<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-4241318148819067983</id><updated>2009-12-19T08:45:53.579+03:00</updated><title type='text'>Architecture : e-books , Magazines , Articles , warez</title><subtitle type='html'>e-books , Magazines , Articles , warez</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default?start-index=26&amp;max-results=25'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>290</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6578098425267677867</id><published>2009-11-10T11:19:00.003+03:00</published><updated>2009-11-10T11:57:33.837+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Image Of the City</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SvkjSPj3_qI/AAAAAAAAA7I/7tLsg4VbBMg/s1600-h/Image+Of+the+City.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SvkjSPj3_qI/AAAAAAAAA7I/7tLsg4VbBMg/s320/Image+Of+the+City.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5402388024329240226" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: tahoma, 'Trebuchet MS', lucida, helvetica, sans-serif; font-size: 13px; color: rgb(85, 85, 68); line-height: 18px; "&gt;&lt;strong&gt;Author&lt;/strong&gt;: Kevin Lynch&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Twentieth Printing 1990 by Massachusetts Institute Of Tecnology&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 17.5 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: RARed djvu&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: arial, helvetica, clean, sans-serif; line-height: normal; border-collapse: collapse; white-space: pre; "&gt;&lt;a href="http://ifile.it/5snceu6"&gt;http://ifile.it/5snceu6&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6578098425267677867?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6578098425267677867/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6578098425267677867&amp;isPopup=true' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6578098425267677867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6578098425267677867'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/11/image-of-city.html' title='Image Of the City'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SvkjSPj3_qI/AAAAAAAAA7I/7tLsg4VbBMg/s72-c/Image+Of+the+City.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5140336900066193634</id><published>2009-04-20T12:36:00.003+03:00</published><updated>2009-04-20T12:51:15.698+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>The Evolution of Designs : Biological analogy in architecture and the applied arts</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SexEJjd4KxI/AAAAAAAAA7A/nAkp2Dblw0k/s1600-h/The+Evolution+of+Designs.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SexEJjd4KxI/AAAAAAAAA7A/nAkp2Dblw0k/s320/The+Evolution+of+Designs.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5326707390202522386" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Author&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: Philip Steadman&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Publisher&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: First published 1979 by the Syndics of Cambridge University Press, This revised edition published 2008 by Routledge&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Size&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: 2.5 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Format&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Link&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: &lt;/span&gt;&lt;span class="Apple-style-span"  style=" white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/cpvbs9l"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;http://ifile.it/cpvbs9l&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Password&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Contents&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;:&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153); "&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153); "&gt;1 Introduction&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;2 The organic analogy&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;3 The classificatory analogy: Building types and natural species&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;4 The anatomical analogy: Engineering structure and the animal skeleton&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;5 The ecological analogy: The environments of artefacts and organisms&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;6 The Darwinian analogy: Trial and error in the evolution of organisms and artefacts&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;7 The evolution of decoration&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;8 Tools as organs or as extensions of the physical body&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;9 How to speed up craft evolution?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;10 Design as a process of growth&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;11 ‘Biotechnics’: Plants and animals as inventors&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;12 Hierarchical structure and the adaptive process: Biological analogy in Alexander’s Notes on the Synthesis of Form13 The consequences of the biological fallacy: Functional determinism&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;14 The consequences of the biological fallacy: Historical determinism and the denial of tradition&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;15 What remains of the analogy? The history and science of the artificial&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5140336900066193634?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5140336900066193634/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5140336900066193634&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5140336900066193634'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5140336900066193634'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/evolution-of-designs-biological-analogy.html' title='The Evolution of Designs : Biological analogy in architecture and the applied arts'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SexEJjd4KxI/AAAAAAAAA7A/nAkp2Dblw0k/s72-c/The+Evolution+of+Designs.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8406272708457573731</id><published>2009-04-19T08:03:00.000+03:00</published><updated>2009-04-19T09:18:47.708+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Integrated Strategies In Architecture-REUPLOADED</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo2RFuOgxI/AAAAAAAAAvw/zMZnSTGEVGA/s1600-h/Integrated+Strategies+in+Architecture.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272085981012329234" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 215px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo2RFuOgxI/AAAAAAAAAvw/zMZnSTGEVGA/s320/Integrated+Strategies+in+Architecture.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Editors&lt;/strong&gt;: Joan Zunde &amp;amp; Hocine Bougdah&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2006&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.94MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;span class="Apple-style-span" style="font-family: arial; font-size: 13px; white-space: pre; "&gt;&lt;a href="http://ifile.it/na3069m"&gt;http://ifile.it/na3069m&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;&lt;strong&gt;PART 1 THE PURPOSE OF BUILDINGS&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 1: Origins&lt;br /&gt;CHAPTER 2: Moderation of the environment&lt;br /&gt;CHAPTER 3: Use of available technology&lt;br /&gt;CHAPTER 4: The demands of the community&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 2 THE DESIGN TEAM&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 5: The specialists and how they work together&lt;br /&gt;CHAPTER 6: The client’s role&lt;br /&gt;CHAPTER 7: Communication&lt;br /&gt;CHAPTER 8: Professional responsibility&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 3 THE DESIGN PROCESS&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 9: Creative problem-solving&lt;br /&gt;CHAPTER 10: The problem&lt;br /&gt;CHAPTER 11: The process in action&lt;br /&gt;CHAPTER 12: Aesthetics&lt;br /&gt;CHAPTER 13: Evaluation&lt;br /&gt;CHAPTER 14: Completion&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 4 SPACE&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 15: Tailored versus loose-fit outcomes&lt;br /&gt;CHAPTER 16: Functional requirements&lt;br /&gt;CHAPTER 17: Anthropometrics and ergonomics&lt;br /&gt;CHAPTER 18: Relationships between spaces&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 5 ENVIRONMENTAL DESIGN&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 19: Principles of environmental design&lt;br /&gt;CHAPTER 20: Design strategies&lt;br /&gt;CHAPTER 21: Case studies&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 6 STRUCTURAL CONSIDERATIONS&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 22: Structural materials&lt;br /&gt;CHAPTER 23: Structures for domestic buildings&lt;br /&gt;CHAPTER 24: Design of structural elements&lt;br /&gt;Bibliography&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8406272708457573731?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8406272708457573731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8406272708457573731&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8406272708457573731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8406272708457573731'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/integrated-strategies-in-architecture.html' title='Integrated Strategies In Architecture-REUPLOADED'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo2RFuOgxI/AAAAAAAAAvw/zMZnSTGEVGA/s72-c/Integrated+Strategies+in+Architecture.JPG' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5936785818949265690</id><published>2009-04-13T10:22:00.002+03:00</published><updated>2009-04-13T10:29:23.507+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Complexity and Contradiction in Architecture</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SeLoxECFCvI/AAAAAAAAA64/zIFLmLVw1Ww/s1600-h/Complexity+and+Contradiction+in+Architecture.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 225px; height: 173px;" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SeLoxECFCvI/AAAAAAAAA64/zIFLmLVw1Ww/s320/Complexity+and+Contradiction+in+Architecture.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5324073639099042546" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(85, 85, 68);  "&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Author:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; Robert Venturi&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Publisher:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; The Museum of Modern Art, New York&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Size:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; 24.67 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Format:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Link:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: arial; white-space: pre; "&gt;&lt;a href="http://ifile.it/rwsbn0u"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://ifile.it/rwsbn0u&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Password:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Contents:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(85, 85, 68); font-weight: bold;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;1. Nonstraightforward Architecture: A Gentle Manifesto&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;2. Complexity and Contradiction vs. Simplification or Picturesqueness&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;3. Ambiguity&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;4. Contradictory Levels: The Phenomenon of "Both-And" in Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;5. Contradictory Levels Continued: The Double-Functioning Element&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;6. Accommodation and the Limitations of Order: The Conventional Element&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;7. Contradiction Adapted&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;8. Contradiction Juxtaposed&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;9. The Inside and the Outside&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;10. Theobligation Toward the Difficult Whole&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;11. Works&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5936785818949265690?