<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-21679474</id><updated>2009-11-26T21:52:43.590-03:00</updated><title type='text'>noticias arquitectura / blog</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://noticiasarquitecturablog.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21679474/posts/default'/><link rel='alternate' type='text/html' href='http://noticiasarquitecturablog.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/21679474/posts/default?start-index=26&amp;max-results=25'/><author><name>na</name><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>821</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-21679474.post-883954825873994284</id><published>2009-11-26T21:51:00.002-03:00</published><updated>2009-11-26T21:52:43.601-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura'/><category scheme='http://www.blogger.com/atom/ns#' term='especiales NA'/><title type='text'>Bar House, Castle Creek, Colorado - Estados Unidos, Peter Gluck and Partners</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_AbNytNzp2SY/Sw8iw7qReZI/AAAAAAAACR4/YV-9SYAYFOc/s1600/bar-house.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 265px;" src="http://2.bp.blogspot.com/_AbNytNzp2SY/Sw8iw7qReZI/AAAAAAAACR4/YV-9SYAYFOc/s400/bar-house.jpg" alt="" id="BLOGGER_PHOTO_ID_5408579901539318162" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;Bar House, Castle Creek, Colorado - Estados Unidos / Peter Gluck and Partners&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt; Publicado en &lt;a target="_blank" href="http://www.noticiasarquitectura.info/"&gt;NA&lt;/a&gt;    (28/09/09) &lt;a target="_blank" href="http://www.noticiasarquitectura.info/especiales/bar-house.htm"&gt;&gt;&gt;&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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[&lt;a target="_blank" href="http://www.diarionorte.com/noticia.php?numero=41115"&gt;Diario  Norte&lt;/a&gt;]&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_AbNytNzp2SY/Sw8NwziLEsI/AAAAAAAACRg/ezNS-WsIa_U/s1600/diario-norte-papel.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 335px;" src="http://4.bp.blogspot.com/_AbNytNzp2SY/Sw8NwziLEsI/AAAAAAAACRg/ezNS-WsIa_U/s400/diario-norte-papel.jpg" alt="" id="BLOGGER_PHOTO_ID_5408556809613677250" border="0" /&gt;&lt;/a&gt;La edición (en papel) del 22/11/09 del Diario NORTE&lt;br /&gt;&lt;br /&gt;Esperemos que el gobernador, a quien esta semana le fue presentado este  proyecto, y el equipo técnico que "analizará la viabilidad y la financiación de  la inversión, así como el marco LEGAL de su funcionamiento".se den por enterados  de este "desliz".....&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt; vía &gt; &lt;a target="_blank" href="http://www.diarionorte.com/noticia.php?numero=41115"&gt;Diario  Norte&lt;/a&gt; / gracias Marcelo por la info!&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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El Street View llegó a la Ciudad de México (parte I)</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;&lt;iframe marginheight="0" marginwidth="0" src="http://maps.google.es/maps/sv?cbp=12,72.48,,0,-6.71&amp;amp;cbll=19.433167,-99.134075&amp;amp;panoid=&amp;amp;v=1&amp;amp;hl=es&amp;amp;gl=es" frameborder="0" height="232" scrolling="no" width="410"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a target="_blank" href="http://es.wikipedia.org/wiki/Plaza_de_la_Constituci%C3%B3n_%28Ciudad_de_M%C3%A9xico%29"&gt;Plaza de la Constitución&lt;/a&gt;&lt;/span&gt;  &lt;/div&gt;&lt;p style="text-align: justify;"&gt; &lt;span style="font-size:85%;"&gt;&lt;iframe marginheight="0" marginwidth="0" src="http://maps.google.es/maps/sv?cbp=13,326.74,,0,-3.18&amp;amp;cbll=19.410985,-99.192305&amp;amp;panoid=&amp;amp;v=1&amp;amp;hl=es&amp;amp;gl=es" frameborder="0" height="232" scrolling="no" width="410"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a target="_blank" href="http://www.casaluisbarragan.org/"&gt;Casa Luis Barragán&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; 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Nació en Múrom, en el Óblast de Vladímir, Rusia en 1863 y se formó como químico. Estudió con renombrados científicos en San Petersburgo, Berlín y París, desarrollando las técnicas para las primeras fotografías en color.&lt;br /&gt;De sus resultados surgieron las primeras patentes de películas positivas a colores y de proyección de películas con movimiento. Hacia 1905, Prokudin-Gorskii concibió el gran proyecto de documentar, con fotografías en colores, la enorme diversidad de historia, cultura y avances del Imperio ruso, para ser utilizado en las escuelas del imperio.