Life of a musician-Robin Hill

'Musical Bar'

2009-12-09T10:23:00.013Z

As Robin makes his way up the Amazon on Crystal Symphony, it became obvious that Christmas preparations were underway in Manaus, Brazil:

He has already visited some incredible places and I'm hoping for photographs soon.
However sending them is proving a problem just at the moment.
But regardless of the fantastic sights he is seeing Robin has two concerts to prepare for, so he is keeping busy.

Meanwhile I thought I would share this joke with you.

It was sent to me by our wonderful friend Paul Griffin.

So at this busy time of year, take a few minutes to sit back, relax and release the inner musician...

Musical Bar

C, E-flat and G go into a bar. The bartender says, "sorry,
but we don't serve minors." So E-flat leaves, and C and G
have an open fifth between them. After a few drinks, the
fifth is diminished and G is out flat. F comes in and tries
to augment the situation, but is not sharp enough.

D comes in and heads for the bathroom saying, "Excuse me.
I'll just be a second." Then A comes in, but the bartender
is not convinced that this relative of C is not a minor.
Then the bartender notices B-flat hiding at the end of the
bar and says, "Get out! You're the seventh minor I've found
in this bar tonight."

E-Flat comes back the next night in a three-piece suit with
nicely shined shoes. The bartender says, "you're looking
sharp tonight. Come on in, this could be a major
development." Sure enough, E-flat soon takes off his suit
and everything else, and is au natural.

Eventually C sobers up and realizes in horror that he's
under a rest. C is brought to trial, found guilty of
contributing to the diminution of a minor, and is sentenced
to 10 years of D.S. without Coda at an upscale correctional
facility.

AXJ66SAEE4BT

Monte Carlo or Bust of Napoleon?

2009-11-15T14:39:00.000Z

Travelling around the Mediterranean on board the luxurious Queen Victoria isn't a bad way to spend two weeks of your life.
However, for Robin, it was no holiday.
Four concerts, all entirely different programmes, require an awful lot of preparation.
The concerts were split. Two within the first few days, and the final two towards the end of the trip.
Consequently, Robin had time to visit some incredible places, in between practicing and rehearsals.

Firstly, here is a more unusual image of the Queen Victoria, and a picture Robin is rather proud of:

Then, a more conventional view of the QV, nestled in the background whilst docked in Ajaccio, Corsica:

Throughout Ajaccio you can find many statues of Napoleon Bonaparte as he was born here in 1769:

One can't help imagining that Napoleon would have walked down this very street at some point:

After a day in Civitavecchia, which consisted mainly of rehearsals, they arrived in Monte Carlo, Monaco. Robin has visited Monte Carlo many times and has very fond memories of this particular trip, 'Monte Carlo and Madeline Bell'.
Only in Monte Carlo would the corner shop sell Ferrari's...and why has the motorbike in the foreground got 2 front wheels?

I must say I rather like the posters for the Monte Carlo Orchestre Philharmonique:

And this beautiful stairway, which is apparently much larger than it appears in this photograph:

Plus a typical church below the famous mountains of Monte Carlo:

After all this French speaking it seemed appropriate that Robin was reading this book:

But now Robin is home.
The concerts all went very well and the director is keen for him to return.
He may have to wait a while.
Next stop, well, you'll have to wait and see...

Music Practice Tips - Classical Guitar

2009-10-19T13:05:00.008+01:00

Today is a very special post by the man himself - Robin Hill!

It was originally written as a guest blog for the Australian violinist Ben Clapton, back in 2007.

Enjoy!

Music Practice Tips – Classical Guitar

By Robin Hill

When approached by Ben, to write a guest blog spot on ‘practice tips’ for the classical guitar, I wondered where to start.
Having written an entire book, ‘The Guitar Gymnasium, A Mental and Physical Workout, Designed to Develop Flawless Technique,’ published by Mel Bay, it seemed a difficult task to summarise into an article.
Most of my thinking on these matters has been precipitated by the ‘front line’ experiences of concertising, recording, broadcasting and teaching, and a life long passion for the classical guitar, and music in general.

Outstanding performance on any musical instrument can only be achieved through hard and painstaking work. The musician who excels above his colleagues is, generally, the one who has taken more pains.
Regular practice is essential, with technical work of high priority, and whilst students may not want to hear this, there is no escape from scales and arpeggios!

