<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><entry xmlns='http://www.w3.org/2005/Atom' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-3303404744596297651.post-1480590987889153963</id><published>2008-11-16T20:09:00.000Z</published><updated>2008-12-09T01:06:46.636Z</updated><title type='text'>Black and White</title><summary type='text'>Shadows from an old Paris lift projected onto the stairwell wallBlack and white photography is enjoying something of a renaissance in the digital age. In thefilm days - and we’re not talking about THAT long ago here - you shot in either colour or black and white and were stuck with it. Yes, it was possible to make black and white prints from colour negatives in the darkroom but the tones had a </summary><link rel='replies' type='application/atom+xml' href='http://paristravelogue.blogspot.com/feeds/1480590987889153963/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://paristravelogue.blogspot.com/2008/11/black-and-white.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3303404744596297651/posts/default/1480590987889153963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3303404744596297651/posts/default/1480590987889153963'/><link rel='alternate' type='text/html' href='http://paristravelogue.blogspot.com/2008/11/black-and-white.html' title='Black and White'/><author><name>BRUCE ROBBINS</name><email>bruce.robbins@homecall.co.uk</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10698038220509168974'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_trYfM1m9OGY/STcnkGx0gBI/AAAAAAAACos/cYRzgkLuw7c/s72-c/shadow.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry>