Under The Rotunda

So This Is Our Last Goodbye

2009-01-12T00:07:00.004-05:00

So, I know I've said this before, but I'm serious this time. After more than two years of writing about my favorite music, I've decided to put Under The Rotunda on an indefinite hiatus. It's been an absolute blast, but I've come to the same conclusion I did last August when I stopped for a few months. Which is that I could be -- and should be -- doing more valuable things with my time. Here's the story I shared last time:

As some of you know, I am a musician myself. It really hit me when I came back from Lollapalooza this year and I was talking to my dad. “Are you going to write about the fest for your blog?” he asked. I said I was. “Here’s the question, though. Would you rather be in the audience writing about it, or on the stage playing at it?” And there is no question about that. I would rather be performing.

In the past few months, I've decided that I should really be spending my time either working on music of some sort, or working a job to pay my rent. (It may be years until the day my dreams will match up with my pay...) Not to mention how incredibly frustrating it is to have a post completely deleted by Blogger without warning or notice, which has become increasingly frequent lately. So, I'm off. The main thing I'll be focusing on now is my band, Clatter Clatter. We're just about to release our debut album, the Too Many Boxes EP, which you can hear at our Myspace.

Thanks to everyone who has contributed to Under The Rotunda with photos and words in the last two years, you helped make it the best it could be. And for that, I am forever grateful. And like I said last time: Thanks for reading! It’s been fun, and I hope next time you hear from me it’s in the form of my music on someone else’s blog. Peace.

The Best Albums Of 2008

2008-12-19T06:34:00.000-05:00

[EDIT: Sigh. This post was deleted by Blogger recently, without warning or notice, as usual. They don't tell you which posted MP3 caused the deletion, so I'm just going to try putting this post back up intact. We'll see what happens...]

Are we at the end of this year already? It's seems like just the other day I was working on my list of the best albums of 2007 -- any yet, here we are. As the year draws to a close, I'm happy to present you with one final article, the best albums of 2008. Although I don't think this year was as strong as it has been in the past for indie music, there were still a few stellar albums that saw release. What were your favorites? What are you upset that I left off this list? (I know, I know -- I didn't get into TV On The Radio, Fleet Foxes, Bon Iver, etc.)

With this, I'll be on break for two weeks, until January 5th. Thanks for reading, and I'll see you in 2009!

1. SIGUR RÓS - MEÕ SUÕ Í EYRUM VIÕ SPILUM ENDALAUST

When the new Sigur Rós album came out over the summer, one of my friends told me it was the best record of the year. Although he has since changed his mind, I have not. For me, Með Suð Í Eyrum Við Spilum Endalaust is the most thrilling bit of music to be released this year. It is a masterpiece; Sigur Rós manage to capture so much energy and enthusiasm and emotion, it's absolutely stunning. The instrumentation is vibrant and the arrangements keep everything interesting. Then come the moments that just blow you completely out of the water, such as the swelling grandiose ending of "Ára bátur". Every single song on the album takes the listener on a beautiful, majestic journey. And yes, it's different for Sigur Rós. There is more up-tempo, bombastic music than they have ever created. But there's still some classic, slow-building post-rock jams. With everything mixed up together, it still sounds like Sigur Rós at their best.
Sigur Rós - Inní mér syngur vitleysingur (from Með Suð Í Eyrum Við Spilum Endalaust)
Sigur Rós - Gó›an daginn (from Með Suð Í Eyrum Við Spilum Endalaust)

2. HEADLIGHTS - SOME RACING, SOME STOPPING

Headlights are a band on the rise, and they should be getting more recognition for their outstanding sophomore album, Some Racing, Some Stopping. I'd never heard them until I saw them opening for Via Audio in Boston, but I was immediately intrigued. And later in the year, when they played my favorite show of 2008 in Chicago, I was done -- hooked. This band is so good at what they do, it's astonishing. The songs are mostly simple, straightforward indie pop tunes, but they arrange everything marvelously. The melodies will stay in your head for weeks, and you'll keep going back to listen to how well they fill out the sound as a band. It's cleverly composed and produced, and this keeps it interesting at all times. No one else could do as much with these songs as Headlights can.
Headlights - Get Your Head Around It (from Some Racing, Some Stopping)
Headlights - School Boys (from Some Racing, Some Stopping)

3. DEPARTMENT OF EAGLES - IN EAR PARK

By now you probably know that Department Of Eagles is three quarters of Grizzly Bear. With that in mind, it's easy to see why the new album from them sounds quite a bit like a new Grizzly Bear album. But that's a good thing, not a bad thing. If you were one of the music listeners who fell in love with Yellow House, then you'll do the same for In Ear Park. It's a warm record, full of emotion, energy, and dynamics that lull and swell to take you over. The style of their production is important too, making you feel as if you're in right in the room with the band. Listen intently to their every move, and the music won't ever stop rewarding you.
Department Of Eagles - Teenagers (from In Ear Park)
Department Of Eagles - Classical Records (from In Ear Park)

4. DEATH CAB FOR CUTIE - NARROW STAIRS

Death Cab For Cutie's sixth full-length, Narrow Stairs was not well received by all. Some hailed it as their best work to dates, while others claimed the band had lost their charm and wasn't going anywhere. When I first listened to the album, I must admit I fell closer to the second category. But somehow, I became a big fan. Over more listens and time, I started to really dig Narrow Stairs. I still think it doesn't come close to Transatlanticism, but that's a hard album to match. The production on the new record is some of Chris Walla's best yet, with everything gelling into just the right sound. It's is one of their darkest works to date, less poppy than Plans -- and that's not a bad thing. It's a new direction for the band, sure, but it's still a strong album.
Death Cab For Cutie - Cath... (from Narrow Stairs)
Death Cab For Cutie - The Ice Is Getting Thiner (from Narrow Stairs)

5. THE LUCKSMITHS - FIRST FROST

The Lucksmiths have been one of my favorite bands for many, many years. Ever since I first heard 1997's A Good Kind Of Nervous, I've been infatuated with their folky goodness. They've made some truly stellar albums and EPs throughout their 15 year career, and with that being said, their new album, First Frost, may be the best album they've ever made. Songwriting-wise, the Lucksmiths always capture their personality -- the music is fun, it's clever, it's catchy, it's beautiful. But arranging wise, sonically speaking, their latest offering is far and above what they've done in the past. Part of it is due to their progression from acoustic to electric; it's not that they've dropped acoustic guitars, but their sound is definitely more electric this time around, and it suits them well. Never before have I heard a song from them with such beautiful feedback laced around their always captivating songwriting, so powerful that I smile. Listen to "How We Met", below, and you will understand. The Lucksmiths have always held a place in my heart, but with First Frost, they've never been better. If you haven't been captivated by them yet, now is the time.
The Lucksmiths - How We Met (from First Frost)
The Lucksmiths - A Sobering Thought (Just When One Was Needed) (from First Frost)

