tag:blogger.com,1999:blog-337800062008-05-10T09:14:06.433-04:00Jarrod FowlerJarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comBlogger13125tag:blogger.com,1999:blog-33780006.post-51032180242032042082008-04-01T00:00:00.015-04:002008-04-05T12:19:13.446-04:00<span style="font-weight: bold;font-size:85%;" ><span style="font-family:arial;">NOW THAT'S WHAT I CALL NOISE VOL. 13<br /></span></span><span style="font-size:85%;"><span style="font-family:arial;">CD-R by </span><span style="font-family:arial;"><a href="http://www.jliat.com/ntwicn/ntwicn.html">The Larks Council of England</a> - <a href="mailto:jarrodfowler@gmail.com?subject=NTWICN13%20">$5</a></span></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/NTWICN13/vol13A.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://www.jarrodfowler.com/NTWICN13/vol13A.jpg" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/NTWICN13/vol13B.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://www.jarrodfowler.com/NTWICN13/vol13B.jpg" alt="" border="0" /><br /></a><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;"><span style="font-family:arial;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-1.m4a">1</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-2.m4a">2</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-3.m4a">3</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-4.m4a">4</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-5.m4a">5</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-6.m4a">6</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-7.m4a">7</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-8.m4a">8</a> - <a href="http://www.jarrodfowler.com/NTWICN13/NTWICN13-Compilation.m4a">Compilation</a></span></span>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-55943105577531770552008-03-21T12:04:00.002-04:002008-04-26T19:13:10.636-04:00<span style="font-family:arial;font-size:85%;"><span style="font-weight: bold;">RHYTHMS: On the Work, Translation, and Psychoanalysis</span><br />By Nicolas Abraham<br />Collected and Presented by Nicholas T. Rand and Maria Torok<br />Translated by Benjamin Thigpen and Nicholas T. Rand<br />Translated by Jarrod Fowler<br />JMF031 - M4a Download & Image - Free<br /><a href="http://www.jarrodfowler.com/Rhythms/Rhythms.m4a">Rhythms.m4a</a><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/uploaded_images/RHYTHMS-738713.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://www.jarrodfowler.com/uploaded_images/RHYTHMS-738478.jpg" alt="" border="0" /></a>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-71073105109112039582008-03-21T00:03:00.003-04:002008-04-10T17:56:10.584-04:00<span style="font-size:85%;"><span style="font-weight: bold;font-family:arial;" >SHUN AS RHYTHM</span><br /><span style="font-family:arial;">JMF030 - Texts - Free</span><span style="font-family:arial;"></span><span style="font-family:arial;"><br />to keep clear of; to get out of the way of; to escape from; to eschew.</span><br /><span style="font-family:arial;">to avoid deliberately; keep away from. to slight or avoid scrupulously or habitually.</span><br /><a href="http://www.jarrodfowler.com/ShunAsRhythm/_tionAsRhythm.html"><span style="font-family:arial;">_tion As Rhythm.html</span></a><br /><a href="http://www.jarrodfowler.com/ShunAsRhythm/_sionAsRhythm.html"><span style="font-family:arial;">_sion As Rhythm.html</span></a><br /><a href="http://www.jarrodfowler.com/ShunAsRhythm/_cianAsRhythm.html"><span style="font-family:arial;">_cian As Rhythm.html</span></a><br /><a href="http://www.jarrodfowler.com/ShunAsRhythm/_ceanAsRhythm.html"><span style="font-family:arial;">_cean As Rhythm.html</span></a><br /></span>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-2826237110083599552008-03-21T00:02:00.007-04:002008-03-26T18:00:12.135-04:00<span style="font-size:85%;"><span style="font-weight: bold;font-family:arial;" >REPETITION: </span></span><span style="font-size:85%;"><span style="font-family:arial;"><span