MATRIXSYNTH-B

Oberheim OB-SX

2009-07-20T20:51:00.001-07:00

via this auction

Preset OB-X/OB-Xa with some minor controls. Search for OB-SX here or MATRIXSYNTH for more.

roland pg-200 synthesizer controller

2009-07-20T19:50:00.001-07:00

via this auction

Knob box for the Roland JX-3P and MKS-30

Roland TB 303 Synthesizer

2009-07-20T19:47:00.001-07:00

via this auction

Korg Prophecy Mono Synthesizer

2009-07-20T19:42:00.000-07:00

via this auction

Synthesizers.com Modular

2009-07-20T19:39:00.000-07:00

via this auction

"Synthesizers.com 22 space MDF Cabinet with Q106 Oscillator, Q107 State variable filter, Q108 Amplifier, Q109 Envelope Generator, Q104 Midi Interface, Power harness and cables."

Vintage Roland Guitar synth Gr-700 and GR-707

2009-07-20T11:18:00.000-07:00

via this auction

Roland GR-300 Guitar Synth

2009-07-20T11:04:00.001-07:00

via this auction
"Features of the GR-300:
* 6-voice polyphony
* 2 oscillators per voice
* VCOs are directly harmonically locked to each string, but can be tuned separately
* VCF with variable length sweep up and down
* Low Frequency Oscillator, for Vibrato Effects
* Built-in foot switch controls the VCO mode (single/dual)
* Built-in foot switches control the VCO harmonize pitch (detuning of the VCO's)
* Built-in foot switch controls the VCF mode (on, bypass, or inverted)
* Pedal control input for the VCF
* The GR-300 can output either the guitar, the synth, or a mix of the two
* Synchronized, flashing LED status indicators
* Heavy-Duty Construction with Quality Components
* All-Analog Construction"

Vintage Roland Gr 300 Guitar Synthesizer

2009-07-20T11:00:00.000-07:00

via

Access Virus TI Desktop

2009-07-19T20:52:00.000-07:00

via this auction

Korg X-911 Analog Guitar Synthesizer

2009-07-19T20:21:00.000-07:00

via this auction

"the Korg X-911 is a rather versatile effect processor as you can process any signal (guitar, microphone, sine wave, etc) to get a unique sound by layering the onboard instrument sounds with the onboard "Synthe." This unit tracks best with single notes, though it can do some interesting unpredictable things if you send more than single notes. The buttons look like the panel from a Polysix, but the filters inside are closer to a MS-20/MS-10 type synth."

Moog Taurus bass synthesizer pedals

2009-07-19T20:17:00.000-07:00

via this auction

Korg Kaoss Pad 3 Effects Sampler

2009-07-19T15:45:00.001-07:00

via this auction

Korg ESX Super Sampling Electribe Drum Machine

2009-07-19T15:43:00.000-07:00

via this auction

1979 Yamaha CS15

2009-07-19T11:15:00.001-07:00

via this auction
"This is a great duophonic synthesiser, with two almost completely independant synths in one. 2 Oscs (True VCOs), 2 multi mode filters, 2 Envelopes and 1 LFO (with Sample & Hold!!). It gives you 2 independant signal paths that meet at the outputs (hence duophonic). It has all the usual waveforms and an external input so you can feed your drum machines, computer, records or even your voice through one of its multimode, highly resonant filters and VCA. Filters have Low Pass, Band Pass and High Pass settings and can be tuned independantly. The envelopes have two modes normal (which makes them pretty snappy) or 5 times which slows the rates to 5 times slower, making it ideal for drones and effects. One of the envelopes can even be set to trigger in response to audio presented at the external input, allowing for envelope following like effects to be applied to the filters and/or VCAs. Feed it a drum loop and you'll see what I mean. On the back there are CV and Gate inputs and outputs for interfacing with the rest of your gear (I have tested the gates and they work as expected, I've never tested the CV connections but have no reason to doubt them). It has two audio outputs (1 high gain and 1 low), feeding the high gain back to the input allows for extreme feedback effects."

Waldorf Q

2009-07-19T11:11:00.001-07:00

via this auction

Roland SH09

2009-07-19T11:01:00.000-07:00

via this auction

"A monosynth from Roland's classic SH-series. Its single oscillator has PWM, ramp, square and noise waveforms. It has a similar architecture to the SH-101, the VCA can switch between gate or envelope, the VCF is pretty standard, and there is a sample-hold function which is great for VCF filtering into acid and back! Another cool feature is its external input which will allow you to filter external audio through its VCF."

Quasimidi Rave-o-Lution

2009-07-19T10:58:00.001-07:00

via this auction

Roland JD-800

2009-07-19T10:55:00.000-07:00

via this auction

SIEL DK 80

2009-07-17T20:21:00.000-07:00

via this auction

Creamware Prodyssey ASB midi synthesizer

2009-07-17T20:11:00.000-07:00

via this auction
"The Prodyssey is a replica of the ARP Odyssey. It includes a filter switch that allows you to toggle between the Odyssey type filter and the White Face Odyssey (Moog) type filter. It also has analog inputs so you can run signal thru the device. There is a "Match" display so you can return to the programmed value of the knobs when performing live (lower left of panel). There are built in Chorus and Delay effects that can be set per patch. You get 256 patch memories (more with the software editor - not included with auction but downloadable at FTP link provided) and 12 voices of polyphony. You can download the USB drivers and software from Creamware for a nice patch editor here (ftp://sonic-core.net/software/ASB_Boxes/). Another handy feature is that you can use the knobs to send MIDI CC# out of the box to control software synths. This unit has the latest firmware, too."