6. VAMPIRE WEEKEND

Yup, just like everyone else, I enjoyed the debut album from Columbia University grads Vampire Weekend. I must admit I'm not completely blown away by the band as a whole (meaning I was bored to tears by them live), and I'm not quite sure what they can do to keep their audience interested on their sophomore album. I mean, once you listen to them for a long time, every song kinda starts to sound the same. With all of that being said, I truly enjoy Vampire Weekend on its own as an album. The arrangements are great, with strings coming in and out, the songs are catchy, and the music is fun. It's not rocket science, but it's enjoyable.
Vampire Weekend - Campus (from Vampire Weekend)

7. FRIGHTENED RABBIT - THE MIDNIGHT ORGAN FIGHT

I wasn't very interested by Frightened Rabbit's debut album in 2007, Sing The Greys. But this time around, they got everything just right. The Midnight Organ Fight is an outstanding quirky pop effort, showing off unique songwriting and vocal delivery. All mixed atop a bright folk/rock landscape, produced exquisitly by Peter Katis (who has also worked with the National, Interpol, Tokyo Police Club, Mates Of State, etc). His voice on Frightened Rabbit's new album can be heard through layers upon layers of melodic instrumentation, which add wonderful textures not heard from them in the past. Some of the songs especially stand out, such as "My Backwards Walk" (listen below), which became an immediate favorite of mine, with wonderful delivery of rather ingenious lyrics.
Frightened Rabbit - My Backwards Walk (from The Midnight Organ Fight)

8. SPIRITUALIZED - SONGS IN A&E

Spiritualized are a band that I didn't really hear until this year, when I was blown away by their live performance at the Pitchfork Music Festival. After that, I checked out their discography, including this year's Songs In A&E. It's an incredible album, with layers of strings and background vocals filling out an already powerful band -- and all of this supports Jason Pierce's vocals and songwriting. Spiritualized can leave you hushed, pining for more. Or they can rock out and make you want to run through the streets. And when an album can do that, it's a success.
Spiritualized - Soul On Fire (from Songs In A&E)

9. BECK - MODERN GUILT

At first, I was underwhelmed by Beck's new album. The album is rather subdued, but as it settled with me I began to appreciate its subtle tastiness. Modern Guilt relies heavily on the songs' grooves, simple as they may be. These grooves are complimented by production from Danger Mouse, who created beats and loops that fit right in with Beck's songwriting this time around. The record is filled with taste, as psychedelic soundscapes and 60s-esque pop pour out of the speakers. Modern Guilt clocks in at just over half-an-hour -- less than half of 2006's The Information -- and this seems to mirror the album's complexity. That is, most of these songs are simple and right to the point. But it works.
Beck - Modern Guilt (from Modern Guilt)

10. DR. DOG - FATE

I'm new to get on the Dr. Dog train, with Fate being the first record of theirs I've really gone crazy over. The songwriting is so amazingly Beatles-esque, and the arrangement of the music is even more captivating. As layers grow and weave in and out, you won't ever get tired of the music. I don't know how it compares to their earlier records, but I will be checking out their entire discography due to how strong Fate is.
Dr. Dog - Breeze (from Fate)

11. JUANA MOLINA - UN DÍA

Juana Molina's music is a wonderful blend of her roots (she's a native of Argentina) and indie folktronica, and it meshes together perfectly. The songwriting shows influence in classic Brazilian music, but she fills up the record with electronic soundscapes and hypnotic repetition. Molina sings in her native tongue of Spanish, but that's no matter for non-fluent listeners. In fact, I think it may be better that way, since she uses her voice so rhythmically and texturally, almost as if it is in fact an instrument. Layers of her looped melodies (many non-verbal) float around together, weaving in and out of the accompaniment. What this creates is a rather warm, complex palette of sound, expertly manipulated by Molina. It's not exactly like her work in the past, but she is certainly jumping in head first -- and it's for the best.
Juana Molina - Un Día (from Un Día)

12. MELPO MENE - BRING THE LIONS OUT

Combine some serious influence of classic Brazillian music (i.e. Tom Jobim, etc.) with contemporary pop, and you've got an excellent album. Stir up a little Elliot Smith-like vocals over the top, and baby, you got a stew going!
Melpo Mene - Hit The Boy (from Bring The Lions Out)

13. JASON COLLETT - HERE'S TO BEING HERE

Jason Collett is a simple songwriting man. When you listen to Here's To Being Here, you can't help but think of Dylan. The songs tend to be simple, but the lyrics are tastefully artistic. His backing band lends some wonderful textures behind his voice, to keep everything spiced up and interesting. With both of these elements melding together as well as they do on Here's To Being Here, you can't help but have a great record.
Jason Collett - Roll On Oblivion (from Here's To Being Here)

14. MATT AND ISOM - AUGUST JESUS DEPRESSION

Matt And Isom's debut, August Jesus Depression, is one of those albums that fills your head up with a wall of sound. The music showcases excellent songwriting around folk/electronic soundscapes, and it never lets up, keeping you interested and captivated at all times. There are some really amazing moments on the album where the layers of sound just explode and take you over. And did I mention that they are giving it away for free at their website?
Matt And Isom - Math Equation (from August Jesus Depression)

15. COLD WAR KIDS - LOYALTY TO LOYALTY

Loyalty To Loyalty an excellent follow-up to Cold War Kids' 2006 debut, filled with just as much creativity and energy. They manage to retain their signature sound, filled with grit and ever-so-slight sloppiness. And yet, at the same time, this record sounds so much more mature. Some guitar lines are more groovy and tasty than anything they've ever played before. Their songwriting continues to be varied, and that's certainly not a bad thing. "Something Is Not Right With Me" the first single from the album, is filled with bouncy bass lines and frontman Nathan Willett's soaring vocals; the keyboard hook in "Relief" sounds like something Radiohead would have come up with; and "I've Seen Enough" grooves hard, complete with a dissonant, glitchy guitar solo. Still, I must admit I'm not as hooked as I was with Robbers And Cowards. But this is a different record, and it catches on in different ways. It's still Cold War Kids doing what they do. And they do make excellent rock music.
Cold War Kids - Against Privacy (from Loyalty To Loyalty)

16. APOLLO SUNSHINE - SHALL NOISE UPON

Apollo Sunshine continue to amaze and fascinate me with their music. I loved the psychedelic madness that was their debut album Katonah, and I continued to enjoy their creative output on their sophomore effort Apollo Sunshine. They still sounded spastic and energetic, but they had slightly refined their sound. Now, with their third album, Shall Noise Upon, they have come even further. This album finds Apollo Sunshine exploring new musical territory and maturing their sound like they never have before. While I dearly love Katonah, they sound more in control these days as their sound continues to “grow up”. The spastic, wild attacks are less frequent on this album. Instead, they are replaced with musical explorations in a variety of different styles. When I first heard “Happiness,” where an acoustic guitar progression is surrounded by beautiful woodwinds and strings, I could hardly believe that this was the same band that produced the intense aural attack that is “Happening” (from Katonah). There are moments, full of majestic melodies and lush orchestration, that I’ve never heard Apollo Sunshine do before. And it sounds wonderful. Now, they’ve still got their energy, don’t worry. There are still times on the album that remind you of their roots. But, with Shall Noise Upon added to their discography, Apollo Sunshine are sounding better than they ever have before.
Apollo Sunshine - Breeze (from Shall Noise Upon)

