TAG Blog

Disneyana

2009-11-23T15:55:00.000-08:00

Today was my hat building day, and up on the third floor, a story artist remarked how Princess and the Frog knick knacks are selling really, really well.

"I was told that Target released its P and F stuff early, and that it sold out! And Target has now reordered!

"And the picture isn't even out yet..."

I wasn't sure how accurate this anecdotal evidence was, so when I returned to the office I consulted The Google, who told me ...

The Princess and the Frog Products in High Demand
Pre-film awareness boosts products in the U.S. ...

Since its launch just a few weeks ago, retailers have reported that the range has already begun out-selling other Disney Princess items by double digit percentages.

More than 45,000 dolls have sold in less than a month with 17,000 selling last week alone. At one major retailer, The Princess and the Frog bedding has sold nearly triple the amount of regular Disney Princess bedding ...

So whattayaknow? Apparently the dolls and comforters and wind-up action figures are flying off the shelves.

I said to a couple of other Disney story guys I felt this bodes well for the picture. I told them I thought that the Froggie and Princess would have a solid opening and go on to make money for Diz Co.

(Go ahead, call me a starry-eyed Pollyanna. I'll hate you for it, but you'll be posting anonymously, so what do you care?)

Elsewhere in the animation division, more people informed me that Joe Jump is back on the front burner development-wise, and King of the Elves is being "retooled."

Have a joyous Thanksgiving ... and if you're already on vacation, please know that I'm jealous. (And in case you haven't seen it, the LA Times big piece on Disney Pictures restructuring is here.)

Royal Journey, by Ralph Hulett

2009-11-23T03:12:00.000-08:00

In this dramatic design of simple grandeur, the Three Kings ride majestically through a forest of stately palms.

© 1961 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

Burton Art

2009-11-22T20:14:00.001-08:00

Not Richard's, but Tim's ...

... [F]rom now until April, the Museum of Modern Art in New York is doing just that, with a major career retrospective of Burton’s art and movies.

On display are more than 700 pieces — paintings, sketches and sculptures, including rare concept art — from Burton’s films and abandoned projects ....

Disney hired Burton in 1979, at a time when the animation department was trying to create a dark movie to win back the kinds of teenage audiences who had flocked to “Star Wars.” Burton’s gothic sensibility seemed a natural fit for Disney’s first PG-rated animated feature “The Black Cauldron.”

“Clearly, ‘Black Cauldron’ was a project that was a real Tim Burtonproject. It was about this cauldron that produces armies of evil,” Magliozzi said. “It really inspired Tim. I think he produced 350 pieces of concept [art], not a single one of which was used in the film. ...

Just about every cartoon newbie at the House of Mouse was frustrated by Cauldron, not just Burton.

Musker, Clements, and most other young up-and-comers in the Disney animation department got bounced off the film. Tim, after hearing raves for his designs in different meetings ... and then seeing them go exactly nowhere, ended up getting a toe-hold in live-action by doing lower budget live-action featurettes for the Disney Channel.

He moved on from there, going from Frankenweenie to Pee Wee Herman and beyond.

His development art for different animated projects was edgy and brilliant. And it freaked out a lot of the old guard. They had no idea what to do with it ...

Joe Ranft and Tim Burton ... in simpler times before vampires were truly appreciated.

Ron and John

2009-11-22T19:53:00.000-08:00

... talk about the evolution of story for Princess and the Frog ...

Ron Clements: Disney has actually been interested in the "Frog Prince" all the way back to "Beauty and the Beast." They never got a version they were totally happy with. Weirdly enough, Pixar had been developing versions and they never got quite a version they were happy with. Their version actually started in Chicago and then moved to New Orleans partly because that is John Lasseter's favorite city in the world.

Even more recently, Disney bought the rights to a book called 'The Frog Princess' by an author called E.D. Baker and that was a twist on the fairy tale. In that book, when the princess kissed the frog she became a frog.

I bumped into R & J at a fine Burbank eatery a couple of nights ago. They were on their way to unspool the film at a USC film class, then answer questions afterward.

The usual promotional tour will be happening for them over the next few weeks and months. The picture isn't going out day and date around the globe, so they will be winging to Europe as P and F is sequentially released country by country.

The guys will be globe-trotting into the new year. Lots of hotels, lots of media. (I would say they have better release windows in other countries than they do here, but what can you do? The other conglomerates don't plan their own release calendars for your benefit ...)

Re the Disney Anti-Black Thing ...

2009-11-21T21:03:00.000-08:00

Again.