style="font-weight: bold;">An Essay in Experimental Psychology</span><br />By Søren Kierkegaard </span><a href="http://www.janushead.org/4-2/dalton.cfm"><span style="font-family:arial;">-</span></a></span><span style="font-size:85%;"><span style="font-family:arial;"> Translated by Walter Lowrie<br />Translated by Jarrod Fowler<span style="font-weight: bold;"><br /></span>JMF029 - M4a Download & Image - Free<br /><a href="http://www.jarrodfowler.com/Repetition/Repetition.m4a">Repetition.m4a</a></span></span><span style="font-size:85%;"><span style="font-family:arial;"><span style="font-weight: bold;"><br /></span></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/uploaded_images/Repetition-777587.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://www.jarrodfowler.com/uploaded_images/Repetition-777503.jpg" alt="" border="0" /></a>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-58228180946297666982008-03-21T00:01:00.004-04:002008-04-05T08:34:39.539-04:00<span style="font-weight: bold;font-size:85%;" ><span style="font-family:arial;">EITHER/AND/OR/BOTH: A Fragment of Listening</span></span><span style="font-size:85%;"><br /><span style="font-family:arial;">By <a href="http://www.urbandictionary.com/define.php?term=wtf"><span style="color: rgb(51, 51, 255);">W</span><span style="color: rgb(153, 153, 153);">T</span><span style="color: rgb(255, 0, 0);">F</span></a></span><br /><a href="http://www.jliat.com/radio"><span style="color: rgb(51, 51, 255);font-family:arial;" >Aesthete</span></a> - <a href="http://www.thisisa.info/eitherandorboth"><span style="color: rgb(153, 153, 153);font-family:arial;" >Editor</span></a> - <a href="http://eitherandorboth.blogspot.com/"><span style="color: rgb(255, 0, 0);font-family:arial;" >Ethicist</span></a><br /></span>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-13220964330830385002008-03-21T00:00:00.001-04:002008-03-23T11:18:39.718-04:00<blink><span style="font-size:85%;"><span style="font-weight: bold;font-family:arial;" >THE MALL - RETAIL THERAPY</span></span></blink><br /><span style="font-size:85%;"><a style="font-family: arial;" href="http://www.jliat.com/themall/index.html">Advanced graphics & consumer shopping by JLIAT & MSPAINT/NOTEPAD</a></span>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-73450213971362076572007-12-25T00:00:00.010-05:002008-04-06T16:22:47.276-04:00<span style="font-size:85%;"><span style="font-weight: bold;font-family:arial;" >SPRING 2008</span></span><span style="font-weight: bold;font-family:arial;font-size:85%;" >:</span><span style="font-family:arial;"><span style="font-size:85%;"><br /></span></span><span style="font-family:arial;"><span style="font-size:85%;"><br /><span style="font-weight: bold;">'PERCUSSION' AS PERCUSSION</span></span></span><br /><a href="http://www.informationasmaterial.com/"><span style="font-size:85%;"><span style="font-family:arial;"></span></span></a><a href="http://www.informationasmaterial.com/Work/Fowler.htm"><span style="font-size:85%;"><span style="font-family:arial;">Information as Material</span></span></a><span style="font-family:arial;"><span style="font-size:85%;"> is proud to present </span></span><a href="http://www.jarrodfowler.com/JarrodFowler-PercussionAsPercussion-PressRelease.pdf"><span style="font-style: italic;font-size:85%;" ><span style="font-family:arial;">‘Percussion’ As Percussion</span></span></a><span style="font-family:arial;"><span style="font-size:85%;"><br />CD - 22mins - 32pg booklet - 2008 - Product code: 5-060163-970010<br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/uploaded_images/JF001_Cover-725675.