Earth B

Fini

2006-08-03T21:23:00.000-05:00

I haven't posted here in almost two months. I think that's the answer I was seeking.

This blog was a bit of an experiment. I wanted to see if I could channel my comic book postings into a regular blog on the subject. The answer, as it turns out, was that I couldn't. I wouldn't call this exercise a failure - it got some nice notices from a few folks - but it's time to wrap it up all the same.

Thank you to those of you who have been reading. I made a couple of new friends through this blog, and that means it was absolutely worth the effort I put into it. I will continue to blog over at my LiveJournal ( Captain Satellite's Fun Fun Central ) and comics will always be part of the mix. In fact, I'll probably be talking more about Atlas/Seaboard's POLICE ACTION there in the weeks ahead. I sincerely hope you will join me.

If I have one message to fandom, it would be : "Support Big Bang Comics!" They make fun comics and they're nice folks. Give them your money.

Remember, it's not "goodbye", just "see you later".

The Bearded Boy

2006-06-06T20:54:00.000-05:00

OK, honestly? I was going to make a post last night, but Blogspot thwarted me at every turn and I ultimately surrendered. I suppose in a way it turns out to be good fortune, because Mighty Mike Sterling made a post that demanded my attention. Specifically, he mentions that Grant Morrison's Beard Hunter character from his Doom Patrol run was hired by "The Bearded Gentlemen's Club of Metropolis." This reminded me of a certain story I've been meaning to discuss one day.

Hey, remember that book Showcase Presents Superman Family Vol. 1? It was in all the papers. That's the book that reprinted the first 22 issues of Jimmy Olsen along with the first Lois Lane tryout issue of Showcase. Well, this story isn't in that book because it's from Jimmy Olsen #23, though it was reprinted in #95 of that same title. That latter issue is my source here, courtesy of a tattered and incomplete copy supplied by pal David McRobie. Enjoy it in good health, my friend.

"Jimmy Olsen, The Bearded Boy" opens with our intrepid Jimmy trying to sneak into the top secret, members-only meeting of the BEARD BAND. He fails, mostly because you must have a beard and his fake one wouldn't convince anyone. As he tosses his phony beard away, a gent offers him a beard tonic that will allow him to grow a real beard rapidly. Even Jimmy is skeptical of this proposal, though he takes a swig anyway.

So Jimmy makes his way into the meeting and learns that the BEARD BAND is really hardcore about their beards. Also - SURPRISE! That man on the street is the leader of these bearded boys. And it turns out they have something in mind for Jimmy!

What is the BEARD BAND's sinister motive? Robbery? Ransom? World domination?

Er, no. They just want more men to grow beards.

Jimmy returns to the Daily Planet and tells his wild story to Perry White and Clark Kent. They laugh it off, both of them drinking the tonic in the process despite the clear evidence that Jimmy's beard is getting pretty long. They aren't laughing when Perry starts growing a beard immediately too. This causes problems for Clark (who is secretly Superman) since the tonic can't work on his super-charged follicles. He solves this dilemma by making a fake beard from his suit.

Yes, really.

Jimmy makes the public appearances as instructed, and manages to botch every single one of them in that special Olsen way that we all know and love. Interestingly, he loses a big portion of his beard each time, but it grows back relatively quickly. I can't decide if this is so they didn't have to explain how he could get around with a forty foot beard or if it was to highlight Jimmy's complete and utter ineptitude. Either one makes sense, if you can use that phrase in relation to this story at all.

Naturally, the BEARD BAND is unhappy with Jimmy's results.

I'd string you along about the true nature of the BEARD BAND's ominous-sounding masterplan, but really, I don't think even your best guess could top this for being the most mundane diabolical scheme ever.

Jimmy's "idea" is to throw one of his old shaves at the burner and hope it ignites. He misses and it drops in the vat, so he's pretty much screwed up his only chance. The BEARD BAND tests their new tonic (because they're all CRAZY WHACK FUNKY for beards) and...