The main evidence for Walt's racial insensitivity ... is "Song of the South," his 1946 combination of live action and animation based on the Southern folk tales of Joel Chandler Harris, known as Uncle Remus, which, though set in the Reconstruction era, makes the black former slaves seem dependent upon and excessively grateful to their former owners. From any modern racial perspective, the film is cringe-inducing

The constant harping on South and its racism gives me a stomach ache. Is it "cringe inducing" by today's standards? Probably. But compare it to the perennial favorite Gone With the Wind (now in Blu-ray!), and it come across as ninety minutes of enlightened sensitivity.

Part of the problem, of course, is that Walt Disney is a national and corporate icon, while David O. Selznick is a long-dead Hollywood producer. Then there is the other minor detail:

M-O-N-E-Y.

In its time, Song of the South was a tidy little money spinner. But Wind? Factoring for inflation, it's the highest grossing film of all time, and in Freedom's Land, big bucks trump everything else.

So if you think that Time Warner is going to ban GWTW from the public marketplace because some of the supporting players are a tad ... uh ... stereotypical, you don't know how conglomerates work. Nothing stands in the way of a smooth, crisp (and ever shrinking) dollar bill.

So let us heap praise on Gone With the Wind's swell Technicolor, and Vivien Leigh's riveting performance, and remember that cash flow is the reason that the 1939 epic is available in the latest digital technology, while Song of the South has vanished.

Caroling in Foreign Lands

2009-11-21T20:40:00.000-08:00

Christmas Carol took more of a hit at the start of its third domestic weekend, but overseas it hangs in there:

Robert Zemeckis' 3D holiday title "Disney's A Christmas Carol" came in No. 2 in its second frame, grossing $16.2 million from 3,339 playdates in 21 territories, a solid showing. Cume is $33 million. Despite a lackluster opening -- both internationally and domestically -- the film is showing signs of having legs.

International grosses for "Christmas Carol" are running 47% ahead of Zemeckis' worldwide hit "The Polar Express," which scored a foreign cume of $124 million.

In Japan, November 14-19, Christmas Carol cmaein at #1, collecting $3.1 million.

I ran across two veteran Disney artists the other night, who asked what I thought of the feature. As I've said here, I told them I liked it, got swept up in the Three Deeness of the thing, but thought one hindrance was the familiarity of the story. Good as Dickens's tale is (and it is), you walk into your neighborhood multiplex knowing all the twists and turns ... and how it comes out.

That takes a little of the edge off, no?

Pre-Holiday Derby

2009-11-21T16:26:00.001-08:00

Now with double Add Ons.

Daughter of Twilight (the Mom of which helped to take down White Doggie ~~a couple of years~~ a year ago) tears up the box office, earning $72.7 million on Friday ....

The animated contingent -- Planet 51 and Christmas Carol -- hang back in the middle of the pack, earning three million apiece. CC has now crossed the $70 million mark ...

Add On: Fantastic Mr. Fox, not yet a meaningful entry in the horse race, nevertheless had a robust Friday on a per-theater basis:

Fox Searchlight’s "Fantastic Mr. Fox" also minted a hearty per site of $13,103 in its second Friday for $52,000 off four Gotham and Los Angeles playdates. Through eight days, "Mr. Fox" counts a total domestic take of $410,536. Searchlight is scheduled to up the film’s theater count on Wednesday ...

Add On Too: At the finish line, DoT collects $140.7 million, a dandy chunk of change (I'm expecting a sizable drop as it moves along ...)

Back in mid-field, Planet 51 picks up $12.6 million at #4, while 5th place Christmas Carol adds $21.2 million as it moves toward the $80 million marker.

Meanwhilte, CGI effx extravaganza 2012 drops almost 60% during its second go-round, yet still picks up $26.5 million in box office receipts.

It's always useful to remember that the movies with a high "must see" quotient, that get released in a jillion theaters on Day One, usually drop like anvils during their second and third weekends. The people who burned with a red-hot desire to feast their eyes, show up with cash in hand the first weekend, and then move on.

Snow Stream, by Ralph Hulett

2009-11-21T06:12:00.000-08:00

The rush of the icy waters cascading through the crisp white snowbanks across the peaceful countryside.

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image. See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm. Here are more Ralph Hulett Christmas cards.

Friday Linkage

2009-11-20T16:47:00.000-08:00

Your Friday linkfest ... now with salty Add On.

Years in the making and still not done?

Less than a month before the scheduled release of James Cameron's new movie, "Avatar," some scenes from the costly special-effects extravaganza remain unfinished.

Pressure to complete the project by the Dec. 18 release date has risen to the point where crews are working "24-8"—that is, eight days a week—said producer Jon Landau during a break from supervising the work in Los Angeles on Wednesday.

Mr. Landau said that around 30 minutes of the movie remain incomplete, with issues ranging from sound mixing to more serious aspects like visual effects ...

... The eleventh-hour fixes are driving up costs on a project already on track to be one of the most expensive movies ever made. Several factors make the final price tag difficult to estimate, though people with knowledge of the movie's financing say the tally could exceed $300 million.