&lt;br /&gt;Su proceso utilizaba una cámara que tomaba una serie de fotos monocromáticas en secuencia muy rápida, cada una a través de un filtro de color diferente. Al proyectar las tres fotos monocromáticas con luz del color adecuado era posible reconstruir la escena con los colores originales. Sin embargo, no disponía de mecanismo para realizar impresiones de las fotos así obtenidas.&lt;br /&gt;Para su proyecto, el Zar Nicolás II puso a la disposición de Prokudin-Gorskii, un vagón de tren equipado con un cámara oscura y los insumos necesarios. Igualmente obtuvo todos los permisos para visitar áreas de acceso restringido y contar con el apoyo de la burocracia del imperio. Así equipado, Prokudin-Gorskii recorrió el imperio entre 1909 y 1915, documentándolo con imágenes y dando a conocer la magnitud del imperio a sus habitantes.&lt;br /&gt;En 1918, Prokudin-Gorskii deja Rusia. Luego de enterarse de la muerte del Zar y de su familia se establece en París donde fallece en 1944.&lt;br /&gt;La Biblioteca del Congreso de los Estados Unidos compró, en 1948, las imágenes a sus herederos y, en 2001, organizó la exhibición &lt;a target="_blank" href="http://www.loc.gov/exhibits/empire/"&gt;El Imperio que fue  Rusia&lt;/a&gt;. Para esa ocasión se realizó el copiado digital de sus imágenes a partir de los tres originales monocromáticos de cada foto (&lt;a target="_blank" href="http://es.wikipedia.org/wiki/Serg%C3%A9i_Prokudin-Gorski"&gt;Wikipedia&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_AbNytNzp2SY/SuTixruzjMI/AAAAAAAACQg/pPhZnvkeSqg/s1600-h/rusia-color1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 389px; height: 400px;" src="http://4.bp.blogspot.com/_AbNytNzp2SY/SuTixruzjMI/AAAAAAAACQg/pPhZnvkeSqg/s400/rusia-color1.jpg" alt="" id="BLOGGER_PHOTO_ID_5396687596677205186" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;Monasterio San Nil Stolbenskii Monastery, Lago Seliger; 1910&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_AbNytNzp2SY/SuTil72CntI/AAAAAAAACQY/jHo5NWIw64k/s1600-h/rusia-color2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 335px;" src="http://4.bp.blogspot.com/_AbNytNzp2SY/SuTil72CntI/AAAAAAAACQY/jHo5NWIw64k/s400/rusia-color2.jpg" alt="" id="BLOGGER_PHOTO_ID_5396687394844090066" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;Iglesia de la Resurrección en el Grove, 1910&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_AbNytNzp2SY/SuTib5dYG1I/AAAAAAAACQQ/I6osFJKIdl4/s1600-h/rusia-color3.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 340px;" src="http://2.bp.blogspot.com/_AbNytNzp2SY/SuTib5dYG1I/AAAAAAAACQQ/I6osFJKIdl4/s400/rusia-color3.jpg" alt="" id="BLOGGER_PHOTO_ID_5396687222405077842" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;Puente del tren Trans-Siberiano, sobre el río Kama. Región de los Montes Urales,  1910&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_AbNytNzp2SY/SuTiM0ngKSI/AAAAAAAACQI/xv5mnDsSPEU/s1600-h/rusia-color4.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 352px;" src="http://2.bp.blogspot.com/_AbNytNzp2SY/SuTiM0ngKSI/AAAAAAAACQI/xv5mnDsSPEU/s400/rusia-color4.jpg" alt="" id="BLOGGER_PHOTO_ID_5396686963407333666" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;Palacio Likanskii desde el río Kura, 1905 - 1915&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_AbNytNzp2SY/SuTh4fYkhdI/AAAAAAAACQA/Zu4-DKfPiLk/s1600-h/rusia-color5.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 349px;" src="http://4.bp.blogspot.com/_AbNytNzp2SY/SuTh4fYkhdI/AAAAAAAACQA/Zu4-DKfPiLk/s400/rusia-color5.jpg" alt="" id="BLOGGER_PHOTO_ID_5396686614110176722" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;Alim Khan, Emir de Bukhara, 1905 - 1915&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt; + imágenes &gt; &lt;a target="_blank" href="http://blogs.denverpost.com/captured/2009/10/21/color-photography-from-russian-in-the-early-1900s/"&gt; denverpost.com&lt;/a&gt; / &lt;a target="_blank" href="http://www.loc.gov/exhibits/empire/"&gt;Library of  Congress&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt; vía &gt; &lt;a target="_blank" href="http://twitter.com/gallo1"&gt;@gallo1&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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Situado en el centro de la ciudad, junto al Puente de la Almozara, el solar presentaba un acusado desnivel topográfico, de unos cinco metros, entre el paseo y la plaza, en el nivel superior, y el parque de riberas del río Ebro. El proyecto se basa en dos ideas fundamentales: la primera nace de la respuesta a esta especial significación urbana y paisajística del lugar, mediante una configuración y definición formal del edificio que propone una intensa relación con el paisaje; la segunda trata de expresar la relación intrínseca entre el compromiso medioambiental del proyecto y su materialidad y el programa del edificio, que alberga la Sección de Montes y Áreas Naturales del Servicio de Medio Ambiente del Ayuntamiento de Zaragoza.