tag:blogger.com,1999:blog-305005382008-05-11T02:10:00.286-04:00Mokuren DojoPatrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comBlogger829125tag:blogger.com,1999:blog-30500538.post-49294674334015802732008-05-11T02:10:00.001-04:002008-05-11T02:10:00.338-04:00Bram Frank & Rob Belote<div align="justify">We're famous (again). This teaser for <a href="http://www.budointernational.com/">http://www.budointernational.com/</a> with grandmaster Bram Frank includes my student, Rob Belote, in the second-to-last segment starting at about 2:30. I'm glad to see that Bram is starting to get some of his stuff out there on YouTube. I've tried to search for his name, or for CSSD every so often and this is the first time that I've found any extended clips to speak of. In the brief time that I got to train with him I was very impressed with his knife material - it was very aiki. I'm looking forward to seeing him again at the end of the month for a short vacation in San Antonio.<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/zzZ0F-hmErc&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/zzZ0F-hmErc&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-13599556574669242082008-05-10T17:21:00.003-04:002008-05-10T17:24:41.269-04:00Ranai – Chaos into order<div align="justify">So, we saw in class today that once two vibrating objects (uke & tori) are coupled together, they may either amplify each others’ motions or they may damp each others’ motions out depending on how they are synchronized and how they are coupled. Here’s the cool physical example of this principle that I mentioned in class. And here it is <a href="http://www.youtube.com/watch?v=tlYIyKic3w8">done with three metronomes</a>… and <a href="http://www.youtube.com/watch?v=W1TMZASCR-I">with five metronomes</a>.<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/yysnkY4WHyM&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/yysnkY4WHyM&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object><br /><br /> So, who all out there can say they've seen this type of phenomenon happen between two people in a martial arts setting?</div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-61861959297834599282008-05-10T15:02:00.004-04:002008-05-11T00:49:33.664-04:00Getting in synch and flowing around obstacles<a href="http://bp1.blogger.com/_QGeh0LDcX_A/SCX13j4YMwI/AAAAAAAAAZc/BOVn_bqJYjQ/s1600-h/Mountain_stream.jpg"><img id="BLOGGER_PHOTO_ID_5198831679742423810" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp1.blogger.com/_QGeh0LDcX_A/SCX13j4YMwI/AAAAAAAAAZc/BOVn_bqJYjQ/s400/Mountain_stream.jpg" border="0" /></a><br /><div align="justify">Aiki with Patrick M., Kel, and Rick</div><ul><li><div align="justify">Today we discussed getting in rhythm with uke, like Musashi was talking about in the passage <a href="http://www.mokurendojo.com/2008/05/musashi-and-canadian-brass-on-speed.html">I posted a few days ago</a>...</div></li><br /><li><div align="justify">Tegatana with emphasis on shortening steps to keep in synch with an external pace.</div></li><br /><li><div align="justify">Hanasu with emphasis on shortening or stretching steps to get in synch during releases #1 and #3. From there we played with brushing off and disengaging. #2 turns into a particularly fabulous brushoff if tori stays light on the feet, times uke's near footfall and brushes himself off of uke.</div></li><br /><li><div align="justify">Koryu dai ichi section B with emphasis on staying light on the feet and flowing around obstacles.</div></li></ul><div align="justify"></div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-68022383041685857162008-05-09T12:34:00.003-04:002008-05-09T20:11:32.161-04:00Ukemi is a kind of intelligent blending<div align="justify">Cool aikido, iaido, and jodo demo, including the multiple opponents aikido randori that I was talking about with Rick last night. Notice in the randori that the tori does not engage in a fight with every single opponnent. In fact, he doesn't really engage <em>any</em> of them. He evades and brushes them off, moving on the the next attacker. Most of the attackers blend well with tori's redirection and brushoffs, ending up in simple forward rolls, but a time or two you can see an uke that hangs on an instant too long, applies force the wrong way at the wrong time, or is slightly out-of-synch with tori, and that uke eats a lot more energy in a bigger fall.<br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/IXLWbHX-9J8&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/IXLWbHX-9J8&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></div><div align="justify">In situations like this you can see that skillful blending is a part of uke's role too - and I don't mean jumping for tori. I mean really attacking, then responding by blending intelligently to remain viable. Ukemi is a kind of intelligent blending. The falling is a natural extension of the act of blending with the relationship between tori and uke.</div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-46490545557280573542008-05-08T16:02:00.004-04:002008-05-09T20:13:16.535-04:00We're famous!