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://www.jarrodfowler.com/uploaded_images/JF001_Cover-725661.jpg" alt="" border="0" /></a><span style="font-size:85%;"><span style="font-family:arial;"><span style="font-style: italic;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />‘Percussion’ As Percussion</span> is a sonic reading of John Mowitt’s book</span></span><span style="font-size:85%;"><span style="font-family:arial;"> <a style="color: rgb(255, 153, 0);" href="http://books.google.com/books?id=Q2miDB_cFSkC&printsec=backcover&dq=mowitt+percussion">Percussion: Drumming, Beating, Striking</a> </span></span><span style="font-size:85%;"><span style="font-family:arial;">and an attempt to grasp how rhythm makes sense in music and society. Fowler charts the encounter between theory and practice implied in Mowitt’s book to produce a critique of the ontological delimitation of percussive theory and it’s social consequences for ‘drumming’. This CD, co-produced with </span></span><span style="color: rgb(255, 153, 0);font-family:arial;" ><span style="font-size:85%;"><a href="http://thisisa.info/">Nick Thurston</a></span></span><span style="font-size:85%;"><span style="font-family:arial;">, features a foreword by musician </span></span><span style="color: rgb(255, 153, 0);font-family:arial;font-size:85%;" ><a href="http://www.myspace.com/jliat">James</a></span><span style="color: rgb(255, 153, 0);font-size:85%;" ><span style="font-family:arial;"> </span></span><a href="http://www.jliat.com/"><span style="font-size:85%;"><span style="font-family:arial;">'JLIAT'</span></span></a><span style="color: rgb(255, 153, 0);font-size:85%;" ><span style="font-family:arial;"> </span></span><span style="color: rgb(255, 153, 0);font-family:arial;font-size:85%;" ><a href="http://www.jameswhitehead.org/">Whitehead</a></span><span style="font-size:85%;"><span style="font-family:arial;">, an introductory essay by poet </span></span><span style="color: rgb(255, 153, 0);font-family:arial;font-size:85%;" ><a href="http://epc.buffalo.edu/authors/andrews/about/dworkin.html">Bruce Andrews</a></span><span style="font-size:85%;"><span style="font-family:arial;">, an appearance by vocalist </span></span><span style="color: rgb(255, 153, 0);font-family:arial;font-size:85%;" ><a href="http://www.liztonne.com/">Liz Tonne</a></span><span style="font-size:85%;"><span style="font-family:arial;">, and an afterword with </span></span><span style="color: rgb(255, 153, 0);font-family:arial;font-size:85%;" ><a href="http://cscl.cla.umn.edu/faculty/mowitt.html"></a></span><a href="http://cscl.umn.edu/people/facExp.php?UID=mowit001"><span style="font-size:85%;"><span style="font-family:arial;">John Mowitt</span></span></a><span style="font-size:85%;"><span style="font-family:arial;"> himself.<br /><blockquote>“Jarrod Fowler’s ‘Percussion’ As Percussion is uncanny. On one level, it is utterly surprising, unanticipated and unsettling. It takes the work of reading — the time, the pace, the modes of attention — in directions and to places it rarely goes. Yet for this very reason I found it strangely familiar, utterly attuned to one of the driving theses of the text, the intricately differentiated yet coherent rhythm of the percussive field. Here, reading and listening touch one another in ways that question our relations to both.”<br /><div style="text-align: right;">— <a href="http://cscl.umn.edu/people/facExp.php?UID=mowit001">John Mowitt</a>, Professor at the University of Minnesota<br /><blockquote></blockquote></div></blockquote></span></span>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-83886505170102577092007-11-29T23:59:00.001-05:002008-04-06T16:21:56.594-04:00<span style=";font-family:arial;font-size:85%;" ><span style="font-weight: bold;">DONATION AS RHYTHM</span><br />JMF028 - Call & Response - $TBD<br />"Thank you for your support!"