Wow. I'd love to analyze this, but it almost feels wrong to try. I'm guessing the BEARD BAND avoided jail time, since "forcing people to grow beards" isn't a criminal offense as far as I know. Also, maybe I'm speaking out of turn, but why must this be "the end" of the BEARD BAND? Yes, their beards are gone, but surely they'll grow back. I mean, their antidote can't permanently inhibit facial hair, right? I'm thinking too much, aren't I?

This is what you have waiting for you when the inevitable Showcase Presents Superman Family Vol. 2 comes down the pike. I know you're all going to start saving your pennies now.

Not Retconned Yet

2006-05-18T23:00:00.000-05:00

*taps microphone*

Hey there, I thought I should pop in here and greet anyone that has stopped by from Comics Should Be Good, The Legion Omnicom, or any of the other sites that have taken notice of this blog in the last couple of days. It seems my post on DC's Showcase books got linked here by Harvey Jerkwater. And folks, it only takes one link.

I still haven't decided if my hiatus here will be just temporary or permanent, but it's nice to get noticed all the same. My problem with this blog was that I tried to approach it with some discipline, and disciplined is something I'm not - either as a writer or in general. I'd much prefer to just sit down and blog whatever crosses my mind. That was a problem here. If this blog returns, it's going to be a bit more free-form.

Since we're here, I'm going to take a look at a select number of the DC collected editions announced for the last quarter of the year.

ENEMY ACE ARCHIVES VOL. 2 HC
Writers: Robert Kanigher and Joe Kubert
Artists: Joe Kubert, Neal Adams, Russ Heath and Frank Thorne
Collects stories from STAR SPANGLED WAR STORIES #143-145, 147-150, 152, 158, 181-183 and 200
$49.99, 196 pages

Probably not getting this one (too rich for me), but good stuff and I have a friend who is a HUGE Enemy Ace fan. Why not buy one for him, too?
SHOWCASE PRESENTS: BATMAN VOL. 1 TP
Writers: John Broome, Ed "France" Herron and Bill Finger
Artists: Carmine Infantino, Joe Giella, Bob Kane, Sheldon Moldoff, Murphy Anderson and Sid Greene
Collects stories from DETECTIVE COMICS #327-342 and BATMAN #164-174
$16.99, 552 pages

Yeah, probably the best place to start this one. I'm still holding out hope for a Batwoman collection someday. A faint one, as you can imagine.
SHOWCASE PRESENTS: CHALLENGERS OF THE UNKNOWN VOL. 1 TP
Writers: Dave Wood, Ed "France" Herron and Jack Kirby
Artists: Jack Kirby, Roz Kirby, Marvin Stein, Bruno Premiani, George Klein, Wallace Wood and Bob Brown
Collects SHOWCASE #6, 7, 11 and 12 and CHALLENGERS OF THE UNKNOWN #1-18
$16.99, 540 pages

Kirby is a master, and his stories are very good. Still, I'm also looking forward to seeing more of Bob Brown's work on this title.
SHOWCASE PRESENTS: THE PHANTOM STRANGER VOL. 1 TP
Writers: Mike Friedrich, John Broome, Ed "France" Herron, Robert Kanigher, Jack Oleck, Len Wein and Gerry Conway
Artists: Neal Adams, Jerry Grandenetti, Leonard Starr, Bill Draut, Carmine Infantino, Frank Giacoia, Murphy Anderson, Wayne Howard, Vince Colletta, Jim Aparo, Tony DeZuñiga and Jack Sparling
Collects SHOWCASE #80 and THE PHANTOM STRANGER #1-21
$16.99, 544 pages

The lack of the B&B team-ups indicates they are considering this one a "mystery" title rather than a superhero one. That's fine with me, though it will shortchange us one 1950s PS story that was only reprinted in B&B.
SHOWCASE PRESENTS: SHAZAM VOL. 1 TP
Writers: Dennis O'Neil, E. Nelson Bridwell and Elliot S. Maggin
Artists: C.C. Beck, Kurt Schaffenberger, Bob Oksner, Dave Cockrum, Alan Weiss, Dick Giordano, Don Newton, Tenny Henson, Bob Wiacek, Vince Colletta, Tex Blaisdell, Bob Smith and Joe Rubinstein
Collects stories from SHAZAM #1-24, 26-35
$16.99, 560 pages

