tag:blogger.com,1999:blog-208031052009-07-05T10:10:57.081-04:00EXCESS COPYRIGHTIntellectual property law is good. Excess in intellectual property law is not. This blog is about excess in Canadian and international copyright law, trademarks law and patent law. I practice IP law with Macera &amp; Jarzyna, LLP in Ottawa, Canada. I&#39;ve also been in government and academe. My views are purely personal and don&#39;t necessarily reflect those of my firm or any of its clients. Nothing on this blog should be taken as legal advice.Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.comBlogger524125tag:blogger.com,1999:blog-20803105.post-24764108385323615972009-07-04T18:06:00.007-04:002009-07-05T10:10:57.094-04:00Canadian Copyright Consulations - Summer of 2009? You Betcha!<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2008/09/18/SarahPalin460.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 460px; height: 276px;" src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2008/09/18/SarahPalin460.jpg" alt="" border="0" /></a><span style="font-size:78%;"><span style="font-size:100%;">A Town Hall Meeting</span> (The Guardian)<br /><br /></span></div>Speaking of town hall meetings, rumours are rife about a summer consultation on Canadain copyright law.Here's a recent <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.billboard.biz/bbbiz/content_display/industry/e3i8ec34ef6f7ad9c74742744921b2e9250">Billboard report, </a>by Robert Thompson, who looks at the issue from the standpoint of the record industry, as he usually does. (How I miss Larry Leblanc, who was tended to look at life from all sides now).<br /><br />Any announcement had best come soon and I sense that it will. We're now well into July. There will be difficult logistical questions as to timing, format, etc. Live town halls or online, or both? Not to mention that it's already well into summer time, when the livin' should be easy.<br /><br />It's hard to see how any live town hall meetings or other live events can take place over the summer at this stage, especially cross country.<br /><br />In any event, let's hope that the Government avoids one obvious trap that some will likely advocate for, namely that an interested person or organization should be able to make a confidential submission to this process.<br /><br />If there is to be an online consultation exercise, all <span style="font-style: italic;">bona fide </span>submissions in either official language that are on point and not profane should be posted in a transparent and timely manner, right after whatever closing date is established. There is no reason why all such submissions should not be made public in a timely manner.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-2476410838532361597?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-43437876322599750232009-07-04T12:06:00.007-04:002009-07-04T13:35:40.071-04:00Update on BNN Copyright ClipsI've just learned from <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.michaelgeist.ca/content/view/4096/196/">Michael Geist's update</a> that there is an important follow up to a story about take downs from YouTube at the behest of Canada's Business News Network ("BNN") of clips concerning the Canadian copyright debate, in one of which I was a participant. This was based upon an <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.ccer.ca/canadian-copyright-reform/bnn-trying-to-silence-the-canadian-copyright-debate/">original posting </a>by the Canadian Coalition for Electronic Rights ("CCER"), on June 30, 2008 noted by <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.michaelgeist.ca/content/view/4096/196/">Michael Geist</a>. BNN has since denied any censorship intentions. <br /><p>CCER has now revised and updated its <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.ccer.ca/canadian-copyright-reform/bnn-trying-to-silence-the-canadian-copyright-debate/">original posting</a> and notes as follows:<br /></p> <p><strong></strong></p> <blockquote style="font-style: italic; color: rgb(255, 0, 0);"><strong>UPDATE</strong>: Rose Noonan of the Business News Network has provided CCER with clear evidence that BNN is indeed targeting all YouTube content and not just that relating to the Canadian copyright debate. While this is a reassuring development it is at the same time troubling that in a time when many broadcasters are forging partnerships with YouTube BNN has chosen the forced removal of content. Detailed post to follow.</blockquote><span style="text-decoration: underline;"><span style="font-weight: bold;"></span></span><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.zeropaid.com/news/86576/bnn-refutes-copyright-censorship-accusations/">Zeropaid has a report</a> which includes quotes from a BNN spokesperson:<br /><blockquote style="color: rgb(255, 0, 0); font-style: italic;"> <p>“When it became evident that numerous unauthorized BNN clips were posted on Youtube, a request was made that they remove all of the clips. This process involves finding each individual URL and sending them to Youtube to request that they be taken down. Attempts were made to find all the clips, but if there are still some there, that is an indication that a few may have been overlooked. There was never any intention to target clips of any topic.” Noonan said.</p> <p>“In total,” Noonan said, “over 193 BNN clips were removed from Youtube – less than 3% of these clips were related to copyright. They were clips covering numerous topics and certainly not limited to copyright issues or anything else.”</p> </blockquote>Also, Jesse Hirsh has <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://jessehirsh.com/censorship-in-canadas-copyright-debate">updated his blog</a> on this issue and says:<br /><p><strong></strong></p><blockquote style="font-style: italic; color: rgb(255, 0, 0);"><p><strong>Update:</strong> Rose Noonan from BNN promptly got in touch with me to clarify that in fact they are removing *all* BNN videos from YouTube. So this is not an example of censorship in Canada's copyright debate, and that they are not discriminating against a particular topic, but rather are removing the items regardless of the topic.</p> <p>While I still disagree with their actions I acknowledge that they are not targeting copyright in particular nor do they wish to curtail the debate on this subject.</p></blockquote>I'm happy to read BNN's side of this story and relieved that it has indicated that censorship was not afoot in this instance. Accordingly, and since I was in a sense a part of this story, having been a participant in one of the interviews in questions, I have taken down my own blog entry on this subject from July 1, 2009. And I have not been contacted by BNN.<br /><br /><div>HK<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-4343787632259975023?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-2334348183625651632009-07-03T13:08:00.003-04:002009-07-03T22:30:43.210-04:00From Girl Scouts to Ringtones<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.nycgovparks.org/sub_things_to_do/attractions/public_art/arsenal_gallery/2002_pages/queens_jewels/images/girlscouts_main.jpg"><img style="cursor: pointer; width: 260px; height: 202px;" src="http://www.nycgovparks.org/sub_things_to_do/attractions/public_art/arsenal_gallery/2002_pages/queens_jewels/images/girlscouts_main.jpg" alt="" border="0" /></a> ASCAP THEN AND NOW<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.furrrr.com/Mobile%20LG/lg2.jpg"><img style="cursor: pointer; width: 123px; height: 204px;" src="http://www.furrrr.com/Mobile%20LG/lg2.jpg" alt="" border="0" /></a><br /><br /><br />In the USA, ASCAP, who once tried to license Girl Scouts for singing around camp fires, is now <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.techdirt.com/articles/20090620/1836345299.shtml">taking the position </a>that when a ringtone is heard in public, that's a public performance. ASCAP won't sue the phone users but want's to add another layer to the payments already being made behind the scenes. This is beginning to sound rather like Canada.