln deine Hände.</p><p style="text-align: center;" class="zentrierts"><span style="font-style: italic;"><span style="font-weight: bold;">Kurt Tucholsky</span>, <span style="font-weight: bold;">1890-1935</span></span><br /></p> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-539843322574327979?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com2tag:blogger.com,1999:blog-4355174764364906531.post-20837341277655309372009-05-07T19:23:00.009+03:002009-05-08T13:11:45.146+03:00FERDINAND RICHARD " En Forme!! " (FRA, 1980)<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SgMYoUiOqLI/AAAAAAAABmE/uabMoI1sBBs/s1600-h/en+forme+%21%21.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 301px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SgMYoUiOqLI/AAAAAAAABmE/uabMoI1sBBs/s320/en+forme+%21%21.jpg" alt="" id="BLOGGER_PHOTO_ID_5333133464722909362" border="0" /></a>Spirited by the same uncompromised/anarchic style found, more or less, in all <span style="font-weight: bold;">Etron Fou</span> music, "<span style="font-weight: bold;">En Forme !!", </span>first<span style="font-weight: bold;"> </span>of the two solo <span style="font-weight: bold;">FERDINAND</span>'s albums, combines (through skillful performing and surrealistic imagination) the unpredictable/rawer sounds of band's earlier days with proto-flavour of the 80's/post-prog experimentations that were to appear in <span style="font-weight: bold;">Etron Fou</span>'s and <span style="font-weight: bold;">Richard</span>'s future works.<br /><br />"EN FORME !!" played by: FERDINAND RICHARD (bass, guitar, vocals, composition), JO THIRION (piano), MARGOT MATHIEU (saxophone), HELMUT HARD (drums)... and released from french label CELLULOID.<br /><br />From the many others FERDINAND RICHARD's bands, projects, etc.... we strongly recommend GESTALT ET JIVE , Richard's collaboration with ALFRED HARTH, STEVE BERESFORD, ANTON FIER...<br /></div><br /><div style="text-align: center;"><a href="http://sharebee.com/65062394">EN FORME !!</a><br />(13 tracks, approx 39 min)<br /><br /><span style="font-size:85%;"><span style="font-style: italic;">posted here for our good friend... who have asked it</span></span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-2083734127765530937?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com2tag:blogger.com,1999:blog-4355174764364906531.post-70609494309993219882009-05-07T00:24:00.009+03:002009-05-07T00:58:31.217+03:00Penelope Houston<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_v3zB_VnhyBA/SgIA85eL5rI/AAAAAAAAAAM/h2wCg4V6G9c/s1600-h/penelope+4.jpeg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 224px; height: 300px;" src="http://3.bp.blogspot.com/_v3zB_VnhyBA/SgIA85eL5rI/AAAAAAAAAAM/h2wCg4V6G9c/s400/penelope+4.jpeg" alt="" id="BLOGGER_PHOTO_ID_5332825954979669682" border="0" /></a><span style="font-size:100%;">In 1988 the punk-folk-pop star </span><span style="font-weight: bold;">Penelope Houston</span> recorded her first acoustic indie pop LP "<span style="font-weight: bold;">Birdboys</span>". From this great album i have chosen the track "<span style="font-weight: bold;">Bed of Lies</span>", an odd lovesong whose painful lyrics, is contrasted with its luminous tune.<br /><div style="text-align: justify;font-family:georgia;">Expressing the grevious loss of love in an almost cheerful way, <span style="font-weight: bold;">Houston</span>'s fragile voice enhances the beauty!<br /></div><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7299624-c38"><embed src="http://www.divshare.com/flash/playlist?myId=7299624-c38" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><span style="font-weight: bold;">Bed of Lies</span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-7060949430999321988?l=01fragments.blogspot.com'/></div>semiluniohttp://www.blogger.com/profile/06678832233208529764noreply@blogger.com3tag:blogger.com,1999:blog-4355174764364906531.post-53727334904621837282009-05-04T23:27:00.024+03:002009-05-06T12:08:46.548+03:00V/A KNITTING FACTORY WORKS<div style="text-align: right;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/Sf__4owcRnI/AAAAAAAABlc/upBd-Hi9ws4/s1600-h/img+zero.