As I have pointed out elsewhere, I'm not sure this book (which stretches into 1978 coverdates) proves anything about the Showcase program. Not to be morbid, but several of the creators of the post-1975 issues are now deceased - Bridwell, Schaffenberger, Newton, Colletta. Whether that was a factor is unknown, but it's very odd all the same.
THE HUNTRESS: THE DARKNIGHT DAUGHTER TP
Writer: Paul Levitz
Artists: Joe Staton, Steve Mitchell, Bob Layton, Bob Smith, Bruce Patterson, Jerry Ordway and Mike DeCarlo
Collects DC SUPER STARS #17 and stories from BATMAN FAMILY #18-20, WONDER WOMAN #271-287, 289-290 and 294-295
$19.99, 224 pages

This was a surprise, though a pleasant one. I'll bet people will be surprised by the amount of cheesecake in these strips. They're still entertaining, but Helena had a definite clothes problem in her solo stories.
SHOWCASE PRESENTS: THE UNKNOWN SOLDIER VOL. 1 TP
Writers: Joe Kubert, Bob Haney, Robert Kanigher, Frank Robbins, Archie Goodwin and David Michelinie
Artists: Joe Kubert, Irv Novick, Doug Wildey, Dan Spiegle and Jack Sparling
Collects stories from STAR SPANGLED WAR STORIES #151-204
$16.99, 560 pages

I LOVE THE UNKNOWN SOLIDER STRIP! Definitely buying this one.

Thanks again for dropping in on my parallel world. Leave a comment if you liked it. Oh, and I'll try to be back, too.

When I'm 64

2006-05-08T22:35:00.000-05:00

I can see a wave of white anti-matter on the horizon, so don't be surprised if this blog either goes into early retirement or becomes a 404 message one day. I'm not saying I'm definitely giving it up, but certain matters and my spectacular lack of motivation to post here seem to point to Earth B being retconned again.

Before I fade out, I'd like to share with you a few thoughts about the comics industry as a whole. There's been a lot of discussion lately about the "old days" vs. current comics. Now, I buy mostly old stuff these days, but it wasn't always this way. When I returned to the hobby in 1990, I was all aboard on buying new books. I did my duty for years as a faithful reader. But as time went by, I found myself enjoying new comics less and less. There's a sense of "been there, done that" about the whole thing and I couldn't justify shelling out the dough for books that didn't do it for me anymore. If I'm going to continue as part of this hobby, it's going to be based largely on nostalgia because that's the only aspect of it that really resonates for me nowadays.

Of course, as I look back at books from 30 years ago and realize they are the only ones that truly mean anything to me now, I start to wonder what this hobby will be like in 30 more years. The answer, I suspect, would not be to the liking of many people that comprise current comics fandom.

Comics fandom is still a baby boomer driven fandom. I fall outside of that demographic, but I'm no kid anymore myself. Say, where are the kids in comics? Oh, most likely in the bookstore reading manga. But manga isn't "real" comics, you say? It is to them, sparky.

No, I'm not pulling a "Think of the children!" gambit regarding content. I'm saying "Think of the future!" instead. Not the short term future, mind you. Actually, I suspect that will be fine. In fact, I would not be at all surprised if there is at least one more "boom" in the comics industry as we know it.

But if there is such a boom and it goes bust, I think it will be the biggest single collapse in the relatively short history of the American comics industry. I would venture to say that such a collapse would rearrange every single thing about the industry. That is, if it doesn't destroy the one we know entirely.

I think the comics industry is playing in dangerous territory by skewing their main product older and older. There are still "kids" comics, but they might be even more ghettoized than ever. Comic books as we know them cost too much for what they deliver and no longer appeal to most kids from a storytelling standpoint. While there is clearly money to be made in the here and now with this approach, where will we be in 30 years?

In 30 years, the kids of today will be the middle-aged fanboys and fangirls. They'll be the ones with all the money. We're going to be the old folks - those of us who manage to make it that far. Can the comic book industry sustain itself on the goodwill and cash flow of senior citizens who likely will have more pressing concerns than what happens to Batman or Spider-Man next month?