<br /><br />So before whistling or singing in public, as the late Michael Jackson said, in another context, "Remember to always think twice." SOCAN, ASCAP's cousin, already<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://socan.ca/pdf/GovCaRevisedTariffs/Tariff10A.pdf"> goes after buskers</a> via cities, transit commissions, etc.<br /><br />Best thing is to be safer and just whistle a happy tune from Verdi, Puccini, Bach or Mozart.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-233434818362565163?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-15073045849260967372009-06-29T20:46:00.006-04:002009-06-30T08:26:53.947-04:00More on Myths about Myths about DownloadingHere's a fairly detailed <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.slaw.ca/2009/06/26/maybe-the-jury-didnt-like-the-songs/">guest blog on</a> the influential <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://slaw.ca/">SLAW </a> site about downloading in Canada. It's by Neil Melliship of Clark, Wilson.<br /><br />Glad to say he agrees with<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2009/06/more-myths-about-myths-about-file.html"> my take from a few days ago.</a><br /><br />HT to MG.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-1507304584926096737?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-86024645461425130472009-06-27T18:41:00.008-04:002009-07-01T10:05:12.121-04:00Posner's Peculiar Proposal<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.charlierose.com/images_toplevel/content/0/34/segment_348_460x345.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 306px; height: 230px;" src="http://www.charlierose.com/images_toplevel/content/0/34/segment_348_460x345.jpg" alt="" border="0" /></a><br />Judge Richard Posner, one of the most prolific, provocative and brilliant judges, legal scholars and public intellectuals of all time (and the only blogger on the bench of whom I know), has come up with a <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.becker-posner-blog.com/archives/2009/06/the_future_of_n.html">frankly bizarre proposal</a> to save newspapers. He wants to toughen up copyright law to make linking or paraphrasing without permission illegal. He may not realize that news websites can <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://en.wikipedia.org/wiki/Robots_exclusion_standard">use embedded robots text code</a> to prevent aggregator sites from linking if they so wish (few do). And to make linking without permission illegal would basically destroy the internet. Linking is what the "world wide web" is all about.<br /><br />Here's his bottom line:<br /><blockquote style="color: rgb(255, 0, 0); font-style: italic;">Expanding copyright law to bar online access to copyrighted materials without the copyright holder's consent, or to bar linking to or paraphrasing copyrighted materials without the copyright holder's consent, might be necessary to keep free riding on content financed by online newspapers from so impairing the incentive to create costly news-gathering operations that news services like Reuters and the Associated Press would become the only professional, nongovernmental sources of news and opinion.</blockquote>Yes, newspapers are suffering and not just because of the drop in advertising revenue due to the recession. But a drastic change in copyright that would protect facts and prevent linking and would likely do nothing to rescue a lost business model surely isn't the answer.<br /><br />HK<br /><br />PS: Mark Lemley has pointed me to an earlier article from 2003 by the same Judge Posner called <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.houstonlawreview.org/archive/downloads/40-3_pdf/Posnerg2r.pdf">"Misappropriation: A Dirge."</a> The title says it all. It's hard to fit the 2003 piece with the above.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-8602464546142513047?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-47721662821079221742009-06-27T16:31:00.011-04:002009-06-28T16:15:39.954-04:00MORE ACCESS EXCESS<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.allnationsstampandcoin.com/images/news/100b.jpg"><img style="cursor: pointer; width: 335px; height: 160px;" src="http://www.allnationsstampandcoin.com/images/news/100b.jpg" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://adambowker.files.wordpress.com/2009/02/ccpyrgt.jpg"><img style="cursor: pointer; width: 199px; height: 199px;" src="http://adambowker.files.wordpress.com/2009/02/ccpyrgt.jpg" alt="" border="0" /></a><div style="text-align: left;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.allnationsstampandcoin.com/images/news/100b.jpg"><br /></a></div><div style="text-align: center;"><br /></div><div>If one thinks that it’s excessive for Access Copyright (“AC”) to get $5.16 per K-12 student for a total of about $20 million a year not counting Quebec, get ready for this.</div><div><br /></div><div>For 2010-2012, AC wants to increase this to $15 per K-12 student. There are about 4 million of these “FTEs”. So that’s about <b><span class="Apple-style-span" style="color: rgb(255, 0, 0);">$60 million a year.</span></b></div><div><br /></div><div>AC will throw in rights to make copies of lost sheet music and choir parts. That’s sweet of them, considering that AC probably has little if any music in its repertoire. It will be really interesting to see what, if anything, the<a href="http://www.musicpublishercanada.ca/"><span class="Apple-style-span" style="color: rgb(51, 102, 255);"><b> Canadian Music Publishers Association</b></span></a> does about this. Turf is at stake, not to mention money. The Copyright Board should not be certifying tariffs for collectives that can't provide repertoire entitlement. Why AC got a free pass in the June 26, 2009 decision on this issue without submitting evidence is not apparent.<br /></div><div><br /></div><div>And as if that’s not enough, <span style="font-weight: bold; color: rgb(255, 0, 0);">AC wants $24 per year for every FTE employee of provincial and territorial governments</span>. I don't know exactly how many such FTEs there are, but there are about 340,000 members of the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://en.wikipedia.org/wiki/National_Union_of_Public_and_General_Employees">National Union of Public and General Employees</a> which appears to be the main union. Add in managers and perhaps other unions - and I would guess there are about 500,000 provincial public sector FTE employees in Canada.<br /><br />And I’d surprised if most or all of the photocopying that goes on insider government is for anything other than internal housekeeping (i.e. copying of internal government documents) or “research” purposes, so government can do its job. Like lawyers serving their clients in the Supreme's landmark<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://scc.lexum.umontreal.ca/en/2004/2004scc13/2004scc13.html"> CCH decision</a>. Let’s see if anyone steps up to plate to defend Canadian taxpayers here. <span class="Apple-style-span" style="color: rgb(255, 0, 0);"><b>At least $12 million a year at stake here.Not to mention the cascade effect on the federeal government, </b></span>which has tended to be rather generous to Access Copyright in the past, at least. If corporations and law firms are virually all taking a pass on AC licenses because they can normally charachterize their copying activity as mostly, if not all, being "research" or for internal admin purposes, one would think that governments would have an even stronger case for doing so. Except that some governments - including notably the Federal governemnt - decided early on that it was politically correct to sign expensive licenses with AC, which gave AC crucial funding to get up and running and chase after more markets.