Wait a minute. Isn't that the standard package with James C.? Big, expensive movies? Gut crushing schedules? ...

They got your Oscar hopefuls right here.

The Academy of Motion Picture Arts and Sciences today announced the ten animated short films that have advanced in the voting process for the 82nd Academy Awards ...

Happy Birthday to the Mouse ... and sorry about the non-flat ears never catching on.

The cartoon character's "look" has grown with technology, and the celebrity mouse has morphed from a hand-drawn, black-and-white figurine, to a sleeker, colorful, computerized cartoon ...

Character designer and Lucas alumnus Roel Banzon Robles talks about his early inspirations and working at I.M. Digital:

...Ray Harryhausen was a huge inspiration for me when I was growing up. He created all the effects for movies like “Jason and the Argonauts,” “Sinbad and the Eye of the Tiger” and “Clash of the Titans.” He inspired me to want to work in the film industry. Ralph McQuarrie, Joe Johnston and Nilo Rodis-Jamero, the artists from “Star Wars,” were also a great inspiration, especially Nilo, since he’s Filipino. It helped me realize that I could also thrive in the same profession.

When I was in my teens, I discovered the fantasy art of Frank Frazetta, as well. There have been many more, but those five were the key inspirations. I’m lucky to say that I’m friends with Ray Harryhausen and Ralph McQuarrie. I was so excited when I received a Christmas card from Harryhausen. I totally geeked out!

... I was involved in helping design the characters of “A Christmas Carol.” Doug Chiang, the production designer, would give us his thoughts on the characters, and we would go off and do our take on a particular character. I worked on every character, except for Marley and the Ghost of Christmas Yet to Come.

Jeffrey K., his mission having been accomplished with stereo movies, is moving on ...

... Katzenberg ... told Intel Capital's CEO Summit in Huntington Beach, California that he is even more excited about the creative potential of this "scalable multi-core processing".

"Ten years from now I think this will be a tipping point for how we view entertainment and how entertainment views the world," he said of the chips ... He ... screened eye-popping sports footage on 3-D-enabled television that he predicted would be in 30 percent of US households by 2013, with early adoption spurred by sports and video games ....

I''ve been hearing about threatened American animation for years. Now I come to understand that cartoons in the U.S. of A. aren't the only threatened species.

England's animation industry could be "extinct" within five years unless it is afforded tax breaks that the wider film industry already enjoys, leaders in the field have warned

Animation in the country "is at a tipping point: it either survives or dies", industry leaders wrote in a joint letter to The Daily Telegraph.

Shows such as Wallace & Gromit, Bob the Builder and Noddy have made England "a recognised centre for animation", they said.

But they forecast: "Within a matter of years, we will not be producing any such fantastic properties as a result of tax breaks and government incentives in other countries."

And we end on a sad note. Some fans of Tintin are apparently miffed.

French Tintin fans are threatening to boycott a forthcoming Steven Spielberg film after the British husband of Hergé's widow sued a fan for printing pamphlets on the comic hero.

Add On: The LA Times maintains that Oscar "favorites" in the animated shorts department might not be favorites after all:

The Best Animated Short category has been historically a bit of a wild card, due partly to the fact that there are no advance awards to help in the decision-making (there is no corresponding category with the Golden Globes or an award show of equal magnitude), and partly to the fact that because academy voters must view all of the nominees, their decisions in the past have been based as much on their hearts as critical acclaim and box office returns.

It's the weekend, so go someplace tranquil and refresh your spirits.

A Mo Cap Tussle?

2009-11-20T11:08:00.000-08:00

Of course, motion capture has been around since the days of Out of the Ink Well, Snow White and Gulliver's Travels. Then it was called "rotoscope." Now it's digitized and goes by the handle "Mo Cap."

Whatever the name, SAG looks to be discussing the procedure with movie producers in 2011.

... [T]he Screen Actors Guild is investigating how thesps perform the work -- a signal the issue may emerge as a factor in next year's contract negotiations. In an announcement this week, SAG invited members and non-members who do the work to a Dec. 3 session at the guild's Hollywood headquarters to discuss the impact of performance capture. The contract department staff and members of the TV/Theatrical Standing Committee will attend. It's the first such meeting SAG has held on the issue ...

...[SAG] members have expressed the desire for language spelling out motion capture work during the "wages and working conditions" process to formulate contract proposals. But the companies have responded during negotiations by asserting that mocap -- the emerging lingo for the work -- is a "non-mandatory" subject of bargaining and not open to negotiation.

Looks to me like their might be some teensy collision coming up here.

I really have no idea what terms and conditions SAG has for Mo Cap, but if they're sniffing around, I imagine they want to make the terms better, because ...