</span><br /><form action="https://www.paypal.com/cgi-bin/webscr" method="post"><input name="cmd" value="_s-xclick" type="hidden"><input src="https://www.paypal.com/en_US/i/btn/x-click-but21.gif" name="submit" alt="Make payments with PayPal - it's fast, free and secure!" type="image" border="0"><br /><img alt="" src="https://www.paypal.com/en_US/i/scr/pixel.gif" border="0" height="1" width="1" /><input name="encrypted" value="-----BEGIN PKCS7-----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-----END PKCS7----- " type="hidden"></form>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-14512844752486619862007-07-01T00:00:00.005-04:002008-04-06T16:20:18.371-04:00<span style=";font-family:arial;font-size:85%;" ><span style="font-weight: bold;">VACILLATION AS RHYTHM</span><br /></span><span style="font-size:85%;"><span style="font-family:arial;"><a href="http://www.ophibre.com/sounds.html">OPH7</a> -5</span></span><span style=";font-family:arial;font-size:85%;" >0 Split C-60s/Mp3 Downloads - $5/Free<br /><span style="font-family:arial;">Presented in three movements:<br /><a style="color: rgb(255, 153, 0);" href="http://www.youtube.com/watch?v=3sMW6n-8Hpw">I</a>. <a href="http://www.jarrodfowler.com/1.IGotRhythm.mp3">I Got Rhythm.mp3</a><br /><a style="color: rgb(255, 153, 0);" href="http://www.youtube.com/watch?v=8stDAfYb7MI">II</a>. <a href="http://www.jarrodfowler.com/2._GotRhythm.mp3">_Got Rhythm.mp3</a><br /><a style="color: rgb(255, 153, 0);" href="http://www.youtube.com/watch?v=C9c5otT-RUA">III</a>. <a href="http://www.jarrodfowler.com/3.RhythmIs_.mp3">Rhythm is_.mp3</a></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/uploaded_images/baggie-739273.jpg"><br /></a>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-8167851033926565342007-06-30T23:59:00.001-04:002008-04-06T16:24:53.121-04:00<span style="font-family:arial;"><span style="font-size:85%;"><span style="font-weight: bold; color: rgb(0, 0, 0);"></span></span></span><span style="font-size:85%;"><span style="font-weight: bold;font-family:arial;" >PROJECTS 2007:</span><br /><br /><span style="font-weight: bold;font-family:arial;" >DEPREDATION AS RHYTHM</span><br /><span style="font-family:arial;">JMF027 - Mp3 Download & Texts - Free</span></span><span style="font-family:arial;"><span style="font-size:85%;"><span style="color: rgb(0, 51, 0);"><span style="color: rgb(0, 0, 0);"></span><br /><a style="color: rgb(255, 153, 0);" href="http://www.jarrodfowler.com/OswaldToFowler.mp3">OswaldToFowler.mp3</a><br /></span></span></span><span style=";font-family:arial;font-size:85%;" ><span style="color: rgb(0, 51, 0);"><a style="color: rgb(255, 153, 0);" href="http://www.jarrodfowler.com/OswaldToFowler1.htm">“No_es wi__ __ei_ ______ and pi_c_ values a_e __ivial co_ponen_s in __e co_po_a_e _a__oniza_ion of cacop_on_."</a><br /><a style="color: rgb(255, 153, 0);" href="http://www.jarrodfowler.com/OswaldToFowler2.htm">"_h___ __r__rm___ r__ht_ _r______t____ ___t____ t_ __rm __r _r______ __r t____t_r_ ___ ___tr______, th___ _h_ _r_ _h_____ th_ __y th_ ____ __y_ th_ m____ _h____ __, rhythm_t__t_, t_m_r____t_ ___ m________t_ ____r __r____ m_____r_, h___ r_r__y ____ _____ __m____t_____ _r___t."</a><br /><a style="color: rgb(255, 153, 0);" href="http://www.jarrodfowler.com/OswaldToFowler3.htm">"____ __ ________ __ ___ _____ __________ __ _______ ____________ _____ ("___ ____ _____ __ 101 _______", "_____ ___ ______", "___ ________ __-7" ___.), ___ __ _______ ___________ _____ ____ __________, ___ ____ _________ _______ __ ______ _____ _____ ___-__________ ______ _____."</a><br /></span><span style="font-weight: bold; color: rgb(0, 51, 0);"><br /><br /><a href="http://mitpress.mit.edu/images/products/books/026263287X-f30.jpg"><span style="font-style: italic;">RHYTHM SCIENCE</span></a> </span></span><span style="font-size:85%;"><span style="font-weight: bold;font-family:arial;" >AS PERCUSSION</span><br /><span style="font-family:arial;">JMF026 - Mp3 Download & Links - Free</span></span><span style=";font-family:arial;font-size:85%;" ><span style="color: rgb(0, 51, 0);"><span style="color: rgb(0, 0, 0);"></span><br /></span></span><span style="font-size:85%;"><a style="font-family: arial;" href="http://www.jarrodfowler.com/MillerToFowler.mp3">MillerToFowler.mp3</a><br /><span style="font-family:arial;"><a href="http://www.ubu.com/sound/fowler/8/3.pdf">Rudiments</a><br /><a href="http://www.rhythmscience.com/">1</a> - <a href="http://mitpress.mit.edu/e-books/mediawork/titles/rhythm/rhythm_webtake.html#">2</a> - <a