<br /><br />Will governments be responsible with taxpayer dollars in the current climate?<br /></div><br /><div><a href="http://cb-cda.gc.ca/tariffs-tarifs/proposed-proposes/2009/20090509-r-b.pdf"><span class="Apple-style-span" style="color: rgb(51, 102, 255);"><b>Here’s the proposed tariff.</b></span></a> The <span style="font-weight: bold; color: rgb(255, 0, 0);">deadline to file an objection is July 8, 2009.</span></div><div><br /></div><div>HK</div><div><br /></div><div><br /></div><div><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-4772166282107922174?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-90986581034769581062009-06-27T14:32:00.004-04:002009-06-29T12:04:51.321-04:00Canada's Intervention at WIPO SCCR meetingThis is a summary of Canada's intervention at the WIPO SCCR meeting May 25-29, 2008. As can be seen, Canada is more positive about the concept of treaty for the rights of the blind than certain other prominent Group B countries:<br /><blockquote style="color: rgb(255, 0, 0); font-style: italic;"><span style="font-size:130%;"></span></blockquote><div><span style="font-family:Shruti;"></span><blockquote style="font-style: italic;"><span style=";font-family:Shruti;font-size:100%;" >The Canadian delegation made two interventions at the meeting, one on access by the visually impaired to copyright works (on May 27) and the other the proposed treaty on broadcasters' rights (on May 28).</span> <p><span style=";font-family:Shruti;font-size:100%;" >The substantive discussion on access by the visually impaired focussed primarily on the Brazil, Ecuador and Paraguay draft treaty.</span></p> <p><span style=";font-family:Shruti;font-size:100%;" >The Canadian intervention on this issue included the following elements:</span> </p> <p><span style="color: rgb(0, 0, 0);font-family:Shruti;font-size:100%;" >1) It noted that it would be premature for the Canadian delegation to comment specifically on the Brazil, Ecuador and Paraguay draft treaty (given that it was introduced during the meeting). </span></p> <p><span style="color: rgb(0, 0, 0);font-family:Shruti;font-size:100%;" >2) It said that any instrument should allow a variety of mechanisms for the production of accessible copies for domestic purposes, e.g. an exception, a compulsory licence or a conditional exception. </span></p> <p><span style="color: rgb(0, 0, 0);font-family:Shruti;font-size:100%;" >3) It expressed general principles that should feature in any eventual solution. The principles expressed were intended to apply regardless of the type of instrument (i.e. binding or non-binding) which might be adopted.</span></p> <p><span style="color: rgb(0, 0, 0);font-family:Shruti;font-size:100%;" >4) It noted that countries should be allowed to have different types of limitations or exceptions with respect to different types of adapted materials. </span></p> <p><span style="color: rgb(0, 0, 0);font-family:Shruti;font-size:100%;" >(Note: for example, a country might have an exception to produce Braille material but a compulsory licence to produce audiobooks.)</span></p> <p><span style="color: rgb(0, 0, 0);font-family:Shruti;font-size:100%;" >5) It noted that it is not necessary to have a uniform rule in all countries to allow the international exchange of adapted materials.</span></p> <p><span style=";font-family:Shruti;font-size:100%;" >6) It noted that it would be necessary to discuss the norms which would apply to the exchange of materials among countries which have different limitations or exceptions for the production of adapted material.</span></p> <p><span style=";font-family:Shruti;font-size:100%;" >(Note: for example the export of an adapted copy made under an exception to a country which used a compulsory licence.)</span> </p> <p><span style=";font-family:Shruti;font-size:100%;" >7) It noted that any instrument should facilitate the international exchange of adapted material.</span> </p> <p><span style=";font-family:Shruti;font-size:100%;" >8) It would be necessary to clarify how the three step test for limitations and exceptions applies to the import and export of material made under a limitation or exception.</span><span style="font-size:100%;"><span lang="fr-ca"></span></span></p> <p><span style="font-size:100%;"><span lang="fr-ca"><span style="font-family:Arial;">-----------------------------------------------------------------</span></span></span></p></blockquote><p><span lang="fr-ca"><span style=";font-family:Arial;font-size:85%;" ></span></span></p><p><span style="font-family:Shruti;"><i></i></span></p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-9098658103476958106?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-34310192998483173822009-06-26T18:04:00.022-04:002009-06-28T19:58:48.997-04:00Excess Access Copyright Tariff Ruling<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/commons/d/db/Hugo_Oehmichen_Im_Kindergarten.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 247px;" src="http://upload.wikimedia.org/wikipedia/commons/d/db/Hugo_Oehmichen_Im_Kindergarten.jpg" alt="" border="0" /></a><br />While both sides will no doubt claim some element of victory, the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://cb-cda.gc.ca/decisions/2009/20090626-b.pdf">Copyright Board's decision </a>today in the K-12 reprography matter is bad news for Canadian educators, librarians, students, and taxpayers. The price of knowledge just went up a lot today in Canada.<br /><br />Access Copyright (“AC”) was opposed by the provincial Ministers of Education (other than Quebec) and each of the Ontario School Boards (“the Educators”). It took that Board almost two years to issue a decision that essentially divides the amount sought by AC ($8.92) and the amount proposed by the Educators of $2.43 per FTE more or less down the middle to arrive at $5.16 per FTE. The exact arithmetic average would have been $5.68. Oh yes - there is a lot of detail about fair dealing - with a little bit of water in everybody's wine.<br /><br />The amount per FTE paid for on behalf of K-12 students will more than double to $5.16 from the amount previously paid. With almost 4 million FTEs, and an increase of almost $3 per FTE over the previous negotiated rate, Access Copyright will reap a windfall of about $12 million a year from Canadian taxpayers - not counting those in Quebec.<br /><br />Moreover, the decision eliminates the admittedly dubious “indemnity” scheme operated by Access Copyright for works not in its repertoire. The Board accepted Access's argument, without supporting evidence, that more than 99 per cent of works reproduced by educational institutions are currently part of its repertoire. That seems to be very counter-intuitive, considering the vast number of publishers and authors from around the world who have never heard of Access Copyright and the iffy international payment system for reprographic rights.<br /><br />So - taxpayers in English Canada will pay out $12 million more per year and lose their indemnity scheme, which was about the only sensible thing about the previously negotiated deal from the user viewpoint, even if Access Copyright is not a licensed indemnity/insurance company.<br /><br />The fair dealing analysis is complicated and inconclusive overall - but overall probably a real setback for users. The Board ruled that what the teachers do for the students (“upstream dealing”) isn't fair dealing. On the other hand, criticism by students needn't be communicated to the public to invoke fair dealing.<br /><br />But the main problem with the fair dealing issue may have been that the Educators had agreed at an early stage of these proceedings to a survey methodology that resulted in evidence that by their later admission “needs to be collected differently” in light of the<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://scc.lexum.umontreal.ca/en/2004/2004scc13/2004scc13.html"> CCH v. LSUC</a> case, even though it was obvious at the outset that the landmark CCH decision could and should affect what happens in Canadian schools. The Educators then tried to use a law professor's opinion to show that “most, if not all, photocopying in schools is fair dealing”, an approach that the Board naturally rejected, since it is for the Board to make this determination, not a professor. (If only the Board were so hard nosed on some of the other opinion evidence it accepts without question or even qualification of the witness!)