17. LAURA MARLING - ALAS, I CANNOT SWIM

Alas, I Cannot Swim, Laura Marling's debut album, was released this past February via Virgin, and it's an impressive start for an eighteen year-old. I mean, I hate to focus on her age like so many other reviewers -- but really, what had you accomplished by that age? I always love to see artists that discover their passion so early. Miss Marling writes earnest folk music, and with some production help from Charlie Fink (of Noah And The Whale), she's made a truly great album. Fans of singer-songwriters and pop alike, take note.
Laura Marling - Ghosts (from Alas, I Cannot Swim)

18. TALKDEMONIC - EYES AT HALF MAST

On Talkdemonic's third album, Eyes At Half Mast, they keep doing what they do best at. This is electronic ambient folk music, driven by Kevin O'Connor's powerhouse drumming skills and Lisa Molinaro's beautiful violin playing. This an album that is all about production and layers, and that's what makes it so much much fun to listen to. Each song is a new creative blast of energy and ideas, and the sound textures are majestic and captivating.
Talkdemonic - Ending The Orange Glow (from Eyes At Half Mast)

19. THE SUBMARINES - HONEYSUCKLE WEEKS

I didn't know of the Submarines until I caught them opening up for Headlights in Chicago, but I immediately loved their sound. It's straightforward pop music, but it's catchy and fun as hell. And even in it's simplicity, the music is well-produced and arranged, with layers and sound textures constantly changing.
The Submarines - Submarine Symphonika (from Honeysuckle Weeks)

20. SHEARWATER - ROOK

Shearwater's latest album, Rook, came out this summer. And, in an almost perfect evolution, this fifth full-length promises to be their best. Shearwater could be called a spin-off of Okkervil River, as it was formed by two key members, Jonathan Meiburg and Will Sheiff. Initially, this second group served as a chance for songs that didn't work with Okkervil River. While Will takes the frontman spot in Okkervil River, Shearwater is Jonathan's chance to be in the spotlight. Through the years, the group has grown more and more into its own true band, and Jonathan officially left Okkervil River last May. With that act, and a stunning new album, Shearwater seem poised to make a name for themselves. I think they're going to do just fine.
Shearwater - Rooks (from Rook)

21. THE MOUNTAIN GOATS - HERETIC PRIDE

As a longtime fan of the Mountain Goats, I'm always eager to hear their new records. Heretic Pride, the latest, is not quite as strong as past albums from John Darnielle, but it's still worth listening to. His songwriting is honest and emotional, and it's at the heart of any Mountain Goats album. Heretic Pride is no exception.
The Mountain Goats - San Bernardino (from Heretic Pride)

22. THIS CAR UP - SMILE WHEN YOU'RE ALONE

Local bands don't often make it onto my best of lists, but Boston-based This Car Up definitely deserve a mention. I was lucky enough to hear them open for Via Audio, and that was enough to hook me. Once I heard their debut album, Smile When You're Alone, the deal was sealed. This is excellent indie rock, and I can't help but be reminded of early Death Cab For Cutie albums, mixed with a little more pop sensibility.
This Car Up - Tarzan vs. Graham Chapman (from Smile When You're Alone)

23. RATATAT - LP3

When I first listened through to Ratatat’s new album, the immensely creatively titled LP3, I was unenthused. The first few spins through, I was just bored – this was not the bumping band I was used to. The opener, “Shiller,” left me less than thrilled, and set the pace for most of the album. LP3 was just not holding my interest, as much as I tried to like it. However, there was a track that caught my attention: “Imperials,” which rides a wildly exciting keyboard line in the second half of the song. Still, I was not in love with the music. But as I gave a few more listens, it started to grow on me. The record is not as immediate as Classics or Ratatat, but you’ll enjoy the subtleties of the songs if you’re open to Ratatat’s changes in their sound. That being said, there are still a few that I really dislike, such as the 80s groove of “Shempi” and the reggae stylings of “Flynn”. Ratatat opened up their influences wide on this album, and those are a few of the songs in which it didn’t turn out so well. For the most part though, the new album is an exciting, mature effort. Just give it some time.
Ratatat - Imperials (from LP3)

24. E-603 - SOMETHING FOR EVERYONE

E-603's first album is a masterpiece of a mash-up album, and it's the best thing to hit the scene since Girl Talk. A good mash-up album should be something exciting for a music fan to listen to, as you should keep hearing things you know. It's like "Where's Waldo" for your ears, really. And E-603's new album, Something For Everyone, stays true to its title. He throws in so many samples into such a short amount of time, you can't help but be amazed. There are so many songs that I recognize -- let alone songs that I dearly love -- that it's a blast to bump through the album. The transitions are seamless, as he rolls through an outrageous amount of samples, sometimes only sampling something for literally a second. But it works. And that is why this is exquisite work. As far as his sampling choices, the record is incredibly rock friendly, featuring a vast array of samples from both the mainstream and the indie world. I mean, it's a blast to listen to contemporary rap tunes blended flawlessly with Spoon, Wilco, Sigur Ros, The Strokes, Tokyo Police Club, Vampire Weekend, The Flaming Lips, Beck, Coldplay, and countless others.
E-603 - Money And Girls (from Something For Everyone)

25. DESTROYER - TROUBLE IN DREAMS

Dan Bejar's latest work with Destroyer is one of his strongest yet. His quirky songwriting and vocal delivery is filled out by a magnificent backing band that sits in with the songs just right. The music is captivating, and the melodious musicians in the background keep everything interesting.
Destroyer - Dark Leaves Form A Thread (from Trouble In Dreams)

The Best Concert Photography Of 2008

2008-12-18T06:20:00.001-05:00

In the past year, Under The Rotunda has grown quite a bit. As several contributing photographers joined the team, the concert photography increased in quality exponentially. And while you saw the list of my favorite shows yesterday, today is reserved for the visual representation. Here's the best of what was featured here in the past year -- the best of Under The Rotunda's concert photography of 2008.

Photos by Malora Mcintosh (The Mountain Goats, Headlights, Mock Orange, Amanda Palmer, Talkdemonic), Cassandra Marino (Shearwater), Erick Dela Rosa (Islands, Jaymay), and myself, Keith Nelson (John Vanderslice, The Kills, The Dresden Dolls).