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5936785818949265690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5936785818949265690&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5936785818949265690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5936785818949265690'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/complexity-and-contradiction-in.html' title='Complexity and Contradiction in Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SeLoxECFCvI/AAAAAAAAA64/zIFLmLVw1Ww/s72-c/Complexity+and+Contradiction+in+Architecture.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7109761257608925690</id><published>2009-04-09T08:30:00.003+03:00</published><updated>2009-04-09T09:06:58.790+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Reconstructing Architecture: Critical Discourses and social Practice</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_yu1gYz6PiBk/Sd2Id9wb4JI/AAAAAAAAA6w/9LcTKqrekhs/s1600-h/Reconstructing+Architecture.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 207px; height: 320px;" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/Sd2Id9wb4JI/AAAAAAAAA6w/9LcTKqrekhs/s320/Reconstructing+Architecture.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5322560382997094546" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="color: rgb(102, 102, 102);  line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Editor:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Thomas A. Dutton and Lian Hurst Mann &lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Publisher:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; University of Minnesota Press, 1996&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Size:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 20.7 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Format:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Link: &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: arial; line-height: normal; white-space: pre; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;a href="http://ifile.it/c1q6o2m"&gt;http://ifile.it/c1q6o2m&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Password:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Contents:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(102, 102, 102); font-family: tahoma; font-weight: bold; line-height: 14px;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Modernism, Postmodernism, and Architecture's Social Project&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Thomas A. Button and Lian Hurst Mann&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;1 The Suppression of the Social in Design: Architecture as War &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Anthony Ward&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;2 The F Word in Architecture: Feminist Analyses in/of/for Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Sherry Ahrentzen&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;3 Second Nature: On the Social Bond of Ecology and Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Richard Ingersoll&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;4 Cultural Studies and Critical Pedagogy: Cultural Pedagogy and Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Thomas A. Button&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;5 Accommodation and Resistance: The Built Environment and the African American Experience&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Bradford C. Grant&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;6 Deconstruction and Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Margaret Soltan&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;7 Subverting the Avant-Garde: Critical Theory's Real Strategy&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Lian Hurst Mann&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7109761257608925690?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7109761257608925690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7109761257608925690&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7109761257608925690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7109761257608925690'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/reconstructing-architecture-critical.html' title='Reconstructing Architecture: Critical Discourses and social Practice'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/Sd2Id9wb4JI/AAAAAAAAA6w/9LcTKqrekhs/s72-c/Reconstructing+Architecture.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-718396702119366684</id><published>2009-04-08T08:29:00.004+03:00</published><updated>2009-04-08T09:19:02.310+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Professional Practice for Interior Designers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_yu1gYz6PiBk/Sdw4oSjcspI/AAAAAAAAA6o/lYU_myJytBw/s1600-h/Professional+Practice+for+Interior+Designers.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/Sdw4oSjcspI/AAAAAAAAA6o/lYU_myJytBw/s320/Professional+Practice+for+Interior+Designers.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5322191124471526034" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(102, 102, 102); "&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Editor:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; Christine M. Piotrowski&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Publisher:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; John Wiley &amp;amp;Sons, Inc., 2002&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Size:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; 10 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Format:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Link: &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 0);   white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/ls1rmio"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;http://ifile.it/ls1rmio&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Password:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Contents:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style=""&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part I An Introduction to the Profession of Interior Design&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;1. The Profession&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;2. Ethics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;3. Personal Goal Setting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style=""&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part II How to Establish an Interior Design Practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;4. Planning a New Interior Design Practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;5. Advice and Counsel&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;6. Business Formations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;7. Legal Filings&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;8. On Your Own&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;9. Business Organization and Management&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;10. The Planning Function&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;11. Personnel Management&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;12. Legal Issues of Employment&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;13. Legal Responsibilities&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;14. Warranties and Product Liability&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;15. Financial Accounting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;16. Financial Management&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;17. Determining Design Fees&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;18. Preparing Design Contracts&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;19. Product Pricing Considerations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;20. The Sale of Goods and the Uniform&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;21. Marketing Interior Design Services&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;22. Promoting the Interior Design Practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;23. Advanced Promotional Tools&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;24. Selling Your Services&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;25. Design Presentations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;26. Personal Power&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;27. Project Management Techniques&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;28. Working with Trade Sources&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;29. Contract Documents and Specifications&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;30. Contract Administration&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;31. Contract Administration: Delivery and Project Closeout&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;32. Career Options&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;33. Getting the Next—or First—Job 577&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-718396702119366684?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/718396702119366684/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=718396702119366684&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/718396702119366684'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/718396702119366684'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/professional-practice-for-interior.html' title='Professional Practice for Interior Designers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/Sdw4oSjcspI/AAAAAAAAA6o/lYU_myJytBw/s72-c/Professional+Practice+for+Interior+Designers.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8706221732911258255</id><published>2009-04-08T08:20:00.003+03:00</published><updated>2009-04-08T09:15:34.401+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Planning Middle Eastern Cities : An urban kaleidoscope in a globalizing world</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/Sdw1c629jrI/AAAAAAAAA6g/DT3SrTkLc-k/s1600-h/Planning+Middle+Eastern+Cities.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 226px; height: 286px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/Sdw1c629jrI/AAAAAAAAA6g/DT3SrTkLc-k/s320/Planning+Middle+Eastern+Cities.