Original Content

A Post-Holden World?

2009-07-03T19:36:00.002-04:00

Last week I mentioned a New York Times article, Get a Life, Holden Caulfield, in which Jennifer Schuessler claimed that today's teenagers may not be as taken with Holden as their elders were. She said, "What once seemed like courageous truth-telling now strikes many of them as “weird,” “whiny” and “immature.”"

This week, I was reading Jon Meacham's column in Newsweek, Love Books? You're in the Right Place, which introduces the magazine's special issue on books. (I am a long, long way from finishing that, by the way.) Meacham said, "Many young people go through a Walden phase, believing that Thoreau and, in "Self-Reliance," Emerson saw through to the realities of life, past the "phoniness" that so obsessed Holden Caulfield."

Click.

All of a sudden, I experienced one of those flashes of insights that come upon me periodically and I thought, Phoniness is the key to why Holden Caulfield may be leaving today's kids cold.

Back in the fifties, when Catcher in the Rye was published, and the sixties and seventies and maybe even in the eighties, Holden's insight that the world was full of phonies may have been a revelation for young people. Not so much now. Young people today have grown up watching movie and TV special effects, reading about plastic surgery, and hearing about one crooked politician after another. (Just in my state, alone, we had at least three high-profile elected figures in prison at the same time. We've got two more right now whose ethics are questionable.) Today's young people aren't going to be wandering around all despondent over the phoniness of it all because, what with the famous twenty-four hour news cycle and classroom current events, they were never under any illusion about what was going on around them.

Remember Quiz Show? It was a very good movie about the game show scandals of the 1950s. I don't recall it doing particularly well in the theaters. My theory was that in 1994, when it was released, the movie-going public, which had grown up in a post-game show scandal world, had a hard time imagining a time when anyone believed that TV wasn't fixed in one way or another. They couldn't accept the basic premise of the movie, that all of America believed what was happening on TV and was distressed to find out that it was faked.

That's how I think kids today may be regarding Catcher in the Rye. Having grown up in a post-Holden world, they have trouble believing he didn't know better.

On top of that, Holden Caulfield inspired a long line of imitators. Kids may have already read books about angstie teenagers before they get to Catcher in the Rye, thus making the original seem derivative. Sad and unfair, but that's how I felt about the book when I first read it when I was in my thirties. Catcher may suffer as a result of its success.

I'm not a Catcher in the Rye expert, by any means. But I'm wondering how much it deals with the society of its time, versus books that deal with relationships between people. Societies may change over time more obviously than people do, so a book rooted in its social world risks becoming dated more quickly than one that relies on a relationship between characters.

Just a guess.

Read It And Weep

2009-07-02T19:04:00.005-04:00

In a recent Glimmer Train Bulletin piece called Making Stories Out of Stories, author Randolph Thomas does an excellent job describing the excruciating torment that is writing. I'm impressed he was able to explain how his story evolved. By the time I've finished a writing project, I usually have only the vaguest idea how it happened.

I've Got My Boys

2009-07-02T18:31:00.002-04:00

Work on the 365 Story Project has pretty much ground to a halt for three reasons:

One, the amount of time I've been spending with unhealthy family members these last two weeks. Yesterday I spent the day with a shut-in (and a laptop, but...), not the post-op patient I've been seeing nearly every day. Seriously, the older infirm relatives in the Gauthier family are piling up like cordwood!

Two, I had done over a hundred segments for the project and had no physical description for my main characters, not even in my head.

Three, I was concerned that even for an episodic story I ought to have something plot-like, if not a real plot.

Well, problem two is well on its way to being resolved. A couple of weeks ago, our sabumnim announced that for the summer our morning adult taekwondo class was going to turn into a morning family taekwondo class. That meant, of course, kids! As it turns out, it meant a great many kids and not many adults, since "family" appears to be being interpreted very loosely in this case. Nonetheless, after my very first family class I had my Tanner. I'll be able to modify him to create his older brother, Tristan, so that's a twofer. Today I found my Bodhi.

This week's classes were among the most brutal I can remember with both jump kick practice and sparring. If they're kicking up the intensity a notch to burn off the young'uns' energy, I'm going to have a very rough summer.

Trying To Manage Time

2009-07-01T18:28:00.004-04:00

Teaching Authors has a post up called "Ideal" Life vs. "Real" Life: Where Does the Time Go?". It's about writing and time management.