Moog MiniMoog Voyager Old School

2009-07-16T23:59:00.000-07:00

via this Noisebug auction
"The MINIMOOG® VOYAGER® Old School Synthesizer is a monophonic analog performance synthesizer. It has extensive patching facilities, and expanded modulation capabilities. The signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source and one audio preamplifier for externally-applied audio signals. The sound modifiers are two Moog filters and one stereo VCA (Voltage Controlled Amplifier).

Control devices include a 44-key keyboard with velocity and afterpressure outputs, pitch bend and modulation wheels and many control/pedal input jacks.The MINIMOOG® VOYAGER® OS has a hinged, multi-position panel and a solid hardwood cabinet. The power supply accepts any power voltage from 100 volts to 240 volts.

Oscillators Module:
Three wide-range, high stability VCO’s (Voltage Controlled Oscillators) with continuously-variable waveforms.
* FREQUENCY controls (2) vary the frequencies of Oscillators #2 and #3 over a +/-7 semitone range with respect to Oscillator #1.
* OCTAVE selectors (3) set the frequency ranges of the oscillators in six octave steps.
* WAVE controls (3) provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular.
* 1-2 SYNC switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects.
* 3-1 FM switch provides linear frequency modulation of Oscillator #1 by Oscillator #3.
* 3 KB CONT switch disconnects Oscillator #3 from control by the keyboard, thereby enabling it to function as a drone.
* 3 FREQ switch lowers the frequency of Oscillator #3 into the sub-audio range, thereby enabling it to function as a low frequency audio or modulating oscillator.

Mixer Module:
Five-input mixer for combining the audio sources prior to filtering.
* Input Level controls (5) adjust the relative levels of the oscillator, noise, and external audio input signals.
* Input switches (5) enable the player to quickly switch individual audio signals in and out.
* External Level LED enables the player to set the correct external audio signal level.

Filters Module:
Dual mode filter module includes dual lowpass and highpass-lowpass filtering. Dual lowpass mode consists of two Moog lowpass-resonant filters in parallel, one per output channel. Highpass-lowpass mode consists of Moog lowpass filter in series with a highpass filter.
* CUTOFF control sweeps the frequencies of both filters throughout the audio range.
* SPACING control sets the spacing between the frequencies of the two filters, over a +/-3 octave range.
* RESONANCE control adjusts the resonance of both filters, from none (pure lowpass response) to filter oscillation.
* KB CONT AMOUNT control sets how much the filters open and close as the player presses different keys on the keyboard.
* Dual Lowpass/Highpass-Lowpass switch selects between dual lowpass operation or highpass-lowpass operation.

Envelopes Module:
The Envelopes Module generates two wide-range ADSR (Attack Decay Sustain Release) envelopes. The Filter Envelope sweeps the filter and is available for modulation shaping. The Volume Envelope shapes the overall volume.
* ATTACK controls (2) determine the attack times of the envelopes.
* DECAY controls (2) determine the decay time constants of the envelopes.
* SUSTAIN controls (2) determine the sustain levels of the envelopes.
* RELEASE controls (2) determine the release time constants of the envelopes.
* AMOUNT TO FILTER control determines how much the filter envelope will open and close the filter, from full negative (inverted envelope) to full positive (non-inverted envelope).
* ENVELOPE GATE SWITCH selects whether the envelopes will be triggered by the keyboard, on , or by an externally-applied gate.

LFO Module:
Low Frequency Oscillator generates triangular, square, Sample & Hold, and smoothed Sample & Hold waveforms for use as modulating signals.
* RATE control sets the LFO rate over the range 0.2 Hz (one cycle every five seconds) to 50 Hz (fifty times a second).
* WAVE LFO selector selects Triangle, Square or Sample & Hold (Stepped or Smooth) waveforms for use with the Mod Busses.
* RATE LED provides visual indication of the LFO rate.

Enhanced Modulation Busses Module
Selects the sources, destinations, and shaping signals for the two modulation busses.
* SOURCE selectors (2) selects the modulation source from the LFO, Oscillator 1, Oscillator 2, Oscillator 3, noise or the external modulation input (MOD2).
* DESTINATION selectors (2) selects the modulation destination from Pitch, Oscillator 2, Oscillator 3, the filter cutoff frequencies, the oscillator waveforms, or LFO Rate.
* CONTROLLER selectors (2) selects the Mod Wheel, MOD1, Velocity, Pressure, Filter Envelope or Volume Envelope to shape the modulation signal on that bus.
* AMOUNT controls (2) sets the overall modulation amount for each bus."

Roland Alpha Juno-1 and PG-300

2009-07-16T14:40:00.001-07:00

via this auction

Korg Electribe ESX1 Sampler Synthesizer

2009-07-15T18:26:00.000-07:00

via this auction

Moog "The Source" synthesizer

2009-07-15T18:22:00.001-07:00

via this auction

Waldorf MicroWave XT Rack Mount Synth

2009-07-15T18:17:00.000-07:00

via this auction