THE MOUNTAIN GOATS (W/KAKI KING) -- 10/13/08 @ PARK WEST IN CHICAGO, IL
SHEARWATER -- 10/19/08 @ CAFE 939 IN BOSTON, MA
HEADLIGHTS -- 05/22/08 @ SCHUBAS IN CHICAGO, IL

ISLANDS -- 06/02/08 @ LOGAN SQUARE AUDITORIUM IN CHICAGO, IL
MOCK ORANGE -- 09/18/08 @ SUBTERRANEAN IN CHICAGO, IL
JOHN VANDERSLICE -- 01/16/08 @ SCHUBAS IN CHICAGO, IL
THE KILLS -- 08/01/08 @ LOLLAPALOOZA IN CHICAGO, IL
JAYMAY -- 06/16/08 @ SCHUBAS IN CHICAGO, IL
AMANDA PALMER -- 08/08/08 @ LAKESHORE THEATER IN CHICAGO, IL
TALKDEMONIC -- 10/07/08 @ SCHUBAS IN CHICAGO, IL
THE DRESDEN DOLLS -- 01/05/08 @ VIC THEATRE IN CHICAGO, IL

John Vanderslice - The Minaret (from Emerald City)
The Kills - U.R.A. Fever (from Midnight Boom)
Jaymay - Gray Or Blue (from Autumn Fallin')
The Dresden Dolls - Gravity (from The Dresden Dolls)

For an added bonus, this photo by Malora Mcintosh was taken at the Empty Bottle in Chicago. And it is killer.

The Best Concerts Of 2008

2008-12-17T06:20:00.001-05:00

In case you haven't figured it out, I got to a lot of shows. More often than not, you can find me in the local rock club several nights of the week. There were quite a few extraordinary shows that I was lucky enough to have been in the audience for this year, and these are my personal favorites. As always, the list is given a strong boost from the summer music festival circuit in Chicago, from stellar performances at both the Pitchfork Music Festival and Lollapalooza. All in all, this list below is a representation of some truly incredible live performances, and subsequently some of the best moments of 2008 for me. What were your favorite shows you saw this year?
1. Headlights -- 05/23/08 @ Schubas in Chicago, IL (Full Review)
2. Sigur Rós -- 09/19/08 @ Bank Of America Pavilion in Boston, MA (Full Review)
3. Apollo Sunshine -- 10/30/08 @ Middle East Downstairs in Cambridge, MA
4. Animal Collective -- 07/19/08 @ Pitchfork in Chicago, IL (Full Review)
5. Deerhoof -- 10/23/08 @ Middle East Downstairs in Cambridge, MA
6. Caribou -- 03/26/08 @ Paradise in Boston, MA (Full Review)
7. Spiritualized -- 07/20/08 @ Pitchfork in Chicago, IL (Full Review)
8. The Kills - 08/01/08 @ Lollapalooza in Chicago, IL (Full Review)
9. Broken Social Scene -- 08/02/08 @ Lollapalooza in Chicago, IL (Full Review)
10. Blonde Redhead -- 01/20/08 @ Paradise in Boston, MA (Full Review)
11. Wilco -- 08/02/08 @ Lollapalooza in Chicago, IL (Full Review)
12. St. Vincent -- 09/25/08 @ Museum Of Fine Arts in Boston, MA (Full Review)
13. Caribou -- 07/19/08 @ Pitchfork in Chicago, IL (Full Review)
14. Jaymay -- 06/16/08 @ Schubas in Chicago, IL (Full Review)
15. Feist -- 07/11/08 @ Ravinia in Highland Park, IL
16. Elizabeth & The Catapult -- 01/24/08 @ Paradise Lounge in Boston, MA (Full Review)
17. Nomo -- 02/09/08 @ Middle East Upstairs in Cambridge, MA (Full Review)
18. Mucca Pazza -- 05/31/08 @ Do/Division Fest in Chicago, IL
19. Rogue Wave -- 04/11/08 @ Paradise in Boston, MA (Full Review)
20. John Vanderslice, The M's & Heypenny -- 01/16/08 @ Schubas in Chicago, IL (Full Review)
21. Keren Ann -- 02/07/08 @ Museum Of Fine Arts in Boston, MA (Full Review)
22. Via Audio, Headlights & This Car Up -- 02/27/08 @ Middle East Up in Cambridge, MA
23. The Dead Science -- 05/31/08 @ Logan Square Auditorium in Chicago, IL (Full Review)
24. A.A. Bondy -- 11/18/08 @ Great Scott in Allston, MA (Full Review)
25. The Hold Steady -- 07/19/08 @ Pitchfork in Chicago, IL (Full Review)

Animal Collective - Peacebone (from Strawberry Jam)
Caribou - She's The One (from Andorra)
Elizabeth & The Catapult - Momma's Boy (from Elizabeth & The Catapult EP)
Keren Ann - It Ain't No Crime (from Keren Ann)

Jon Lajoie

2008-12-16T06:19:00.004-05:00

In this day and age, the YouTube phenomenon is still alive and kicking. A prime example of this is Canadian sketch comedian Jon Lajoie, who has become an internet personality due to his numerous videos online, many of which are songs. And quite hilarious songs at that. Just take a few minutes and watch a couple of my favorites below. Lajoie is on tour as we speak, if anyone wants to find out if he's just as good performing stand-up.

Jon Lajoie - Everyday Normal Guy

Obligatory Christmas Post

2008-12-15T06:19:00.005-05:00

It has been said that I am a Christmas curmudgeon. A scrooge, if you will. This is merely because I can't stand listening to Christmas music. That's right, I absolutely hate it. I joined a group on Facebook called "I Will Maim The Next Person To Make Me Listen To The Holiday Lite". With all of this being said, here are a few of the tunes that relate to this holiday that I actually enjoy. I know I'm a little early, but this blog will be on vacation in a week and half when the day actually hits. And if you're Jewish -- sorry dude, I've got nothing.

Bright Eyes - Little Drummer Boy (from A Christmas Album)
Sufjan Stevens - Put The Lights On The Tree (from Songs For Christmas, Vol. 2: Hark!)
The Beatles - Christmas Time (Is Here Again) (from Free As A Bird EP)

Aaaaand, a special bonus, for which I do not know the artist at all:
Christmas Techno Extravaganza

Interview: We Are Scientists

2008-12-12T21:08:00.000-05:00

If you poke around We Are Scientists' website, you'll find numerous blurbs and segments that will make you laugh out loud. Whether it's in their "Advice Column" or just poking around anywhere, their unique sense of humor is ingrained. And every time I've seen the band live, their banter is always entertaining and quite hilarious. So, with all of this being said, I was looking forward to sitting down with bassist Chris Cain. He did not disappoint, keeping his wit and sarcasm sharp throughout the interview. For example, when I asked him about the recent changes in the band's lineup, he quipped, "Oh, I thought you were talking about my shoes." For those who haven't been following the news, former drummer Michael Tapper left the band last November, and they have since been playing with two new members -- Adam Aaronson on drums and Max Hart on keyboards and the occasional guitar. "We actually started playing with Max before Michael left the band, and Max was a friend of our producer -- a guy named Ariel Rechtshaid -- who produced our two records. And Max has been in a band with Adam for many years, a band that is essentially on permanent hiatus, now that we've destroyed it. Sorry, bass player of High Speed Scene, if you're listening. We took everyone but the bass player. I decided, on reflection, not to replace myself. It was close, though. It was an eleventh hour decision."