... thesps have expressed concerns in recent years over the dearth of specific language in the master contract over how motion capture performances are covered ...

TAG and the IA cover computer work on some Mo Cap features, but the actors in the wired suits are SAG's department. Guess we'll see how this shakes out.

Fragments of Positiveness

2009-11-19T19:36:00.000-08:00

Lets face it. TV animation has been a weak link in the cartoon business for a while now. Disney TVA has, of late, been a shadow of its mid-nineties self. Universal Animation Studio has dwindled away to nothing. Nick is doing fewer hand-drawn shows and shifting to three-dimensional computer graphics. Even non-signator Mike Young has cut lots of people loose.

In the midst of all this, it's nice to receive at least a little good news ...

For instance, yesterday at Disney TVA, a veteran director told me:

"This place is going to fill up in the next six months. We're going to have a lot bigger staff working and more shows being made ..."

I didn't ask him how he knew this. I also didn't ask him for specifics, but I know that Jake and the Nverland Pirates is ramping up, as is Inspector Oso, and of course Phineas and Ferb soldiers on.

And then there is this snippet about Cartoon Network:

Cartoon Network’s weekly prime time performance earned solid ratings and delivery gains among all kids demos compared to the same time period last year. Across the third week of November, average kids 2-11 delivery (845,000) climbed by 9% and ratings (2.1) by 11%; average kids 6-11 delivery (566,000) climbed by 4% and ratings (2.3) by 5%; and average kids 9-14 delivery (453,000) climbed by 1% and ratings (1.9) by 6% ...

Animated originals BEN 10: ALIEN FORCE (Friday, 8:30 p.m.) and BATMAN: THE BRAVE & THE BOLD (Friday, 7:30 p.m.) both charted double-digit growth among their key audiences. Compared to the same time period last year, BEN 10: ALIEN FORCE advanced kids 2-11 delivery (1,013,000) by 26% and ratings (2.5) by 25%, while boys 2-11 delivery (769,000) and ratings (3.7) both rose by 16%. BATMAN: THE BRAVE & THE BOLD advanced kids 9-14 delivery (501,000) by 33% and ratings (2.1) by 40%, while boys 9-14 delivery (379,000) jumped by 17% and ratings (3.0) by 15%.

My take on TV animated product is, it's a highly cyclical creature. For as long as I can remember, the television cartoon has been a rollercoaster, with huge surges of production (and employment) followed by big declines. This pattern goes all the way back to the Bronze Age of TV animation, when a big leap in production (1959-1961) was followed by a depression (1962).

Small screen cartoons have followed this pattern ever since. But despite declining license fees and corporate determination to do things as cheaply as possible, animated TV shows are sturdy performers in the market segment, playing to sizable audiences decade after decade.

That's something you can't say about live action specimens such as Have Gun, Will Travel or Bat Masterson. Those pieces of entertainment ... and many others like them will never make anybody any kind of cash flow. They are as dead as the proverbial dodo.

But cartoons like The Flintstones, Scooby Doo and Yogi Bear? Those shows are anything but extinct. Which is why animation keeps getting produced.

Tooners' Health Costs

2009-11-19T14:31:00.001-08:00

Down below a commenter asks:

What does it cost per/individual for our 'cadillac' healthcare plans?

The Caddy Plan of which this person speaks is the Motion Picture Industry Health and Pension Plan. I phoned the Plan this very day, and here are the basic stats ...

Motion Picture Health Plan

Plan Participants -- 120,000 (100,000 Actives; 20,000 Retirees)

Annual Costs: $700+ million

Active Participant cost (per participant) -- $11,000

Retiree Participant cost (per participant) -- $8,000

COBRA costs (participant + 2 -- family of 3) -- $18,000

Okay, those are the broad-brush numbers. (Blogging rule: Never get into boring detail with a post.) If you're wondering why the Retirees' costs are lower than the Actives', it's because many Retirees (those 65 years and up) have Medicare as their primary insurer, and the Industry Health Plan is the secondary insurer. A few other basic realities:

MPIPHP's costs increase 9%-10% yearly. (Sometimes it's a bit higher, sometimes a bit lower. Health Plan actuaries assume costs will double every 10 years.)

Health care costs in the wider U.S.A. have increased 1 1/2% to 2% faster than the Motion Picture Industry's Health Plan, which has bargaining leverage because of its size. However, because or rising costs, Health Care benefits have been trimmed .... and trimmed again. (Anybody who's been under this Industry Health coverage for some time know that costs have gone up and benefits down.)

The long and short of it is: The present track we are on means that everybody will be doing with less over time. The United States has the most fractured and expensive health care delivery system in the world. The next most expensive country is Switzerland, which has universal coverage, 40% lower costs, and no "public option." The Swiss government simply mandates that every private health insurer offer an "at cost" Health Plan, with mandated benefits. (Swiss health insurance companies are free to sell for-profit "add-ons" to their hearts content.)