<br /><br />Incidentally, as I've said before on many occasions going back to<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2006/02/excess-caution.html"> the early days of this blog</a> in early 2006, the educators in Canada - particularly the K-12 crowd under CMEC - apparently are still largely ignoring the potentially empowering and money saving potential of the CCH decision. CMEC still publishes and endorses and countless educators and school officials in Canada rely upon <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://cmec.ca/Publications/Lists/Publications/Attachments/12/copyrightmatters.pdf">Copyright Matters!</a> by Wanda Noel and Gerald Breau, which is aimed at teachers and which, as <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2006/10/cmec-and-captain-copyright-matters.html">I have noted before</a>, is overly cautious and was obsolete at the time of publication of the second edition in 2005. This is because it does not mention or appear to even take into account the landmark 2004 decision of the Supreme Court of Canada in <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://scc.lexum.umontreal.ca/en/2004/2004scc13/2004scc13.html">CCH v. LSUC</a> that opens the door to fair dealing for purposes of research or private study, and says in crystal clear language that copying of an entire work may well be fair dealing. As well, the CMEC publication perpetuates what is essentially an urban myth - that copying anything more than 10% of a work is illegal.<br /><br />It may be that this excessively cautious approach to the CCH decision influenced the approach taken to the survey methodology that the Educators later tried to resile from.<br /><br />In any event, and for whatever reasons, by the time the hearing took place, now almost two years ago, the evidence that the Educators may have needed on fair dealing may not have been available.<br /><br />The Board used its usual complex methodology of crunching numbers to establish values - all of which is difficult to understand and normally impossible to reverse on judicial review.<br /><br />This decision will set a dreadful precedent for higher education. If K-12 students generate $5.16 per year for AC, what will university students be worth? AC will argue that they will be worth several times more.<br /><br />This will result in a huge windfall for AC now and down the line, which is suffering now from the decline of reprography in general. With the internet, reprography is much less important. AC will try to go digital. This could impact well beyond schools and universities to ISPs and others, especially if the educators get their educational exception for the internet and its inevitable <span style="font-style: italic;">“a contrario</span>” implications. The educators enthusiasm for this proposed exception can ultimately only benefit AC.<br /><br /><span style="font-weight: bold;">Meanwhile, AC has budgeted an astonishing $915,000 for “Copyright Board applications” for 2009 </span>- when there are no AC hearings scheduled. You can bet that this is going straight into the Mother of all cases aimed at post secondary copying. Will anyone step up to the plate to fight this really hard with a truly adversarial approach aimed at saving the taxpayers tens of millions of dollars? Based upon what we have seen in the past, it's very unlikely.<br /><br />BTW, the real incongruity here is that American schools and universities simply don't face payments of this type. Worse still, these payments and the enormous bureaucracy required to support them also put a big chill on the use of material in the classroom - again, something that doesn't happen in the USA or other countries that are leaving Canada in the dust when it comes to competitiveness and innovation.<br /><br />All of this is something to consider when we revise our <span style="font-weight: bold; font-style: italic;">Copyright Act</span> and think about Canadian competitiveness and innovation. We have a series of incredibly picky little exceptions for educators and librarians, who have fared poorly in the legislative forum in the past. We need to think outside the box - and look no further than the USA to adopt classroom exceptions and make other changes such as “such as” language in the fair dealing provisions. Otherwise, Canadian taxpayers will get poorer, students will get less educated, and only collectives and their managers and counsel will continue to benefit.<br /><br />Do we really want to pay more for less education?<br /><br />Both sides may have a tricky task in succeeding in judicial review in this instance, because most of what the Board did appears to involve the assessment of evidence. There may be some scope for review on the legal results flowing from that evidence, but it may be hard to extricate the evidence from the legal issues - which would mean that the Board gets more deference.<br /><br />However, given the deep and ultimately taxpayer funded pockets on both sides, a judicial review attempt by one or both sides would not be surprising.<br /><br />HK<div><br /></div><div>PS - there will be a whopping four year retroactive liability here of about $18 million a year starting in 2005-2006. That's about $72 million to date, of which about $40 million is additioanl to what was already presumably being paid at the old rate, allowing for a token disccount of 10% to soften this blow. It'll be really interesting to see what AC does with all of this. Almost two of this four year period involved waiting for the Board to issue its decision after the hearing concluded. In fact, most of the hearing took place in June, 2007 with some follow up delayed unitl October of 2007 due to the illness of a key AC witness.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-3431019299848317382?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-25757301519880303162009-06-24T17:15:00.006-04:002009-06-25T14:13:42.285-04:00Copyright Reform Back on Course?<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/mLme4avxTus&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en&amp;feature=player_embedded&amp;fs=1"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed src="http://www.youtube.com/v/mLme4avxTus&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="425" height="344"></embed></object><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/C_OHx2PpsoQ&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en&amp;feature=player_embedded&amp;fs=1"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed src="http://www.youtube.com/v/C_OHx2PpsoQ&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="425" height="344"></embed></object><br /><br />There's very<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.michaelgeist.ca/content/view/4077/125/"> encouraging news from Michael Geist</a>, who was at Monday's exclusive government digital agenda pow wow.<br /><br />There are strong indications that Ministers Clement and Moore really "get it" when it comes to copyright reform and its relation to innovation, and matters generally digital and cultural.<br /><br />Minister Clement, who has incredibly important responsibilities for everything from competition to communications to copyright, notes that a lot has changed since Bill C-61. And the twittering, young, and very tech savvy Minister Moore once again prominently notes Michael Geist's tweets as a positive example of all that can be done with the various gadgets that he carries in his pockets and uses so often and so well.