One of the most basic and important principles in guitar technique is economy of movement, not only of both hands, but, of any part of the body involved in the production of the note.
It’s worth investing in a full length, movable, mirror, as I watch myself playing frequently, not out of vanity, but to constantly check positioning and posture.
For practice, I’ll break it down into sections, and start with the arpeggio.

The Arpeggio.

The right hand should remain completely stable with the knuckles immobile and parallel to the strings. The fingers themselves move in a minimal way, pressing, rather than hitting the string.
Initially you can practice this silently by touching the string but without producing any sound.
This helps to establish playing ‘from the string’ and using the minimum amount of movement.
Silent practice should be accompanied by ‘hearing’ the notes mentally, and thus, reinforcing the inner ear.
In fact it is always good practice to ‘hear’ notes in one’s mind a split second before playing them.

Initially the arpeggio should be practiced slowly, gradually increasing the tempo, and the use of a metronome is recommended, but not all the time.
Fluency, technical command and accuracy are paramount.
Variety in practice is important, try to surprise your fingers with new challenges and studies, but always practice attentively. Be aware of the deadly routine of wading, without concentration, through studies and exercises.

The Scale.

There are many different methods of playing scales on the guitar. As a general rule, if alternating between i and m, it is undesirable to cross strings using mi when ascending and im when descending. Whilst not always possible to avoid, it should be seriously considered. So, the guitarist must learn a flexible approach to scale playing, using inventive fingering to avoid undesirable crossings.
It should be remembered, that printed fingering is never sacred, there are usually viable alternatives.
During scale playing the same principles of economy of movement and right and left hand stability apply.
I have also found that practice with the backs of the nails i.e. movement in the opposite direction to the normal stroke, is extremely beneficial. It’s a similar effect to practising rasgueados and leads to improving the right hand’s ‘feel good’ factor.
When practising major and minor scales try playing along with the metronome (on the offbeat) and also using various rhythms.

So regular technical exercises are essential. But one doesn’t need to have an instrument in one’s hands to practise, particularly in the field of memorization.
I personally derive a great deal of benefit from not only ‘playing’ a piece mentally, and hearing the sound and timbre of the notes, but also in imagining a successful concert scenario.
Even when practising with the instrument I feel it is an intellectual rather than a physical exercise.

The temptation to play a piece up to tempo should be resisted, as unless the technical and musical foundations have been laid we will not gain mastery over the music.
The repetition of, ‘hit and miss’ renditions, only serves to ingrain bad habits further.
Difficult passages must be played slowly, with phrasing and musical expression, to prevent the bad habits developing.

One never arrives at the point when one can say, ‘I can now play,’ it’s a lifetimes work for anyone, whoever they are, and one’s ideals are often subtly changing.
I am frequently asked how much practice should be done each day, but it is, of course, quality and not quantity that is paramount.
Generally I practice no more than one hour at a time, but it is a pointless exercise, unless concentration and attention are maintained.
Over an average day I would practise at least five hours, about half the time on technical work, and the other half on musical aspects (learning new repertoire, maintaining established repertoire etc.)

I strongly recommend reading and re-reading every possible tutor and manual on playing and technique. Not just for the guitar, but different instruments, particularly the violin and piano, as there are very often common principles to playing any instrument.
It is impossible to overestimate the importance of going to hear and see as many first class players as possible, of any instrument, as this is one of the most exciting and inspirational ways to learn.
But it is also important not to forget one’s original inspirations and to refer back to them often. They are, after all, the reason you play, and generally, you will still find them inspiring.
Listen and luxuriate in your favourite recordings and let them fuel your enthusiasm. Although there are now many fine players of the guitar worldwide, it is still, unfortunately, rare to get the chance to see and hear them. If you do get the chance, make sure you take it and hear them live, it’s worth a million CDs.

Also play with other musicians. The guitar combines particularly well with the violin, the voice, the flute, the mandolin, the recorder, the oboe and with all manner of small chamber ensembles. This will open you up to the full musical picture and not just ‘your’ part, increasing your appreciation and pleasure on the way.

Much of the information I have discussed today, has come from my book, which also has all the technical exercises, I work through each day.
I will also be going into more detail about practice and performance over on my blog in the next few weeks and months.
But for now, many thanks to Ben for the invitation, and, happy practising!