Get ready for a laugh--I once taught a workshop on time management for secretaries and administrative assistants. This was decades ago, when I'd been working for an agency that did management development and personnel management training for state and municipal employees. My bosses did time management programs for managers. Those programs focused on delegating work as a way to manage your time. You don't have time to do something? Get someone else to do it! Problem solved!

Why anyone thought I was qualified to teach time management I no longer recall. And note that the people I was teaching the time management workshop for were at the bottom of the executive chain. They were the people work was delegated to. Delegating wasn't an option for them. What I focused on was using "forms." Creating templates (pre word processing) for anything you possibly could so that you didn't have to come up with a new letter, memo, etc., for every single occasion. My plan was to save as much time as possible by cutting down on decision making and avoiding having to reinvent the wheel.

I only taught the workshop once.

I still think that you can save time with routines--do the same thing at the same time on a regular basis so that you don't have to spend a lot of time thinking about what you're going to do. Send the same letter to as many people as possible. That sort of thing.

It doesn't help a whole lot with managing writing time, though.

In her post on time management at Teaching Authors, Carmela Martino says that she procrastinates because of perfectionism. That's a classic problem for writers, one that is sometimes referred to as an inner editor. When I first heard about inner editors, I thought the idea was laughable, some kind of touchy feely, navel gazing thing. (That was before I started dabbling in zen, of course.) Then, after struggling with some of my later books and finding myself reading anything, absolutely anything, so I could avoid working, I began to suspect that perhaps my problem was, indeed, that I had been invaded by an inner editor. My weak ego couldn't face the knowledge that the manuscript I was working on was going to need draft after draft after draft. It was just too soul-sucking. I could make myself feel better by reading--something someone else had written. It's good to get some in-depth knowledge about politicians, isn't it? There was always a chance that reading would lead me to come up with some brilliant idea. It wasn't really wasting time.

Hmmm. Perhaps there's medication for that?

My latest time management twist involves looking over a writing project in the middle of my morning workout. (I have little problem working out for close to an hour in the morning. Why should I? When I'm working out, I don't have to work! You'd think writers would be the most fit group on the planet because exercise is such a fine procrastination device.) Then, while I'm on the treadmill or whatever, the material I've just looked over is in the back of my mind, and I often come up with some satisfying tweak for it. This is what is known as forcing a breakout experience, by the way.

It's Here

2009-06-30T20:10:00.004-04:00

Liz B. recently mentioned Jon & Kate (What do you mean, Jon & Kate Who?) at A Chair, A Fireplace & A Tea Cozy, which reminded me of something I was thinking about that show recently.

I've seen many bits and pieces of J&K episodes while channel surfing or ironing clothes because it's often on all the time. (Or it used to be.) I actually know who Aunt Jodi is. I read somewhere that what originally attracted viewers to this show was that Jon and Kate were just regular people, but they seemed very sitcom like--the all-knowing wife with the bumbling husband. We enjoyed seeing reality made unreal.

Over the last couple of months the whole Jon & Kate blow-up has made me think of some of the fifties and sixties science fiction I've read at times during my checkered past. I've always felt that some of the scifi writers of that era were a little freaked out by the concept of TV. (Or maybe they just held it in contempt.) Isn't there a character at the beginning of Do Androids Dream of Electric Sheep? who spends all her time holding some device that provides her with TV-like images? I mean all her time?

The "all Jon & Kate all the time" thing seems to me as if it could have been torn out of one of those books. You've got these two young(ish) people who have been selected out of all America to come into our living rooms. They've become more and more physically beautiful over the the course of the show. They've been "groomed" to make them more attractive to their viewing public. They've moved into a bigger and better house, which is what we all want to do, isn't it? (I must admit, I missed most of that season, only seeing a few moments while Kate was cleaning the refrigerator in her new kitchen.) They go to the places we want to go and do the things we want to do. Jon snow boards and skis. Kate writes books and gets pedicures.

Then, just as it does in scifi books, things started to go bad. The boundary between J&K and their viewing public became blurred. When are they being watched? When are they "on?" Where are the cameras? What are J&K doing? What should they do?

The cameras are everywhere. J&K should do whatever we want them to. Or, better yet, they should do whatever we don't want them to because what we really want is to hate them.