Somehow, I doubt it. The American comic book as it exists now may be driving itself towards extinction in a short-term bid to stay alive. Without building a viable future fanbase, the superheroes are inching ever closer to becoming relics of a bygone age. There will always be comics, and there will probably always be superheroes. I'm just not sure the way things are now is the way they will always be. It's tougher and tougher for all periodicals with each passing year, and comic books are nothing more than disposable culture designed to appeal to a greying and ever-shrinking hardcore fan group.

People have been predicting the death of the comic book longer than I have been alive. I won't say they are doomed. And hey, I could turn out to be completely off-base and everything skips merrily along as if nothing ever happened. It's possible things will be as they've always been.

I just wouldn't call it likely.

If you enjoy current comics, I am happy for you. Also grateful, because you are doing more to keep the industry alive than I am. And if you're making comics, more power to you! I hope you find success. Just always be mindful that we are living in a house of cards and one gets taken away with each passing year. Unless we do something drastic, it's going to fall down around us.

I'm not sure there's a point to all of this. It's just the kind of thing I think about when I'm not pondering whether I should fill out my run of Strange Sports Stories sooner or later.

I'll still be lurking on the fringes of the comics blogosphere, probably commenting at Mike Sterling's Progressive Ruin from time to time. Oh, and if you found you enjoyed this little exercise, I can always be found at the LiveJournal on the sidebar over there.

With that, I bid farewell to anyone who happened to be reading. Thanks, and see you around.

For Creating Fire Alone

2006-05-04T02:37:00.000-05:00

You know who I think is highly underrated? E. Nelson Bridwell, that's who.

Jetta

2006-04-29T00:12:00.000-05:00

Image borrowed from the fine folks at Airwave Publishing. Hope they don't mind!

Boy howdy, JETTA took awhile to actually get published. It was originally scheduled for November(?) of last year. One resolicitation later and it arrived in my hands just a couple of weeks ago.

This is a collection of 1950s stories by Dan DeCarlo, who would later gain more than a little recognition for his work at Archie Comics. The stories in here are certainly in the Archie mold, with a number of familiar teen comic archetypes. Except - it's all in THE FUTURE! DUM DUM DUM DUM!

Seriously, the stories are cute but hardly groundbreaking stuff. The only difference is all the silly futuristic trappings. The art is all attractive and reproduced fairly well. After seeing several horrible computerized "reconstructions", kudos to Airwave for getting it right. There is some misplaced text in the introduction, but overall I'd say this is a worthy investment for your funnybook dollar if you like teen humor and/or DeCarlo's art. Oh yes, and there's a brand-new story that hits the spot, too.

If JETTA isn't at your local comic book store, it can be ordered directly from Airwave.

Sh-Sh-Sh-Showcases!

2006-04-25T23:12:00.000-05:00

If you're like me (and I know I am), you've been enjoying DC's recent SHOWCASE PRESENTS volumes. For the uninitiated, these massive tomes collect a number of comic stories in an affordable black and white format. Plus, they are printed on what I like to call REAL comic book paper. That slick stuff might be nice sometimes, but it sure isn't authentic.

The giddiness these volumes have generated is apparent with all of the "wish lists" that have been popping up all over the Internet. Everybody has their own ideas of what should be collected and they all want it now. Which is natural, one supposes, but there's a bit of a speed bump in the road.

In this thread, former DC collected editions editor Bob Greenberger revealed something that many of us did not know (quoted here because this thread will likely disappear eventually) :

DC pays a royalty based on a percentage of the cover price to writers, pencillers,and inkers to all material published prior to 1976 and after 1997. For the period in between, the vouchers that were in use called for a set reprint fee to be paid. In some cases, the amount of contractually obligated reprint fees makes the budget for a proposed collection unprofitable. In those cases, DC will either scrap the project or ask the talent involved to waive the reprint fee in lieu of the standard royalty arrangement. If the parties agree, then everyone benefits.

Did you know that? It does explain a lot, and also explains why DC's stated "window" for the SHOWCASE books is 1955-1975 (which has already been demonstrated to be flexible). There's less easily reprintable material prior to 1955 and the reprint fees go up dramatically after 1975. So it might not be wise to clear off space on your bookshelf for further volumes of, say, SHOWCASE PRESENTS : JONAH HEX just yet. While it apparently sold rather well, it might be some time before more books in the series are deemed worthy of the investment.