<div align="justify"><a href="http://bp0.blogger.com/_QGeh0LDcX_A/SCNdgFHnJDI/AAAAAAAAAZU/I4Iedv94mUw/s1600-h/rank+picture.jpg"><img id="BLOGGER_PHOTO_ID_5198101200626983986" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp0.blogger.com/_QGeh0LDcX_A/SCNdgFHnJDI/AAAAAAAAAZU/I4Iedv94mUw/s400/rank+picture.jpg" border="0" /></a> Our recent crop of yellow belts made the Enterprise Journal today, so I figure we might get some hits for folks interested in kids' judo, so here's the scoop: I teach kids' judo classes.<br /><span style="color:#ffffff;">.<br /></span>Judo is a Japanese martial art that emphasizes throwing and grappling. Kids love judo because most all kids love to roll around on the ground and wrestle. <a href="http://www.youtube.com/watch?v=S7hmAjs9kKc">Look here </a>for some great video of some kids having a blast in our class. Judo is also a competitive sport and you will be seeing some great Olympic judo this summer. As both a traditional martial art and sport, judo offers a great opportunity for fun, fitness, discipline, and defense.<br /><span style="color:#ffffff;">.</span><br />At our training hall, we're running it as a seasonal sport in which we take the hottest months of the summer off, so the season lasts from September to April. We have classes once a week and club tournaments once a month. I am in a fairly unique position in the martial arts world, so that I can offer high-quality instruction in a family-friendly atmosphere for very low cost (roughly 1/3 the cost of the local competition).<br /><span style="color:#ffffff;">.</span><br />Right now we're in the off-season, so we're not starting beginners right now, but <strong>classes are forming right now for the 2008-2009 season to begin in September</strong>. Class sizes will be limited, so if you think it sounds like fun, send me an email at <a href="mailto:mokurendojo@gmail.com">mokurendojo@gmail.com</a> to get more information or reserve a spot for your child.<br /><span style="color:#ffffff;">.</span><br /><strong>I also teach martial arts for older children and adults,</strong> so if that interests you, drop me an email at <a href="mailto:mokurendojo@gmail.com">mokurendojo@gmail.com</a>.<br /><span style="color:#ffffff;">.<br /></span>If you have friends here in Southwest Mississippi that might be interested, then please forward them an email suggesting they check us out.<br /></div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-71500947026028422352008-05-08T07:14:00.005-04:002008-05-08T07:26:24.539-04:00Working the envelope<div align="justify">AM judo with Rob<br /></div><ul><li><div align="justify">warmup with the ground mobility cycle</div></li><li><div align="justify">kosotogari→(kesa↔mune)→(wakigatame↔udegarame)</div></li><li><div align="justify">near leg (bent) armbar, far leg (straight) armbar, and elbow crank from kesagatame</div></li><li><div align="justify">top shoulder choke and step-over choke from kesagatame</div></li><li><div align="justify">straitjacket holds from kamishiho, tateshiho, and munegatame</div></li></ul>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-71764398660671196792008-05-07T12:53:00.003-04:002008-05-07T13:21:30.735-04:00Musashi and Canadian Brass on speed<p align="justify"><embed src="http://www.youtube.com/v/zR_GVUWllP4&hl=" width="425" height="355" type="application/x-shockwave-flash" wmode="transparent"></embed><br /><br />Last night, as we practiced aigamaeate, Kel and Rick commented on the difference between what I was doing and what they were doing. They were pulling uke around in a circle and it was making tori have to go faster to compensate for lack of offbalance and for the centrifugal effect. I was floating uke into offbalance, slipping aside at the proper time, doing less, moving slower, and getting greater effect.<br /><br />This brings me back to Musashi’s Wind book, which I was quoting the other day: <em></p><blockquote><p align="justify"><em><strong>Speed in Other Schools<br /></strong>Speed is not part of the true Way of strategy. Speed implies that things seem fast or slow, according to whether or not they are in rhythm. Whatever the Way, the master of strategy does not appear fast. </em><br /></p><p align="justify"><em>Some people can walk as fast as a hundred or a hundred and twenty miles in a day, but this does not mean that they run continuously from morning till night. Unpracticed runners may seem to have been running all day, but their performance is poor. </em><br /></p><p align="justify"><em>In the Way of dance, accomplished performers can sing while dancing, but when beginners try this they slow down and their spirit becomes busy. The "old pine tree" melody beaten on a leather drum is tranquil, but when beginners try this they slow down and their spirit becomes busy. Very skilful people can manage a fast rhythm, but it is bad to beat hurriedly. If you try to beat too quickly you will get out of time. Of course, slowness is bad. Really skilful people never get out of time, and are always deliberate, and never appear busy. From this example, the principle can be seen. </em><br /></p><p align="justify"><em>What is known as speed is especially bad in the Way of strategy. </em><br /></p><p align="justify"><em>The reason for this is that depending on the place, marsh or swamp and so on, it may not be possible to move the body and legs together quickly. Still less will you be able to cut quickly if you have a long sword in this situation. If you try to cut quickly, as if using a fan or short sword, you will not actually cut even a little. You must appreciate this. </em><br /></p><p align="justify"><em>In large-scale strategy also, a fast busy spirit is undesirable. The spirit must be that of holding down a pillow, then you will not be even a little late. When your opponent is hurrying recklessly, you must act contrarily and keep calm. You must not be influenced by the opponent. Train diligently to attain this spirit. </p></em></blockquote></em>I particularly enjoyed Musashi's analogy of holding down a pillow. The image that comes to mind is smothering someone with a pillow in their sleep. In a lot of ways aikido <em>is</em> like that.Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-50626447196894296752008-05-07T02:13:00.001-04:002008-05-07T02:13:00.916-04:00L.O.C.K.U.P. police combatives method<div align="justify">Here's a really interesting police combatives system that appears to have a lot in common with the aikido and judo that we do. Notice the things I found most ingteresting included:</div><ul><li><div align="justify">The adjectives and descriptors that Lt. Col. Grossman (the first guy on the film) used to describe the system: "more than just combatives, the spirit, the soul of the warrior. Teachable in a lecture framework to executives... powerful...funny...dynamic...style and substance..." How many instructors can claim that kind of teaching skill?</div></li><li><div align="justify"><em>Reality based training</em>, or as they refer to it, <em>environmental training</em>. Recreating the physiological responses and environment that occur in combat. I would really like to implement this. Anyone out there in Southwest Mississippi want to practice aikido or judo at night under a sprinkler with a strobe light? Let me know and we can play that one... That might just be something to play at the next ABG!</div></li><li><div align="justify">"We discuss everything that would be important to that officer right from legal aspects all the way down to the hands-on physical"</div></li><li><div align="justify">Gross motor skills. Good retention under duress.</div></li></ul><div align="justify"><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/cJi47WJBpHU&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/cJi47WJBpHU&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-38308622126613699232008-05-06T10:38:00.004-04:002008-05-06T11:17:34.903-04:00Great rolling exercise<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/tOkXwSM2Jds&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/tOkXwSM2Jds&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object><br /><br /><div align="justify">When we begin training beginners to roll, we put them kneeling and have them roll forward into a proper landing position. Then we reverse that and have them roll backward from either a landing position or a seated position into a kneeling position. It usually doesn’t take too long to get to feeling fairly proficient with these two exercises, and here’s why: momentum covers mistakes.<br /><span style="color:#ffffff;">.</span><br />Take a bicycle wheel as an example. Stand it up on its edge and it falls over. Stand it up and start it rolling and it takes much longer to fall over. Because of conservation of angular momentum, a rotating object resists a change in its axis. So the wheel does not fall over and it is fairly easy to roll forward and backward with momentum.<br /><span style="color:#ffffff;">.</span><br />But what if as you gain proficiency you begin to slow down your kneeling rolls. Your momentum is reduced and the roll again becomes a challenge. As you slow down the rolls the muscles in your abdomen and torso have to adapt and become more coordinated at balancing you on the line of the roll.<br /><span style="color:#ffffff;">.</span><br />As you become more proficient these slower rolls become easier so you reduce the momentum further and it’s challenging again. You can actually continue profiting from these two initial exercises indefinitely so long as you keep balancing your feeling of success with reductions in momentum. The natural endpoint of this process is the forward roll into shoulder stand or the backward roll into shoulderstand.<br /><span style="color:#ffffff;">.</span><br />So, if you think you’re pretty good at the forward roll, try slowing it down until you feel uncomfortable again. Try to prove to yourself that there is such a thing as ‘not enough momentum’ to do the roll (there isn’t).</div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-16657996871412603742008-05-05T22:31:00.008-04:002008-05-05T22:48:09.773-04:00Boxing and aikido<a href="http://bp3.blogger.com/_QGeh0LDcX_A/SB_FnyxDNjI/AAAAAAAAAZM/qvK6-UhsTEo/s1600-h/boxing_giant.jpg"><img id="BLOGGER_PHOTO_ID_5197089782441915954" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp3.blogger.com/_QGeh0LDcX_A/SB_FnyxDNjI/AAAAAAAAAZM/qvK6-UhsTEo/s400/boxing_giant.jpg" border="0" /></a><br /><div align="justify">Nathan at <a href="http://tdatraining.blogspot.com/">TDA Training </a>has a <strong>lot</strong> of good info on boxing, including articles on boxing for self-defense, boxing combinations, and such… One of his more popular articles describes <a href="http://tdatraining.blogspot.com/2006/06/three-cs-of-sparring-offense-and.html">3 C’s of boxing defense and 3 C’s of boxing offense</a> – good rules of thumb that make things a lot better better during sparring. In this article, Nathan says that for defense, you should Circle, Cover, and Counter and that for offense, you should Close, Cover, and Clear. Read his article for details.