Give me the Swiss system and I'm fine. I'll forgo the dreaded Public Option.

Home For Christmas, by Ralph Hulett

2009-11-19T03:12:00.000-08:00

"Over the river and through the woods
To grandfather's house we'll go
The horse knows the way
To carry the sleigh,
Through white and drifted snow"

— L. M. Child

© 1961 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

We've Officially Moved Past Penguins

2009-11-18T21:56:00.001-08:00

Now it's all about owls.

The big-budget fantasy film [The Guardians of Ga'hoole], is in production in Sydney and directed by Zack Snyder .... The film follows Soren, a young owl enthralled by his father's epic stories of the Guardians of Ga'Hoole, a mythic band of winged warriors

Stands to reason that Animal Logic is staying with the bird thing. Their penguin epic made big bucks.

An Industry Health Care Story

2009-11-18T09:58:00.000-08:00

Today the Congressional Budget Office gave a reasonably good score to pending health care legislation:

A U.S. Senate healthcare reform plan ... meets President Barack Obama's goals on costs and deficit reduction, budget analysts said ...

... Democratic leader Harry Reid will release legislation the non-partisan Congressional Budget Office said would cost $849 billion over 10 years ... A Senate aide said the CBO also estimated the Senate plan will reduce the deficit by $127 billion over 10 years and $650 billion in the second decade, while cutting the number of uninsured by 31 million ...

So maybe this thing will pass, and maybe it won't. I have my view of the matter, which I won't share here because A) You can guess what it is, and B) It's tangential to the story I'm about to unspool ...

I have a close friend, an artist, who has worked in the cartoon industry longer than I have, but has only twenty-eight years in the industry pension and health plan because, at the start of his career, he couldn't get a job at a union shop.

Happily, after a few years he landed that coveted union gig and his career took off.

Unhappily, after working for twenty-eight years at three different union studios, he hit the proverbial brick wall common to a lot of people in this business. His support network of fellow professionals died and/or retired and he was eased out to pasture by thirty-somethings at the ripe age of fifty-seven.

An old story, all too often told.

My friend is now fifty-nine. Life being what it is, after failing to land any jobs in his long-time profession he took early retirement, which means he got a lot less in his monthly pension check than he would have if he'd held on.

But he couldn't hold on. He kept looking for work, going on job interviews, not getting anything. The Motion Picture Industry Health Insurance ran out, COBRA ran out, and he steadily burned through savings.

Then three months ago his luck changed: "A job just dropped in my lap, and I took it." The job paid $14 per hour, working in a storage facility, no benefits. But it allowed him to earn enough money to buy the thousand dollar a month health care policy he needs to survive, since he's one of those lucky duckies with "a pre-existing condition," and so can't buy lower cost coverage.

As he said to me recently: "What I can get doesn't cover all the prescription drugs I take, but at least I've got a job now and can afford to pay for a stripped-down health plan, even if it is super expensive..."

Such a deal. A super-expensive medical plan. For a man too old for work in his long-time occupation, yet too young for a full pension or Medicare or Social Security. And his retirement accounts, accumulated over a lifetime of work, steadily melt away.

I watch the health care debate, and the hand-wringing about socialism and "subsidized abortions," and then I think of the $700 billion that Hank Paulson gave Goldman Sachs, Citigroup, and Bank of America, and the large bonuses those fine companies -- saved from bankruptcy by your tax dollars and mine -- now hand out to their oh-so-deserving executives. And I say to myself:

"There are politicians worried about socialism? Where the fuck were these people fourteen months ago, when they couldn't create socialism fast enough when it came to Bank of America, Goldman Sachs and Citigroup. Who the fuck are these people kidding?"

And then I think of my friend, slowly descending into poverty because he can't get a job that pays much of anything and can't get health insurance that costs less than an arm and a leg. And I get all warm and tingly knowing that although he might be eating it, at least Goldman Sachs, Bank of America and Citigroup have been saved by federal socialism so that they can rape and pillage another day.

God bless America.

Linkage in Mid-November

2009-11-17T20:52:00.000-08:00

Linked bits of Animationland, just for you.

Mr. Newman admits it's just not the same.

[Princess and the Frog] composer Randy Newman ... said writing for traditional animation was a little different from writing for Pixar's GC toons. "The music has a diifferent movement. You can't really play too long because the mood will change ..."

("GC toons". It is the french "Graphique de Computer," in case you're wondering.)

The Globes catch up to the Oscars:

The Golden Globes' animated feature category has been expanded from three to five after a vote last week by the Hollywood Foreign Press Assn.