<br /><br />All of these positive statements and strong hints at what could be a very exciting and constructive consultation process can be seen on Michael's <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.michaelgeist.ca/content/view/4077/125/">posting today.</a><br /><br />Lobbying organizations such as CRIA and CMPDA, which have clearly spent a fortune trying to hijack the copyright policy agenda in Canada for their members' special purposes and <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.michaelgeist.ca/content/view/4079/125/">engage in "policy laundering" regarding their own role</a>, may be worried about ministers who actually care about balance, innovation, cool technology and culture - and who are clearly listening to voices other than those of the usual suspects.<br /><br />Could Canada get back on track and show some world leadership here? That would be cool indeed.<br /><br />Clearly, what we are currently seeing in France, the UK, and<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.wired.com/threatlevel/2009/06/thomasfollow/"> in the USA </a>is not the way to go. Any smart politician - and both Ministers are clearly very smart - can see that directions such as three strikes, statutory minimum damages against individuals, and digital lock downs are neither good policy nor good politics.<br /><br />This could be an interesting and hopefully very productive summer.<br /><br />Hopefully, we finally have the right Ministers, the right officials, the right politics and the right timing to modernize Canada's copyright law in a constructive, balanced and forward thinking manner - rather than resorting to desperate and artificial attempts to preserve failed and obsolete business models.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-2575730151988030316?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com1tag:blogger.com,1999:blog-20803105.post-41992125650474187672009-06-24T16:58:00.009-04:002009-06-25T07:56:35.554-04:00A Canadian Copyright Policy Laundering Flow Chart<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://lh4.ggpht.com/_hZCZghFiAAI/Sj7W6mo_f6I/AAAAAAAAABQ/5W6PW6wHY6M/s400/CopyrightLobbying.png"><img style="cursor: pointer; width: 313px; height: 344px;" src="http://lh4.ggpht.com/_hZCZghFiAAI/Sj7W6mo_f6I/AAAAAAAAABQ/5W6PW6wHY6M/s400/CopyrightLobbying.png" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.theregister.co.uk/2005/03/22/fingerprints_in_colour.jpg"><img style="cursor: pointer; width: 277px; height: 340px;" src="http://www.theregister.co.uk/2005/03/22/fingerprints_in_colour.jpg" alt="" border="0" /></a><br />Michael Geist/The Register<br /></div><br />Michael Geist has a <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.michaelgeist.ca/content/view/4079/125/">thorough and excellent analysis today</a> of the role of CRIA and CMPDA in copyright "policy laundering", as he calls it, in Canada - including in the recent Conference Board imbroglio. I had <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2009/06/more-conference-board-of-canada-fallout.html">raised some questions</a> about these two organizations in this context on June 17, 2009.<br /><br />All of this may even be more incestuous than Michael's chart shows. For example, the USTR gets its "301" information from the International Intellectual Property Association ("IIPA"), a Washington advocacy group that runs out of a couple of Washington law offices and is heavily influenced by the US entertainment industries. As I have mentioned<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2009/05/american-based-copyright-lobbying.html"> earlier</a>, the reports on Canada are prepared with the considerable input of a well known Washington lawyer named <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.msk.com/attorneys.asp?id=1583">Steve Metalitz.</a><br /><br />And do you wonder where the IIPA gets its information about Canada?<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-4199212565047418767?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-24282618463843455702009-06-19T10:18:00.005-04:002009-06-19T15:20:15.528-04:00Boyle on Obama Admin Opposition to Rights for the Blind, etc.Jamie Boyle - who was one of the pioneers of the articulate and erudite academic movement in favour of balanced copyright has a good piece in the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.ft.com/cms/s/0/350fc16a-5bef-11de-aea3-00144feabdc0.html?nclick_check=1">Financial Times</a> today.<br /><br />It indicates that the Obama administration is opposing rights for the blind due to its deference to the content owners agenda.<br /><br />Here's his conclusion, re the proposal under discussion at WIPO:<br /><blockquote style="font-style: italic; color: rgb(255, 0, 0);">Why oppose this proposal? Scaremongering aside, there is no real threat to anyone’s business model here. But if one sees any limitation of the most extreme version of copyright as a dangerous and ideologically driven attack on property itself, well then, one must fight. This proposal represents the ideas that rights should have limits and that we should harmonise limitations and exceptions as well as rights themselves. It is that principle, the principle of balance, that must be resisted. Even if it puts one in the embarrassing position of – ever so pragmatically – sacrificing one’s blind citizens to an industry agenda. In a world where we have to deal with torture and climate change and the collapse of our economic system, this little piece of moral cowardice is not something many people are going to notice. But it leaves a nasty taste in the mouth, nonetheless.</blockquote><br />Save this while you can. These things don't last too long at the FT website.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-2428261846384345570?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com2tag:blogger.com,1999:blog-20803105.post-33601916816989838962009-06-18T17:39:00.006-04:002009-06-18T19:13:27.144-04:00RIAA: Be Careful What You Wish ForVarious tweets from Minnesota confirm that a federal jury as just returned an astonishing verdict of $1,920,000 against Jammie Thomas for downloading 24 songs. That's $80,000 per song.<br /><br />So I post this now - more in sadness than in anger.<br /><br />Whether or not Ms. Thomas is the ideal post-card defendant for this type of case (she clearly isn't, since there were obvious credibility issues), and whether or not she had counsel capable of matching the RIAA team at critical stages, this is not a verdict that should please the RIAA.<br /><br />If a single mother of two kids, age 32, can be whacked for almost $2 million for downloading 24 songs, and the RIAA actually believes that such a verdict should be enforced, can a law that allows this to happen be left on the books for long?<br /><br />It's important to note that, in the USA, bankruptcy does not necessarily discharge a debt involving "willful" infringement. This was clearly such a "willful" case in the eyes of the jury and the amount of $80,000 per work is more than half of the maximum permitted under the statute for such infringement.<br /><br />So - the RIAA has probably achieved more than it wished for here. It has the dubious honour of having achieved a damage award of $1,920,000 for downloading 24 songs - a fraction of what millions of American households have probably downloaded without authorization.<br /><br />Given the civil wrongs caused by drunk drivers, incompetent and/or dishonest doctors and lawyers, polluting corporations, and countless others scenarios, the American justice system should take no pride in this verdict.<br /><br />It could very well come back to haunt those who are now celebrating it. Maybe sooner rather than later in the form of a constitutional challenge to the damage award.<br /><br />HK<br /><br />PS - here's the Ars Technica <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://arstechnica.com/tech-policy/news/2009/06/jammie-thomas-retrial-verdict.ars">story.