Lunchtime Recital

2009-10-14T14:12:00.007+01:00

If you are in the North West of the UK and want to liven up your lunchtime this Thursday, 15th October, then why not go to a concert.

It is the last chance to see Robin perform in the UK this year, so if you can make it, the place to be is St. Andrews & St. George's Church.

Lunch will be served from midday and the concert starts promptly at 12.45, finishing at 1.30.

The programme will include Renaissance Lute Pieces, Tarrega, Dilermando Reis, Iradier, Sabicas and some traditional flamenco, so is an ideal way to brighten up your Thursday.

In Ibiza with Robin Hill & Izzy Cooper

2009-10-07T11:40:00.011+01:00

Anyone considering a career in music might be swayed by this post.

The years and years of dedication to your instrument can result in some very special events.
To be booked to play at a private party on a private beach was one such occasion.

Robin was flown from the UK, whilst Izzy Cooper arrived from Spain, and with only two days rehearsal it was a pretty tight schedule.
However, they have performed together before and had been working on their parts separately for some time.

By all accounts it was a fabulous evening. But then with such a beautiful backdrop everyone was bound to be moved:

As Robin and Izzy performed the sea rolled gently in behind them and after the interval Robin couldn't resist informing Izzy that the waves were now only a matter of feet from them....
Ever the professional, and also used to Robin's sense of humour, she managed to remain calm and they finished the programme without getting their feet wet.

Whilst not rehearsing Robin could sit back and enjoy the view from his hotel:

And in fact spoke to me a number of times from his balcony:

But this was always going to be a busy weekend.
The next morning Robin had an early flight to Stansted as he was performing a concert that night at the Rhodes Art Complex, Bishop's Stortford.

They had thoughtfully put a poster in the window so that the travel and work weary musician knew he had arrived at the correct destination:

As I write Robin is off on his travels once again and can currently be found somewhere in Canada.
But more of that trip on another occasion.

Robin Hill - UK Concert - Don't Miss it!

2009-09-10T09:23:00.008+01:00

With only a couple of weeks to go it is time for a reminder.

Robin will be performing at Rhodes Arts Complex , Bishop's Stortford, on Saturday 26th September. More information and ticket details can be found here.

It is one of only two concerts in the UK for the remainder of this year, as the rest of Robin's work will be performed abroad.
So, if you have an interest in the guitar, and music in general, then Rhodes Arts Complex is the place to be.

As James Burton of the Herts and Essex Observer recently said, "...Next up is a trio of concerts by some top musicians...Rounding off the hat-trick is classical guitar virtuoso Robin Hill.... his recital will be a tour through the ages, including tunes from Renaissance composers through to the present."
You can read the full report here, 'Autumn delights at Rhodes'.

Sadly I won't be able to attend.
Robin is flying straight there from a private function in Ibiza with soprano Izzy Cooper.
But we are all in for a busy weekend.
Robin will be setting off home bright and early the next day as an eager youngest son will be awaiting his return.
It will be his 7th birthday!

Samba, Bossa Nova and the Joy of Latin Homework

2009-09-04T13:54:00.013+01:00

It has been very nice to have Robin home for a few weeks but he has not been idle.

He has been working hard on an alternative show which he has been asked to organise, featuring himself, plus an extensive band.

The pieces are varied, ranging from original compositions to arrangements of standards, which have all been given the 'Hill' treatment. There's everything from latin/jazz to swing and even some rock.

One piece, an original composition, is called Brasilia.

This is in a bossa nova style featuring guitar, bass, flute, clarinet, alto & tenor sax, trumpet, trombone, Latin American percussion and even a cuica. All resulting in a rather fabulous latin/jazz feel.

'Dolor de Muelas', which has recently been nominated for an award, is a piece in a samba style which has also been given the 'Big Band' treatment.

Arrangements have also been done for a number of well known pieces such as 'Can't Buy Me Love', 'Bach Prelude', 'Fragile', 'Here Comes the Sun', 'This Masquerade' 'Classical Gas' and many more, all naturally heavily featuring the guitar.

Amongst this musical extravaganza will also be a few pieces from Robin's solo guitar repertoire.

The whole show will be taken for a test drive before too long, and we will be searching for various musicians at some point.
But be warned, Robin is known for writing rather tricky trumpet parts, you only have to listen to 'Celebration' in the sidebar to see what I mean...
You can read more about Force Ten here.