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 395px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/Sf__4owcRnI/AAAAAAAABlc/upBd-Hi9ws4/s400/img+zero.jpg" alt="" id="BLOGGER_PHOTO_ID_5332261832308311666" border="0" /></a><br /></div><div style="text-align: center;"><a href="http://ny.knittingfactory.com/about.php">HISTORY (early years)</a><br /><div style="text-align: center;"><span style="font-size:85%;">written by Knittting Factory founder MICHAEL DORF</span><br /><br /></div></div><div style="text-align: center;"><a href="http://www.megaupload.com/?d=U9QVD74D">MUSIC (sampler vol. 1)</a><br /><span style="font-size:85%;">(18 tracks approx 75 min)<br />compiled by LFDJ</span><br /><br /><br /></div><span style="font-weight: bold;font-family:trebuchet ms;font-size:100%;" >KNITTING FACTORY WORKS vol.1</span><br /><br /><div style="text-align: justify;"><span style="font-weight: bold;font-size:85%;" >THE JAZZ PASSENGERS</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">if i were a bell ("Plain Ol</span><span style="font-size:85%;">d Joe", 1993)<br /></span><span style="font-weight: bold;font-size:85%;" >THINK OF ONE</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">fabula roza ("Juggernaut", 1998)<br /></span><span style="font-weight: bold;font-size:85%;" >WILLIAM HOOKER</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">because (of you)-dimension 2 ("Distance Between Us", 1998)<br /></span><span style="font-weight: bold;font-size:85%;" >FRIGG</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">die welt gefallt mir nicht mehr ("Brecht", 1999)<br /></span><span style="font-weight: bold;font-size:85%;" >MARK DRESSER</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">fakir ("The Cabinet Of Dr. Caligari", 1994)<br /></span><span style="font-weight: bold;font-size:85%;" >REBECCA MOORE</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">lamp shop ("Admiral Charcoal's Song", 1996)<br /></span><span style="font-weight: bold;font-size:85%;" >KISS MY JAZZ</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">you don't talk ("In Coffee We Trust", 1997)<br /></span><span style="font-weight: bold;font-size:85%;" >HASIDIC NEW WAVE</span><span style="font-size:85%;"> -</span><span style="font-size:85%;"> tzur mishelo ("Jews & Abstract Truth", 1997)<br /></span><span style="font-weight: bold;font-size:85%;" >ROY NATHANSON</span><span style="font-size:85%;"> -</span><span style="font-size:85%;"> bus ("Camp Stories" o.s.t., 1996)<br /></span><span style="font-weight: bold;font-size:85%;" >''CAMP STORIES'' BAND</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">hine ma tov ("Camp Stories" o.s.t.)<br /></span><span style="font-weight: bold;font-size:85%;" >CUONG VU</span><span style="font-size:85%;"> -</span><span style="font-size:85%;"> pure ("Pure", 2000)<br /></span><span style="font-weight: bold;font-size:85%;" >BAILEY/METHENY/BENDIAN</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">the rule of three ("The Sign Of 4", 1997)<br /></span><span style="font-weight: bold;font-size:85%;" >PARADOX TRIO</span><span style="font-size:85%;"> -</span><span style="font-size:85%;"> rufus seven ("Flying At A Slant", 1997)<br /></span><span style="font-weight: bold;font-size:85%;" >DON BYRON</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">allure of entanglement ("No-Vibe Zone: Live at KF, 1996)<br /></span><span style="font-weight: bold;font-size:85%;" >HASIDIC