They are being chased now so that the cameras can catch one of them yelling at one of their kids or kissing a college girl or maybe kicking one of those dogs. Seriously, doesn't this sound like a book plot?

A couple of weeks ago, I thought, Gee, this is The Hunger Games. Collins isn't writing about a dystopian future. She's writing about now.

Evolution? Right In Front Of Me?

2009-06-30T19:53:00.003-04:00

I've got to get an agent before they evolve into something else.

Link came by way of the NESCBWI listserv.

And It's Coming To A Museum Near Me!

2009-06-29T19:40:00.003-04:00

As I was reading Picture Perfect: Why Golden Books Are Golden, which is about the artists who created the artwork for the original Golden Books, I was thinking that I hadn't reached the point in Leonard Marcus's Minders of Make-Believe at which he might talk about that subject. Then I read that not only has Marcus written a book on Golden Books (which I'd heard before, though it never really registered), he's also the co-curator of a traveling exhibit of original Golden Book artwork.

So I started poking around and found that the exhibit is coming to the Eric Carle Museum this winter. I still haven't been there. According to MapQuest, it's only an hour and twenty minutes away from me.

One of my biggest Christmas memories is finding an array of Golden Books spread out under the Christmas tree. They weren't wrapped, they were arranged in an artistic arch. I was somewhere between three and seven years old.

So Long As I Get Paid...

2009-06-29T19:20:00.002-04:00

If this is the future for bookstores, I can live with it so long as there's a way to determine royalties for authors. As a reader, I like the idea of being able to walk into a bookstore and truly be able to buy what I'm looking for.

Though I would miss being able to look through the book to make sure it's what I'm looking for. Once you've received a custom-printed book, I don't imagine the store will be eager to accept a return.

I was aware that Northshire Books was doing this, but hadn't heard much about how it was working out. Maybe next January on my trek north for retreat week, I can stop in Manchester to check the Espresso Book Machine out.

Pickings

2009-06-27T19:42:00.009-04:00

While trying to catch up on some back listserv reading, I came upon a number of juicy bits.

I really don't know what to make of James Frey Collaborating on a Novel for Young Adults, First in a Series. I've never read any of Frey's books and didn't get all that emotionally involved in his past troubles. This article just seems odd to me for other reasons. The novel is being submitted anonymously, yet The New York Times is doing an article about it?If I understand this correctly, the film rights have been sold before the book has found a publisher. If it doesn't find a publisher, can the people who have the film rights simply arrange for a screen play and forget about the book stage?

I started shouting, "Yes! Yes! Yes!" and pounding my desk at the end of Buffy vs. Edward.

I think the actor playing Kyle in the film adaptation of Beastly looks too old for the part.

Julius Lester is also a photographer.

I've always wondered if I would have liked Catcher in the Rye more if I'd read it when I was a teenager instead of when I was thirty-something. Given when I was a teenager, maybe I would have. But I certainly have great sympathy with those teen readers today whose attitude is Get a Life, Holden Caulfield. Does this mean that we'll be seeing fewer Catcher in the Rye wannabes being published? Please?

I'm nowhere near done with my listserv reading, but it's time to call it a day. As with most activities in my life, I'll just have to accept that I'll never get to it all.

A Lost Week

2009-06-25T19:55:00.007-04:00

Because I'm incredibly insensitive, I spent a little time working at home on Monday while a family member was going under the knife. (Come on. It wasn't brain surgery, and one of our nicer relatives was at the hospital with her.) Otherwise, I've been sharing post-surgical elder care this past week, including an overnight last night. I didn't get any other work done, but during those moments when I wasn't becoming incredibly friendly with a large number of residents of a senior housing complex, I did manage to do a little reading.

Among the books I completed was this year's Siebert Medal winner, We Are The Ship: The Story of Negro League Baseball, which was written and illustrated by Kadir Nelson. The images are eye-poppingly beautiful, and the unnamed first-person narrator who sounds like a player from the era makes this historical work very readable. And the book uses endnotes! I can never say enough about how much I love nonfiction that includes citations.

I am not a fan of baseball. Reading about it is one hundred percent better, as far as I'm concerned, when there is a historical element.