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5322187630597476018" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:'Times New Roman';"&gt;&lt;div style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 3px; padding-bottom: 3px; padding-left: 3px; width: auto; font: normal normal normal 100%/normal Georgia, serif; text-align: left; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Editor:&lt;/span&gt; Yasser Elsheshtawy&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Publisher:&lt;/span&gt; Routledge, First published 2004&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Size:&lt;/span&gt; 4.88 MB&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Format:&lt;/span&gt; SFXed pdf&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Link:&lt;/span&gt;&lt;span class="Apple-style-span"   style="  white-space: pre; font-family:arial;font-size:13px;"&gt;&lt;a href="http://ifile.it/pg4o01y"&gt;http://ifile.it/pg4o01y&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Password:&lt;/span&gt; www.discuss-tect.blogspot.com&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Contents:&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;1 The Middle East City: Moving beyond the Narrative of Loss&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;2 The Merits of Cities’ Locations&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Overview and Developments&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;3 The Spatial Development and Urban Transformation of Colonial and Postcolonial Algiers&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;4 Globalization and the Search for Modern Local Architecture: Learning from Baghdad&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;5 Sana’a: Transformation of the Old City and the Impacts of the Modern Era&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Case Studies: Redrawing Boundaries&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;6 Lake Tunis, or the Concept of the Third Centre&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;7 Cairo’s Urban Déjà Vu: Globalization and Urban Fantasies&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;8 Redrawing Boundaries: Dubai, an Emerging Global City&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8706221732911258255?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8706221732911258255/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8706221732911258255&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8706221732911258255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8706221732911258255'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/planning-middle-eastern-cities-urban.html' title='Planning Middle Eastern Cities : An urban kaleidoscope in a globalizing world'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/Sdw1c629jrI/AAAAAAAAA6g/DT3SrTkLc-k/s72-c/Planning+Middle+Eastern+Cities.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7184295412482599294</id><published>2009-02-10T09:57:00.004+03:00</published><updated>2009-02-10T10:05:10.663+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Identity by Design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SZEmOc8WArI/AAAAAAAAA5E/Eej7vzqm0rk/s1600-h/Identity+by+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5301060266121102002" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 284px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SZEmOc8WArI/AAAAAAAAA5E/Eej7vzqm0rk/s320/Identity+by+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Georgia Butina Watson and Ian Bentley&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Elsevier Ltd., 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 26.84 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/yljgmw7"&gt;http://ifile.it/yljgmw7&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1&lt;/strong&gt; Prague:The pursuit and perils of national identity&lt;br /&gt;&lt;strong&gt;2&lt;/strong&gt; Pleˇcnik’s Ljubljana: The social relevance of a personal vision&lt;br /&gt;&lt;strong&gt;3&lt;/strong&gt; Mexico: Complexities of culture and landscape&lt;br /&gt;&lt;strong&gt;4&lt;/strong&gt; The London Underground: A way for all&lt;br /&gt;&lt;strong&gt;5&lt;/strong&gt; Red Bologna&lt;br /&gt;&lt;strong&gt;6&lt;/strong&gt; Rossi in Perugia: Designing with layers of history&lt;br /&gt;&lt;strong&gt;7&lt;/strong&gt; Malaysia: Layering ecology and culture&lt;br /&gt;&lt;strong&gt;8&lt;/strong&gt; Reinforcing Boston’s Emerald Necklace&lt;br /&gt;&lt;strong&gt;9&lt;/strong&gt; The beginnings of a synthesis:The responsive environments approach&lt;br /&gt;&lt;strong&gt;Conclusions&lt;/strong&gt;: Pulling the threads together&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7184295412482599294?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7184295412482599294/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7184295412482599294&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7184295412482599294'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7184295412482599294'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/identity-by-design.html' title='Identity by Design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SZEmOc8WArI/AAAAAAAAA5E/Eej7vzqm0rk/s72-c/Identity+by+Design.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8424147294679356797</id><published>2009-02-10T09:49:00.003+03:00</published><updated>2009-02-10T09:57:35.021+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Intelligent Skins</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SZEjmbt8KiI/AAAAAAAAA48/_weS8DfO0x8/s1600-h/Intelligent+Skins.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5301057379574229538" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 291px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SZEjmbt8KiI/AAAAAAAAA48/_weS8DfO0x8/s320/Intelligent+Skins.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Michael Wigginton and Jude Harris&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher:&lt;/strong&gt; Butterworth-Heinemann, 2002&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.1 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/l39mnk8"&gt;http://ifile.it/l39mnk8&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Preface The origins of this book&lt;br /&gt;Picture acknowledgements&lt;br /&gt;&lt;strong&gt;Chapter 1&lt;/strong&gt; Introduction&lt;br /&gt;&lt;strong&gt;Chapter 2&lt;/strong&gt; The environmental context and the design imperative&lt;br /&gt;&lt;strong&gt;Chapter 3&lt;/strong&gt; Buildings and intelligence: metaphors and models&lt;br /&gt;&lt;strong&gt;Chapter 4&lt;/strong&gt; The intelligent skin: the deepening metaphor&lt;br /&gt;&lt;strong&gt;Chapter 5&lt;/strong&gt; Method&lt;br /&gt;&lt;strong&gt;Chapter 6&lt;/strong&gt; Features&lt;br /&gt;&lt;strong&gt;Chapter 7&lt;/strong&gt; The future&lt;br /&gt;&lt;strong&gt;Chapter 8&lt;/strong&gt; The case studies&lt;br /&gt;&lt;strong&gt;Case study 1&lt;/strong&gt; GSWHeadquarters&lt;br /&gt;&lt;em&gt;Berlin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 2&lt;/strong&gt; Debis Building&lt;br /&gt;&lt;em&gt;Berlin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 3&lt;/strong&gt; Commerzbank Headquarters&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Frankfurt-am-Main&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Case study 4&lt;/strong&gt; Stadttor (City Gate)&lt;br /&gt;&lt;em&gt;Düsseldorf&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 5&lt;/strong&gt; GlaxoWellcome House West&lt;br /&gt;&lt;em&gt;Greenford&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 6&lt;/strong&gt; The Environmental Building&lt;br /&gt;&lt;em&gt;Garston&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 7&lt;/strong&gt; Helicon&lt;br /&gt;&lt;em&gt;London&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 8&lt;/strong&gt; Tax Office Extension&lt;br /&gt;&lt;em&gt;Enschede&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 9&lt;/strong&gt; Headquarters of Gِtz&lt;br /&gt;&lt;em&gt;Würzburg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 10&lt;/strong&gt; Phoenix Central Library&lt;br /&gt;&lt;em&gt;Phoenix, Arizona&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 11&lt;/strong&gt; The Brundtland Centre&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Toftlund Sّnerjylland&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Case study 12&lt;/strong&gt; The Green Building&lt;br /&gt;&lt;em&gt;Dublin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 13&lt;/strong&gt; Heliotrop®&lt;br /&gt;&lt;em&gt;Freiburg-im-Breisgau&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 14&lt;/strong&gt; Villa Vision&lt;br /&gt;&lt;em&gt;Taastrup&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 15&lt;/strong&gt; Business Promotion Centre&lt;br /&gt;&lt;em&gt;Duisburg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 16&lt;/strong&gt; School of Engineering and Manufacture&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Leicester&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Case study 17&lt;/strong&gt; SUVA Insurance Company&lt;br /&gt;&lt;em&gt;Basel&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 18&lt;/strong&gt; Solar House Freiburg&lt;br /&gt;&lt;em&gt;Freiburg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 19&lt;/strong&gt; Design Office for Gartner&lt;br /&gt;&lt;em&gt;Gundelfingen/Donau&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 20&lt;/strong&gt; TRON– Concept Intelligent House&lt;br /&gt;&lt;em&gt;Tokyo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 21&lt;/strong&gt; Super Energy Conservation Building&lt;br /&gt;Tokyo&lt;br /&gt;&lt;strong&gt;Case study 22&lt;/strong&gt; Occidental Chemical Center&lt;br /&gt;&lt;em&gt;Niagara Falls, New York&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8424147294679356797?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8424147294679356797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8424147294679356797&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8424147294679356797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8424147294679356797'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/intelligent-skins.html' title='Intelligent Skins'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SZEjmbt8KiI/AAAAAAAAA48/_weS8DfO0x8/s72-c/Intelligent+Skins.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-932064509366828490</id><published>2009-02-05T08:31:00.003+03:00</published><updated>2009-02-05T08:36:24.127+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Healthy Living Centres - A Guide to Primary Health Care Design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp6F2ebyfI/AAAAAAAAA40/ucIZolWHGys/s1600-h/Healthy+Living+Centres+-+A+Guide+to+Primary+Health+Care+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5299182152495909362" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 285px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp6F2ebyfI/AAAAAAAAA40/ucIZolWHGys/s320/Healthy+Living+Centres+-+A+Guide+to+Primary+Health+Care+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Geoffrey Purves&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First published 2002&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 35.99 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/xysjk9u"&gt;http://ifile.it/xysjk9u&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 1&lt;/strong&gt; An outline review of the issues&lt;br /&gt;&lt;strong&gt;Chapter 2&lt;/strong&gt; Architecture and medicine: is it art and science or illusion and reality?&lt;br /&gt;&lt;strong&gt;Chapter 3&lt;/strong&gt; Policy issues&lt;br /&gt;&lt;strong&gt;Chapter 4&lt;/strong&gt; Design issues&lt;br /&gt;&lt;strong&gt;Chapter 5&lt;/strong&gt; Financial issues&lt;br /&gt;&lt;strong&gt;Chapter 6&lt;/strong&gt; Briefing issues&lt;br /&gt;&lt;strong&gt;Chapter 7&lt;/strong&gt; Measurement of design quality&lt;br /&gt;&lt;strong&gt;Chapter 8&lt;/strong&gt; Procurement routes&lt;br /&gt;&lt;strong&gt;Chapter 9&lt;/strong&gt; International trends&lt;br /&gt;&lt;strong&gt;Chapter 10&lt;/strong&gt; A strategy for the future&lt;br /&gt;&lt;strong&gt;Chapter 11&lt;/strong&gt; Case studies (see over for details)&lt;br /&gt;&lt;strong&gt;Chapter 12&lt;/strong&gt; The way forward&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-932064509366828490?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/932064509366828490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=932064509366828490&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/932064509366828490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/932064509366828490'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/healthy-living-centres-guide-to-primary.html' title='Healthy Living Centres - A Guide to Primary Health Care Design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp6F2ebyfI/AAAAAAAAA40/ucIZolWHGys/s72-c/Healthy+Living+Centres+-+A+Guide+to+Primary+Health+Care+Design.