While they have yet to officially name Adam as their permanent drummer, Chris had no qualms about his future with We Are Scientists. "I mean, we're definitely not actively searching for a replacement for Adam. At the same time, I think Keith [Murray, vocals and guitar] and I still are not really clear about what we want to happen with the band in the future, in future albums. Right now, both Max and Adam are great and have been not only excellent performers, but have been really integral in a creative way -- when it has come to doing acoustic arrangements and even new b-sides and things like that. We do have a good working relationship with those guys." And just when I thought the conversation was settling down into more standard fare, bereft of wit, Chris continued. "But, if we become a hip-hop duo, that might not be the crew we need. 'Cause it'll all be you popping the minidisc into the front of house, and you get up there and you rap. And you need other rappers, guys who can sing the hook out of tune. And Max and Adam can't do that, they're always in tune."

We Are Scientists' latest album, Brain Thrust Mastery, was released in March, and it was fairly successful, debuting at #11 in the UK. In recent years, We Are Scientists' popularity overseas has grown tremendously, providing them with a much larger fan base than they have in America. "I think our music fits more into the mainstream over there, where as it doesn't really here. The kids are a little more nuts, a little more surprised to see us, maybe? I dunno, as I say that, it doesn't seem true, they can't be surprised to see us. And yet, they sure do act like it. Here, we get a lot more conscientious music listeners who have found We Are Scientists because they seek out music that's kind of on the fringe. And in the UK, as I said, we get more of a mainstream crowd who often does not appear to be there just so they'll have an excuse to drink, if I can be honest. The shows are definitely more electric, but it's nice to have a variety. It's nice to come back to the states and play smaller venues. 'Cause you do miss the intimacy of a smaller club. So, that's the nice thing about playing the states. The rabid fans are the nice thing about playing the UK."

While Brain Thrust Mastery has been well-received, it still sounds like a new direction for the band. "There was definitely a conceptual change. We decided that we weren't gonna restrict ourselves to arrangements that three people could conceivably play. The first album, the idea was for the songs to sound essentially like the best possible live set that we had ever played. And with this album we have strings, we have the odd horn, and we had lots of keys -- before we had a keyboard player. We ended up feeling that to play the songs live, to even have them be recognizable from the album we would need a fourth person. So that's when we added Max, when we began to move into the tour cycle. That was the big conceptual difference. In terms of how we wrote it -- we had the luxury of more time, we weren't working jobs, so we actually did it faster than the last record. And spent a little more money on it but still tried to be fairly -- what's the word -- greedy, with our money. But I say we spared no necessary expense. It sounds like a million bucks. And it only cost three quarters of that."

We Are Scientists - Worth The Wait (from With Love And Squalor)
We Are Scientists - Ghouls (from Brain Thrust Mastery)

The Best EPs Of 2008

2008-12-11T06:09:00.020-05:00

In the wake of everyone's "Best Albums Of The Year" list, sometimes EPs get left behind. Too long to be a single, not long enough to be considered an album, the EP is still pretty important. Especially in the indie scene, many artists release an EP before they have enough material or clout for a full-length album. 2008 saw the release of many stellar EPs, here are my top picks. What are your favorite short-playing releasing from this past year?

1. JOE PUG - NATION OF HEAT

I am proud to say that Joe Pug is a Chicagoan, because he is one of the best talents to pop up in the last year. All seven of the songs on his debut EP will capture your heart. Pug sings with a voice well beyond his years, with a rather raw and gritty delivery. Once you listen to the opening song, "Hymn #101", you will understand how powerful of a songwriter Joe Pug really is. In the first week after I heard his voice, I probably listened to the EP about ten times. As soon as you hear it just once, you will remember this man's voice and his music. And ten years from now, you'll remember when he was an unknown youngster. It won't take long before the world knows his talent.

Joe Pug - Hymn #101 (from Nation Of Heat EP)
Joe Pug - Nobody's Man (from Nation Of Heat EP)

2. IVAN COLÓN - DESPITE THE ATLANTIC

Ivan Colón's second EP is a short collection of songs, but it's more than enough to rope you into his folky, melodic beauty. The first song to really grab me was "Gabriel", with its subtle catchiness, it will quietly work its way into your memory. The entire EP is similarly great, and it deserves just as much attention. Now, I can't help but note how reminescant Ivan Colón's music is of early Sufjan Stevens. Hushed vocals over gently strummed acoustic instruments -- not to mention Colón's strong faith that shines through in his lyrics. Every single song does not make an immediate mention of Christianity, but his spirituality is ever-present. Make no matter of your take on religion, though, because you will be roped in by his beautiful music.

Ivan Colón - Gabriel (from Despite The Atlantic EP)

3. THE PEASANTRY - DON'T HARM BARBARA GORDON

It's always sad to see a great band call it quits, and this past year saw both the peak and the unfortunate demise of Boston-locals the Peasantry. The only recording they're leaving behind is this one fantastic, fun-filled EP, Don't Harm Barbara Gordon. It's full of catchy melodies and guitar lines, along with clever, interesting songwriting. I would've loved to hear more from them, but I'm glad they've left something behind.

The Peasantry - Tie Off Before You Out Go (from Don't Harm Barbara Gordon EP)

4. MAPS & ATLASES - YOU AND ME AND THE MOUNTAIN

On Maps & Atlases second EP, the Chicago band seems to have mellowed out a little. Now, don't take that to heart too much, because they're still full of boundless energy and enthusiasm. What I mean by that statement is this -- the guitar seems to be a bit less spastic, a bit less wild, and the drums attack with less ferocity and more texture. This release sees them allowing their music to be more infused with pop, and a little less math rock. But it's still wildly interesting, just in a subdued manner. It might not hit you on the first listen as immediately as Trees, Swallows, Houses did, but think no less of this release. This is a mature Maps & Atlases, and they sound even better than before. Now we have more melody, less freak-outs. And it should be noted that the vocals are much more accessible than they were in the past. Everything about the band is more refined, more tasteful. I can't wait to hear where they'll go from here.

Maps & Atlases - Artichokes (from You And Me And The Mountain EP)

5. PASSION PIT - CHUNK OF CHANGE

Speaking of Boston-based bands, Passion Pit has been exploding in the past six months. The former Emerson and Berklee College Of Music students have received general acclaim for their debut EP, Chunk Of Change. In the past year, they've signed to New York indie Frenchkiss Records, subsequently blown up, and then signed to Columbia. Their music is so catchy and fun, it's easy to fall in love with them. I'm telling you, when their debut album comes out in January -- rocket ship to the moon. Get aboard now.

Passion Pit - Sleepyhead (from Chunk Of Change EP)

The Best Albums Of 2007

2008-12-10T06:27:00.001-05:00

As I gear up for posting my favorite albums of this year, I like to take a look back at the previous year, and see what I missed. There are always some albums that you don't find out about until later, or maybe an album that takes you awhile to get into. In the past year, my 2007 list didn't change too much -- my top four are still exactly the same. Last year's list can be found here, but in hindsight, here are my choices for the best albums of 2007. New to this list are Feist, A.A. Bondy, Animal Collective, Via Audio, Jaymay, M.I.A., Ryan Adams, and Deerhoof, bumping off my bottom eight.