This book is deserving of every good thing that's been written about it. I do wonder, though, as I always wonder when I read these beautiful nonfiction books published in a picture-book format, who will read them? The text is way too sophisticated and lengthy for traditional picture book readers. We Are The Ship's publisher is marketing it to ages 8 and up, but will, say, intermediate and middle school teachers accept their students reading and reporting on it? Will the adults who might be very taken with it find it in the kids' section of libraries and bookstores?

Do books like this find their readers?

A exhibit of the original art work for We Are The Ship will arrive at the Eric Carle Museum in 2012. I hope I remember.

Oh. So That's What I've Been Doing Wrong

2009-06-21T19:40:00.004-04:00

You know, if I'm doing a book signing, I figure if I put on make-up and earrings and made sure I've got a good pen, I've gone over the top for preparation. Crowe's Nest has a post up about Grace Lin baking and decorating 80 cupcakes, putting them in boxes and then putting the boxes in goody bags with some homemade paper flowers, a poster, and an activity sheet all to give out at a signing...where she also did a slide show.

Don't those paper flowers look like the things we all made out of tissues and bobby pins when we were in grade school? Because I think I could do that. Though it wouldn't relate in any way to anything I've ever written.

Someone Else's Thoughts About My Old Enemy

2009-06-21T19:30:00.003-04:00

I liked this Revision Checklist from Nathan Bransford because some of the items deal with revising plot, the bane of my existence.

Also, Nathan has created what looks like a table of contents for his blog. That must have been so much work.

A Little Cosmetic Work

2009-06-20T19:23:00.003-04:00

My computer guy, who is much faster and more efficient than I could ever dream of being, has finished some cosmetic work on my website. The content is the same, we just wanted a cleaner, crisper look.

You Don't Have To Go Off World To Find A SciFi City

2009-06-18T20:08:00.002-04:00

Shared Worlds lists the Top Five Real Fantasy/SF Cities. Reykavik, Iceland made the list, which is probably a good call. They've got elves there, after all.

Link from Blog of a Bookslut.

It Was Not Meant To Be

2009-06-18T19:47:00.004-04:00

Well, I finally got back to the library today, where I spent time I couldn't spare going through the leftovers from Saturday's book sale looking for that Helen Dunmore adult novel I decided I wanted a day too late. I did pick up Paula Fox's memoir Borrowed Finery, though, which got a lot of attention when it was published in 2001 or thereabouts.

Take a look at this backflap author bio from Borrowed Finery: "Paula Fox is the author of the novels Poor George, Desperate Characters, The Western Coast, The Widow's Children, A Servant's Tale, and The God of Nightmares. She is also a Newbery Award-winning children's book author. She lives in Brooklyn, New York."

Wow. That children's book writing she's done sure sounds like a professional embarrassment, doesn't it? Yet at the front of the book, where the publisher lists her other writings, we learn that at that point she'd written nearly four times as many children's books as she had "novels."

I don't know when I'll get to reading this thing. It will go into that basket or onto one of those shelves I keep for books I've bought to read someday. I do take comfort in the knowledge that if civilization falls, I have a stash of books to read by firelight.

Training Report: Running errands all day, and tomorrow will be more of the same. I have decided to change the name of the street in the 365 Story Project, though. And I believe I have a little bit of a structure in mind now. I will be sticking to the 365 Story format, since I now have follower urging me on.

Yeah, That's Going To Happen

2009-06-17T10:19:00.003-04:00

Read Roger has a discussion going about blogs helping to create book buzz. In years past, I used to talk about blogs letting the traditional review journals do their traditional work of reviewing new books. Blogs, I insisted, could create a new reason for existence for themselves and fill a need by focusing on older books. (Which, these days, can mean last winter's.) Blogs could do something different and unique by reminding readers of books they'd missed, books that had value, books that were overlooked. Instead of trying to do what review journals do, this different medium could try to do something different.

Read the situation that inspired Roger's post and the comments he received. Does it sound to anyone else as if the blogosphere has been sucked right into the "big opening" that the publishing industry seems committed to right now? That the decision is made, a large portion of the blogosphere is supporting the status quo and will chat up the new until a new new comes along?

You may tell me if I'm being jaded and harsh.