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7455619021385773910</id><published>2009-02-05T08:15:00.004+03:00</published><updated>2009-02-05T08:31:00.732+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>ETFE Technology and Design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp5Z-XrhjI/AAAAAAAAA4s/XvB3GXZTUQs/s1600-h/ETFE+Technology+and+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5299181398700820018" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 299px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp5Z-XrhjI/AAAAAAAAA4s/XvB3GXZTUQs/s320/ETFE+Technology+and+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Annette LeCuyer&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Birkhauser, 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 46.86 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/9vgdfau"&gt;http://ifile.it/9vgdfau&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: &lt;a href="http://www.discuss-tect.blogspot.com/"&gt;www.discuss-tect.blogspot.com&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Ian Liddell // Sustaining new technologies&lt;br /&gt;Introduction: Pleasure. Power and Payload&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;The Pneumatic Imagination: Architectural Ideas and Application&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Material Matters: ETFE&lt;br /&gt;Stefan Lehnert II Risk and RAliilhilitv&lt;br /&gt;Soft Structure&lt;br /&gt;The Performative Skin&lt;br /&gt;Environmengery : The Variable Skin&lt;br /&gt;Life Safety&lt;br /&gt;The Communicative Skin&lt;br /&gt;The Climatic Envelop&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Ben Morris // ETFE Futures&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7455619021385773910?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7455619021385773910/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7455619021385773910&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7455619021385773910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7455619021385773910'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/etfe-technology-and-design.html' title='ETFE Technology and Design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp5Z-XrhjI/AAAAAAAAA4s/XvB3GXZTUQs/s72-c/ETFE+Technology+and+Design.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6707031114992491993</id><published>2009-02-02T08:49:00.005+03:00</published><updated>2009-02-02T09:06:36.574+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Environmental Design : An introduction for architects and engineers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaJcVQ1_tI/AAAAAAAAA4c/4Frz0iaSN2I/s1600-h/Environmental+Design.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 213px; height: 320px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaJcVQ1_tI/AAAAAAAAA4c/4Frz0iaSN2I/s320/Environmental+Design.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5298073131485101778" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Authors&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: Randall Thomas &amp;amp; Max Fordham &amp;amp; Partners &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Publisher&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;:E &amp;amp; FN Spon, Second edition 1999&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Size&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: 6.46 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Format&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Link&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 0);   line-height: normal; white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/bek5f7g"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;http://ifile.it/bek5f7g&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Password&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Contents&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;:&lt;span class="Apple-style-span"  style="color: rgb(51, 153, 153);  font-weight: bold; line-height: 9px; font-size:11px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153); font-weight: bold; line-height: 9px; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Part One1 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Strategies&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;MAX FORDHAM&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;2 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Comfort, health and environmental physics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;BILL WATTS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;3 Buildings and energy balances&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;BILL WATTS and RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;4 Building planning and design&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;5 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Site planning&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;6 Materials and construction&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;7 Energy sources&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RAMIRO GODOY&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;8 Lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;9 Engineering thermal comfort&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;10 Water, waste disposal and appliances&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;MIKE ENTWISLE and RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Summary&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Part Two&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;11 RMC International Headquarters&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;BART STEVENS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;12 Grove Road Primary Schoo&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;lBILL WATTS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;13 Queens Building, De Montfort University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;EDITH BLENNERHASSETT&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;14 The Charles Cryer Studio Theatre&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;COLIN HAMILTON&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;15 Sutton House&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RICHARD QUINCEY&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;16 The Environmental Building, Building Research Establishment&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS and BART STEVENS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;17 The Millennium Centre, Dagenham&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;18 The Bedales Theatre&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Appendices&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;A Environmental data and the psychrometric chart&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;B Calculation procedures&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;RANDALL THOMASC &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Acoustics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;RANDALL &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;TH&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;OMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;D &lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 5px; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Photovoltaics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Illustration&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);  line-height: 14px;font-family:tahoma;"&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6707031114992491993?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6707031114992491993/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6707031114992491993&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6707031114992491993'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6707031114992491993'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/environmental-design-introduction-for.html' title='Environmental Design : An introduction for architects and engineers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaJcVQ1_tI/AAAAAAAAA4c/4Frz0iaSN2I/s72-c/Environmental+Design.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7317562715639011813</id><published>2009-02-02T08:38:00.002+03:00</published><updated>2009-02-02T08:47:25.028+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='GFX'/><title type='text'>Essential CG Lighting Techniques with 3ds Max</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaHS5KXEsI/AAAAAAAAA4U/8tqmS_oqARY/s1600-h/Essential+CG+Lighting+Techniques+with+3ds+Max.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 225px; height: 296px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaHS5KXEsI/AAAAAAAAA4U/8tqmS_oqARY/s320/Essential+CG+Lighting+Techniques+with+3ds+Max.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5298070770299638466" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Authors&lt;/span&gt;: Darren Brooker&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Publisher&lt;/span&gt;: Focal Press, Third edition 2008&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Size&lt;/span&gt;: 14.34 MB&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Format&lt;/span&gt;: SFXed pdf&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Link&lt;/span&gt;: &lt;span class="Apple-style-span" style="font-family: arial; font-size: 13px; white-space: pre; "&gt;&lt;a href="http://ifile.it/80wcirb"&gt;http://ifile.it/80wcirb&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Password&lt;/span&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Contents&lt;/span&gt;:&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 1 Introduction&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Who this book is for&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;How to use this book&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorials&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Software requirements&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 1 &gt; Theory&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 2 A little light theory&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Real world lighting explained&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The visible spectrum&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Color mixing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Our perception of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Color temperature&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Color balance&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The behavior of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Understanding the qualities of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 3 CG lights examined&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lights in CG&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Standard lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunlight and Daylight systems&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Photometric lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The anatomy of a CG light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 4 Understanding shadows&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The importance of shadows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The technical side of shadows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Faking it&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;When to fake&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;To use shadows or not?