Then again, this could all change tomorrow. That's comics for you.

EDITED to add - doesn't the "1976-1997" time period coincide almost precisely with Jenette Kahn's stint as DC Comics publisher? Verrrrrry interesting.

Terry Beatty Is A Genius

2006-04-21T22:34:00.000-05:00

From The Phony Pages #2 (Renegade Press, June 1986).

Visit Terry Beatty online at http://www.terrybeatty.com!

Journey To The Real Earth-2

2006-04-17T16:08:00.000-05:00

DC's solicits for July 2006 just went up at Newsarama and Comic Book Resources. Everyone will be giving you their picks, but I just wanted to point out one particular book advance-solicited for Aug. 2.

JUSTICE SOCIETY VOL. 1 TP
Written by Paul Levitz and Gerry Conway
Art by Wallace Wood, Joe Staton, Ric Estrada,
Keith Giffen and Bob Layton Cover by Brian Bolland
Collecting ALL-STAR COMICS #58-67, plus the origin of the JSA from DC SPECIAL #29! Witness the continuing adventures of The Flash, Green Lantern, Hawkman, Dr. Fate, Wildcat and the rest as they are joined by younger heroes Robin, Power Girl and Star-Spangled Kid!
Advance-solicited; on sale August 2 • 224 pg, FC, $14.99 US

The kickin' Brian Bolland cover!

Ooooh, I'm very excited to see this finally coming out. I was hoping they would shoehorn the origin story into the first volume, since it doesn't really "fit" anywhere chronologically in the run. It's a great comic book. The rest are...hmm, I enjoyed them, but I suspect they have gained something of a mystique that may go beyond their actual quality. We shall see. Now, all we have to do is await the inevitable second volume (ALL-STAR COMICS #69-#74 & ADVENTURE COMICS #461-#466). It should be sooner rather than later!

I'm debating that GL "Greatest" trade. That's a maybe. And...wait, wha--?!? JSA is ending? That's certainly a set-up for a relaunch, but came outta left field.

Darn, no SHOWCASE volume this month. Maybe those advance solcits finally caught up with them.

Big News For Big Bang!

2006-04-14T22:36:00.000-05:00

BIG BANG COMICS TO SELF-PUBLISH ALL-NEW BIMONTHLY SERIES!

Written by Allen Berrebbi
Thursday, 13 April 2006

SEE MAY PREVIEWS FOR SOLICITATION.

“It’s true! Big Bang has left Image Comics and will be self-publishing the new issues under the name Big Bang Comics,” confirmed BB editor Gary Carlson. “We’ll be right in front of the independent publishers section of Diamond’s Previews, somewhere between Archie and Bongo Comics.

“We’ve been publishing two specials a year under various titles and even our regular fans haven’t been sure what was and wasn’t Big Bang product. This way there will be no confusion.”

“Erik Larsen and Jim Valentino are two of Big Bang’s biggest friends and fans and we appreciate all they’ve done for us,” added Big Bang co-creator Chris Ecker. “Unfortunately, the books have been breaking even financially or losing money for Image for a long time.”

This won’t be the end of Big Bang at Image, however. Erik Larsen is considering a color reprint of the 100+ page 3-part “Timebomber” story line which guest starred the Savage Dragon in issues 12, 14 and 18 of BB.

Big Bang Presents #1 features tributes to two of comic’s greatest creators, Will Eisner and Jack Cole. Protoplasman is a combination of all eras of Jack Cole’s work, from the Claw to Plastic Man through his pre-code horror and crime stories. “It’s kind of a hard-boiled humorous action series,” offered writer Carlson, “This first story is very much an homage to Cole’s Plastic Man. Artist Mort Todd has done a wonderful job! Protoplasman will be a regular visitor in the pages of Big Bang Presents.”