Paul Griffin is responsible for hitting the very high notes on the trumpet. Based in New York, Paul was the product of a very musical background. His father Chris was one third of Benny Goodman's 'Biting Brass' trumpet section, and Paul himself played at John F. Kennedy's funeral.

I wonder if we can coax Paul back out on the road. That would be some show....

Interested in a Course on Music & Creative Industries Management?

2009-08-10T13:22:00.005+01:00

An exciting and innovative new course has come to my attention which may be of interest to some of you.
The 'Music and Creative Industries Management - MSc' aims to 'support careers in media, creative and digital industries, with particular relevance to music.'

The course is a part of the 'Business Logistics Innovation & Systems Research Centre', or the more manageable, BLIS Research Centre, at the University of Bolton.

There really will be many aspects of a career in music covered, both theoretical and applied.
From sound engineering, graphic design, the games industry, performance skills, management and development, e-marketing tools, legal aspects, copyright and many more.

If you are lucky, you may even see me there holding a few workshops on the murky role of the manager/agent and applied promotional strategies
If you are even luckier, then Robin will also be available to discuss more about the creative process, performing and recording.
There really is no substitute, for anyone contemplating a professional career in music, for the opportunity to talk to someone already out there in the field.

There may also even be the opportunity to be involved in organising and implementing a large outdoor event, which would provide very valuable 'hands on' experience.

So go and take a look at the course but remember there are limited places so don't wait too long.
Hopefully we'll see some of you there.

'Life of a Musician' 3rd Birthday!

2009-07-25T17:38:00.005+01:00

Today is the third birthday of 'Life of a Musician'.
I'm amazed how quickly the time has passed and how much as been going on.

Regular readers will know that I haven't posted as much recently, but there is a reason.
Unfortunately I can't yet share it with you!
Suffice to say that a project later this year has been taking up a lot of my time and hence the lack of posts.
But many thanks to you all for being patient, and returning regularly to keep updated.

Here's a reminder of our 1st birthday, 'Happy Birthday to Robin Hill's Classical Guitar Blog', and 2nd birthday, '2 Years of Blogging'.

In the past year a lot has happened and you can scroll down through the archives to catch up with events.

MySpace continues to flourish, Twitter has leaped from 93 followers and 838 updates a year ago, to 421 followers and 3795 updates!
Last year we were at 597 post, and now this will be the 687th post!
We have joined Reverbnation, to reach out to even more people, and new Cd's will be available before too long.

But for now, thank you to all those around the world who regularly drop by, and also to any casual visitors.
I hope to see you all over the next year, as we continue the journey.
Feel free to comment or send me a message if there are any areas you would like me to discuss.

For now though, time to eat cake.

BBC Proms 2009

2009-07-17T16:01:00.000+01:00

It's that time of year again!

Tonight is the opening night of the world's greatest classical music festival, The Proms 2009.

From 17 July - 12 September an amazing 100 concerts will take place.

The marathon begins today and you can view tonight's programme here.

Coverage of the first night of the 115th season can also be seen on BBC2 starting at 8pm.

To make sure you don't miss anything, BBC Radio 3 have designed a lovely widget which I have displayed below.
This will be regularly updated with videos and links, so feel free to call back over the next 2 months to keep an eye on events.

Enjoy!

BBC Proms 2009

2009-07-17T16:00:00.001+01:00

A Man, A Guitar and A Song...

2009-07-15T14:51:00.000+01:00

There are many hazards when travelling, particularly with musical instruments.

As regular readers will know, we have frequently had problems, especially with lost luggage.
Here are just a few random posts: 'A case of the Borrowed Tuxedo', 'The Robin Hill Saga' and 'No News is Good News?'

But by far the worst situation Robin has dealt with was this one, 'Missing - Miguel Rodriguez Churchdoor...'

Thankfully, we have never had the problem that Dave Carrol of the band, 'Sons of Maxwell' has had to deal with.
You can read the full story here: 'United Breaks Guitars'.
But below is Dave Carrol's musical response to the whole situation. It's worth watching, and also to remember, never come between a man and his guitar...
I wish Dave Carrol the very best of luck with any future guitars.

United Breaks Guitars

2009-07-15T14:50:00.002+01:00

Still Waters Run Deep

2009-07-03T20:56:00.001+01:00

At last I can reveal the final stage of the Evian campaign!