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Shadow saturation&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 2 &gt; Techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 5 Basic lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Learning to light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Basic three-point lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Key light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Fill light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Backlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Key-to-fill ratios&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Contrast&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; three-point lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 6 Further lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Making light work&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Other light types&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Area lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; area lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Arrays&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; light arrays&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Skylights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;High Dynamic Range imaging&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; HDR skylight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 7 Radiosity techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Global illumination&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Light distribution&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Raytracing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Radiosity&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Radiosity workflow&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; radiosity workflow&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 8 Indoor lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Indoor lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Outdoor light indoors&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; radiosity techniques&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; simulating global illumination&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; HDR lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Artificial lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; three-point artificial lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 9 Outdoor lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The great outdoors&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Skylight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunlight and skylight together&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; sunlight and skylight together&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Night time&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Moonlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; moonlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Street lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; outdoor lighting fixtures&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; neon lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 10 Rendering with mental ray&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Physically-based lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; indirect illumination workflow&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; Global Illumination&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Floating-point images&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; floating-point images&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; outdoor lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ambient occlusion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; ambient occlusion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Caustics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; caustics with mental ray&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Rendering options&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 11 Match lighting&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Background plates&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lighting reference data&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;HDR&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Match lighting in practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Match lighting without reference&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; match lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;mental ray production shaders&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; match lighting with mental ray&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 12 Lighting Analysis&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lighting analysis&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Lighting Analysis Assistant&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; lighting analysis&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 13 Lighting and lens effects&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Visual hooks&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Inside the lens&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Glows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; glows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lens flares&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; lens flares&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Highlights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; highlights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 14 Compositing&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Post production&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Compositing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Render Elements&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; Render Elements&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Combustion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; combustion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Taking compositing further&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 3 &gt; Tips &amp;amp; tricks&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 15 In production&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Working efficiently&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The first step&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The key&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Fills and backlights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Rendering&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Revision&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Production pipelines&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Modeling issues&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Texturing issues&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;More revision&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Preparation&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pitching for business&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Experimentation&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 4 &gt; Taking it further&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 16 Composition and drama&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Visual storytelling&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Composition&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Unity&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Grouping&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Emphasis&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Depth&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mood and drama&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Positive and negative space&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The rule of thirds&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 17 Camerawork and technicalities&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The camera in 3D&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Technical aspects&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Broadcast standards&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;PAL and NTSC&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Aspect ratios&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Film formats&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Reframing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Overscan&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Fields and motion blur&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 18 Looking further&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Looking beyond lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Brazil&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;finalRender&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Maxwell Render&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;V-Ray&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;MAXScript&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Plug-in away&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Useful websites&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Studio websites&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7317562715639011813?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7317562715639011813/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7317562715639011813&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7317562715639011813'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7317562715639011813'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/essential-cg-lighting-techniques-with.html' title='Essential CG Lighting Techniques with 3ds Max'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaHS5KXEsI/AAAAAAAAA4U/8tqmS_oqARY/s72-c/Essential+CG+Lighting+Techniques+with+3ds+Max.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7490742895775612624</id><published>2009-01-29T10:53:00.002+03:00</published><updated>2009-01-29T11:00:59.519+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architecture in the United States Oxford History of Art</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SYFiJoHEI1I/AAAAAAAAA4M/DH0JQiyeVC4/s1600-h/Architecture+in+the+United+States+Oxford+History+of+Art.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 287px;" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SYFiJoHEI1I/AAAAAAAAA4M/DH0JQiyeVC4/s320/Architecture+in+the+United+States+Oxford+History+of+Art.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5296622554289808210" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"   style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;font-size:13px;"&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Upton, Dell.&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Oxford University Press, 1998&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 12.65 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed content&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;span class="Apple-style-span"  style="color: rgb(0, 0, 0);  line-height: normal; white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/rko18fc"&gt;http://ifile.it/rko18fc&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;  &lt;table cellspacing="0" cellpadding="0" border="0"&gt; &lt;tbody&gt; &lt;tr&gt;&lt;td&gt;&lt;span style="font-family:Times New Roman, Times, Serif;font-size:100%;"&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Introduction&lt;br /&gt;Chapter 1 An American  Icon&lt;br /&gt;Chapter  2 Community &lt;/span&gt;&lt;/span&gt;             &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  3 Nature&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  4 Technology&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  5 Money&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  6 Art&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Notes&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;List of  Illustrations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Bibliographic  Essay&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Timeline&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7490742895775612624?