</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-3360191681698983896?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com1tag:blogger.com,1999:blog-20803105.post-55166679706548218562009-06-17T16:52:00.013-04:002009-06-18T22:51:28.523-04:00More Myths about Myths about File Sharing<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.wdc.com/global/images/products/img2/300/wdfMyBook_Essential2.0_1U.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 300px;" src="http://www.wdc.com/global/images/products/img2/300/wdfMyBook_Essential2.0_1U.jpg" alt="" border="0" /></a><br /><div style="text-align: center;"><span style="font-size:180%;">250,000 legal and levy free P2P songs for less than CDN $200?<br />Can CRIA seriously say it isn't so?<br /><br /></span></div>Richard Pfohl of CRIA has taken on Prof. Michael Geist in a <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.thestar.com/article/649521">letter to the Editor</a><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.thestar.com/comment/columnists/article/647038"> </a>published in The Star on June 12, 2009 in response to Geist's<span style="color: rgb(51, 102, 255);"> </span><a style="font-weight: bold;" href="http://www.thestar.com/comment/columnists/article/647038"><span style="color: rgb(51, 102, 255);">column</span> </a>on file sharing “myths” published June 8, 2009 The Star.<br /><br />Mr. Pfohl says:<br /><blockquote style="font-style: italic; color: rgb(255, 0, 0);">Michael Geist fabricates more myths than he dispels, and misinforms Star readers about the legality of unauthorized downloading.<br /><br />Downloading pirated music is not legal in Canada. The copyright law conclusions in the case he cites were overturned on appeal. In fact, the Federal Court of Appeal has subsequently twice ruled that the private copying regime doesn't apply to downloads made to hard drives.<br /><br />Widespread misunderstanding of this legal fact illustrates precisely why digital copyright reform, and the legal clarity it would provide, is needed in Canada.</blockquote>As Mr. Pfohl knows. or ought to know, his description of Canadian jurisprudence on downloading music is inaccurate and misleading. The consistent thread of what the Copyright Board said in <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.cb-cda.gc.ca/decisions/2003/20031212-c-b.pdf">2003</a> and the Federal Court of Appeal said in <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://decisions.fca-caf.gc.ca/en/2004/2004fca424/2004fca424.html">2004</a> and<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://decisions.fca-caf.gc.ca/en/2008/2008fca9/2008fca9.html"> 2008</a> is that downloading sound recordings onto something that is not an “audio recording medium” may be infringing. For example, the Federal Court of Appeal said in its 2004 decision at para. 147 that:<br /><blockquote style="font-style: italic; color: rgb(255, 0, 0);">If, indeed, digital audio recorders (or the memories embedded therein) fall outside the scope of the definition, copyright infringement could result from the use of such devices to private copy.<br /></blockquote>So - copying unauthorized sound recordings obtained via P2P onto a 120 GB iPod Classic, for example, where the hard drive memory is permanently embedded (don't even think about trying to take it out!) may indeed be infringing - because the iPod as a whole is a "device" and not a medium subject to the levy.<br /><br /><span style="font-weight: bold;">However</span>, a PC internal hard drive that is not “permanently embedded” and particularly an external plug and play hard drive that is clearly not in any sense “embedded” in anything and serves no function other than to be a large memory medium may very well be “audio recording media.” In that case, downloading any sound recording onto them obtained in any way from any source for private use would be legal in Canada, regardless of whether a levy has ever been sought from the Copyright Board. This follows from what the Copyright Board <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://cb-cda.gc.ca/decisions/2003/20031212-c-b.pdf">said in 2003 at page 20-21 of this famous decision</a> and, <span style="font-weight: bold;">contrary to Mr. Pfohl's assertion, no Canadian Court has ever ruled to the contrary.</span><br /><br />A levy-free terabyte external hard drive that now sells for less than CDN $200 can hold about 250,000 songs downloaded via P2P. <span style="font-weight: bold;">The fact that this is apparently legal in Canada is the direct consequence of the private copying levy scheme that Mr. Pfohl’s employer, the Canadian Recording Media Association (“</span><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://cria.ca/">CRIA</a><span style="font-weight: bold;">”), so enthusiastically and effectively lobbied for and was given in the 1997 amendments to the </span><span style="font-style: italic; font-weight: bold;">Copyright Act</span>. CRIA was short sighted. Mass access to the internet was already in full flight and the concept of the “celestial juke box” was already old news at that time. The Canadian levy scheme has now generated more than a quarter billion dollars. CRIA members whine about the consequences of their legislation all the way to the bank (and indeed incessantly afterwords), but keep on cashing the cheques.<br /><br /><span style="font-weight: bold;">As CRIA must constantly be reminded, “be careful what you wish for.” And hopefully, Government officials, MPs and Ministers will be careful about who they listens to when it comes to Canadian copyright law and sound public policy. CRIA and some of those who speak for it it, have a poor record for foresight, wisdom, credibility and even basic accuracy in these matters</span>.<br /><br />All of that said, it is by no means clear that well conceived litigation against individual file-sharers (in contrast to mere downloaders) backed up with sufficient, reliable, non-hearsay and convincing evidence would necessarily fail in Canada under current law under some scenarios. CRIA's members were given a green light or at least an orange light to proceed on such a basis by the<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.macerajarzyna.com/pages/publications/BMG%20Case%20-%20E-Commerce.pdf"> </a><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.macerajarzyna.com/pages/publications/BMG%20Case%20-%20E-Commerce.pdf">Federal Court of Appeal in 2005</a>, but have been unable or unwilling to bring forward the necessary evidence to even try. Perhaps they prefer instead to propagate the myth that current Canadian laws are inadequate, to play the role of the victim of mass "piracy", and to demand new, unnecessary and overreaching legislation.<br /><br />One would have thought that the recent <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2009/06/more-conference-board-of-canada-fallout.html">Conference Board of Canada fiasco</a> would have resulted in lessons being learned by copyright lobbyist organizations. Apparently, in CRIA's case, that’s not the case.<br /><br />BTW, Michael Geist has a prominent new tech savvy fan in high places in the person of the<span style="color: rgb(51, 102, 255);"> </span><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.jamesmoore.org/iphone/">Hon. James Moore</a>, one of the Minsters responsible for copyright, whose <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://twitter.com/mpjamesmoore/status/2197797037">tweet</a> on a more recent column of Michael's in the Ottawa Citizen on June 16, 2009 could easily have described the earlier one which so upset Mr. Pfohl:<br /><span style="color: rgb(255, 0, 0);"></span><blockquote style="font-style: italic;"><span style="color: rgb(255, 0, 0);">Excellent column by Michael Geist in the Ottawa Cit. today. Nice to read policy ideas &amp; substance - not just horse race politics &amp; gossip.