Big Bang’s flagship character the Knight Watchman gets the Will Eisner treatment in ‘”The Camera of Doom,” also written by Gary Carlson, who considers it one of the best Big Bang comics ever produced. “From day one I’ve wanted to mix & match the great artists’ styles with different iconic characters. I still want to see a Bob Kane Ultiman story, a Simon & Kirby Knight Watchman. This story is our guess as to what a Will Eisner Batman story might have been like. Jeff Austin did a wonderful job translating my layouts into finished art.”

Another character scheduled to make her Big Bang debut in BB Presents #1 is Miss Firecracker. Long time Big Bang and Bong artist Mike Worley is slaving over this good girl strip in the Bill Ward tradition.

Big Bang Presents #1 featuring Protoplasman and the Knight Watchman is a 32 page b&w book for $2.95. If all goes well, we’re hoping to be in color by the third issue.

On a personal note, I'd just like to say that I'm cautiously optimistic about this development. BB probably has enough readers to be a modest indy hit, but have been struggling to get noticed since 2001. Will those readers that discovered them through Image follow them? Let's hope so!

The Brave and The Bold Team-Up Archives Vol. 1

2006-04-11T23:13:00.000-05:00

To kick off the reviews, I thought I'd take a look at this hardcover collection of stories from The Brave and The Bold. While B&B is one of my favorites series, I held off on purchasing this book for some time. Why? Well, I already owned 7 of the 8 stories collected in it. That made it hard to justify spending fifty bucks for it. However, I recently got it for a nice price from the imaginatively monikered "Stinkfoot" of the Marvel Masterworks Message Board. So, with thanks to him, let's examine this tome of awesomeness.

The Brave And The Bold Team-Up Archives Vol. 1
Written by Bob Haney & Robert Kanigher.
Art by George Roussos, Howard Purcell, Joe Kubert, Bob Brown, Alex Toth, Bruno Premiani, Ramona Fradon, Charles Paris, Bernard Baily, and Gil Kane.
Original series edited by Murray Boltinoff, George Kashdan, and Robert Kanigher.

Boy, take a look at the cover at the above link. That George Roussos image (miscredited to Bernard Baily in the actual book) has been amusing me for years, and the fact that they used it for the cover proves that someone at DC has a sense of humor. Between J'Onn J'Onzz's leer and the fact that his hand is a bit hard to track down in all that green, you have the kind of cover that keeps slashers happy and content at night. I like that.

The cover is taken from the first page of B&B's #50. Using two of DC's perennial back-up stars to launch a series seems an odd move in retrospect, and yet...it worked. Haney took a few liberties here and there in the details, but it's a perfectly acceptable story from that era. Roussos' art looks a bit cruder than you'd expect from DC at the time, but it's atmospheric and tells the story well.

#51 benefits immensely from some fine, fine art by Howard Purcell. The people from Atlantis have a fondness for fin-backed helmets that I don't recall seeing elsewhere, but some panels are almost nightmarishly creepy. Plus, Aquaman and Hawkman are more or less spot-on - always a plus.

Bob Kanigher takes over as writer and editor for #52 only and it's...well, it's a Kanigher war comic. The characters are as fearless as you would imagine, and the Joe Kubert art is excellent. It's nice to see the three "battle stars" together, along with the special surprise. Of course, this was Sgt. Rock's first appearance in B&B, something Kanigher I'm sure later regretted. But more on that another day.

#53 is...Alex Toth? Really? Yep, there he is, drawing Flash, Atom, and a baddie named "Atilla-5." This might be where Haney's stories started getting a little odd, but that's probably something a smarter person than me should analyze. Unfortunately, this story is the cause of one of my beefs with this book. How in the WORLD do you lose pages from an Alex Toth story and end up reproducing them photographically? Especially when the story had been reprinted in a previous hardcover (The Greatest Team-Up Stories Ever Told) that was still in print in trade form until relatively recently? I sit and look at the pages and just shake my head, since they look to be from that earlier hardcover. I'd love to know the circumstances behind that.

Look, #54 has the Teen Titans! Well, not really, but this story directly led to the TT. The dialogue isn't nearly as "gear" as it would later be and Haney does manage to tattoo a little personality on the bland boy sidekicks. Premiani's art is stiff, but expressive and wonderful. I just can't praise it enough.