<br /><br />I’d say this is all mighty good advice but just as a thought exercise what if we change a thing or two …</div><span style="color:#ffffff;">.</span><br /><ul><li><div align="justify">The line between offense and defense is blurry at best most times, so, what if we combined the two groups into one?</div></li><br /><li><div align="justify">Cover appears twice. Maybe it is twice as important, but what if we replaced one Cover with a Clinch. </div></li></ul><div align="justify"><span style="color:#ffffff;">.</span></div><div align="justify">...all of a sudden it becomes a general strategy that looks like this:</div><div align="justify"><span style="color:#ffffff;">.</span></div><ul><li><div align="justify"><strong>Cover </strong>– Keep your hands up between you and the opponent. Try to keep your hands on the plane between your centerline and his. Controlling the center of the conflict is extremely valuable.</div></li><br /><li><div align="justify"><strong>Circle</strong> – Get slippery. Evade, avoid, brush-off, refuse to engage, disengage.</div></li><br /><li><div align="justify"><strong>Close</strong> – If the opponent is putting enough energy into the thing to confound your avoidance strategy, close the gap as safely, quickly, and efficiently as possible and…</div></li><br /><li><div align="justify"><strong>Clinch</strong> – either in the standard head-elbow or side-bearhug or just place your hands on top of his hands or forearms to suppress his punches and keep him offbalance. (You sure wouldn't want to clinch much or for long in a situation like that pictured above!)</div></li><br /><li><div align="justify"><strong>Counter</strong> – bust him if/when you get a chance, and…</div></li><br /><li><div align="justify"><strong>Clear</strong> – get out of there!</div></li></ul><div align="justify">Wow! All of a sudden Nathan’s boxing strategy is the same as our aikido self-defense strategy. Cool. Whoda thunk that boxing and aikido have that much in common? </div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-12016136765710469492008-05-05T13:08:00.001-04:002008-05-05T13:09:39.109-04:00Nariyama embuNice video of Nariyama Sensei demonstrating at a recent event.<br /><br /><embed src="http://www.youtube.com/v/2EOmhBDlseY&hl=" width="425" height="355" type="application/x-shockwave-flash" wmode="transparent"></embed>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-14272337713395192572008-05-04T11:07:00.003-04:002008-05-05T15:56:03.803-04:00The meaning of your communication is the response you get<a href="http://bp1.blogger.com/_QGeh0LDcX_A/SB3TQyxDNiI/AAAAAAAAAZE/OXAxD0I0yxY/s1600-h/direct_communication_marketing.jpg"><img id="BLOGGER_PHOTO_ID_5196541830514292258" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp1.blogger.com/_QGeh0LDcX_A/SB3TQyxDNiI/AAAAAAAAAZE/OXAxD0I0yxY/s400/direct_communication_marketing.jpg" border="0" /></a><br /><div align="justify">It doesn’t do anyone any good for an instructor to assume that their students are knuckleheads who can’t follow instructions. A better way is to assume good faith on their part – that is, assume that the students are really trying to do what they think you are telling them. So, if you don’t get the response you want from your students, you can assume that you <em>are not communicating what you think you are communicating</em>. Change how you are saying it to them.<br /><br />Be careful how you say what you say because different people have different connotations for any given word. Colin Wee gave a good example <a href="http://www.mokurendojo.com/2008/04/helpful-handful-shihonage.html">in a comment </a>a few days ago. If you tell the student, “step over here,” then they might understand <em>step</em> any old way. They might step as in normal walking (ayumiashi) when what you intended was <em>slide over here</em> (tsugiashi) or even <em>bring your feet together under you then slide over here</em> (tsuriashi). A better way is to explain the difference between these 2-3 types of walking and give them their technical terms. Then you can say, tsugiashi over here, or you can let them know that when you say <em>slide over here</em> you mean <em>tsugiashi</em>.<br /><br />Another example of careless instructor-speak is something that I have had to try to overcome. I used to see a student doing something wrong and say, “you want to…,” when I actually had two different meanings to this. Sometimes I would mean, “It looks like you want in your mind to do such and such, when actually you should be thinking about it this way…” Alternately, “you want to do so and so,” could mean, “Instructions follow on how to execute this move.” Sometimes I’d get so twisted up as to say something like, “<em>you want to do</em> (are thinking about it wrong) <em>this, when really you want to do </em>(should execute it this way) <em>that</em>.”