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7490742895775612624/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7490742895775612624&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7490742895775612624'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7490742895775612624'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/architecture-in-united-states-oxford.html' title='Architecture in the United States Oxford History of Art'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SYFiJoHEI1I/AAAAAAAAA4M/DH0JQiyeVC4/s72-c/Architecture+in+the+United+States+Oxford+History+of+Art.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7688856444372746005</id><published>2009-01-22T08:38:00.004+03:00</published><updated>2009-01-22T08:46:12.553+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>The Designer's Workspace : ultimate office design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgGwdOL14I/AAAAAAAAA3o/4E0u8LdUHyk/s1600-h/DESIGNERâ€™S+WORKSPACE.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293988791521630082" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 297px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgGwdOL14I/AAAAAAAAA3o/4E0u8LdUHyk/s320/DESIGNER%E2%80%99S+WORKSPACE.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Douglas B. Caywood&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First published 2004&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 17.97 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/sdm5f3g"&gt;http://ifile.it/sdm5f3g&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part One:&lt;/strong&gt; Small Firms (1^19 employees)&lt;br /&gt;&lt;strong&gt;Part Two:&lt;/strong&gt; Medium Sized Firms (20^49 employees)&lt;br /&gt;&lt;strong&gt;Part Three:&lt;/strong&gt; Large Firms (50 employees and larger)&lt;br /&gt;Reality of Design Overview&lt;br /&gt;Workspace Design Checklist&lt;br /&gt;Design Approach&lt;br /&gt;Where to Begin?&lt;br /&gt;Restoration or Adaptive Reuse&lt;br /&gt;Interior Design&lt;br /&gt;Landscape Architecture&lt;br /&gt;‘To Do Or Not To Do’&lt;br /&gt;After the Move . . .&lt;br /&gt;Graphics for Today’s Firm ^ Lasting Impressions&lt;br /&gt;&lt;strong&gt;Conclusion&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7688856444372746005?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7688856444372746005/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7688856444372746005&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7688856444372746005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7688856444372746005'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/designers-workspace-ultimate-office.html' title='The Designer&apos;s Workspace : ultimate office design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgGwdOL14I/AAAAAAAAA3o/4E0u8LdUHyk/s72-c/DESIGNER%E2%80%99S+WORKSPACE.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4689950774301238085</id><published>2009-01-22T08:31:00.003+03:00</published><updated>2009-01-22T08:36:48.316+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architectural Model as Machine</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgFNP2kNKI/AAAAAAAAA3g/FQCsYeT32Ac/s1600-h/Architectural+Model+as+Machine.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293987087125853346" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 293px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgFNP2kNKI/AAAAAAAAA3g/FQCsYeT32Ac/s320/Architectural+Model+as+Machine.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Albert C. Smith&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First published 2004&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.31 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/z0igpv7"&gt;http://ifile.it/z0igpv7&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Define/Divine/Design&lt;br /&gt;2 The changing mechanism of the scale model&lt;br /&gt;3 Scale model as machine&lt;br /&gt;4 Machine as scale model machine&lt;br /&gt;5 Pandora and the modern scale model machine&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4689950774301238085?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4689950774301238085/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4689950774301238085&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4689950774301238085'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4689950774301238085'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/architectural-model-as-machine.html' title='Architectural Model as Machine'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgFNP2kNKI/AAAAAAAAA3g/FQCsYeT32Ac/s72-c/Architectural+Model+as+Machine.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4902459791318072775</id><published>2009-01-22T08:25:00.002+03:00</published><updated>2009-01-22T08:31:43.142+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Archeticture : Ecstasies of Space, Time, and the Human Body</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgEh2Bnf_I/AAAAAAAAA3Y/iRjDEd0jLO4/s1600-h/Archeticture+Ecstasies+of+Space.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293986341458509810" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 240px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgEh2Bnf_I/AAAAAAAAA3Y/iRjDEd0jLO4/s320/Archeticture+Ecstasies+of+Space.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Krell, David Farrell&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: State University of New York Press, 1997&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 2.47 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed contents&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/5oxzksi"&gt;http://ifile.it/5oxzksi&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1- IntroductionArchetictureSpell it New?&lt;br /&gt;2- One.Tic-TalkSpace, Time, and Lovemaking in Plato's Timaeus&lt;br /&gt;3- Two.Ecstatic SpatialityLiberations of Space in Kant, Hegel, and Heidegger&lt;br /&gt;4- Three.Unhomelike PlacesArchetictural Sections of Heidegger and Freud&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4902459791318072775?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4902459791318072775/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4902459791318072775&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4902459791318072775'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4902459791318072775'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/archeticture-ecstasies-of-space-time.html' title='Archeticture : Ecstasies of Space, Time, and the Human Body'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgEh2Bnf_I/AAAAAAAAA3Y/iRjDEd0jLO4/s72-c/Archeticture+Ecstasies+of+Space.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8027759438334970812</id><published>2009-01-22T08:16:00.002+03:00</published><updated>2009-01-22T08:25:42.236+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Adjacent Topics'/><title type='text'>A Companion to Medieval Art: Romanesque and Gothic</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgDN0Gj6aI/AAAAAAAAA3Q/zTI2_t5OL-4/s1600-h/A+Companion+to+Medieval+Art.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293984897833363874" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 221px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgDN0Gj6aI/AAAAAAAAA3Q/zTI2_t5OL-4/s320/A+Companion+to+Medieval+Art.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Conrad Rudolph&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishing Ltd., 2006&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 14.36 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/8rbs1to"&gt;http://ifile.it/8rbs1to&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art&lt;br /&gt;&lt;em&gt;Conrad Rudolph&lt;/em&gt;&lt;br /&gt;2 Vision&lt;br /&gt;&lt;em&gt;Cynthia Hahn&lt;/em&gt;&lt;br /&gt;3 Reception of Images by Medieval Viewers&lt;br /&gt;&lt;em&gt;Madeline Harrison Caviness&lt;/em&gt;&lt;br /&gt;4 Narrative&lt;br /&gt;&lt;em&gt;Suzanne Lewis&lt;/em&gt;&lt;br /&gt;5 Formalism&lt;br /&gt;&lt;em&gt;Linda Seidel&lt;/em&gt;&lt;br /&gt;6 Gender and Medieval Art&lt;br /&gt;&lt;em&gt;Brigitte Kurmann-Schwarz&lt;/em&gt;&lt;br /&gt;7 Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries&lt;br /&gt;&lt;em&gt;Herbert L. Kessler&lt;/em&gt;&lt;br /&gt;8 Art and Exegesis&lt;br /&gt;&lt;em&gt;Christopher G. Hughes&lt;/em&gt;&lt;br /&gt;9 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art&lt;br /&gt;&lt;em&gt;Jill Caskey&lt;/em&gt;&lt;br /&gt;10 Collecting (and Display)&lt;br /&gt;&lt;em&gt;Pierre Alain Mariaux&lt;/em&gt;&lt;br /&gt;11 The Concept of Spolia&lt;br /&gt;&lt;em&gt;Dale Kinney&lt;/em&gt;&lt;br /&gt;12 The Monstrous&lt;br /&gt;&lt;em&gt;Thomas E. A. Dale&lt;/em&gt;&lt;br /&gt;13 Making Sense of Marginalized Images in Manuscripts and Religious Architecture&lt;br /&gt;&lt;em&gt;Laura Kendrick&lt;/em&gt;&lt;br /&gt;14 Romanesque Architecture&lt;br /&gt;&lt;em&gt;Eric Fernie&lt;/em&gt;&lt;br /&gt;15 Romanesque Sculpture in Northern Europe&lt;br /&gt;&lt;em&gt;Colum Hourihane&lt;/em&gt;&lt;br /&gt;16 Modern Origins of Romanesque Sculpture&lt;br /&gt;&lt;em&gt;Robert A. Maxwell&lt;/em&gt;&lt;br /&gt;17 The Historiography of Romanesque Manuscript Illumination&lt;br /&gt;&lt;em&gt;Adam S. Cohen&lt;/em&gt;&lt;br /&gt;18 The Study of Gothic Architecture&lt;br /&gt;&lt;em&gt;Stephen Murray&lt;/em&gt;&lt;br /&gt;19 Gothic Sculpture from 1150 to 1250&lt;br /&gt;&lt;em&gt;Martin Büchsel&lt;/em&gt;&lt;br /&gt;20 Gothic Manuscript Illustration: The Case of France&lt;br /&gt;&lt;em&gt;Anne D. Hedeman&lt;/em&gt;&lt;br /&gt;21 Glazing Medieval Buildings&lt;br /&gt;&lt;em&gt;Elizabeth Carson Pastan&lt;/em&gt;&lt;br /&gt;22 Toward a Historiography of the Sumptuous Arts&lt;br /&gt;&lt;em&gt;Brigitte Buettner&lt;/em&gt;&lt;br /&gt;23 East Meets West: The Art and Architecture of the Crusader States&lt;br /&gt;&lt;em&gt;Jaroslav Folda&lt;/em&gt;&lt;br /&gt;24 Gothic in the East: Western Architecture in Byzantine Lands&lt;br /&gt;&lt;em&gt;Tassos C. Papacostas&lt;/em&gt;&lt;br /&gt;25 Architectural Layout: Design, Structure, and Construction in Northern Europe&lt;br /&gt;&lt;em&gt;Marie-Thérèse Zenner&lt;/em&gt;&lt;br /&gt;26 Sculptural Programs&lt;br /&gt;&lt;em&gt;Bruno Boerner&lt;/em&gt;&lt;br /&gt;27 Cistercian Architecture&lt;br /&gt;&lt;em&gt;Peter Fergusson&lt;/em&gt;&lt;br /&gt;28 Art and Pilgrimage: Mapping the Way&lt;br /&gt;&lt;em&gt;Paula Gerson&lt;/em&gt;&lt;br /&gt;29 “The Scattered Limbs of the Giant”: Recollecting Medieval Architectural Revivals&lt;br /&gt;&lt;em&gt;Tina Waldeier Bizzarro&lt;/em&gt;&lt;br /&gt;30 The Modern Medieval Museum&lt;br /&gt;&lt;em&gt;Michelle P. Brown&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8027759438334970812?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8027759438334970812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8027759438334970812&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8027759438334970812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8027759438334970812'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/companion-to-medieval-art-romanesque.html' title='A Companion to Medieval Art: Romanesque and Gothic'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgDN0Gj6aI/AAAAAAAAA3Q/zTI2_t5OL-4/s72-c/A+Companion+to+Medieval+Art.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3990330796772789185</id><published>2009-01-18T09:16:00.003+03:00</published><updated>2009-01-18T09:22:17.468+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Innovations in Hospice Architecture</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SXLJymsFOfI/AAAAAAAAA3I/h8NJlurp8As/s1600-h/Innovations+in+Hospice+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5292514383329835506" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 319px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SXLJymsFOfI/AAAAAAAAA3I/h8NJlurp8As/s320/Innovations+in+Hospice+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Stephen Verderber and Ben J. Refuerzo&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2006&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 40.64 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/jfxklpg"&gt;http://ifile.it/jfxklpg&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part 1 A HISTORY OF HOSPICE&lt;/strong&gt;&lt;br /&gt;1 An architectural history of hospice&lt;br /&gt;2 On dying, nature, and the machine&lt;br /&gt;&lt;strong&gt;Part 2 DESIGNING HOSPICE&lt;/strong&gt;&lt;br /&gt;3 Recent trends&lt;br /&gt;4 Designing for palliative care&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part 3 CASE STUDIES&lt;br /&gt;&lt;/strong&gt;5 Case studies&lt;br /&gt;References and notes&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3990330796772789185?