href="http://www.rhythmscience.com/kodwo_eshun_review.html">3</a> - <a href="http://www.djspooky.com/">4</a> - <a href="http://en.wikipedia.org/wiki/DJ_Spooky">5</a> - <a href="http://www.egs.edu/faculty/djspooky.html">6</a> - <a href="http://www.djspooky.com/articles/egs.html">7</a> - <a href="http://www.djspooky.com/photos/JosephKosuth.jpg">8</a><br /><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/0Kr3yGZR70M"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/0Kr3yGZR70M" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br /></span></span><span style="font-family:arial;"><span style="font-size:85%;"><span style="font-weight: bold; color: rgb(0, 51, 0);"><br /></span></span></span><span style="font-family:arial;"><span style="font-size:85%;"><span style="font-weight: bold;">DISSEMINATION AS RHYTHM<br /></span><span>JMF025 - <a href="http://www.jliat.com/">JLIAT</a> [<a href="http://myspace.com/jliat">JLIAT</a>] CDs & Vinyl - Scattered & Spread</span><span><span style="font-size:85%;"><br /><span style="font-style: italic;font-size:78%;" >"</span></span></span></span></span><span style=";font-family:Arial;font-size:78%;" ><span style="font-style: italic;" id="st" name="st" class="st">Rhythm</span><span style="font-style: italic;"> precedes the a</span>priori<span style="font-style: italic;"> - </span><span style="font-style: italic;" id="st" name="st" class="st">rhythm</span><span style="font-style: italic;"> establishes the conditions for the a</span>priori<span style="font-style: italic;"> - as also it establishes the conditions for existence - </span><span style="font-style: italic;" id="st" name="st" class="st">rhythm</span> <span style="font-style: italic;">preceded language and philosophy. If only the absolute is beyond/before</span> <span style="font-style: italic;" id="st" name="st" class="st">rhythm</span><span style="font-style: italic;"> then is </span><span style="font-style: italic;" id="st" name="st" class="st">rhythm</span><span style="font-style: italic;"> the </span>demiurge<span style="font-style: italic;"> - is nihilism the </span>phantasy<span style="font-style: italic;"> of a lack of </span><span style="font-style: italic;" id="st" name="st" class="st">rhythm</span><span style="font-style: italic;"> - </span><span style="font-style: italic;" id="st" name="st" class="st">rhythm</span><span style="font-style: italic;"> is the source of meaning- and the greatest weight... the eternal return of the same" - </span><a href="http://www.cobussen.com/proefschrift/200_deconstruction/270_dissemination/dissemination.htm"><span style="font-style: italic;">JW</span></a><br /><span style="font-size:85%;"><br /></span></span> <div> </div> <div> </div><span style="font-family:arial;"><span style="font-size:85%;"><span style="font-weight: bold;">A TRAP SET <a href="http://epc.buffalo.edu/authors/goldsmith/works/stein.pdf">-</a> PUNCTUATION AS PERCUSSION </span><br />JMF024 - Mp3 Downloads & Images - Free</span></span><span style=";font-family:Futura;font-size:78%;" ><br /></span><span style="font-size:85%;"><a style="font-family: arial;" href="http://www.jarrodfowler.com/01ATrapSet.mp3">01ATrapSet.mp3</a><br /></span><span style="font-size:85%;"><a style="font-family: arial;" href="http://www.jarrodfowler.com/02ATrapSetPunctuationAsPercussion.mp3">02ATrapSetPunctuationAsPercussion.mp3</a><br /></span><span style="font-size:85%;"><a style="font-family: arial;" href="http://www.jarrodfowler.com/03PunctuationAsPercussion.mp3">03PunctuationAsPercussion.mp3</a></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/uploaded_images/01ATrapSet-779257.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://www.jarrodfowler.com/uploaded_images/01ATrapSet-778825.jpg" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/uploaded_images/02ATrapSetPunctuationAsPercussion-748601.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://www.jarrodfowler.com/uploaded_images/02ATrapSetPunctuationAsPercussion-748121.jpg" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.jarrodfowler.com/uploaded_images/03PunctuationAsPercussion-703223.