If you remember, I recently ran a post, 'Arrival in New York and Baby Moonwalk' which included a rather amusing video.

I also ran another post, 'To Eat or Not to Eat - Before a Concert' in which I mention the amount of energy that Robin expends during a performance.

The need to rehydrate is paramount and Robin always has a bottle of water backstage.
After seeing the latest video I may well insist it's a bottle of Evian.
If it can have this effect on babies just imagine his next concert....

The Moonwalking babies have been in training.

They may not be playing Rodrigo's 'Concierto de Aranjuez', complete with 'baby' orchestra, or even attempting some flamenco with 'Malaguena', but I think you'll find the final video rather entertaining, if not a little surreal.

Take a look at the Evian Roller Babies:

Evian Roller Babies international version

2009-07-03T20:43:00.001+01:00

JPF Music Awards 2009 - Nominee... Robin Hill!

2009-06-29T07:44:00.000+01:00

We were delighted to discover on Friday, (many thanks to Nik Payton in Brazil for telling me!) that Robin has been nominated for the JPF Music Awards 2009.
The song is, Dolor de Muelas, and it has been shortlisted under the Latin Jazz Song section, amongst 20 other nominees.
To see the full list you can visit here.

This is a substantial achievement.
After 14 months of screening with 5 long rounds and 3 groups of judges made up of the music industry, artists/writer peers and music fans, the nominees were finally selected.
Apparently, 42 000 albums were submitted and a total of 560 000 songs across all genres!
According to the information I have this means that less than 1/3 of 1% were nominated.

Dolor de Muelas, (which can be found on 'Virtuoso' CD Baby, iTunes) may appear an unusual title and that's because when translated it means 'toothache'. At the time of composition Robin was suffering with the aforementioned and decided it would be rather amusing.
However we didn't realise the piece would be under so much scrutiny!
Dolor de Muelas has a freewheeling, samba groove and you can read more about it in the original post, 'Track 2: Dolor de Muelas and Manic Management...'.

So I would just like to say thank you to the judges who selected Robin's piece of music for this stage and wish everyone luck for the final round.
Maybe we'll see some of you in Nashville TN in August...

To Eat or Not To Eat - Before A Concert

2009-06-25T11:03:00.000+01:00

The other day I had an idle thought which I put to my Twitter followers.
Basically I was interested in the eating habits of the musicians amongst them.
The tweet said,

"To the musicians out there. Do you like to eat before a performance or do you prefer to wait until afterwards?"

I was very pleased when I received replies from soprano/pianist Barbara Rathbone, classical musician Jamie Pullman and oboe/English horn player, Patty Mitchell.

I have written before about musicians requirements in preparation of a concert.
Here's an example, 'Sex, Drugs and Classical Music', and another, 'Nigel Kennedy - Running on Pure Adrenaline'.

But this related more to the use of Beta Blockers, not the daily requirement of food.

However I have also discussed Robin's needs pre concert here, with, 'Bananas on the High Seas and Bottom E', and 'From, Fish - Brain Food for Musicians, to Oscar Peterson, to Elgar.'

Robin always eats before a performance, whether it is classical, or with a band. But there is a difference. When playing with a band he just feels better if he has eaten, but if performing a classical concert, he needs to.
I believe this is something to do with not only the increased pressure he feels when playing classical concerts, but also, the level of concentration that is required of him.
He's not alone in this.
The renowned guitarist, Julian Bream, has said that he always has a plentiful supply of sandwiches backstage to eat before his concert.

But you do have to watch these musicians.
There's an amusing anecdote around Handel and his dietary requirements.
He was frequently known, when entertaining guests, to suddenly announce he had a musical idea, and to leave the room.
The 'idea' was simply that he kept his high quality wine in his music room, whilst serving a cheaper version to his guests, and had simply 'nipped' out for a quick drink...
Whether or not the great man ate before a concert is not known but I would be extremely surprised if he didn't!

Getting back to the results of this highly unscientific research, well, the results were mixed.

Barbara, a singer, always eats after a performance as she finds eating before affects here voice. When I asked about the energy required to perform, she acknowledged it was adrenaline that got her through.

This is completely understandable. A singers needs are very different to other instruments.