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3990330796772789185/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3990330796772789185&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3990330796772789185'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3990330796772789185'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/innovations-in-hospice-architecture.html' title='Innovations in Hospice Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SXLJymsFOfI/AAAAAAAAA3I/h8NJlurp8As/s72-c/Innovations+in+Hospice+Architecture.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6046439920767353797</id><published>2009-01-15T11:39:00.003+03:00</published><updated>2009-01-15T11:47:38.908+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Form and Fabric in Landscape Architecture</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SW72c1uVtUI/AAAAAAAAA3A/Hnxl7H_Jxuw/s1600-h/Form+and+Fabric+in+Landscape+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5291437587525121346" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 253px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SW72c1uVtUI/AAAAAAAAA3A/Hnxl7H_Jxuw/s320/Form+and+Fabric+in+Landscape+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="COLOR: rgb(85,85,68); LINE-HEIGHT: 18pxfont-family:tahoma;font-size:13;"  &gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Author&lt;/strong&gt;: Catherine Dee&lt;br /&gt;&lt;strong&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Publisher&lt;/span&gt;&lt;/strong&gt;: Spon Press, First published 2001&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.76 MB&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/kdp20tv"&gt;http://ifile.it/kdp20tv&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;div&gt;&lt;/span&gt;&lt;span style="font-size:85%;color:#339999;"&gt;1 Landscape fabri&lt;br /&gt;2 Spaces&lt;br /&gt;3 Paths&lt;br /&gt;4 Edges&lt;br /&gt;5 Foci&lt;br /&gt;7 Detail&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6046439920767353797?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6046439920767353797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6046439920767353797&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6046439920767353797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6046439920767353797'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/form-and-fabric-in-landscape.html' title='Form and Fabric in Landscape Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SW72c1uVtUI/AAAAAAAAA3A/Hnxl7H_Jxuw/s72-c/Form+and+Fabric+in+Landscape+Architecture.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5377960669002846187</id><published>2009-01-12T12:59:00.003+03:00</published><updated>2009-01-12T13:09:52.288+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Environment and Children - Passive Lessons from the Everyday Environment</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsVPqxggqI/AAAAAAAAA24/16yqAWAtq7c/s1600-h/Environment+and+Children+-+Passive+Lessons+from+the+Everyday+Environment.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290345546200941218" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsVPqxggqI/AAAAAAAAA24/16yqAWAtq7c/s320/Environment+and+Children+-+Passive+Lessons+from+the+Everyday+Environment.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Christopher Day &lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First edition 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.66 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/2rbcnvs"&gt;http://ifile.it/2rbcnvs&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;PARTI ENVIRONMENT FOR CHILDREN&lt;/strong&gt;&lt;br /&gt;1. Design by adults: experience by children&lt;br /&gt;Environment and child development&lt;br /&gt;Places as exploratoria&lt;br /&gt;Experience and learning&lt;br /&gt;Experience of place&lt;br /&gt;Different thinking: different learning: different needs&lt;br /&gt;Gender differences&lt;br /&gt;Design for children&lt;br /&gt;2. Childhood: a journey&lt;br /&gt;Childhood&lt;br /&gt;Children and environment: developing consciousness&lt;br /&gt;The in-between world&lt;br /&gt;Play: preparation for life&lt;br /&gt;Environment and development&lt;br /&gt;3. Developmental needs: challenge and certainty&lt;br /&gt;Conflicting needs&lt;br /&gt;Reassurance by design&lt;br /&gt;Security to venture out from&lt;br /&gt;Semi-protected play&lt;br /&gt;Stretching boundaries&lt;br /&gt;Adventure&lt;br /&gt;Creativity: known meeting unknown&lt;br /&gt;The known and the unknown&lt;br /&gt;&lt;strong&gt;PART II HEALTH: PHYSICAL, DEVELOPMENTAL AND SOCIAL&lt;/strong&gt;&lt;br /&gt;4. Social relationships and place&lt;br /&gt;School society&lt;br /&gt;Bullying&lt;br /&gt;Young and old&lt;br /&gt;Learning sociability&lt;br /&gt;Linking places&lt;br /&gt;Social identity and place&lt;br /&gt;5. Issues of health&lt;br /&gt;Dirt and hygiene: surfaces and textures&lt;br /&gt;Invisible factors&lt;br /&gt;Materials and air quality&lt;br /&gt;Indoor climate&lt;br /&gt;Outdoor air&lt;br /&gt;Electro-climate&lt;br /&gt;Geopathology&lt;br /&gt;Remedial action&lt;br /&gt;&lt;strong&gt;PART III ENVIRONMENT AS AN EDUCATIONAL AID&lt;/strong&gt;&lt;br /&gt;6. Our senses: meeting the world&lt;br /&gt;From sensory experience to integrated thinking&lt;br /&gt;Sensory stimulus and attention&lt;br /&gt;Our many senses&lt;br /&gt;The physical senses&lt;br /&gt;Scent&lt;br /&gt;Touch&lt;br /&gt;Warmth&lt;br /&gt;Sound&lt;br /&gt;Sight&lt;br /&gt;Balance&lt;br /&gt;Movement&lt;br /&gt;The finer senses&lt;br /&gt;The senses and thinking&lt;br /&gt;7. Light and darkness: age and situation&lt;br /&gt;Light and health&lt;br /&gt;Thinking and dreaming: openness and security&lt;br /&gt;Daylight&lt;br /&gt;Windows&lt;br /&gt;Artificial light&lt;br /&gt;Light and mood&lt;br /&gt;8. Colour and children&lt;br /&gt;Colour: what is it?&lt;br /&gt;Physiological and mood effects&lt;br /&gt;Colour experience&lt;br /&gt;Outdoor colour&lt;br /&gt;Light, substance and colour&lt;br /&gt;Colour for children&lt;br /&gt;9. Space: shape and quality&lt;br /&gt;Response to space&lt;br /&gt;Space-language: from life-energy to thought&lt;br /&gt;Function and space-mood&lt;br /&gt;Usability and space&lt;br /&gt;Classrooms&lt;br /&gt;Things and spaces&lt;br /&gt;&lt;strong&gt;PART IV PLACES FOR CHILDREN&lt;/strong&gt;&lt;br /&gt;10. What places teach: silent lessons&lt;br /&gt;Silent lessons&lt;br /&gt;Materials and mood&lt;br /&gt;Appearance messages&lt;br /&gt;Permeability and opacity&lt;br /&gt;Place messages&lt;br /&gt;Imprinted values&lt;br /&gt;Invisible education&lt;br /&gt;11. Welcoming arrival&lt;br /&gt;The journey experience&lt;br /&gt;Arrival: meeting a place&lt;br /&gt;Being there&lt;br /&gt;Indoor journeys&lt;br /&gt;Inner and outer journeys&lt;br /&gt;The arrival journey: pedagogical function&lt;br /&gt;Journeys of welcome&lt;br /&gt;&lt;strong&gt;PARTV ENVIRONMENT FOR CHILDREN&lt;/strong&gt;&lt;br /&gt;12. Outdoor places&lt;br /&gt;Outdoor need&lt;br /&gt;Gardens for the soul&lt;br /&gt;Vegetable gardens&lt;br /&gt;Kindergarten gardens&lt;br /&gt;Outdoor learning&lt;br /&gt;Educational benefits&lt;br /&gt;School grounds&lt;br /&gt;Greening playgrounds&lt;br /&gt;13. Environment for the developing child&lt;br /&gt;Children and environment&lt;br /&gt;Small children&lt;br /&gt;Mid-childhood&lt;br /&gt;Teenagers&lt;br /&gt;Nourishing children’s developmental journey&lt;br /&gt;&lt;strong&gt;PART VI SUSTAINABILITY LESSONS FROM SURROUNDINGS&lt;/strong&gt;&lt;br /&gt;14. Learning to care for the environment&lt;br /&gt;From reverence to conscious care&lt;br /&gt;Absorbing values&lt;br /&gt;15. Making nature’s cycles visible&lt;br /&gt;Cycles and nature&lt;br /&gt;Solar cycles&lt;br /&gt;Seasonal cycles&lt;br /&gt;The nutrient cycle&lt;br /&gt;Sewage&lt;br /&gt;The water cycle&lt;br /&gt;Cycles and life&lt;br /&gt;16. Living with the elements&lt;br /&gt;The elements and us&lt;br /&gt;The elements, one by one&lt;br /&gt;Earth&lt;br /&gt;Water&lt;br /&gt;Air&lt;br /&gt;Fire&lt;br /&gt;The elements and everyday life&lt;br /&gt;17. Levels of life&lt;br /&gt;Children and animals&lt;br /&gt;Animals and school&lt;br /&gt;Farm animals, food and the foundations of life&lt;br /&gt;Songbirds&lt;br /&gt;Insects&lt;br /&gt;Aquatic life&lt;br /&gt;Lessons from the living world&lt;br /&gt;18. Learning sustainability through daily experience&lt;br /&gt;Towards a sustainable lifestyle&lt;br /&gt;Facing the future: developing sustainability consciousness&lt;br /&gt;Energy use&lt;br /&gt;Recognizing the sun’s energy&lt;br /&gt;Thinking green&lt;br /&gt;Environmental audit&lt;br /&gt;School audit&lt;br /&gt;Sustainability in daily view&lt;br /&gt;Neighbourhood environmental audit&lt;br /&gt;19. Sustainable schools&lt;br /&gt;Hidden benefits&lt;br /&gt;Sustainability implications for schools&lt;br /&gt;Design for sustainability&lt;br /&gt;Heating, cooling and energy issues&lt;br /&gt;Energy conservative design&lt;br /&gt;Solar heating&lt;br /&gt;Cooling&lt;br /&gt;Ventilation&lt;br /&gt;Water issues&lt;br /&gt;How much water can we get from rain?&lt;br /&gt;Travel&lt;br /&gt;Eco-schools&lt;br /&gt;&lt;strong&gt;PART VII ENVIRONMENT TO SERVE AND INSPIRE&lt;/strong&gt;&lt;br /&gt;20. From ends to means&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5377960669002846187?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5377960669002846187/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5377960669002846187&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5377960669002846187'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5377960669002846187'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/environment-and-children-passive.html' title='Environment and Children - Passive Lessons from the Everyday Environment'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsVPqxggqI/AAAAAAAAA24/16yqAWAtq7c/s72-c/Environment+and+Children+-+Passive+Lessons+from+the+Everyday+Environment.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7357829127009627748</id><published>2009-01-12T12:54:00.002+03:00</published><updated>2009-01-12T12:59:38.104+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Designing the City : Towards a more sustainable urban form</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsT2-2_YVI/AAAAAAAAA2w/4CsyXz-tiNY/s1600-h/Designing+the+City.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290344022584287570" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 212px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsT2-2_YVI/AAAAAAAAA2w/4CsyXz-tiNY/s320/Designing+the+City.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Hildebrand Frey&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: E &amp;amp; FN Spon, First published 1999&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.1 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/dm4haxo"&gt;http://ifile.it/dm4haxo&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part One&lt;/strong&gt; The Current Debate about the Sustainable City&lt;br /&gt;1. What Urban Design Is and Why it is so Important Today&lt;br /&gt;2. Compact, Decentralised or What? The Sustainable City Debate&lt;br /&gt;3. Micro- and Macro-structures of a More Sustainable City&lt;br /&gt;&lt;strong&gt;Part Two&lt;/strong&gt; Application of the Model Urban Structure to Glasgow&lt;br /&gt;4. Glasgow—A Typical Post-industrial City&lt;br /&gt;5. Application of Micro- and Macro-structure: the Case of Glasgow&lt;br /&gt;6. Strategic Design of Districts of the City of Glasgow&lt;br /&gt;Epilogue&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7357829127009627748?