1. St. Vincent - Marry Me
2. Spoon - Ga Ga Ga Ga Ga
3. The National - Boxer
4. Radiohead - In Rainbows
5. Feist - The Reminder
6. Kings Of Leon - Because Of The Times
7. Wilco - Sky Blue Sky
8. A.A. Bondy - American Hearts
9. John Vanderslice - Emerald City
10. Andrew Bird - Armchair Apocrypha
11. Sondre Lerche - Phantom Punch
12. Animal Collective - Strawberry Jam
13. Stars - In Our Bedroom After The War
14. Of Montreal - Hissing Fauna, Are You The Destroyer?
15. The Arcade Fire - Neon Bible
16. Caribou - Andorra
17. Kevin Drew - Spirit If...
18. Via Audio - Say Something
19. Keren Ann - Keren Ann
20. Jaymay - Autumn Fallin'
21. Rogue Wave - Asleep At Heaven's Gate
22. M.I.A. - Kala
23. Ryan Adams - Easy Tiger
24. Exploding Star Orchestra - We Are All From Somewhere Else
25. Deerhoof - Friend Opportunity

St. Vincent - Paris Is Burning (from Marry Me, #1)
Feist - So Sorry (from The Reminder, #5)
A.A. Bondy - American Hearts (from American Hearts, #8)
M.I.A. - Come Around (from Kala, #22)

Verb The Adjective Noun

2008-12-09T06:24:00.002-05:00

Verb The Adjective Noun have been quickly building a local fanbase here in Boston with their exciting take on indie folk. The songwriting is excellent, and everything is performed with conviction and with emotion, and this shines through as one of their best features. You can't help but be roped in by the personality of the music. There is energy and excitement here, and that's exactly what the doctor ordered. If you're local, I'd highly recommend checking out their Myspace and taking a look at when their next Boston gig is. Their recordings only hint at how powerful their live shows are (which I can vouch for), and you won't regret checking them out.

Verb The Adjective Noun - Hooker Song
Verb The Adjective Noun - Liar's Song

Juana Molina (Has A New Album)

2008-12-08T06:21:00.000-05:00

As I begin to compile my "Best Of 2008" lists, I find that Juana Molina's latest album, Un Día (her fifth), is one of this year's best albums. Her music is a wonderful blend of her roots (she's a native of Argentina) and indie folktronica, and it meshes together perfectly. The songwriting shows influence in classic Brazilian music, but she fills up the record with electronic soundscapes and hypnotic repetition. Molina sings in her native tongue of Spanish, but that's no matter for non-fluent listeners. In fact, I think it may be better that way, since she uses her voice so rhythmically and texturally, almost as if it is in fact an instrument. Layers of her looped melodies (many non-verbal) float around together, weaving in and out of the accompaniment. What this creates is a rather warm, complex palette of sound, expertly manipulated by Molina. It's not exactly like her work in the past, but she is certainly jumping in head first -- and it's for the best.

Juana Molina - Un Día (from Un Día)
Juana Molina - ¿Quién? (Suite) (from Un Día)

This Makes Me Want To Do The Doggy Bounce

2008-12-04T15:54:00.003-05:00

Everybody has to take a break sometimes, right? I know daily posting has been a little shaky over the last month, but I'll be back in a jiffy with some great end of the year features. In the meantime, this should suffice.

Gobble Gobble Gobble

2008-11-27T06:24:00.000-05:00

I posted this last year, but it still makes me laugh. Happy Thanksgiving, kids.

An Open Letter To The Record Industry

2008-11-25T06:10:00.002-05:00

In the last few months, you may have noticed the many times when a post was deleted from Under The Rotunda without warning or notice to me. It's a result of the newly created Digital Millennium Copyright Act, and it's not the record labels or artists that are behind the deletions. Jason, from The Good, The Bad, And The Unknown, recently wrote an open letter in response to this, and I agree completely with his sentiments. For what it's worth, here's what he had to say.

Dear Industry:

I am a blogger. I have been a blogger for almost three years. I do this out of the love for music industry. I buy anywhere from 2-3 new albums a week. I believe in buying music. I believe in supporting the artists. And most importantly, I believe in the music business...the corporations, the suits, everyone pulling the strings behind the scenes. I believe in supporting them as much as I believe in supporting the artists, themselves. Without the suits...the industry would fall apart.

In the past few weeks, it has come to our attention that the music industry has gone on the offensive against the bloggers. Sending out Cease & Desist Letters, threatening to shut down the bloggers for posting tracks. Without a warning, bloggers are getting shot down for doing nothing more than promoting music.

Dear Industry...we are not the enemy...we are your biggest fans. We do not do this for money, trust me...there's no money to be made. We do this for the love of music. And not just the artists...like I said before...we do this for the love of the industry. The bloggers can't survive without you. We need the music industry as much as we need the artists. Therefore what we are doing isn't in an effort to undermine you...everything we are doing is to support you and ensure your survival. Like I said, there's no money in it for us...the only one who benefits from our posts is you.

You may disagree, but take time to read our blogs. All we are doing is promoting music. Your music. And we do this for free. FREE. We do not ask for a dime in return. What we ask is for our readers to go out and BUY your music. Since most of us do not get paid, we do not waste time writing about music we don't like. Therefore if we're spending our time writing about music, it's in an effort to encourage our readers to go out and buy it...to go out and BUY YOUR MUSIC.

Your issue with us is that we give away songs. But please, believe us when we say we only do this to convince our readers that the music we are praising is as good as we are claiming. We do not believe in giving away albums. That is not our goal. Our goal is to give our readers a taste of your product in order to get them to BUY the whole thing. The practice of giving away full albums or albums prior to their release is heavily frowned upon in our community.

Up until now, we have asked nothing of you except to put out good music for us to talk about. But today, I am asking for something. I am asking you to stop sending the Cease & Desist letters. When you do that...our posts are deleted...destroyed. It's not just the tracks that get taken down...our writing is taken away with it. And that's not fair.

Work with us...not against us. We are your biggest asset. Many artists encourage the bloggers to post their tracks so it is impossible for us to know who wants our assistance and who does not. Please, in the future, if one of us posts a track that you wish removed, email us and tell us (our emails are readily available on all our sites). We will take it down, immediately. Like I said, we are not your enemy and do not wish to hurt your stability. We want to work with you, not against you.

Why not even take it one step further? Why not provide us a list of artists you do not want promoted on our blogs? We will honor it, we promise. At least give us the chance to prove ourselves.

Sincerely,

Jason
The Good, The Bad, The Unknown

Live: A.A. Bondy

2008-11-24T11:34:00.000-05:00

A.A. Bondy. November 18th, 2008 at Great Scott in Allston, MA. Photo credit here (not from this show).

If there's one thing that A.A. Bondy radiates in his music and his live performances, it's personality. Fresh off a tour with Cold War Kids, he was in full force last Tuesday here in Boston. As he played through songs from his debut solo album, there was a certain sincerity about him that just made me smile. A minute or so into his first song, he paused and mumbled something about not remembering the words before jumping back in where he left off. And for Bondy's performance and music, little things like that fit just right. His banter throughout the night was fun and obscure, sometimes leaving the audience squinting trying to understand exactly what he meant. "If I seem insane up here, it's okay. I am." No worries, it was definitely okay with the audience. With his personality strongly permeating into a soul-wrenching folk performance, A.A. Bondy left me with a memorable night.