&lt;br /&gt;La relación con los espacios urbanos colindantes y las características topográficas del solar se convierten en condiciones activas de la implantación del edificio, haciendo coincidir los niveles de las diferentes plantas y accesos con los ya existentes. Estas relaciones se aprecian con claridad en la sección del proyecto, que también pone de manifiesto la prolongación del espacio público del acceso, a través de la cubierta, y la configuración del edificio como plataforma-mirador hacia el río Ebro. El contraste entre el basamento macizo de la plataforma, en continuidad con los muros de la subestación eléctrica preexistente, y la ligereza del pabellón de vidrio y madera apoyado sobre este nivel, constituye una de las características formales del proyecto, que responde también a la organización funcional de los diferentes usos.&lt;br /&gt;Dado el desnivel de la parcela, el acceso principal al edificio se encuentra situado en el nivel superior definido por el paseo y la plaza sobre la subestación eléctrica. En esta planta, de uso público, se ubican los espacios administrativos y el aula medioambiental. El vestíbulo principal une y separa ambos espacios, permitiendo su uso independiente. La configuración en vuelo del aula, tanto en el plano del suelo como en el techo, permite incorporar al carácter de este espacio una visión panorámica continua de 180º, con una cierta sensación flotante sobre el parque. La entreplanta situada sobre el vestíbulo alberga despachos de apoyo al uso del aula para reuniones y conferencias. Bajo el nivel de acceso, en el zócalo, se localizan las dependencias de acceso restringido de la Unidad de Montes y Áreas Naturales: garaje, vestuarios, cuartos de guardas, almacenes e instalaciones. Esta planta inferior cuenta con acceso peatonal y rodado desde el Parque de Riberas.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_AbNytNzp2SY/St0Hu0ppKII/AAAAAAAACPo/6gVf6WPm4bk/s1600-h/magen-medio-ambiente-zaragoza2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5394476429648406658" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: pointer; HEIGHT: 170px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_AbNytNzp2SY/St0Hu0ppKII/AAAAAAAACPo/6gVf6WPm4bk/s400/magen-medio-ambiente-zaragoza2.jpg" border="0" /&gt;&lt;/a&gt;Dentro de la concepción paisajística del edificio, la cubierta resulta ser un elemento fundamental y la imagen principal del edificio desde los edificios de viviendas del frente urbano hacia el parque. Como prolongación del espacio público exterior y con acceso desde el vestíbulo, la cubierta se configura como un mirador en diferentes niveles, relacionados a través de planos inclinados de suave pendiente y un graderío aterrazado, previsto como anfiteatro al aire libre para posibles usos lúdicos. Por otra parte, la demanda programática de un cierto carácter pedagógico en el compromiso medioambiental del proyecto, presente en la elección de materiales y soluciones constructivas y energéticas, tiene una manifestación visible en la cubierta, mediante cubiertas ecológicas y ajardinadas, placas solares y placas fotovoltaicas, de las que se obtiene la electricidad para la iluminación nocturna, mediante luminarias empotradas continuas en el perímetro del aula y de las oficinas, que convierte al edificio por las noches en faro iluminado en el paisaje del parque.&lt;br /&gt;La propuesta nace de una necesidad pública y de construir un paisaje urbano, para después, desde la construcción y la expresividad de los materiales, atender a aquellos aspectos más sensitivos y sensoriales de la condición material y física del edificio. El contraste entre el panel de hormigón abujardado y tintado negro, en diferentes texturas (estriado, en celosía y liso) del basamento, y el nivel superior, con paños continuos de vidrio sin carpintería y tablas de madera en fachadas y celosías, define la configuración formal del edificio. El proyecto busca dotar del máximo valor de uso y expresividad a la madera de ipe, presente desde el origen del proyecto, y utilizada en el edificio, en tablas de 15 cm. de anchura, que conforman fachadas, celosías y dinteles, pavimentos, paredes y techos, tanto exteriores como interiores, donde, mientras el revestimiento de las zonas públicas es de madera de ipe, son tableros OSB y carpinterías de acero en color negro, de suelo a techo, los que definen el acabado interior de la Unidad de Montes y Áreas Naturales.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.magenarquitectos.com/" target="_blank"&gt;Magén Arquitectos&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;span style="font-size:85%;"&gt;Otras obras publicadas de Magén Arquitectos &lt;a href="http://noticiasarquitecturablog.blogspot.com/search?q=Mag%C3%A9n+Arquitectos" target="_blank"&gt;&gt;&gt;&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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