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7357829127009627748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7357829127009627748&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7357829127009627748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7357829127009627748'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/designing-city-towards-more-sustainable.html' title='Designing the City : Towards a more sustainable urban form'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsT2-2_YVI/AAAAAAAAA2w/4CsyXz-tiNY/s72-c/Designing+the+City.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8160725164237924634</id><published>2009-01-12T12:47:00.004+03:00</published><updated>2009-01-12T13:11:25.182+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Color Drawing  Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SWsSKloduwI/AAAAAAAAA2o/_Qbzg3yIOzw/s1600-h/Color+Drawing++Design+Drawing+Skills+and+Techniques+for+Architects,+Landscape+Architects,+and+Interior+Designers.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290342160386603778" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 158px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SWsSKloduwI/AAAAAAAAA2o/_Qbzg3yIOzw/s320/Color+Drawing++Design+Drawing+Skills+and+Techniques+for+Architects,+Landscape+Architects,+and+Interior+Designers.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Doyle, Michael E&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: John Wiley &amp;amp; Sons, Inc. (US), 1999&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 25.65 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed HTMLs&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/bzotqnf"&gt;http://ifile.it/bzotqnf&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;Preface&lt;br /&gt;Introduction&lt;br /&gt;&lt;strong&gt;Part I&lt;/strong&gt; Color Drawing for Communication&lt;br /&gt;1 Initial Considerations&lt;br /&gt;Phenomena of Color and Light&lt;br /&gt;The Dimensions of Color&lt;br /&gt;2 Media and Paper&lt;br /&gt;Media&lt;br /&gt;Paper&lt;br /&gt;3 Technique&lt;br /&gt;Ways to Apply Color Media&lt;br /&gt;Impressions of Materials&lt;br /&gt;Creating the Effects of Light&lt;br /&gt;The Retrocolor Technique&lt;br /&gt;Toned Backgrounds&lt;br /&gt;4 Elements, Materials, and Finishes&lt;br /&gt;Interior Materials&lt;br /&gt;Space-Defining Planes&lt;br /&gt;Furnishing and Fixtures&lt;br /&gt;Lighting&lt;br /&gt;Accessories&lt;br /&gt;Exterior Materials&lt;br /&gt;Ground Plane Materials&lt;br /&gt;Wall Plane Materials and Windows&lt;br /&gt;The Overhead Plane: Roofs and Skies&lt;br /&gt;5 Scale Elements: Figures and Automobiles&lt;br /&gt;Drawing Figures in Color&lt;br /&gt;Automobiles&lt;br /&gt;&lt;strong&gt;Part II&lt;/strong&gt;Color Drawing for Presentation&lt;br /&gt;6 Color and Composition in Illustration&lt;br /&gt;How Colors Relate to One Another: The Contrast of Colors&lt;br /&gt;Color Contrast and Image Composition&lt;br /&gt;7 Approaches to Creating Color Design Drawings&lt;br /&gt;The First Consideration: Make the Line Drawing&lt;br /&gt;The Second Consideration: Create a Value Strategy&lt;br /&gt;The Third Consideration: The Transfer&lt;br /&gt;The Fourth Consideration: Paper and Color&lt;br /&gt;Additional Layers of Information&lt;br /&gt;Revisions and Repairs&lt;br /&gt;8 Presentation and Distribution of Color Design Drawings&lt;br /&gt;Presentation&lt;br /&gt;Distribution of Color Design Drawings: The Sketchpack&lt;br /&gt;Glossary&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8160725164237924634?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8160725164237924634/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8160725164237924634&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8160725164237924634'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8160725164237924634'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/color-drawing-design-drawing-skills-and.html' title='Color Drawing  Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SWsSKloduwI/AAAAAAAAA2o/_Qbzg3yIOzw/s72-c/Color+Drawing++Design+Drawing+Skills+and+Techniques+for+Architects,+Landscape+Architects,+and+Interior+Designers.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6097579841926177472</id><published>2009-01-08T12:00:00.004+03:00</published><updated>2009-01-08T12:19:28.240+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Building Services Design Methodology : A practical guide</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWXD7515RII/AAAAAAAAA2g/eYdJR55-xg4/s1600-h/Building+Services+Design+Methodology.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5288848771323085954" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 311px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWXD7515RII/AAAAAAAAA2g/eYdJR55-xg4/s320/Building+Services+Design+Methodology.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: David Bownass&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press, 2001&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.1 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/9sviawh"&gt;http://ifile.it/9sviawh&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;1 Introduction&lt;/strong&gt;&lt;br /&gt;1.1 Chapter contents&lt;br /&gt;1.2 The aim of the book&lt;br /&gt;1.3 How to use the book&lt;br /&gt;&lt;strong&gt;2 The building services designer's role and responsibilities&lt;/strong&gt;&lt;br /&gt;2.1 Chapter contents&lt;br /&gt;2.2 Mechanical building services systems&lt;br /&gt;2.3 Building services design tools&lt;br /&gt;2.4 Legal responsibilities&lt;br /&gt;2.5 Contractual responsibilities&lt;br /&gt;2.6 Professional responsibilities&lt;br /&gt;2.7 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;3 Design in engineering construction&lt;/strong&gt;&lt;br /&gt;3.1 Chapter contents&lt;br /&gt;3.2 The design process&lt;br /&gt;3.3 Design responsibility&lt;br /&gt;3.4 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;4 Feasibility studies&lt;/strong&gt;&lt;br /&gt;4.1 Chapter contents&lt;br /&gt;4.2 Determining where you are in the development process&lt;br /&gt;4.3 The initial brief&lt;br /&gt;4.4 Feasibility studies&lt;br /&gt;4.5 Project evaluation and value management&lt;br /&gt;4.6 Feasibility reports&lt;br /&gt;4.7 The project brief&lt;br /&gt;4.8 Actual spend and cost committed&lt;br /&gt;4.9 Chapter review&lt;br /&gt;References&lt;br /&gt;Further readin&lt;br /&gt;&lt;strong&gt;5 Concept design stage&lt;/strong&gt;&lt;br /&gt;5.1 Chapter contents&lt;br /&gt;5.2 Introduction&lt;br /&gt;5.3 De®ning the requirements&lt;br /&gt;5.4 Sources of design information&lt;br /&gt;5.5 Hierarchy of legislation&lt;br /&gt;5.6 Develop the design options&lt;br /&gt;5.7 Evaluate the options and determine the best ®t solution&lt;br /&gt;5.8 Concept design report&lt;br /&gt;5.9 CDM requirements&lt;br /&gt;5.10 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;6 The design brief&lt;/strong&gt;&lt;br /&gt;6.1 Chapter contents&lt;br /&gt;6.2 The function of a design brief&lt;br /&gt;6.3 The contents of a typical design brief document&lt;br /&gt;6.4 Introduction&lt;br /&gt;6.5 Scope of engineering&lt;br /&gt;6.6 Interfaces&lt;br /&gt;6.7 Design standards and criteria&lt;br /&gt;6.8 Design deliverables&lt;br /&gt;6.9 Health and safety&lt;br /&gt;6.10 Environment&lt;br /&gt;6.11 Key acceptance criteria&lt;br /&gt;6.12 Design programme&lt;br /&gt;6.13 Procurement&lt;br /&gt;6.14 Design brief development&lt;br /&gt;6.15 Chapter review&lt;br /&gt;&lt;strong&gt;7 Scheme design stage&lt;/strong&gt;&lt;br /&gt;7.1 Chapter contents&lt;br /&gt;7.2 The design process 86&lt;br /&gt;7.3 Developing the design information&lt;br /&gt;7.4 Design work&lt;br /&gt;7.5 Value engineering&lt;br /&gt;7.6 CDM requirements&lt;br /&gt;7.7 Risk assessments&lt;br /&gt;7.8 Scheme design deliverables&lt;br /&gt;7.9 Scheme design responsibility&lt;br /&gt;7.10 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;8 Detail design stage&lt;/strong&gt;&lt;br /&gt;8.1 Chapter contents&lt;br /&gt;8.2 General&lt;br /&gt;8.3 Design activities&lt;br /&gt;8.4 Design margins&lt;br /&gt;8.5 Detail design good practice feedback&lt;br /&gt;8.6 Value engineering&lt;br /&gt;8.7 CDM requirements&lt;br /&gt;8.8 Improving construction productivity&lt;br /&gt;8.9 Detail design deliverables&lt;br /&gt;8.10 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;9 Construction design information&lt;/strong&gt;&lt;br /&gt;9.1 Chapter contents&lt;br /&gt;9.2 Construction design information&lt;br /&gt;9.3 The content of construction design information&lt;br /&gt;9.4 Managing the construction design information&lt;br /&gt;9.5 Chapter review&lt;br /&gt;&lt;strong&gt;10 Construction&lt;/strong&gt;&lt;br /&gt;10.1 Chapter contents&lt;br /&gt;10.2 Construction&lt;br /&gt;10.3 Health and safety&lt;br /&gt;10.4 Quality plan 135&lt;br /&gt;10.5 Inspection and testing&lt;br /&gt;10.6 Commissioning&lt;br /&gt;10.7 Handover&lt;br /&gt;10.8 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;11 Design feedback&lt;/strong&gt;&lt;br /&gt;11.1 Chapter contents&lt;br /&gt;11.2 Reasons for feedback&lt;br /&gt;11.3 The feedback process&lt;br /&gt;11.4 The design process summary&lt;br /&gt;11.5 Chapter review&lt;br /&gt;11.6 Feedback on the book&lt;br /&gt;References&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6097579841926177472?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6097579841926177472/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6097579841926177472&amp;isPopup=true' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6097579841926177472'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6097579841926177472'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/building-services-design-methodology.html' title='Building Services Design Methodology : A practical guide'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SWXD7515RII/AAAAAAAAA2g/eYdJR55-xg4/s72-c/Building+Services+Design+Methodology.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5652858570046594559</id><published>2008-12-21T08:42:00.003+03:00</published><updated>2008-12-21T08:47:37.702+03:00</updated><title type='text'></title><content type='html'>&lt;p class="MsoNormal" dir="RTL" style="margin-top:5.0pt;margin-right:0cm;margin-bottom: 5.0pt;margin-left:0cm;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span lang="AR-SA"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;من المحتمل اغلاق الموقع قريباً لذا على من يرغب بالتواصل معنا ارسال رسالة فارغة بعنوان&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir="LTR"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt; &lt;span class="Apple-style-span" style="color: rgb(255, 0, 0);"&gt;subscription&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="AR-IQ" style="mso-bidi-language:AR-IQ"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;الى&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir="LTR" style="mso-bidi-language:AR-IQ"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span dir="LTR"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 0, 0);"&gt; waelsalman78@gmail.com&lt;/span&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="AR-IQ" style="mso-bidi-language:AR-IQ"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;وباسرع وقت&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5652858570046594559?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5652858570046594559/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5652858570046594559&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5652858570046594559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5652858570046594559'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/subscription-waelsalman78gmail.html' title=''/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='09237556969032023436'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry></feed>