A.A. Bondy - How Will You Meet Your End (from American Hearts)
A.A. Bondy - There's A Reason (from American Hearts)

New? You Call This New?

2008-11-24T06:00:00.002-05:00

Pushing 50 with wrinkled varacose hands grasping at the straws of his youth, Axl Rose and his cohorts (a term used with a grimace, since the driving force is singular) released Chinese Democracy yesterday. This album has been the butt of jokes, the basis for lawsuits, and mastabatory fare for legions of heavy metal hangers-on for the last 15 years. If you were lucky, yesterday you signed up for free Dr. Pepper. If you were unlucky, you bought Chinese Democracy.

This album marks the end of an era for rock music. In all of its self-aggrandizing stupor and bloated production, Guns 'N Roses made a fatal mistake. They neglected to take into account the market, or lack there of, for this kind of record. Music is a reflection of the times, and the times in which we currently live are lean. 14 studios, 15 years, and x-millions of dollars are not reflective of the modern human situation. Rose, instead of being rock's savior, sage, or even backward looking elder, is instead its dinosaur -- starving, having not been killed by catastrophe, yet doomed to die in the fallout, bloated from from cannibalization and impaction.

Does the music sound good? Sure, with a production budget like they had and no restrictions or limitations and nothing but time to burn, any band in your neighborhood garage can make a record that sounds as sonically interesting as Chinese Democracy. As Axl proves, the money can make you sound polished, but it can't save the songs which seem unfit and juvenile for a man his age.

A real Zzzzz fest.

Interview: Apollo Sunshine

2008-11-21T06:06:00.009-05:00

The guys in Apollo Sunshine are not only stellar musicians, but great people as well. That goes for pretty much every artist who I've had the chance to interview -- but Apollo Sunshine take the cake, being the first band to ever offer to buy me a beer. Maybe that was just because I had to wait around an hour before they were free to chat, but it was certainly worth the wait. As I to a nearby Thai restaurant with guitarist Sam Cohen and drummer Jeremy Black, we started to talk about Berklee College Of Music, where all three members of Apollo Sunshine attended at some point in time. “We met there in 1997 at the Berklee summer performance program.” “That’s where Jeremy and I met, and then we met Jesse. We were still going to school, he had already stopped going." While Sam and Jeremy studied Music Production & Engineering, bassist/keyboardist Jesse Gallagher took to the more rock 'n' roll lifestyle, dropping out after a few semesters. Still, Berklee has helped Apollo Sunshine along in their careers in more ways than one. To start, it was there that they met professor Andy Edelstein, who would record their debut album, Katonah. "Andy came out to Katonah, which is where I grew up. Sam and I had a bunch of classes with Andy, he was a really cool teacher. He dug what we were doing and offered to come out and produce our first album." Jeremy and Sam both seemed equally positive about their experience recording their first album, with Sam saying, "He was amazing. The way we recorded the record was for several months we were going back and forth from Boston to Katonah -- spending four days of the week in Katonah and three days of the week in Boston -- and he scheduled all his classes on thoses three days, it was super hardcore, the way he got involved in that project. And that's the main thing I can say about the school: I met my bandmates there, I met Andy there, it's a place where you can go where people from all over the world are really enthused about music and want it to be the number one thing in their life. And that's the best thing about it."

Berklee came to their aid again during work on their second album, Apollo Sunshine. "We had some financial issues finishing the second album and the Berklee [student-run] Heavy Rotation label offered to put up some money to finish the record. So we agreed to let them co-release it in exchange for that. That was cool of them to do. It was a little strange because there was a lot of press that came out around the time of that album that was basically claiming that we were just a Berklee-created band or a Berklee-bred band, and we definitely backlashed against that a little bit. Obviously not because we didn't appreciate our education that we got at Berklee, but we didn't feel like a band that was created by them or that our music sensibility had anything to do with the school."

This time around, Apollo Sunshine have signed to Headless Hereos, a small indie label part of the World's Fair group, to see the release of their third album Shall Noise Upon. While I dearly love Katonah, they sound more in control these days as their sound continues to “grow up”. The spastic, wild attacks are less frequent on this album. Instead, they are replaced with musical explorations in a variety of different styles. When I first heard “Happiness,” where an acoustic guitar progression is surrounded by beautiful woodwinds and strings, I could hardly believe that this was the same band that produced the intense aural attack that is “Happening” (from Katonah). There are moments, full of majestic melodies and lush orchestration, that I’ve never heard Apollo Sunshine do before. And it sounds wonderful. Now, they’ve still got their energy, don’t worry. There are still times on the album that remind you of their roots, such as the Jimi Hendrix Experience. "The Hendrix experience was definitely a band that inspired us a lot when we first started up Apollo Sunshine. Just because it was a trio that could make sound that was way beyond what most three person bands could make. And I think that's been something that's been in our model from the beginning." With Shall Noise Upon added to their discography, Apollo Sunshine are sounding better than they ever have before. "I think it's reflective of where we're at with what we want to hear on a record and the music that we're into now. It doesn't necessarily seem varied to us or too eclectic to us, because it's natural that it's the music we come up with." "It sorta flows like the way we would listen to music. If you came over to one of our houses and listened to music for 38 minutes, it would kinda flow like that."

It seems that they like to keep things mixed up, or at least that's how things have worked out for them. It wasn't just their songwriting that evolved with their latest offering, but their recording process was a change as well. "It was pretty drastically different. It was the first time that we really went into the studio and wrote most of the record in the studio. We were given an opportunity by our label -- they put up the funds for us to live there for about six weeks. Although there was definitely some stuff that was pre-written, like Sam wrote 'Happiness' and 'Honestly' and some other stuff. But as far as the recording process it was all done by us, together living in a studio." "It wasn't stuff we'd been doing live, so it was stuff that had been written but only existed as a skeleton of a song. So that was the first time we'd ever made an album that way." Another change for the band was going back to a three-person band, without some additional members that they played with on and off in the past. "Right now we're working as a trio again. We always tend to fall back to that at some point. But it's always good to throw in those little curve balls. Some of the people we've brought into the mix tend to shake things up a bit and help us reflect on what we're doing as a trio and help us expand our sound in different ways. It's good for us to go back and forth; we've always enjoyed that."

Apollo Sunshine - Fear Of Heights (from Katonah)
Apollo Sunshine - Singing To The Earth (To Thank Her For You) (from Shall Noise Upon)

DJ Shadow

2008-11-19T06:05:00.003-05:00

It was twelve years ago today that DJ Shadow's groundbreaking album Endtroducing was released, and I figured there wasn't a better day to share his music. He's made many albums since 1996, but none of them match the power that he accomplished at his first attempt. In fact, Endtroducing is such an incredible album, I'm almost shocked that it was created only from samples of other records. Those bass lines, and everything else for that matter, sound so natural it's hard to believe that a musician didn't play them. But that's exactly what DJ Shadow did, he proved that the turntable can be a instrument, and he was the musician. To this day, Endtroducing remains one of my favorites albums of the 90s. Take a listen on this anniversary today, and see why.