Fantastic Mr. Fox, an actor's paradise?

... The voice performances rank among the most richly nuanced ever captured for an animated feature, with Clooney (speaking slightly below his usual register, as if everything were a self-conscious aside) and Streep (resplendent as a former wildcat turned nurturing Earth mother) doing some of the best work of their illustrious careers. Among the movie's many virtues, they render an unusually convincing portrait of a marriage, a reminder that the most unexpected thing about Anderson's film is — underneath all the carefully affixed, wind-sensitive whiskers and fur — how deeply human it is.

And here's a story that makes me tingle. Mass Animation, the wonderful folks you brought you this ... are now inviting animators to join them for this:

Now Mass Animation is involved in another Facebook project with Sony Online Entertainment and DC Comics. This week the DC Universe Online Animation Contest was announced. This is being called version 2.0 of the Mass Animation FB app and will give DC fans, gamers, and animators a chance to animate characters from the DC Universe online game that Sony is developing. This is another example of Mass Animation allowing fans to collaborate on a big product. The contest will launch on December 7.

Exciting, no? It's the brave new world of indentured servitude.

And Sean Connery's come-back to film-making has been ricocheting around the intertubes, to wit:

Connery is making a semi-return as he’s voicing the lead character in the animated film, Sir Billi. Connery is a producer on the project and has been heavily involved with its production.

Lastly, Mr. Ross continues his winter house-cleaning at the Disney Co.

... Walt Disney Studios chief Rich Ross has pulled the plug on a planned $150-million production of "Captain Nemo: 20,000 Leagues Under the Sea" -- the last project approved by his predecessor Dick Cook.

The family adventure movie -- a high priority for Disney that the studio had envisioned as a potential franchise along the lines of "Pirates of the Caribbean" -- was scheduled to begin shooting in February in Mexico. Disney had already spent about $10 million hiring crews, who were prepping the movie and planning to build elaborate sets in Rosarito Beach. Artwork and construction of models were underway. ...

It appears that mny of the projects beloved by Dick Cook now have the stink of death about them. Ah well. That's Hollywood.

Have a fine time plowing through the middle of your week.

TV Animation's Beginnings

2009-11-17T15:40:00.000-08:00

A couple of years after I morphed out of my fetal stage, I remember watching a cartoon rabbit with a big. slow-witted sidekick on the family's small, black-and-white set.

The cartoon characters' names were Crusader Rabbit and Rags the Tiger.

I didn't realize that I was watching teevee animation's pioneer show ...

"[Jay Ward] and a childhood friend from pre-kindergarten, Alex Anderson, who was an artist, got together and created Crusader Rabbit," says Tiffany Ward, Jay’s daughter, who has run the family business for the past 20 years. "Crusader Rabbit was the first cartoon ever created for television. They did the show for a couple of years and then they lost the rights in a lawsuit.

"Alex went back into an advertising career, and my dad, who had a real-estate office in Berkeley, Calif., tried many different things, like marketing gourmet coffees from around the world. But he still loved the idea of cartoons and animation."

... "If you look at Crusader Rabbit, who was a plucky little hero, and at Rags the Tiger, who was the big, dumb sidekick, you can sort of see Rocky and Bullwinkle, the same kind of duo, just as different animals," Tiffany Ward says. "They put the show together, went on the air with it, and they had a big hit." ...

Consider the above. A Harvard MBA [Mr. Ward] jumps into the cartoon business, sets up shop in the San Francisco Bay area, and pretty much invents the template for television animation. (Eight years later, the unemployed cartoonists Bill Hanna and Joe Barbera jump in and get the lion's share of credit for inventing television animation, but Jay Ward is there first.)

As a kid in the late fifties and early sixties, I kicked around the edges of the industry. As I look back I'm amazed at how small, casual and interconnected it all was.

Almost everybody knew everybody, either personally or by reputation. Artists jumped around from studio to studio, going from Disney to Snowball to Hanna-Barbera. Gate-keepers and administrators were few and far between. (Disney Animation had a production-support staff of three in the 1970s.)

So the fact that Jay Ward could drift in and out of the t.v. animation business and make for himself two cartoon hits -- Crusader Rabbit, then Rocky and Bullwinkle -- isn't particulalry amazing, given the times. Fifty years back the stakes were low. Cartoons were a sleepy little sub-set of the motion picture industry to which only elementary school kids paid attention. Outside of their peers, nobody had heard of Chuck Jones or Tex Avery or Jay Ward.

Today, of course, the stakes (and grosses) are huge, and Hollywood pays close attention to Animationland. Cartoon studio bureaucracies are bloated, artists need to navigate batteries of tests and have their digitized portfolios and demo reels at the ready. The world has changed, and Jay Ward would probably find it a bit more complicated to gain entrance to the kingdom.