<br /><br /><a href="http://www.mokurendojo.com/2006/11/i-can-hear-it.html">Beth Shibata </a>makes the point in her article, that how we name things affects how we think about them, and therefore, how we execute them. She suggests that aikido is overly rife with the term <em>throw</em>, when there is no way in the world you can use a common throwing action as we normally understand the word (like throwing a ball) to propel a person-sized thing. What we are doing is not really a throwing action, but something else. She suggests the term <em>release</em>. So, perhaps, shihonage (“all-directions throw”) would be easier to get across if we called it shihohanasu (“releasing in any direction”). Perhaps iriminage (enter and throw) could profitably be called (“enter and release” or "enter and separate"). Maybe the rotary throw (kaitennage) is more accurately a rotary release (kaiten hanasu).<br /><br />Or maybe two other alternatives would be to either use poetic language, as in Chinese martial arts or to just rename things in your native language and ditch the exotic-sounding jargon…</div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-73257535244567841562008-05-03T16:11:00.005-04:002008-05-03T16:40:03.374-04:00How to learn jodo without an uke<div align="justify">Jodo has grown on me like a fungus. When I first tried it out I found it quite esoteric and unpleasant and non-fun. In college I played with it off and on - more off than on. I think most of the folks that were in the college club with me were of the same opinion, so my instructor, Usher-san, wound up without a consistent, reliable set of training partners for jodo.</div><div align="justify"><span style="color:#ffffff;">.</span></div><div align="justify">Usher-san kept up his own solo kihon and kata practice though, and practiced with real live people when he could. Some years later I had the pleasure of watching Usher-san demonstrate in Houston for his Sandan and he wowed the examiners and the observers. I overheard one very highly-ranked examiner say that Usher was one of the few jodo or aikido folks he'd ever seen who actually looked comfortable and competent holding a sword. Everyone was doubly amazed because Usher-san had, for the most part, taught himself when he was between partners. When folks would ask him how he did it he'd shrug and say, "solo kihon and kata practice in front of a mirror."</div><div align="justify"><span style="color:#ffffff;"><img id="BLOGGER_PHOTO_ID_5196252057660765714" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp0.blogger.com/_QGeh0LDcX_A/SBzLtyxDNhI/AAAAAAAAAY8/FlePYhOCTaA/s400/jodo.gif" border="0" /></span></div><div align="justify">Well, now I'm in a similar situation with a lack of regular jo partners, and while I can't say I have excelled as Usher-san did, I do have a couple of pointers (in addition to Usher-san's mirror hint)that y'all might find helpful if you have to practice jodo without a partner.</div><ul><li><div align="justify"><strong>Build a </strong><a href="http://www.woodenswords.com/Pell/ubiquitous_pell.htm"><strong>pell</strong></a>. I bought an 8 foot long 4x4 and buried about 2.5 feet of it in hard packed ground. Because it still gave too much when I pushed on it, I took a 2x4 that was about 3 feet long, cut one end into a wedge, and drove it into the ground directly against the back of the pell. This firmed it up nicely. I wrapped the pell from the top down to about knee level with 5/8” sisal rope – two windings thick to keep the post from splintering and more importantly to keep the post from denting or cracking my jo. Eventually I painted a couple of targets on the post – one the height and size of the orbit of my eye and the other the same size but solar plexus level. I would NOT recommend building a makiwara for punching this way – you’ll tear up your hands and arms – but for stick practice it is invaluable if you don’t have a regular partner. I gave my pell a name – Woodreaux Roper so I could practice cursing my enemy.</div></li><br /><li><div align="justify"><strong>Re-think your techniques</strong>. Instead of basing your actions on the likely responses of a partner that you don’t have, concentrate on keeping yourself safe and moving. Anything that can be thought of as stabbing uke and pushing him back can also be thought of as pushing yourself backward off of uke and getting away from him (resulting in the same spacings as in kata). So, for instance, the second kata, suigetsu, becomes a sidestep, push yourself backward off of the sword guy, then strike down with honteuchi.</div></li></ul>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-40212608994495200862008-05-03T00:03:00.002-04:002008-05-03T00:06:34.970-04:00Ironman<div align="justify">Dave at Formosa Neijia <a href="http://formosaneijia.com/2008/05/03/ironman/">posted an Ironman trailer </a>that had some scenes I hadnt' seen. We're also super-excited about this movie. We're going to see it tomorrow afternoon. Can't wait. Here's a cool Ironman video to whet our collective appetites...<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/ieXwQGRWhhU"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/ieXwQGRWhhU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-960532370986271292008-05-01T16:35:00.004-04:002008-05-01T21:53:36.352-04:00AM training<div align="justify">AM aiki with Rob</div><ul><li><div align="justify">Koryu Dai Ichi - Sections B (variations on release #1 and oshitaoshi) and C (variations on YK#1 and shihonage). </div></li><li><div align="justify">We talked a little about the positive influence that jodo has had on my aikido - particularly in the last year or so.