Not Everyone Loved Him

2009-06-17T09:56:00.002-04:00

A piece of The Hartford Courant floated around my living room for nearly a month, which is the kind of thing that happens at Chez Gauthier all too often. I wasn't even saving it for Why Saving Twain's House Was A Tough Sell, but for something else entirely. But when I finally noticed and read the article about early attempts to save Twain's Hartford home, I was well rewarded with quotes like the following from an early twentieth century city resident commenting on the lack of enthusiasm for the project: "A considerable percentage of the persons who might contribute neither particularly liked Mr. Clemens, nor approved certain of his books."

I Am Loving This Book

2009-06-16T19:49:00.006-04:00

That's not something you hear me say very often, is it?

I am loving Minders of Make-Believe: Idealists, Entrepreneurs, and the Shaping of American Children's Literature by Leonard S. Marcus. (I heard him speak last fall. That was good, too.)

I'm not whipping through the book because I'm reading two other nonfiction books right now and shifting among them. But Minders of Make-Believe is my favorite. So many facts! So well organized! I loved the nineteenth century chapters because the first one covered the Puritans (and, coincidentally, I also love the P. People) and the second contained some of the same material I read about in The Last Dickens. Marcus even talks about the Boston publishers who appeared in The Last Dickens. The number of women writers who held editorial positions with children's magazines post Civil War was interesting, too.

Last night I read about how the Newbery got started. Soooo interesting.

It's been a while since I've read a straight history book this good.

Training Report: Sigh. Another day spent doing good works, if you can believe it. Well, mostly. As I was driving from place to place this morning, I realized that the older brother in the 365 Story Project has acne. And a couple of details for the very first day came to me. And I wondered if the 365 Story Project could turn into a traditional novel. Should it? Should it be like a traditonal novel but different?

My Bad Marketing Karma

2009-06-15T18:01:00.004-04:00

Just two months ago I spent several days starting another blog over at Amazon. I found it rather time consuming, but I did it, and the new little blog appeared at four of my book pages.

A couple of weeks ago, I received a notice from Amazon saying that it had some new author page service that would house blogs. Go sign up. So I did and moved the new blog over there. Which is where it sits--on my new author page where no one sees it. It no longer appears on my book pages.

This is the story of my marketing life.

Training Report: I believe I've finished the essay I've been working on. I haven't been moving ahead with the 365 Story Project because I realized last week, after doing maybe 120 story segments that I needed story arcs for each of the characters. Or many of them, anyway. I did get started on that today, though.

Looks As If I Missed An Opportunity

2009-06-14T20:11:00.004-04:00

I am interested in writers who write for both children and adults. For instance, at some point I'd like to try reading one of Rick Riordan's adult novels.

So, yesterday, I'm at the library book sale. I'm feeling very fussy because one of my family members has been raising questions about why I keep taking out more books from the library when I already own a basket and two shelves full of unread books. I'm feeling a little wary about shopping for more books I know I might not read for years.

I'm also having a rather good time doing some meeting and greeting.

I stumble upon a lovely looking little book by someone named Helen Dunmore. I think, Hmmm. Is that the Helen Dunmore who wrote The Tide Knot? Because if it is, I might like to read it.

But I don't know. Spending two dollars on the thing and looking up the author afterward would not have broken the bank at Chez Gauthier. But I'd just finished reading a book from my book basket, and if I bought another right away, I wouldn't be any further ahead, would I? And to not be any further ahead and then find out that the author wasn't the Helen Dunmore I was thinking of would have been annoying to say the least. So I walk away and leave the book there.

Sure, enough, the Helen Dumore who wrote The Tide Knot, does write adult fiction. The book I passed on sounded like Your Blue-Eyed Boy, though I don't remember that cover.

The library will probably have bins of unsold books out for days to come, so I might still find it. Yeah, I should take time off from work tomorrow to go look for a two-dollar used book.

I'll let you know if I find it.

I'm Probably Too Witchy For This

2009-06-13T21:01:00.004-04:00

So I continue to mull over the possibility of looking for an agent. I've even started doing a little research. I keep running into all kinds of stumbling blocks, though. For instance, yesterday I decided I couldn't approach a particular agency because I didn't like its website. Then I read about an agent who, while working for a publisher, had edited two books I didn't like. I've read that one good way to hunt for agents is to select books you like and see if you can find out who represented the author. I couldn't think of any books I've liked.

I started wondering if maybe I'm not nice enough to have an agent. It really seems to me that in order to find and keep one I'll have to be a lot nicer than I'm accustomed to being and for much longer periods of time.