The orchestral player Jamie Pullman had a different approach. If performing with the orchestra he ate before, but if with his quartet, then afterwards.
The increased exposure, and therefore pressure, of the quartet performance appears to alter his needs. Although he did add that he found it easier to concentrate on the music if he was 'uncomfortable' due to being hungry.

Patty Mitchell, another orchestral player, always eats before a performance, although only a small amount. I assume this is provide just the required amount of energy without causing discomfort.

It seems, as you would expect, that every musician has their own way of dealing with the question of whether to eat before or after a performance.
It also appears that nerves/stress, the need to focus on the job in hand, and the ability to concentrate all play a part.

From observing Robin perform over many years I know the amount of energy he expends when on stage. Yes, when you watch a programme about classical musicians and see them sweating away under the bright lights, it's all true, not just sprayed on for effect.

But there was one aspect to all this that struck me.
Only 'classical' musicians amongst my twitter followers responded to the question.
Initially I had addressed it to all musicians.
There could be many reasons for this.
They may not have been 'watching' at the time the tweet was posted, they could have been busy doing other things rather than replying to a random tweet from me, or they simply may not have felt the issue was important to them for their particular style of playing.
This in itself raises more questions so I would love to hear from musicians from all walks of life to hear their views.

Arrival in New York and a Baby Moonwalk

2009-06-19T09:57:00.016+01:00

There has been a frustratingly small amount of communication from Robin over the last few days.
By now he will have performed his final concert on the QM2 and later today will be arriving in New York.
At least I shall then be able to speak to him and find out a few more details.

I do know that his first concert went very well and he was delighted with the response from both the audience and also fellow musicians.
Nicola Loud, winner of the BBC Young Musician of the Year at the age of 15, and the Tenor, Preston Coe, were also on the QM2, and most enthusiastic about the performance.

Likewise, Robin thoroughly enjoyed their concerts and also enjoyed having the opportunity to 'talk music'.

Now for the 'Baby Moonwalk'.
Well, this is connected with a post earlier in the week about the marketing strategies that are now an essential part of promoting your product.
And it is a rather funny example from Evian and their 'Live Young' campaign.
The outcome is somewhat given away in the title but it is still worth watching.
The interesting thing about this campaign is that the rest is unknown.
The only brief I have at this stage is, "They're small, they're incredible...and they're back on July 3rd."

So who knows what the next stage will be.
I'm hoping for a baby playing playing Rodrigo's, 'Concierto de Aranjuez', with a whole baby orchestra.
Or even a 'baby' soloist playing a fast and exuberant flamenco style piece such as Malaguena.
But we will have to wait and see.
I'll keep you posted.
Enjoy the Baby Moonwalk!

John Paul Gaultier and the Life of a Musician?

2009-06-15T10:16:00.012+01:00

Robin is on the QM2 and has already completed his first concert.
It all went very well and he is now preparing for the next one.

But I haven't been idle as I've had other things to think about, and therefore have something a little different for you today.

I have been asked many times by various companies to 'discuss' their product on this blog.
Sometimes it's an easy decision to make.
If the product is relevant, and I believe in it, then there's a chance I will write about it.
Sometimes I just like the approach they have taken and think it might be nice to add something a little different.

However, it can also be a balancing act.
You don't want to alienate your regular readers with blog posts that won't interest them.

A few days ago I was approached to show a 'teaser video' for John Paul Gaultier.

Basically, "MA DAME is celebrating her first birthday and has invited an artist to the party whose favourite art is one of surprise".

I watched the video and thought it was very good.
Then spent some time trying to think of a way that I could possibly connect this to the 'Life of a Musician'.

Other than the fact that I am a fan of Gaultier perfume I couldn't really come up with anything.

But, the campaign does highlight the need to approach marketing from a new perspective.
The pressure to come up with fresh ideas, ways of connecting with ones audience, and making use of technological advances are all essential marketing tools.

So in the end, I decided that if John Paul Gaultier was happy to invest in me, then I should return the favour and show you the video.

But there are other reasons.

Those who regularly read the blog and twitter, will know that I follow, listen and try to learn from those at the cutting edge of promoting their music.
One of my roles is to try and convince the world of 'classical music' that this is the way forward.
As we try to encourage younger people to learn to love all types of music, we have to meet them in the arena in which they are most familiar, so the use of the Internet is vital.
Already there are changes, for example, many orchestras now use Twitter as another way to promote themselves and engage their audience.