But his Harvard MBA would come in handy.

Guiding Star, by Ralph Hulett

2009-11-17T03:12:00.000-08:00

Guided by the Christmas Star, the Three Kings seek the Christ Child.

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

Home-Grown Toons Across the Seas

2009-11-16T15:57:00.000-08:00

The reality of which we often lose sight is that the U.S. of A. is not the Alpha and Omega of the animated feature. There are any number of countries that create toonage for their home markets, work that seldom sees the light of a projection lamp on other continents.

France, Germany, India and others create local animation; the list is long. India, with a huge domestic film industry, is now working to break its product out of a regional straitjacket and expand it onto world markets:

... With changing global trends, Indian animation motion pictures are ready for a makeover. Taking cue from Hollywood’s animation movies on superheroes, Indian production companies are now growing out of mythological subjects to make films on larger-than-life superheroes of Indian cinema.

... “Animation films in India do not have a good market at present. They mainly rely on mythological characters, a niche market limiting the films largely to an Indian audience. In Hollywood, over 60 animated films have been made in 10 years and more are on the anvil” said the Vijay Paranjpe, Chief Financial Officer of Crest Animation Studios.

The revenue out of animation feature films, DVD licensing and TV licensing for movies is huge, which makes Hollywood the best destination for any animation film. For instance, US filmmaker gets, on an average, $ 300 million for an animated movie, as they are instant hit among the audience, he says.

Mr. Paranjpe -- whose studio long ago purchased Rich Animation in Burbank, California -- is just a tad optimistic regarding the financial power or American animated features. But he's on the money about foreign cartoons peforming weakly in the world film market.

Since World War I, American films have been major crowd-pleasers around the globe. I've never been entirely sure why this is, since there are certainly excellent foreign films that get made on a regular basis. Maybe it's our mongrel American culture, maybe it's economic muscle, or maybe it's plain old good luck. Whatever the reason, the long tentacles of Hollywood product reach everywhere, and the animated sub-set is no exception.

There's DreamWorks, there's Pixar, and the American cartoonist name Disney is known everywhere. Most foreign animation artists' fame -- with the possible exception of Miyazaki -- stops at their home-country's border.

Maybe this will change as we grope our way into the 21st century, or maybe not. Me, I think that India has major challenges in becoming a big-time player in the animation marketplace, but I'm not one to never say never.

Heinz 57 Wage Minimums

2009-11-16T09:35:00.001-08:00

Back in the Good Old Days (1995?), TAG had one contract, and one set of wage minimum scales that were all tucked into our handy dandy contract in a few pages at the back of our little book.

But times have changed ...

We now have different wage minimums for various studios we represent. Some minimums are increasing at 3.5% per year ... some at 3% ... and others at 2%. (Why is this? Different demands, different negotiations for different agreements.)

Here are the various wage minimums at employers we represent. Some (such as the recently ratified TSL/TTL and IM Digital contracts) have been agreed to in writing and ratified, but the actual dollars and cents tables haven't been set in stone; we'll post the new numbers for these contracts as soon as we have them from the IATSE which negotiated them.*

And then there's the standard bargaining-unit contract that TAG negotiates. Although it was ratified in September, we're still awaiting the final word from the employers on the wage minimum calculations we sent them over two months ago. We're confident that the "version 1.0" numbers we've posted are entirely correct, but we want to qualify that although the Powers That Be have long since agreed in writing to the increases that the membership ratified, they haven't put their Official Stamp Of Approval on our calculations.

With more and more people working at these minimum rates (and remember, they are minimums), we think it's important to keep you informed about what you should be making.

(When you have the dollars-and-cents numbers, you have more knowledge to negotiate your individual deal, correct?)

* Lacking the "official numbers", you can always just add two percent to the third-year rates from the previous IM Digital and TSL/TTL agreements.

It's All About the C.G. Images

2009-11-15T11:04:00.000-08:00

Computer generated cinema is where it's at this weekend.

Sony's Roland Emmerich disaster pic "2012" crushed the worldwide box office, grossing an estimated $160 million at the foreign box office and an estimated $65 million domestically for a total haul of $225 million. If those numbers hold, "2012" will have scored the 9th best global debut of all time. ...

I doubt I'l be seeing it, because I hold dear Charlton Heston's stirring performance in Earthquake, and don't want to sully the memory of that fine disaster flick.

Meantime, toonage is holding up okay around the globe.

Weekend brought some much-needed solace for the Mouse House as Robert Zemeckis' "Disney's A Christmas Carol" fell just 26% in its second frame to an estimated $22.3 million for a cume of $63.3 million ...

Winter Wonderland, by Ralph Hulett

2009-11-15T03:12:00.000-08:00

Winter's Wonderland of thick-coated deer, pungent pine and white spaces of snowy fields.