Finding Inspiration

2009-06-13T20:50:00.003-04:00

In Sampling: Getting Started with a New Writing Form, Becky Levine describes a method she uses for researching a new form of writing. This was the process she developed for herself when she was a new technical writer and had to write about a product she knew little about.

One of the things I particularly like about this post is that it describes finding inspiration in a form of nonliterary writing. I love when people are able to make those sorts of connections.

A Book Reviewer Raises Some Interesting Questions

2009-06-12T19:33:00.004-04:00

Last month I mentioned that The Hartford Courant, which very rarely reviewed children's books when it had a book editor, has been doing children's book columns maybe once a month now that it doesn't. I'd been seeing columns by Nicholas Brisbane, but last week, The Courant ran a column by Mary Harris Russell, who writes For Young Readers for The Chicago Tribune. (Which has only part of last weekend's column up at its site.) The Courant and The Tribune are both owned by the Tribune Company.

I've raised the point before that the few newspaper reviewers left are going to become incredibly important if their reviews are being shopped around to more than one paper. (Presumably that's cheaper than hiring a lot of individual reviewers.) Aren't publicists and publishers going to be desperate to get their books reviewed by a columnist whose review will be carried in several papers across the country? To say nothing of authors? Is anyone else seeing a movie here about a reviewer being wined and dined and played up to? Oh! Oh! With Owen Wilson or maybe Will Ferrell! There can be some really moving bit at the end about critical integrity. And a wedding. And a dog.

But until then, let's talk about Mary Harris Russell, who probably uses "Harris" so she won't be confused with Mary Russell. In When Mary Meets Harry, an article from 2003 in an Indiana University publication, Russell, an English professor at Indiana University Northwest, has some very interesting things to say about the crossing over that's going on now between children's and adult literature. When that starts happening, does it change the definition of "children's literature?"

"That’s been a big part of the critical discussion in the past 10 or 15 years," Russell says. "Adults write the books, adults buy them—so how do you decide what’s children’s literature? Is it a matter of thematic questions? Formal questions?"

This popped out at me because I've wondered if we won't see children's literature changing as adult readers become fans. Who will children's literature be written for?

"How does the dual audience work?" Russell asks. "Does anyone write just for children anymore, or are they all working to pitch laughs at that second level?"

Exactly.

A good article, even if it is a few years old.

Training Report: Really spent a lot of time in my chair today, doing research and nearly finishing that essay I keep talking about. Yesterday, the essay was dreadful. Today it's not so bad.

Another Reason To Love The Internet

2009-06-12T14:46:00.002-04:00

I swear, I was doing legitmate research when I found Literary Rejections on Display. I'm on the fence as to whether or not I should add this to my list of favorites.

Connecticut News

2009-06-11T18:01:00.005-04:00

By way of Book Tour, I've learned that Tony Abbott (Firegirl and The Postcard) will be appearing at the Barnes & Noble in Milford, Connecticut next Tuesday at 7:00 PM. Eric Berlin, who did a blog tour and contest in April for The Potato Chip Puzzles (my computer guy entered almost every single day and won nada), will be at the same store on Monday, June 22, at 7:30 PM.

I've also recently heard (well, the publisher sent me an e-mail) about a publication here in Connecticut called The New Haven Review. According to its website, "It was founded to resuscitate the art of the book review and draw attention to Greater New Haven-area writers." We're all for book reviews and Greater New Haven-area writers here at Original Content. (I am not a Greater New Haven-area writer, though I did eat at Pepe's last year.)

At its website, The New Haven Review has what appears to be a blog maintained by a number of writers. On June 5, Alison Moncrief wrote about the New Yorker article Show or Tell: Should Creative Writing Be Taught? Alison ends her post with with some interesting questions. She says:

"Would the New Yorker publish, “Sight and Vision: Should Painting be Taught?” or “Stories upon Stories: Should Architecture be Taught?” or even “Eat Your Cake too: Should the Culinary Arts be taught?” I don’t think so. How and why is writing held to a different standard? Is it that ultimately we don’t as a nation really consider writing to be an art form? That we can’t understand that painting, buildings, and poems can all narrate humanity-just through different media?"

Personally, I think it's more likely that we as a nation consider writing to be way too arty. People see it as being too mystical to even explain, let alone teach.

"Stories upon Stories: Should Architecture be Taught"--I thought that was very clever.