NEW WAVE</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">eliyahu hanovi ("Jews & Abstract Truth", 1997)<br /></span><span style="font-weight: bold;font-size:85%;" >KISS MY JAZZ</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">last house at the edge of the park ("Doc's Place Friday Evening", 1996)<br /></span><span style="font-weight: bold;font-size:85%;" >W. HORVITZ & ZONY MASH</span><span style="font-size:85%;"> -</span><span style="font-size:85%;"> climacum after hours ("Brand Spankin' New", 1998)<br /></span><span style="font-weight: bold;font-size:85%;" >MARK DRESSER</span><span style="font-size:85%;"> - </span><span style="font-size:85%;">the circle is closing in ("The Cabinet Of Dr. Caligari", 1994)<br /></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-5372733490462183728?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com1tag:blogger.com,1999:blog-4355174764364906531.post-61094788302499520342009-05-02T22:26:00.011+03:002009-05-04T22:45:43.726+03:00PIERRE BASTIEN & MECANIUM "Musiques Machinales" (FRA, 1993)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/SfyezSiesnI/AAAAAAAABkU/qx4mscYzRXE/s1600-h/PIERRE+BASTIEN.jpeg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 280px; height: 280px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/SfyezSiesnI/AAAAAAAABkU/qx4mscYzRXE/s400/PIERRE+BASTIEN.jpeg" alt="" id="BLOGGER_PHOTO_ID_5331310662886797938" border="0" /></a><br /><div style="text-align: center;"><span style="font-weight: bold;">Bastien's meccano-constructed robotic orchestra</span><br /><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SfyrtGTxfNI/AAAAAAAABks/1FVFz0VPVDI/s1600-h/pierrebastien+2.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 302px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SfyrtGTxfNI/AAAAAAAABks/1FVFz0VPVDI/s320/pierrebastien+2.jpg" alt="" id="BLOGGER_PHOTO_ID_5331324850175835346" border="0" /></a><div style="text-align: center;"><span style="font-weight: bold;"> energized by spinning of old turntables... </span><br /><br /><span style="font-weight: bold;">Same way hasn't it all begun?</span><br /><br /><br /></div><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7264102-ceb"><embed src="http://www.divshare.com/flash/playlist?myId=7264102-ceb" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br />People In Sorrow<br /><br /><div style="text-align: center;"><span style="font-size:85%;"></span><a href="http://www.mediafire.com/?igmmenitmnq">MUSIQUES MACHINALES</a><br />(11 tracks, approx 47min)<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-6109478830249952034?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com7tag:blogger.com,1999:blog-4355174764364906531.post-70779331514977806692009-05-01T23:04:00.013+03:002009-05-02T19:56:40.975+03:00SERGEI KURIOKHIN & HENRY KAISER "Popular Science" (US, 1989)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SftX5lZsFXI/AAAAAAAABj8/tS5_kQKIia8/s1600-h/img060.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 316px; height: 320px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SftX5lZsFXI/AAAAAAAABj8/tS5_kQKIia8/s320/img060.jpg" alt="" id="BLOGGER_PHOTO_ID_5330951230727132530" border="0" /></a><br /><br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SftYEqkrAjI/AAAAAAAABkE/7d3VpBWvDRQ/s1600-h/img061.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 202px; height: 400px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SftYEqkrAjI/AAAAAAAABkE/7d3VpBWvDRQ/s400/img061.jpg" alt="" id="BLOGGER_PHOTO_ID_5330951421093937714" border="0" /></a><br /><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7258630-cd7"><embed src="http://www.divshare.com/flash/playlist?myId=7258630-cd7" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><span style="font-size:85%;"><span style="font-weight: bold;">album sample: <span style="font-size:100%;">Foreign Accents</span> (9:14)</span></span><br /><br /><span style="font-size:85%;"><br /></span><div style="text-align: left;"><span style="font-size:100%;">Collaboration of experimental guitarist/free improviser HENRY KAISER with top russian avant-garde pianist/composer SERGEI KURIOKHIN (1954 - 1996). </span>Recorded 1988 - 89 in Oakland, California.