DJ Shadow - Building Steam With A Grain Of Salt (from Endtroducing)
DJ Shadow - Changeling/Transmission 1 (from Endtroducing)

The Lucksmiths (Have A New Album)

2008-11-18T06:43:00.004-05:00

The Lucksmiths have been one of my favorite bands for many, many years. Ever since I first heard 1997's A Good Kind Of Nervous, I've been infatuated with their folky goodness. They've made some truly stellar albums and EPs throughout their 15 year career, and with that being said, their new album, First Frost, may be the best album they've ever made. Songwriting-wise, the Lucksmiths always capture their personality -- the music is fun, it's clever, it's catchy, it's beautiful. But arranging wise, sonically speaking, their latest offering is far and above what they've done in the past. Part of it is due to their progression from acoustic to electric; it's not that they've dropped acoustic guitars, but their sound is definitely more electric this time around, and it suits them well. Never before have I heard a song from them with such beautiful feedback laced around their always captivating songwriting, so powerful that I smile. Listen to "How We Met", below, and you will understand. The Lucksmiths have always held a place in my heart, but with First Frost, they've never been better. If you haven't been captivated by them yet, now is the time.

The Lucksmiths - The Town & The Hills (from First Frost)
The Lucksmiths - How We Met (from First Frost)

The Great Burrito Debate: Baja Burrito

2008-11-18T06:33:00.007-05:00

[Disclaimer: Yup, this is a music blog. But, as some of you know, burritos are a passion of mine (second to music, of course). So please excuse the brief lapse from music coverage as I discuss a burrito joint in my search for the best burritos in the land. I know, I'm silly.]
I ate at Baja Burrito about a week ago, and nothing sticks in my mind about my experience there. And that, my friends, is a problem. It wasn't that the burrito they made for me was bad, but it just wasn't cutting in some places. It didn't have the delicious spice, the delectable kick of taste that a great burrito truly needs; it was bland. Furthermore, the wrapping job was so loose that it was a mess to eat. And by the end of the meal, you know I was needing some serious napkins. I mean, I'd heard of Baja Burrito being heralded as one of the best local places to get a burrito in Nashville, but for me it just didn't make it.

Baja Burrito is located in Nashville, TN. Full ratings and rankings below:

Overall Burrito Quality: -
Atmosphere: +
Sauces: - -
Burrito Size: -
Guac: -
Wrapping Job: - -
Efficiency: +
Cost: $4.75/$5.60
Guac Cost: $0.50
Lemon/Lime: YES
Toothpicks: NO
Corporate/Home-style: Home-style

THE VERDICT:
1. El Pelon
2. Anna's Taqueria
3. Felipe's Taqueria
4. Chipotle
5. Boca Grande
6. Taqueria Los Comales
7. Boloco
8. Taco & Burrito House
9. La Pasadita
10. Fiesta Del Sol Express
11. Baja Burrito
12. Taqueria Arandas
13. Baja Betty's
14. Baja Fresh
15. Qdoba
16. Flash Taco
17. Taco Bell
18. Taco Burrito King
19. La Bamba
20. El Famous Burrito

*You may notice that the top rankings have been moved around a little. First, I've finally gotten over Chipotle (a little). Chipotle will always hold a special place in my heart, since they're the restaurant responsible for getting me into burritos. But, they are no longer my personal favorite. Boston local El Pelon is taking the lead for me these days, and with good reason. They make the tastiest burritos I've ever had in my life. Sorry Chipotle, but I knew I'd move on someday.

Live: Fredrik

2008-11-17T06:54:00.002-05:00

Fredrik. November 12th, 2008 at T.T. The Bear's in Cambridge, MA.

Sweden's Fredrik are new to the states. In fact, when I caught them in Boston, it was part of their first ever U.S. tour, in support of their debut album, Na Na Ni. And even though the crowd was small, the band played their hearts out. Maybe it's due to the intimate nature of Fredrik's music, but I felt like I was hanging out with old friends all night, and they were just casually playing me some of their music. If they ever felt uncomfortable on a small stage so far away from home, they didn't show it. Everything about their record that I love could be found in their live performance. It helps that one of their guitarists has a small arsenal of effects and pedals, with which he was able to add beautiful textures to Fredrik's already warm and appealing sound. If they keep making music like they are now, I bet there'll be quite a bigger crowd next time.

Fredrik - Black Fur (from Na Na Ni)
Fredrik - Alina's Place (from Na Na Ni)

There's The Moon, Asking To Stay

2008-11-14T12:57:00.003-05:00

So, like I said two weeks ago, I haven't been on my music blogging game lately. There's been a lot going on around these parts, and it doesn't look like it's going to slow down anytime soon. Still, I should be back in business starting this Monday. I've got two great interviews to post, one with Apollo Sunshine and one with We Are Scientists. Good times. Stick around, relax, the state of Under The Rotunda will soon return to daily posts without fail. Thanks for reading.

Berklee Internet Radio Network

2008-11-12T06:01:00.000-05:00

Thanks to all who listened last night. Starting today, I will no longer be posting the playlists from shows here. Instead, you can snag them and see what I played at Under The Rotunda's page at thebirn.com. Yes yes, y'all.

Dakotafish

2008-11-11T13:26:00.005-05:00

With just four released songs under his belt, Mike Fish is making quite a splash (get it?) under the moniker Dakotafish. His debut EP was just released, and it's quite a captivating start. The first thing that you'll notice is the vocals. Powerful and full of character, they soar above the music in a Thom Yorke-like fashion. And this comes on top of his well-orchestrated folk tunes, which are full of creativity. Throw in some innovative guitar playing and off-kilter beats, and you've got one awesome folk EP.

Dakotafish - Easy (from Dakotafish EP)
Dakotafish - Teenage Years (from Dakotafish EP)

Live: Via Audio

2008-11-10T15:42:00.000-05:00

Via Audio. October 22nd, 2008 at Great Scott in Allston, MA. Photo credit here (not from this show).

Boston favorites Via Audio (this is where they went to school and met, after all) played an energetic show to a small but enthusiastic crowd a few weeks ago at Great Scott. This band has personality, and it shines through in their live performances. Each member of Via Audio brings their own spark to the stage, and it certainly keeps things interesting. Whether they're throwing a tambourine to the audience to play, jumping up and down in time, or making silly noises and faces, they keep it fresh. They played through many of the best songs from their debut, Say Something, as well as live favorites "Godzilla" and "Digital". And songs like those (watch "Godzilla" at their Myspace, titled "Lizard") are immensely fun live, and they're a great addition to their show. Via Audio know how to have a good time, and as much as it was clear they enjoyed playing for everyone, the audience enjoyed it even more.

Via Audio - Developing Active People (from Say Something)
Via Audio - Modern Day Saint (from Say Something)