</div></li></ul><p align="justify">PM aiki with Rick</p><ul><li><div align="justify">We spent a lot of time working on ukemi paying attention to muscle coordination - relax/contact and the appropriate times for each.</div></li><li><div align="justify">Same lesson plan as the AM session - Ichikata sections B&C - worked great. Wonderful flow. </div></li></ul>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-41314210009675934012008-05-01T02:00:00.002-04:002008-05-01T02:00:00.643-04:00No education for me, thank you.<div align="justify">After writing the <a href="http://www.mokurendojo.com/2008/04/teaching-gun-safety.html">previous post on gun safety</a>, I got to looking for vids on YouTube on the subject, and found this travesty. This is one of those rare instances where everyone involved would have probably been better off <em>not being educated</em>. This was one of the scariest things I've seen in a long, long time.<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/DS9JiPSXwwc&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/DS9JiPSXwwc&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></div><div align="justify">And what's more, the agent had the balls to sue the DEA (his own agency) for releasing the video and thus tarnishing his reputation.</div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-60237644283442373942008-04-30T17:39:00.005-04:002008-04-30T18:08:35.343-04:00Teaching gun safety<a href="http://bp1.blogger.com/_QGeh0LDcX_A/SBjpICxDNgI/AAAAAAAAAY0/wOY_POPxUDk/s1600-h/bbgun.jpg"><img id="BLOGGER_PHOTO_ID_5195158494562694658" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp1.blogger.com/_QGeh0LDcX_A/SBjpICxDNgI/AAAAAAAAAY0/wOY_POPxUDk/s400/bbgun.jpg" border="0" /></a><br /><div align="justify">I have to admit, I have an aversion to handguns that borders on phobia. In college, my roommate, a black belt in multiple arts and a wartime veteran, made me handle an unloaded pistol to make a point in a discussion we were having. I couldn’t tell you what the point was because I was so freaked out at just having to touch the thing. So far as I know this attitude was not a taught thing – just an innate and extreme distaste for that particular weapon. </div><div align="justify"><span style="color:#ffffff;">.</span></div><div align="justify">Lately I have been considering buying one of the <a href="http://tdatraining.blogspot.com/2006/08/airsoft-pistols-for-tactical-training.html">realistic simulation air pistols </a>that fires BBs – so that I can face that phobia to some degree. But then this happened…</div><div align="justify"><br /><blockquote><div align="justify"><em>Walthall County sheriff’s deputies are investigating </em><em><a href="http://www.enterprise-journal.com/articles/2008/02/18/news/01.txt">the reported shooting death </a>of a 2-year-old girl in the Darbun community. The shooting occurred about 11:20 a.m. Sunday. Deputies said <strong>the child was shot in the chest by an air gun being handled by another child</strong>. The girl was taken to Marion County Hospital, where she later died. The shooting is believed to be accidental, and Walthall County Coroner Shannon Hartzog said an autopsy has been ordered. Authorities did not release the name of the girl.</em></div></blockquote></div><div align="justify">Tragedies like the above bring the gun issue to the front of everyone’s mind. This particular case was especially shocking to me because it was a BB fired by an airgun! Around here, airguns are generally considered (if not actually toys) pretty innocuous so long as everyone is wearing eye protection but this child was <em>killed </em>by a BB into the chest.</div><br /><div align="justify">Does this mean that I think airguns or even ‘real’ guns should be banned? I don’t think so. For better or worse, guns are part of the equation of modern American life and they are not going away any time soon. I certainly don’t think that ignoring them will make me or my kids any safer. I have been teaching my 7 year-old <a href="http://www.nrahq.org/education/guide.asp">gun safety rules </a>and safe gun handling using a Daisy Buck BB gun and I’m still thinking about getting an airsoft pistol. </div><div align="justify"><span style="color:#ffffff;">.</span></div><div align="justify">For more info on this topic:</div><ul><li><div align="justify"><a href="http://www.nrahq.org/safety/eddie/infoparents.asp">Gun Safety info for Parents</a></div></li><li><div align="justify"><a href="http://tdatraining.blogspot.com/search/label/Gun%20defense">Gun Defense at TDA Training</a></div></li></ul>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-3940213525671076912008-04-30T02:00:00.001-04:002008-04-30T02:00:01.076-04:00A helpful handful – shihonage<a href="http://bp0.blogger.com/_QGeh0LDcX_A/SBeZuCxDNeI/AAAAAAAAAYk/vGy7bGcuOBQ/s1600-h/shihonage.jpg"><img id="BLOGGER_PHOTO_ID_5194789711490790882" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp0.blogger.com/_QGeh0LDcX_A/SBeZuCxDNeI/AAAAAAAAAYk/vGy7bGcuOBQ/s400/shihonage.jpg" border="0" /></a><br /><p align="justify">Shihonage (lit. ‘four-directions throw’ or more loosely, ‘all-directions throw’) is the first of the ‘Six Pillars of Aikido' (shihonage, iriminage, kaitennage, kokyunage, osaekomi, ushirowaza). This technique is very common across most martial arts. Here are a handful of hints I’ve found helpful in working on shihonage.