<br /><br />HENRY KAISER - synclavier keyboard, electric guitar, production<br />SERGEI KURIOKHIN - synclavier keyboard<br /><br /></div><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-7077933151497780669?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com4tag:blogger.com,1999:blog-4355174764364906531.post-52602061546978133072009-04-29T23:44:00.009+03:002009-04-30T00:46:23.492+03:00PETER JEFFERIES " A Chorus Of Interludes " (NZ, 1996)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_K8bS9T70uVg/Sfi8jYO-v6I/AAAAAAAABj0/MXUDo5Mhv-k/s1600-h/a+chorus+of+interludes.jpeg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 319px; height: 320px;" src="http://2.bp.blogspot.com/_K8bS9T70uVg/Sfi8jYO-v6I/AAAAAAAABj0/MXUDo5Mhv-k/s320/a+chorus+of+interludes.jpeg" alt="" id="BLOGGER_PHOTO_ID_5330217474979708834" border="0" /></a><span style="font-weight: bold;"><br /></span><div style="text-align: justify;"><span style="font-weight: bold;">AJAX Records release including compilation tracks, singles, collaborations and rarities from 'La Folie' favourite kiwi artist, Peter Jefferies.</span><br /></div><br /><br /><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="divplaylist" width="335" height="28"><param name="movie" value="http://www.divshare.com/flash/playlist?myId=7242083-a33"><embed src="http://www.divshare.com/flash/playlist?myId=7242083-a33" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" width="335" height="28"></embed></object><br /><span style="font-size:85%;">PETER JEFFERIES (with ROBBIE MUIR) - Swerve</span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-5260206154697813307?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com0tag:blogger.com,1999:blog-4355174764364906531.post-40038043254698792262009-04-29T00:07:00.012+03:002009-04-29T22:35:17.855+03:00FETUS PRODUCTIONS "Luminous Trails" (NZ, 1985)<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/Sfdwj_L4jVI/AAAAAAAABjs/zsfNSkpcjyY/s1600-h/FETUS.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 280px; height: 280px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/Sfdwj_L4jVI/AAAAAAAABjs/zsfNSkpcjyY/s320/FETUS.jpg" alt="" id="BLOGGER_PHOTO_ID_5329852447575280978" border="0" /></a>JED TOWN's uncomfortable, nightmarish, but subliminally attractive structures of industrial mess and pop ugliness.<br /><br />For JED TOWN and FETUS PRODUCTIONS see also my previous note on <a href="http://01fragments.blogspot.com/2008/06/fetals-aka-fetus-productions-fetalmania.html">FETALMANIA</a><br /><br /><a href="http://01fragments.blogspot.com/2008/06/fetals-aka-fetus-productions-fetalmania.html"></a><a href="http://mediafire.com/?zmynnwqmryi">LUMINOUS TRAILS</a><br />(10 tracks, approx 38 min)<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-4003804325469879226?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com0tag:blogger.com,1999:blog-4355174764364906531.post-29431660486738993492009-04-27T09:48:00.026+03:002009-04-29T22:56:16.627+03:00BILL DIREEN: Buildings on a velvet land<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SfVVYCMBBaI/AAAAAAAABi4/Hh3GJKhJAI0/s1600-h/billdireen.