I love the Metal Men and I love Ramona Fradon, so #55 is a treat. I've always felt that Haney was one of the few writers besides Kanigher who "got" the Metal Men and this is his first crack at them. Fradon's art makes just about anything better (even that 1970s Plastic Man series), so you can't go wrong with her versions of any of the characters.

It's my pleasure to own a copy of #56 and it's surprisingly well-rounded, all things considered. I sure don't remember Iris West being quite so nasty to Barry Allen in his regular book though. As for Baily's artwork, it's stiffer than I remember it (though still pretty good). He did great work before and after, so perhaps this was just symptomatic of trying to draw "house style" or just lack of interest. One oddity - his complete inability to draw Superman's "S" shield properly.

We skip #57 and #58 (the Metamorpho tryouts) and head straight into #59. First Batman team-up! An excellent Gil Kane cover and nice Fradon interiors keep the art side going strong. As for the story, it has an ingenious time travel gimmick that you should not think about at all or you will be utterly baffled. Also on display is Batman doing something stupid and the public being intensely gullible. In many ways, this issue foreshadows many a B&B to come.

All in all, an entertaining book despite my quibbles. But then, I'm hardly unbiased. Your mileage may vary.

"Numberious" Points

2006-04-08T21:22:00.000-05:00

I just want to mention that I have no idea how the word "numerous" became "numberious" in the previous post, much less how I missed it for FOUR DAYS.

It's fixed now. Let's just assume the Superboy of Earth Prime punched the universe again and move on with our lives.

This reminds that I should clarify something - I don't hate 1)new comics or 2)continuity. As far as new comics go, I'm mostly ambivalent. There are plenty of good ones and bad ones, but very few that appeal to me. I'm still figuring out why that is, but I certainly don't resent them for existing or for not being exactly the way they were in 1975. Does this make me unusual among so-called "old school" fans? (Rhetorical question)

I can recommend wholeheartedly the assorted books from Big Bang Comics. Gary Carlson, Chris Ecker, and the gang have been putting out some of my favorite comics since 1994 and they could sure use your support. If reports are accurate, Protoplasman by Gary and Mort Todd should be in the next Previews. Watch for it!

As for continuity, I'm all for it as a storytelling device. Unfortunately, I feel that continuity has become a "tail wagging the dog" problem in superhero comics. If I have to choose between adhering to the letter of some obscure story and getting an intriguing new story, I know what I'm going to choose. As a recovering continuity addict, I can understand the slavish devotion to continuity, but it's something I'd rather see phased out to a certain degree.

In blogosphere news, I'd like to thank Progressive Ruin and Snap Judgments for the links to this brand new blog. Mike Sterling has become one of my favorite writers about comics and his blog was a definite inspiration to me. I don't know Carla at all (yet), but I discovered her blog recently and enjoyed her writing enough to add it to my links.

Oh, about those links. It was an incredibly arbitrary process in deciding what went there. I mostly went with sites I visit regularly or sites I think deserve more notice. There are tons of great sites out there - these are just a few of my favorites. Expect that list to change as time goes by. In fact, I'm about to do some tinkering right now.

Join me next time when I discuss an incredibly expensive hardcover book with an unintentionally hilarious cover.

The Bob Haney Mystique

2006-04-04T01:26:00.000-05:00

I was a Bob Haney fan when it wasn't cool.

There's been something of a Haney renaissance the last few years, as many fan writers have rediscovered his plot-driven but often completely delirious comics. In fact, my friend Lewis Smith once opined that all of the Haney praise might be something of a "geek chic" - that is, people jumping on a bandwagon because they perceive it to be trendy or something. Maybe. If it is, it would be a wonderful irony.

You see, Bob Haney suffered from a shockingly poor reputation among hardcore comic fans in his time. They didn't appreciate his no-holds-barred, "anything goes" stories that sometimes flew in the face of The Sacred Continuity. There was also the perception that he was a dinosaur - a writer hopelessly out of touch with the times. Instead of getting guidance, he seems to have been left to his own devices before getting squeezed out entirely in the early 1980s.