So that's why I decided to show you the video.
It's a great example of creating a buzz around your product, and, in this case, beautifully done.

So, for a few days, enjoy 'What's happening at Jean Paul Gaultier Maison de Courture' by clicking on the image in the sidebar.

A Brace of Concerti

2009-06-08T13:18:00.000+01:00

The last few days on the Queen Victoria went very well. Two concerts performed, one more standing ovation and many lovely comments from both audience and staff.

But it wasn't all work.
One day was spent in Geiranger, one of the most breathtakingly beautiful places Robin has seen, with air that smelt like wine - apparently.
Then they moved onto Bergen, where, despite the pull of a visit to Edvard Grieg's House, Robin felt he had to resist and remain onboard as he had a performance that night.

But since his return there has been a lot going on.
Things are moving on with Robin's latest concerto, 'Eternal Dances', so final decisions are being made about every aspect of the score.

Those following me on Twitter have been witnessing this final editing process.
They will have also have seen that this isn't achieved in isolation.
I have frequently been called in to listen to, and look at, the entire orchestral score. Note by note.

I know, it's late in the day as discussions are already underway with various orchestras, but I suppose the composer has the right to make changes as and when he feels it appropriate or at least up to the point when the parts are sent out...

Whilst waiting for further news of 'Eternal Dances', you can read an old post, and review, about 'Concerto Primavera', another of Robin's compositions, here.

From Wild Wood to Norwegian Wood

2009-05-23T12:55:00.008+01:00

The life of this musician has been a busy one.
Last weekend Robin enjoyed a very successful concert in Kent at the 'Wild Wood Barn'.
The venue was sold out with an appreciative audience and very hospitable hosts.
Robin was interested to discover that the home of Charles Darwin was merely a few yards down the road, but sadly wasn't open when he was ready to set off home again.

After a long drive back he had only a few days to prepare for another trip.
This time joining the Queen Victoria in Southampton for a week in the Norwegian Fjords.

His first concert was the very next day, and I must say that I have rarely heard Robin so enthusiastic about his performance.
Like many musicians he is highly critical of his work, but on this occasion he actually said it was one of the best he had done.
The audience seemed to agree as he was rewarded with a standing ovation and many shouts for more. It was left to the MC to calm them as Robin left the venue.

However, due to the reception he received, he has been asked to perform an extra concert this evening, so is currently preparing a third programme!

It hasn't all been work though.
Yesterday he was in Stavanger, and enjoyed a walk around despite the weather being cold and wet.
However, today the sun is shining and Robin is investigating Alesund.

I look forward to news of the concert this evening and also hearing about some very interesting places coming up in the next few days.

Toucan Play...

2009-05-10T14:56:00.008+01:00

The concert last night evolved in a rather extraordinary way for two musicians from Huddersfield.
They actually first met in Lima airport, Peru!
Robin spotted Simeon, submerged beneath a pile of flute cases, and likewise, Simeon rightly surmised, with incredible deductive powers, that Robin was also a musician, as he was sitting with his guitar flight case.
The two struck up a conversation and found they were destined for the same place.

Here they are, later in the trip when they were in Costa Rica:

Last night the venue was full, with some members of the audience travelling quite large distances, as they had previously seen the pair play when in South America.

The programme was eclectic, with Simeon playing a wide variety of flutes and pan pipes in a combination of duets and solo performances.

Programme:

Entracte - Jacques Ibert Robin Hill/Simeon Wood

Fairie Queen - Trad. Robin Hill/Simeon Wood

She Moved Through the Fair - Trad. Robin Hill/Simeon Wood

Malaguena - Trad. Robin Hill

Un Dia de Noviembre - Leo Brouwer Robin Hill

Tango En Skai - Roland Dyens Robin Hill

Gabriel's Oboe Theme - Ennio Morricone Simeon Wood

Devotion - Simeon Wood Simeon Wood

Concerto in D - Vivaldi Robin Hill/Simeon Wood

INTERVAL

Sonata in D - Christian Gottlieb Scheidler Robin Hill/Simeon Wood

Grasping the Thistle - Simeon Wood Simeon Wood

Adagio: Concierto de Aranjuez - Rodrigo Robin Hill

Rakes of Kildare - Trad. Robin Hill/Simeon Wood

Danza Brasileira - Robin Hill Robin Hill

ENCORE

Improvisation - Robin Hill & Simeon Wood (Chinese Flute)

The concert was a great success and both musicians look forward to playing together in the near future.