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 206px; height: 320px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SfVVYCMBBaI/AAAAAAAABi4/Hh3GJKhJAI0/s320/billdireen.jpg" alt="" id="BLOGGER_PHOTO_ID_5329259605455340962" border="0" /></a><br />Poet, author, playwright, and perhaps the greatest less discovered songwriter of NZ's diy culture, BILL DIREEN is responsible for some of the most important episodes of early lo-fi days. His '80 - '84 works - under various monikers (<span style="font-weight: bold;">Builders</span>, <span style="font-weight: bold;">Bilders</span>, <span style="font-weight: bold;">Die Bilder</span>, <span style="font-weight: bold;">Bilderine</span>, <span style="font-weight: bold;">Soluble Fish, Urbs</span>...) - spirited by haunted velvet psych visions and kiwish post punk rawness, place him at equal height to JEFFERIES bros, ALASTAIR GALBRAITH, CHRIS KNOX, SANDRA BELL...<br /></div><br /><div style="text-align: center;">The introductory compilation, we prepared here, includes selections from:<br /><span style="font-weight: bold;">"Six Impossible Things"</span>, 7'', 1981<br /><span style="font-weight: bold;">BILDERS - "Soloman's</span><span style="font-weight: bold;"> Ball"</span>, 7'', 1981<br /><span style="font-weight: bold;">DIE BILDER - "Schwimmen In Der See"</span>, 7'', 1981<br /><span style="font-weight: bold;">BUILDERS - "Beati/en H</span><span style="font-weight: bold;">earts"</span>, LP, 1983<br /><span style="font-weight: bold;">BILDERINE - "Split Seconds"</span>, LP, 1984<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_K8bS9T70uVg/SfWMTdWbuSI/AAAAAAAABjQ/Xtlct0wS2dQ/s1600-h/SCHWIMMEN.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 196px;" src="http://4.bp.blogspot.com/_K8bS9T70uVg/SfWMTdWbuSI/AAAAAAAABjQ/Xtlct0wS2dQ/s200/SCHWIMMEN.jpg" alt="" id="BLOGGER_PHOTO_ID_5329319999986972962" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SfWNDkbddKI/AAAAAAAABjc/kCDXwzqaTL8/s1600-h/soloman%27s+ball.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 199px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SfWNDkbddKI/AAAAAAAABjc/kCDXwzqaTL8/s200/soloman%27s+ball.jpg" alt="" id="BLOGGER_PHOTO_ID_5329320826520827042" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_K8bS9T70uVg/SfWOsJjd0-I/AAAAAAAABjk/S1omf3zzEt0/s1600-h/beatin.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 198px; height: 200px;" src="http://1.bp.blogspot.com/_K8bS9T70uVg/SfWOsJjd0-I/AAAAAAAABjk/S1omf3zzEt0/s200/beatin.jpg" alt="" id="BLOGGER_PHOTO_ID_5329322623192912866" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_K8bS9T70uVg/SfWL04q8T7I/AAAAAAAABjA/j72dAiyzN5Q/s1600-h/BILDERS+SPLIT+SECONDS.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_K8bS9T70uVg/SfWL04q8T7I/AAAAAAAABjA/j72dAiyzN5Q/s200/BILDERS+SPLIT+SECONDS.jpg" alt="" id="BLOGGER_PHOTO_ID_5329319474744807346" border="0" /></a><br /><div style="text-align: left;">Musicians : <span style="font-weight: bold;">Bill Direen</span> (voc, lyrics, composition, piano, guitars, percussion etc), <span style="font-weight: bold;">Malcolm Grant</span> (drums), <span style="font-weight: bold;">Campbell Mclay</span> (bass), <span style="font-weight: bold;">Peter Stapleton</span> (drums), <span style="font-weight: bold;">Allen Meek</span> (keyboards)... and also Steven Cogle, Maryrose Crook, Liz Silver, Lisa Siegel, Hamish Kilgour, Tony O'Blaney, Alec Bathgate, Chris Knox and others...<br /><br /><div style="text-align: center;">*Some of the material derives from 90's Flying Nun reissues.<br />For a <a href="http://william.direen.free.fr/html/discography.html">complete discography</a> see here.<br /><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="http://sharebee.com/38c8bfef">Bill Direen </a><br /></div><div style="text-align: center;"><span style="font-size:85%;">(22 tracks, approx 70 min)</span><br /></div></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4355174764364906531-2943166048673899349?l=01fragments.blogspot.com'/></div>paramohttp://www.blogger.com/profile/14504442833501825710noreply@blogger.com0