Now, I had no idea who Bob Haney was for the longest time. I was but a wee lad in the mid-1970s when The Brave and The Bold #125 was one of the earliest superhero comics to end up in my hands. It sure doesn't seem like the kind of book that would appeal to a 3 year old, but that book (with Batman, Flash, an Asian dictator, and an Amelia Earhart stand-in!) is one of the foundations of my comic book fan psyche.

More issues of B&B followed, until the fateful day when Bob was relieved of his duties as writer of the title. It didn't mean anything to me at the time - not really - but the plain truth is the book usually wasn't as interesting after his departure. There was just something about his stories that were more enjoyable than many of the tales by more "fanboy friendly" writers.

What is it about Bob Haney's work that I find so appealing? I think it's the fact that Haney is always trying to tell a STORY. Oh, he can deal out fight scenes and characterization with the best of them. Yet, there was never any doubt that the story was the thing in a Bob Haney comic. You knew when you plunked down your change that you were going to get your money's worth as far as content, if not necessarily quality.

Oh yes, Bob wrote some bad comics in his day. I'll be the first to admit it. But when a Bob Haney comic failed, it failed spectacularly. There was a mad genius to even a bad Haney comic that made it enjoyable. Bob's numerous writing idiosyncracies are one of his hallmarks, and sometimes they worked and sometimes they...didn't.

Sadly, Bob Haney passed away in 2004. However, he did get to see at least some of the newfound respect that has begun to develop for his work. With every passing year, Bob Haney's reputation gets a little more rehabilitation. One of my main goals for this blog is to further that process by attempting to discuss as many Bob Haney comics as I possibly can acquire.

Expect strangeness.

Confidential To Comic Book Fans

2006-03-31T02:14:00.000-06:00

ANOTHER TENDENCY THAT COULD SURELY BE NOTED IN FAN-TURNED-PRO WRITERS, IS THAT THEY'RE STICKLERS FOR CONTINUITY AND CONSISTENCY. HOW DO YOU FEEL ABOUT THIS?

It's fine to an extent, but there is simply so much trivia accumulating, that some things have to be discarded, that you can't feel bound by a story that took place say ten-twenty years ago. Take the origin of Superman: Mort Weisinger changed it to a certain extent, annexing the Superboy legend and various other survivors of Krypton and so on. Details were not always conceived of as being historically momentous. Who knew thirty years ago that Superman would be such an institution today and that all of the little things would have to be explained. Personally I don't feel another editor ten years from now should be bound by what I do today.

TO SOME READERS, THE TIGHTER THE CONSISTENCY, THE MORE BELIEVABLE THEIR FANTASY WORLD BECOMES AND THE MORE THEY ENJOY IT. HOW DO YOU FEEL ABOUT THIS?

The point is that comics are fantasy, telling stories that didn't really happen. When you try to bring too much reality into fantasy, it has a tendency not to be entertaining. So if we're not consistent at times, you simply must excuse us.

--An excerpt from an interview with Julius Schwartz
Interviewer : uncredited (Mark Gruenwald?)
Source : AMAZING WORLD OF DC COMICS #14 (March 1977)
(formatting and punctuation duplicated exactly)

This Blog Is Non-Canonical

2006-03-30T21:57:00.000-06:00

Welcome to Earth B, a weblog named for that DC Comics parallel Earth where stories that did not "fit" into established continuity supposedly took place. I am your humble host Christopher Elam. Some of you in the comics blogosphere may be familiar with me as occasional commenter "C. Elam." After a lot of thinking, I've decided to take the plunge and give comics blogging a try.

A few words about what to expect here are probably in order. I buy very few new comics, so most of my posts will be devoted to old comics and reprint collections of same. I want you to know this up front, because it's very unlikely I'll be doing weekly reviews of new releases. Besides, there are plenty of bloggers who do that job superbly. Snark will be at a minimum as well, because...well, because I really love the silly old comics I'll be discussing. I hope you do, too.
I have no timetable on updating, but I'm shooting for at least once a week. When I get rolling, you can expect posts on The Brave and The Bold, Superman Family, Metamorpho, and World's Finest Comics.

Oh yeah, and I reaaaaally like Bob Haney's work. Just so you know.

Once again, welcome! Enjoy the show!