BBC Composers of the Year

2009-05-09T14:42:00.012+01:00

The BBC are doing an excellent job, on both Radio and TV, promoting 'Composers of the Year'.
This weekend BBC Radio 3 are celebrating the 200th anniversary of Mendelssohn's birth with many hours of fabulous music. For more details you can visit here.

However, they also have a specific site dedicated to the 'Composers of the Year', Purcell, Handel, Haydn and Mendelssohn, with lots of information and audio extracts.

They even have a snazzy little button to make life easy for you!

As if that weren't enough, Conductor, 'Charles Hazlewood', is presenting, 'The Birth of British Music' on BBC 2 tonight at 8pm, commencing with 'Purcell:The Londoner'.

So, if you can't get to Robin's concert tonight, there are plenty of other inspiring and uplifting events going on, both on Radio and Television.

If you require even more Mendelssohn, then there is always, Hill/Wiltschinsky Guitar Duo performing 'Song Without Words Op62.No1' on their 'Arrival' CD, Track 8, found here, iTunes, and many other digital outlets.

So have a good weekend!

Robin Hill and Simeon Wood - In Concert

2009-05-08T14:42:00.003+01:00

Rather late notice, and please don't sack the manager - after all, one of my Twitter friends, Jonathan Harris, said this about me today:

"#followfriday @annahill for knocking spots of other music industry managers in her use of the internet. and she does it for love !!"

But if you are in travelling distance of Shelley, Huddersfield, then you will be able to see Robin in concert with Simeon Wood.

As the promoters say:

Robin Hill and Simeon Wood in concert together
Saturday 9th May 2009, 7:30PM - 10:00PM
World-renowned guitarist Robin Hill joins forces with flautist Simeon Wood to become The Dream Team - hugely popular in this area this will be our first opportunity to hear them combined in one great evening of music- with their own laid back style!
Admission Details:
Tickets £10 (children & students £8) available from Shelley Spar Stores or ring 01484 604486

There will be a mixture of solo pieces by both performers and a number of duets. It will be a fabulous evening and a great way to spend your Saturday night.

Details can be seen here

For more information, contact:
Mrs Priestman
Tel: 01484 604486

Venue:
Shelley Village Hall,
Huddersfield Road,
Shelley,
HD8 8HE

An Unexpected Concert and the Palau de la Musica Catalana

2009-04-27T11:23:00.008+01:00

Robin had an eventful first few days on the Queen Victoria.
Three concerts in three days, one of which came as rather a surprise.
After settling in, his first performance went very well, with a particularly good response from the audience to the three pieces by Dilermando Reis, and 'Zapateado', by Sabicas.

On the second day Robin couldn't understand why people kept saying they were looking forward to his concert - later. (He was lying on a sun lounger reading Sherlock Holmes at the time...)
As far as he was aware this was a day of rest and rehearsal.
Eventually, he returned to his room only to receive a frantic 'phone call.
There had been some sort of schedule mix up and he was asked to play an extra performance that very day - in an hours time.
Actually, I'm quite pleased I wasn't in the vicinity when he took the call...

Luckily Robin has four complete programmes at his fingertips at the moment, so he rushed off to warm up and prepare for this unexpected concert.
Despite the short notice the performance went very well, as did the one the following day.

Since then Robin has had plenty of time to recover.
He arrived in Barcelona and made straight for the 'Palau de la Musica Catalana'.
The reason for his interest, was not only the stunning building, but also because this was the venue for the premiere of Rodrigo's 'Concierto de Aranjuez', back in 1940.

He thoroughly enjoyed his day soaking up the history and only detoured to a guitar shop he has visited once before. (Mainly because it was nearby and Robin can't resist any guitar shop, but also because he has been there once before and discovered they stock copies of his book, 'The Guitar Gymnasium'.)

Since then he has been to Monte-Carlo, well actually a port not far away as the weather was too bad to dock in Monte-Carlo itself, and then to Civitavecchia.
Today he should have been in Alghero, Sardinia, but once again the weather has thwarted plans and the QV is unable to dock.
This is rather a shame as Alghero looks very nice and is also one of the few places Robin hasn't been to before.
Never mind. Maybe next time.