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

The Next Big Thing

2009-11-15T00:40:00.000-08:00

So here comes the Game Changer.

... To observe Cameron directing "Avatar" is to witness filmmaking as it's never been done before. Whereas most movies add all of their visual effects in post-production, Cameron was able to see fully composited shots in real time: The actors he was directing may have been performing in front of a blank green screen, but Cameron's camera eyepiece -- not to mention giant 3-D television monitors -- immediately displayed lush, synthetic backgrounds ...

"The revolution, the change that Jim has brought about is that for the first time the CGI-created characters have a reality and an emotionality that completely conveys the actors' performances," said Tom Rothman, co-chairman of Fox Filmed Entertainment. "That was the big leap -- that you would care about a CGI-created character."

Uh ... I guess these folks have never seen any other CGI-created characters before.

Maybe Avatar will be the greatest piece of movie-making since The Wizard of Oz, but when I saw the trailer in glorious Big Screen Three Dee, I thought:

"Gee. It's J. J. Abrams' Star Trek meets Bill Kroyer's Fern Gully."

Which, I donno, might catapult us to new new heights in feature-length entertainment, but swear to God, I just don't see it.

Somebody please educate me, quick. Because when I see moving foregrounds, moving backgrounds, and lots of tumbling actors all wrapped inside three dimensions, I get a headache.

OTOH, it will undoubtedly have a stupendous opening weekend, it might be totally enchanting despite the trailer, and it has put a hell of a lot of animators and technical directors to work.

The Mid-Month Derby

2009-11-14T15:39:00.000-08:00

Now with hot, buttered Add On.

The Nikkster informs us that animation continues to shine brightly.

... Disney's A Christmas Carol showed an excellent hold for No. 2, down just -38% from a week ago with $5.6 million Friday from 3,653 plays for what could be around $20M for the weekend ...

... Wes Anderson's "The Fantastic Mr. Fox" from, of course, Fox, got off to a good start in 2 theaters in NY and 2 in LA for $70K today and a location average of $17,500 per screen. This should put the animated pic comfortably over $200K for the weekend.

There are plenty of animated features rolling out in the near future, from The Princess and the Frog to the hybrid Avatar to the Spanish-made Planet 51. And the train keeps rolling ...

Add On: And the derby finishes with the two big C.G.I movies on top, with Christmas Carol declining a mere 25.7%:

1) 2012 -- $65 million

2) Christmas Carol -- $22.3 million

3) Men Who Stare at Goats -- $6.2 million

4) Precious -- $6.1 million

5) This Is It -- $5.1 million

There are no doubt cheerful faces in Burbank and Novato tonight.

Why Animation Keeps Expanding -- Part 13

2009-11-13T22:52:00.000-08:00

Rentrak announces the reasons animation keeps booming.

1) G.I. Joe: The Rise of Cobra

2) Ice Age: Dawn of the Dinosaurs

3) Transformers: Revenge of the Fallen

4) Tinker Bell And The Lost Treasure

5) The Taking of Pelham 1 2 3

6) The Proposal

7) Ice Age 3: Dawn of the Dinosaurs

8) Aliens in the Attic

9) Twilight

10) Star Wars: The Clone Wars - The Complete Season One

So do the counting. Pure toonage occupies the 2nd, 4th, 7th and 10th positions. The semi-animated Transformers sits at #3, and there's dollops of animation sprinkled atop a couple of the others.

If you have the right skill sets, the odds are relatively high that you won't lack gainful employment.

TAG Blog

Disneyana

Royal Journey, by Ralph Hulett

© 1961 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.Here are more Ralph Hulett Christmas cards.

Burton Art

Ron and John

Re the Disney Anti-Black Thing ...

Caroling in Foreign Lands

Pre-Holiday Derby

Snow Stream, by Ralph Hulett

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image. See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm. Here are more Ralph Hulett Christmas cards.

Friday Linkage

A Mo Cap Tussle?

Fragments of Positiveness

Tooners' Health Costs

Home For Christmas, by Ralph Hulett

© 1961 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.Here are more Ralph Hulett Christmas cards.

We've Officially Moved Past Penguins

An Industry Health Care Story

Linkage in Mid-November

TV Animation's Beginnings

Guiding Star, by Ralph Hulett

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.Here are more Ralph Hulett Christmas cards.

Home-Grown Toons Across the Seas

Heinz 57 Wage Minimums

It's All About the C.G. Images

Winter Wonderland, by Ralph Hulett

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.Here are more Ralph Hulett Christmas cards.

The Next Big Thing

The Mid-Month Derby

Why Animation Keeps Expanding -- Part 13

© 1961 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

© 1961 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

See Ralph Hulett Christmas card designs at TAG's art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.