</p><ul><li><div align="justify">Work your way through the name of the thing. Work on finding ways you can throw this thing in every direction.</div></li><li><div align="justify">Do it part of the time with only one hand and part of the time with only the other hand – like #6 and #8 in Hanasu no Kata. Practicing this with only one hand makes you move your body thru the right arc or you lose it. Don’t cheat by learning shihonage with the <em>illusion</em> of control afforded by using both hands.</div></li><li><div align="justify">If it goes bad toward the beginning, try flowing into maeotoshi or sumiotoshi. If it goes bad toward the end, try flowing into aikinage (A.K.A. iriminage) or ushiroate.</div></li><li><div align="justify">We use a crash pad when we practice binding the arm and throwing forward (i.e. hijikime) or when we set it up then step under the arm from the outside to the inside for a floating throw. These are severe falls and represent a severe risk to the shoulder if there is anything wrong with the ukemi.</div></li><li><div align="justify">Going back to the name, consider <a href="http://www.mokurendojo.com/2006/11/i-can-hear-it.html">Beth Shibata’s article </a>in which she suggests that it might be more appropriate for learning purposes to call the thing the 'all-directions release' instead of the 'all-directions throw'. How does what you call the thing affect your execution of it? </div></li></ul>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-63078709614423975372008-04-29T22:04:00.003-04:002008-04-29T22:09:41.506-04:00Koryu Dai Ichi<div align="justify">Aiki with Patrick M. and Kel</div><ul><li><div align="justify">ROM and ukemi (including reps of 2 buddy falls)</div></li><li><div align="justify">Hanasu with emphasis on moving forward on #3</div></li><li><div align="justify">Chain #2 including R2→R1→oshitaoshi </div></li><li><div align="justify">2 variations of Ichikata ushirowaza kotegaeshi (ducking under the arm) and R1→R2→kotegaeshi.</div></li><li><div align="justify">Nijusan kotegaeshi and oshitaoshi (step aside at the end of the line)</div></li></ul>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-73168223558610700922008-04-29T21:32:00.003-04:002008-04-29T21:37:38.376-04:00Y'all will be proud of me!<div align="justify"><a href="http://bp0.blogger.com/_QGeh0LDcX_A/SBfMzCxDNfI/AAAAAAAAAYs/9SV4HjjqS8Q/s1600-h/sailing+quinzilla.jpg"><img id="BLOGGER_PHOTO_ID_5194845872483153394" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp0.blogger.com/_QGeh0LDcX_A/SBfMzCxDNfI/AAAAAAAAAYs/9SV4HjjqS8Q/s400/sailing+quinzilla.jpg" border="0" /></a><br /><div align="justify">I've finally mastered the secret to a beautiful, effortless deashibarai! All you have to do is find an uke that is 1/8 your size and all of a sudden you are a shoe-in for perfect form!</div><br /><br /></div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-48813367327883451852008-04-29T02:00:00.000-04:002008-04-29T02:00:00.356-04:00Cool Jimmy Pedro bio<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/2A-8DyzHZ0Q&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/2A-8DyzHZ0Q&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-72187739539412411002008-04-28T22:17:00.002-04:002008-04-28T22:19:15.577-04:00More clinic clips<div align="justify">Here are some more short clips of some of the participants at the latest Henry clinic.<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/nchg3iGwc7E&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/nchg3iGwc7E&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-63756717324089891142008-04-28T05:55:00.003-04:002008-04-27T22:12:05.710-04:00You get just as wet no matter where you jump in<a href="http://bp1.blogger.com/_QGeh0LDcX_A/SBUwFyxDNcI/AAAAAAAAAYU/gtNQi-3nKIc/s1600-h/Shomenate.jpg"><img id="BLOGGER_PHOTO_ID_5194110621326718402" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp1.blogger.com/_QGeh0LDcX_A/SBUwFyxDNcI/AAAAAAAAAYU/gtNQi-3nKIc/s400/Shomenate.jpg" border="0" /></a> <div align="justify">One of the cool things about aikido is that there are no prerequisites. There is no ‘most advanced skill.’ You can work the skills in any order and call that a ‘system’. A beginner may jump in with the whole class profitably practicing whatever happens to be on the lesson plan for that day. Sure there are safety considerations - you don't make newbies take big falls - but they can still practice the same techniques and principles as everyone else. I've heard it said that there are no advanced techniques or concepts in aikido - just skilled students practicing the fundamentals in a very advanced way.</div><div align="justify"><span style="color:#ffffff;">.</span></div><div align="justify">Many Aikikai schools (if I understand rightly) start with ikkyo (oshitaoshi) as the first teaching, while most Tomiki schools start with shomenate as the first teaching and only get to oshitaoshi (Aikikai’s ikkyo) as the sixth teaching after several hours of practice. Either is an okay way of teaching the thing, and after a few hours of practice, it probably doesn’t matter because students of both methods end up understanding both concepts.