</span></blockquote>BTW, I should disclose that I've been involved as counsel in all of the above cases about which Mr. Pfohl is inaccurately opining.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-5516667970654821856?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com6tag:blogger.com,1999:blog-20803105.post-91545031999517715982009-06-17T14:41:00.007-04:002009-06-17T22:45:10.464-04:00Still More Conference Board of Canada Fallout<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://tbn1.google.com/images?q=tbn:XMyh33YSJhasBM:http://lh3.ggpht.com/_Y9rrii9ffUU/SGaIwoWOFHI/AAAAAAAAAcY/ksldz1fdV6c/P1010234.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 150px; height: 113px;" src="http://tbn1.google.com/images?q=tbn:XMyh33YSJhasBM:http://lh3.ggpht.com/_Y9rrii9ffUU/SGaIwoWOFHI/AAAAAAAAAcY/ksldz1fdV6c/P1010234.JPG" alt="" border="0" /></a>The Conference Board has taken the next step in damage control arising from its recent <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/search?q=conference+board+canada">plagiarism scandal</a>. Here's<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.conferenceboard.ca/press/speech_oped/ipr.aspx"> today's statement. </a><br /><br />The most notable and useful disclosure from the Conference Board is that:<br /><blockquote style="font-style: italic; color: rgb(255, 0, 0);">The evidence indicates there was<span style="font-weight: bold;"> undue reliance on feedback from a funder who was deemed to have important technical expertise. </span></blockquote>(Emphasis added)<br /><br />The Conference Board should identify the funder who provided the “feedback”, and why this funder's “deemed” technical expertise managed to effectively poison the process. It should, as a matter of course, identify all funders of all its reports. This is normal practice, and is absolutely <span style="font-style: italic;"></span> essential if a report is to have any serious credibility in academic, policy, business and government circles. The Conference Board must guard against letting its good name be used by special interest lobbyists in what Dr. Michael Geist calls <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.ottawacitizen.com/opinion/Trouble+with+Board/1669195/story.html">“policy laundering.”</a><br /><br />The report in question was to have been rolled out as a key item at a Conference Board conference on May 29, 2009. Here is the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://sso.conferenceboard.ca/Libraries/CONF_PDFS_PUBLIC/09-0120.sflb">program,</a> which shows a list of sponsors and the Advisory Board of that rather imbalanced and expensive event, which, in fairness, covered quite a lot of material other than copyright. Nonetheless, and despite the breadth of the conference, two of the four members of the “Advisory Board” for the conference were the heads of <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://cria.ca/">CRIA</a> and <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://cmpda.ca/">CMPDA</a>. These have been two of the most, if not <span style="font-weight: bold;">the</span> most, energetic, persistent and successful (in terms of legislative influence) copyright lobbyist organizations in Canada since the 1980's. It's a fair question to ask whether either or both these two well known and well funded organizations (which represent mainly American interests) were among the funders or were otherwise involved in the specific ill-fated research project now in issue.<br /><br />BTW, here's <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.conferenceboard.ca/conf/sponsorship/sponsor-levels.aspx">what it costs</a> to “sponsor” a Conference Board conference.<br /><br />Interestingly, the Conference Board has engaged Dr. Ruth Corbin to “to review all relevant research and consult multiple sources, and redo the reports.”<br /><br />The Board indicates that:<br /><blockquote style="font-style: italic; color: rgb(255, 0, 0);"> When completed, this work will be presented to a multi-stakeholder Roundtable to be held in the fall. We will publish a summary of the Roundtable discussion, reflecting the full spectrum of views on the issue, as an Appendix to the research.<br /></blockquote>One can only wish Dr. Corbin and the Board luck in sorting all of this out. The scandal may not reside only in the fact that much of the key content of the now withdrawn work was plagiarized but that much of the IIPA material that was apparently recycled as “research” may have been utterly unreliable to begin with. I'm not sure that it's possible to “redo” that kind of work.<br /><br />HK<br /><br />PS &amp; Update - the Conference Board did acknowledge the financial support of several coalition or umbrella groups in this case. But that still leaves questions unanswered - namely who was really actively involved in the sponsored research. See comments below.<div><br /></div><div>PS and update #2 - more connecting of dots and about the courageous Curtis Cook, former employee of the Confernce Board, in a Canwest story <a href="http://www.canada.com/news/Copyright+report+lacked+sufficient+balance+Conf+Board/1705978/story.html"><span class="Apple-style-span" style="color:#3366FF;"><b>here. </b></span></a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-9154503199951771598?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com3tag:blogger.com,1999:blog-20803105.post-56550178071710922742009-06-16T13:29:00.005-04:002009-06-16T13:57:22.649-04:00Digital Britain Final ReportLord Carter's Digital Britain report can be found <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.culture.gov.uk/images/publications/digitalbritain-finalreport-jun09.pdf">here.</a><br /><br />More in due course.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-5655017807171092274?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-36899208511491149942009-06-11T10:06:00.014-04:002009-06-12T08:30:36.082-04:00Scotch Whisky Association's Appeal Attempt Scotched by Supremes<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.glenoradistillery.com/images/glenbreton2.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 288px; height: 356px;" src="http://www.glenoradistillery.com/images/glenbreton2.jpg" alt="" border="0" /></a>The Scotch Whisky Association's attempt to get leave to appeal the very sensible <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://decisions.fca-caf.gc.ca/en/2009/2009fca16/2009fca16.html">decision</a> of the Federal Court of Appeal has - <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2009/03/riding-through-glen-to-surpeme-court-of.html">as I predicted</a><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/2009/03/riding-through-glen-to-surpeme-court-of.html"><span style="color: rgb(51, 102, 255);"> </span>-</a> been<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://scc.lexum.umontreal.ca/en/news_release/2009/09-06-11.3a/09-06-11.3a.html"> scotched</a> by the Supreme Court of Canada this morning. (Coram: McLachlin / Abella / Rothstein ).<br /><div style="text-align: center;"><div style="text-align: left;"><br />As usual, with costs and without reasons.<br /><br />Now, Glenora Distillers in Nova Scotia can have its trade-mark registration of GLEN BRETON for "single malt whisky." The whisky is made in Canada and has never been called "Scotch" whisky by its manufacturer, althougn Justice Sexton of the Federal Court of Appeal did note that <span style="font-style: italic; color: rgb(255, 0, 0);">"I believe it is fair to say that Glenora has marketed its product as being like a single-malt Scotch in everything but name."</span><br /><br />The Federal Court of Appeal had rejected the argument that, by "segmenting" several trade-marks for single malt Scotch whisky that include GLEN, the Scotch Whisky Association could block Glenora's use of the word:<br /><span style=";font-family:&quot;;" ></span><blockquote style="font-style: italic; color: rgb(255, 0, 0);"><span style="font-size:100%;"><span style=";font-family:&quot;;" >The word “glen,” being a common word and forming part of numerous registered trademarks, is at best a weakly distinctive component of those trademarks. However, by segmenting those trademarks to consider “glen” as a mark on its own, this court would be affording stronger trade protection to that word than is due.