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://www.jarrodfowler.com/uploaded_images/03PunctuationAsPercussion-702798.jpg" alt="" border="0" /></a><span style="font-size:85%;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></span><span style="font-family:arial;"><span style="font-size:85%;"><span style="font-weight: bold;">APPROPRIATION AS RHYTHM</span><br />JMF023 - 50 MiniCD-Rs<br /><span style="font-style: italic;">"With all this shit something is bound to get fertilized, don't you think?"</span> - J.K.</span></span>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-8389811437754530512007-01-01T00:00:00.002-05:002008-04-06T16:17:12.944-04:00<span style=";font-family:arial;font-size:85%;" ><span style="font-weight: bold;">TRANSLATION AS RHYTHM</span><br />Jarrod Fowler is the author of <a href="http://www.errantbodies.org/ebr_jarrod_fowler.html"><i>Translation As Rhythm</i></a>, from <a href="http://www.errantbodies.org/">Errant Bodies Press</a>.</span><span style=";font-family:arial;font-size:85%;" ><br />CD - 77mins - 12pg booklet - 2006 - $10<br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.errantbodies.org/ebr_jarrod_fowler.html"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px;" src="http://www.errantbodies.org/Fowler_Images/Fowler_Cover.jpg" alt="" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style=";font-family:arial;font-size:85%;" ><br /><br /><br /><br /><br /><br /><br />Jarrod Fowler’s <i>Translation As Rhythm</i> is an investigation of reference, reflexivity, and stasis through the reactivation of the contents, methodologies, and structures of past compositions. With attention to this CD’s external partaker-specific meaning-making processes, internal associations, and fundamental presentation, Fowler advances a considered historical position of post-conceptual and post-minimal thought, practice and status. The CD specifically references <a href="http://www.kfs.org/%7Ejonathan/witt/tlph.html">Ludwig Wittgenstein</a>, <a href="http://en.wikipedia.org/wiki/Socrate">Erik Satie</a>, <a href="http://www.ubu.com/concept/cage_cheap.html">John Cage</a>, <a href="http://www.geifc.org/actionart/actionart03/02-signo/entidades/macba/herbert/imagenes/JosephKosuth3.jpg">Joseph Kosuth</a>, <a href="http://www.jliat.com/">James “JLIAT” Whitehead</a> and Fowler himself. <i>Translation As Rhythm’s</i> contents include: percussive sounds conveying periodic and aperiodic structures, speech synthesizers, numerical lists, noise drone, field recordings and a supplementary booklet.</span><br /><blockquote><span style=";font-family:arial;font-size:85%;" >"</span><span style="font-size:85%;"><span style="font-family:arial;">Jarrod has covered every inch of the CD packaging with manifestations of the concept, translation as rhythm, at the same time keeping it aesthetically pleasing... </span></span><span style="font-size:85%;"><span style="font-family:arial;">Jarrod’s work is very straightforward but also very confusing if one expects instant revelation without effort...The question that <span style="font-style: italic;">Translation As Rhythm</span> raises, whether the organization of qualitative transformations is a rhythmic act or sets off a series of rhythmic occurrences, is an interesting one and in truth cannot fully be addressed by language.</span></span><span style=";font-family:arial;font-size:85%;" >"<br /></span><div style="text-align: right;"><span style=";font-family:arial;font-size:85%;" >- <a href="http://people.umass.edu/jhedward">James Edwards</a>, <a href="http://jheedwards.blogspot.com/2008/01/review-of-jarrod-fowler.html">Blogger</a></span><br /></div><span style=";font-family:arial;font-size:85%;" >"Of all the Cds I've heard this year, Jarrod Fowler's <i>Translation As Rhythm</i> is the one that has raised so many questions it almost seemed impossible to review...