<br /><br />In some schools, there is this talk of omote (superficial techniques taught to anyone) and ura (deep, hidden teachings only taught to the initiated) but Musashi in the end of the Wind Book writes about there being no internal teachings and no gate: </div><br /><blockquote><p align="justify"><em>There is no "interior" nor "surface" in strategy. </em></p><p align="justify"><em>The artistic accomplishments usually claim inner meaning and secret tradition, and "interior" and "gate", but in combat there is no such thing as fighting on the surface, or cutting with the interior. When I teach my Way, I first teach by training in techniques which are easy for the pupil to understand, a doctrine which is easy<br />to understand. I gradually endeavour to explain the deep principle, points which it is hardly possible to comprehend, according to the pupil's progress. In any event, because the way to understanding is through experience, I do not speak of "interior" and "gate". </em></p><p align="justify"><em>...Accordingly I dislike passing on my Way through written pledges and regulations. Perceiving the ability of my pupils, I teach the direct Way, remove the bad influence of other schools, and gradually introduce them to the true Way of the warrior. The method of teaching my strategy is with a trustworthy spirit. You must train diligently. </em></p><em><p align="justify">…In my Ichi school of the long sword there is neither gate nor interior. There is no inner meaning in sword attitudes. You must simply keep your spirit true to realize the virtue of strategy.</p><p align="justify"><img id="BLOGGER_PHOTO_ID_5194110629916653010" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp3.blogger.com/_QGeh0LDcX_A/SBUwGSxDNdI/AAAAAAAAAYc/4kQL_OqwRXI/s400/OSikkyo.jpg" border="0" /></em></p></blockquote>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-8387770542356915582008-04-27T06:00:00.000-04:002008-04-26T22:38:59.640-04:00How to tie your martial arts belt<div align="justify">Alright, some of my Kids' Judo parents have asked me how they can help their kids learn to tie their own belts. Here is a very good video demonstration of the simplest method for learning to tie your belt. Some judo instructors make this a pre-requisite to starting judo - you have to be old enough to tie your own belt. I'm not a stickler for this, but I would <em>really</em> like the yellow belts to all be able to tie their own belts by the beginning of next judo season (this coming September).<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/OzCOOkohhQE&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/OzCOOkohhQE&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></div><div align="justify"> </div>Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.comtag:blogger.com,1999:blog-30500538.post-80589821383409874872008-04-26T19:54:00.003-04:002008-04-26T20:02:21.693-04:00Martial arts – They’re not just for kids anymore<div align="justify"><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/dz_EGwJd4LA&hl=en"><param name="wmode" value="transparent"><br /><embed src="http://www.youtube.com/v/dz_EGwJd4LA&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object><br /><br />Demographers have been telling us for years about the baby boom generation. This is the group of people born between about 1946 and 1964. This is a worldwide phenomenon, but in the U.S. it represents a group of about 80 million people beginning to move into retirement age.<br /><span style="color:#ffffff;">.</span><br />Three trends that concern many older adults are <strong>health care</strong> (in 2004, boomers averaged $2700 per year in healthcare spending), <strong>finances</strong> (fixed incomes and rising cost of living), and <strong>personal safety</strong> (Things seem to move faster and violence seems harder to deal with). The perfect solution for these problems is my aikido class.<br /><span style="color:#ffffff;">.<br /></span>If you are an older adult living in Southwest Mississippi and want an affordable way to get a little reasonable, moderate exercise and learn to protect yourself in an increasingly chaotic and violent world, come check out my aikido class.<br /><span style="color:#ffffff;">.<br /></span>Fees are both reasonable and negotiable, and you can learn a martial art designed by older adults for older adults, taught by an adult, and proven effective in countless real-world instances for use as personal protection by older adults.<br /><span style="color:#ffffff;">.</span><br />You don’t have to be trapped by your own fear and you don’t have to spend a fortune to learn a martial art with the potential to really change your life for the better. <strong>Send me an email</strong> at mokurendojo@gmail.com and I’ll get you set up or I’ll try to help you with whatever other information you need. </div><img id="BLOGGER_PHOTO_ID_5193707654610105778" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp0.blogger.com/_QGeh0LDcX_A/SBPBmCxDNbI/AAAAAAAAAYM/0jW5nU645Hs/s400/morihei_ueshiba.jpg" border="0" />Patrick Parkerhttp://www.blogger.com/profile/04471858995477729220noreply@blogger.com