</span><span style="font-size:85%;"><span style="font-family:arial;"> <span><span style="font-style: italic;">Translation As Rhythm</span> demonstrates that there really are no rules to making sound commodities...</span></span><i style="font-family: arial;"> Translation As Rhythm's</i><span style="font-family:arial;"> working methods are beyond the pieces themselves and become dispersed into the world beyond by patient listening and thinking."<br /></span></span><div style="text-align: right;"><span style="font-size:85%;"><span style="font-family:arial;">- Marc McLaren, </span><a href="http://www.furthernoise.org/index.php?url=page.php&ID=106&iss=54"><span style="font-family:arial;">Furthernoise.org</span></a></span><span style="font-size:85%;"> </span><br /></div><span style="font-size:85%;"><span style="font-family:arial;">"Interesting? Hell yes! Difficult to understand and get into? Hell yes! I just had to check out his site and</span></span><span style="font-size:85%;"><span style="font-family:arial;"> learn more. Did I? Hell no! So, what have we here? We have serious art, packed in a normal CD case, presented to the public as music. Is it? You tell me!<br /></span></span><div style="text-align: right;"><span style="font-size:85%;"><span style="font-family:arial;">- Roel Meelkop, </span><a href="http://www.vitalweekly.net/514.html"><span style="font-family:arial;">Vital Weekly</span></a></span><br /></div><span style="font-size:85%;"><span style="font-family:arial;">"This CD like many other listenings like it goes beyond simple criticism and apart from the performative judgment every other aesthetical consideration becomes useless and above all subjective."<br /></span></span><div style="text-align: right;"><span style="font-size:85%;"><span style="font-family:arial;">- Andrea Ferraris, </span><a href="http://www.chaindlk.com/reviews/index.php?search=jarrod&type=music&category=0&format=0%22"><span style="font-family:arial;">Chain D.L.K.</span></a></span></div></blockquote>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-62419930192051572202006-12-25T00:00:00.001-05:002008-03-23T10:06:25.671-04:00<span style="font-weight: bold;font-size:85%;" ><span style="font-family:arial;">DISTRIBUTION (As Rhythm)</span></span><span style="font-size:85%;"><span style="color: rgb(0, 51, 0); font-weight: bold;font-family:arial;" ><br /></span><span style="font-weight: bold;font-family:arial;" >Publications available for purchase at:</span></span><span style="font-size:85%;"><br /><a href="http://ctdltd.com/"><span style="font-family:arial;">CTD</span></a><br /><a href="http://www.digitalnarcis.com/"><span style="font-family:arial;">Digital Narcis</span></a><br /><a href="http://metamkine.com/?monlabelrec=350"><span style="font-family:arial;">Metamkine</span></a><br /><a href="http://minimamedia.de./index.php?page=shop.product_details&flypage=shop.flypage&product_id=823&category_id=192&manufacturer_id=0&option=com_virtuemart&Itemid=66&vmcchk=1"><span style="font-family:arial;">Minimamedia</span></a><br /><a href="http://shop.praemedia.com/other___.html"><span style="font-family:arial;">Praemedia</span></a><br /><a style="color: rgb(255, 153, 0);" href="http://www.printedmatter.org"><span style="font-family:arial;">Printed Matter, Inc.</span></a><br /><span style="font-family:arial;"><a href="http://www.secureonlineshopping.biz/sound323/products.asp?partno=errant%20bodies%2001">Sound 323</a><br /><a href="http://staalplaat.com/search/catalog/14883">Staalplaat</a><br /></span></span>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.comtag:blogger.com,1999:blog-33780006.post-82259961452587278352006-11-29T00:00:00.005-05:002008-03-23T11:21:24.957-04:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.ubu.com/sound/fowler.html"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px;" src="http://www.hpmz.de/media/2004-05-18_UbuWeb_beuys_header.jpg" alt="" border="0" /></a>Jarrod Fowlerhttp://www.blogger.com/profile/14479564570468540754noreply@blogger.com