</span></span><br /></blockquote>The great irony of this case is that, had the Scotch Whisky Association succeeded in its appeal based upon its rather creative and unprecedented interpretation of s. 10 of the Canadian Trade-marks Act, several of its members might would have found their own trade-marks in jeopardy. Justice Sexton concluded:<br /><blockquote style="color: rgb(255, 0, 0); font-style: italic;"> In short, success in this appeal would jeopardize the trademarks of many of the Association’s members. In my view, this cannot be the correct result, and is not true to the spirit and purpose of section 10 of the Act. Accordingly, I would allow the appeal, and direct the Registrar to allow Glenora’s application for the registration of GLEN BRETON.</blockquote>s. 10 provides that:<br /><b></b><blockquote style="color: rgb(255, 0, 0); font-style: italic;"><b>10.</b> Where any mark has by ordinary and bona fide commercial usage become recognized in Canada as designating the kind, quality, quantity, destination, value, place of origin or date of production of any wares or services,<span style="font-weight: bold;"> no person shall adopt it as a trade-mark in association with such wares or services or others of the same general class</span> or use it in a way likely to mislead, nor shall any person so adopt or so use any mark so nearly resembling that mark as to be likely to be mistaken therefor.</blockquote>(emphasis added)<br /><br />HK<br /></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-3689920851149114994?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-64503685580712545802009-06-10T13:06:00.007-04:002009-06-10T14:19:05.476-04:00Three Strikes Strikes Out<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://static.arstechnica.com/2009/06/10/hadopi_wreath.jpg"><img style="cursor: pointer; width: 300px; height: 289px;" src="http://static.arstechnica.com/2009/06/10/hadopi_wreath.jpg" alt="" border="0" /></a><br /></div><br />The French Three Strikes law has stuck out in that country's Constitutional Court - - le Conseil constitutionnel:<br /><br /><b></b><blockquote style="font-style: italic; color: rgb(255, 0, 0);"><b>AFP </b>- France's highest legal authority on Wednesday struck down a key provision of a contested Internet piracy law that set up a new state agency to cut off offenders from the web.<br />...<br /><br />The Constitutional Council ruled that "free access to public communication services on line" was a human right, and that<span style="font-weight: bold;"> only a judge should have the power to strike an individual from the Internet.</span><br /></blockquote>(emphasis added)<br /><br />Here's the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.france24.com/en/20090610-top-legal-body-strikes-down-anti-piracy-law-hadopi-constitutional-council-internet-france">breaking story from AFP.</a><br /><br />And here's much more detail from <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://arstechnica.com/tech-policy/news/2009/06/french-court-savages-3-strikes-law-tosses-it-out.ars">Ars Technica</a><br /><br />And from Cory Doctorow at <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.boingboing.net/2009/06/10/frances-three-strike.html">Boing Boing.</a><br /><br />And here's the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.conseil-constitutionnel.fr/conseil-constitutionnel/francais/les-decisions/2009/decisions-par-date/2009/2009-580-dc/decision-n-2009-580-dc-du-10-juin-2009.42666.html">decision.</a><br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-6450368558071254580?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-64499394569445150342009-06-09T08:59:00.003-04:002009-06-09T09:04:57.610-04:00"Copyright War" Online Program TodayREMINDER:<br /><br />I will be participating today Tuesday June 9 at 3:15 EST in a day long session of online interactive presentations on Copyright Wars hosted by an exciting new enterprise called<span style="color: rgb(51, 102, 255);"> </span><a style="font-weight: bold; color: rgb(51, 102, 255);" href="http://brighttalk.com/">Brighttalk.com</a><span style="color: rgb(51, 102, 255);">.</span><br /><br />I would encourage you check out the other presentations and tune in <span style="font-size:130%;"><span style="color: rgb(255, 0, 0); font-weight: bold;">free</span></span> - you can see them listed <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.brighttalk.com/summit/copyrightwar">here.</a> Note that Ray Beckerman will be talking about the the RIAA mass litigation campaign at 5:45.<br /><br />I'll be dealing with ACTA, WIPO and Canada. You'll be able to send in questions in real time...this is interactive.<br /><br />Hope to see you...<br /><p class="MsoNormal"><span style="font-family:Arial;font-size:85%;color:blue;"><span style="font-size: 10pt; font-family: Arial; color: blue;"><object width="705" height="660"> <param name="movie" value="http://www.brighttalk.com/dc/swf/dotcom_base.swf?212"> </param> <param name="flashvars" value="channelid=339&amp;commid=3246&amp;autoStart=FALSE"> </param> <embed src="http://www.brighttalk.com/dc/swf/dotcom_base.swf?234" type="application/x-shockwave-flash" width="705" height="660" wmode="transparent" flashvars="channelid=339&amp;commid=3246&amp;autoStart=FALSE"></embed> </object><o:p></o:p></span></span></p> <p class="MsoNormal"><span style="font-family:Arial;font-size:85%;color:navy;"><span style="font-size: 10pt; font-family: Arial; color: navy;"><o:p> </o:p></span></span></p><br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-6449939456944515034?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-18201395758470360942009-06-08T15:09:00.013-04:002009-06-09T14:24:19.374-04:00Canadian Bererage Wars<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.glenoradistillery.com/images/glenbreton2.jpg"><img style="cursor: pointer; width: 229px; height: 286px;" src="http://www.glenoradistillery.com/images/glenbreton2.jpg" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.beveragewarehouse.com/images/products/2304.gif"><img style="cursor: pointer; width: 158px; height: 285px;" src="http://www.beveragewarehouse.com/images/products/2304.gif" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://canadianbeernews.files.wordpress.com/2009/05/baron_brava.jpg"><img style="cursor: pointer; width: 408px; height: 210px;" src="http://canadianbeernews.files.wordpress.com/2009/05/baron_brava.jpg" alt="" border="0" /></a><br /><br />In a kinder and gentler time, before the era when big pharma v. generic Notice of Compliance litigation has almost taken over the Federal Court, Canada used to have lots of litigation about beer and spirits. Indeed, much of Canadian trade-marks law owes its existence to those more mellow days.<br /><br />Well - beer and spirits are once again in the IP news. This Thursday, we will find out if the Supremes will grant leave to the Scotch Whisky Association in its appeal from the Federal Court of Appeal's decision upholding a Canadian company's right to register Glen Breton for single malt whisky - though notably not "Scotch Whisky". The original opposition and subsequent litigation were brought by the Scotch Whisky Association based upon the alleged rights of several of their members in "Glen" allegedly arising under the rarely used provisions of s. 10 of the <span style="font-weight: bold; font-style: italic;">Trade-marks Act,</span> which provides, as I noted and commented <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://excesscopyright.blogspot.com/search?q=glenora">before:</a><blockquote style="font-style: italic; color: rgb(255, 0, 0);"></blockquote><blockquote><blockquote style="font-style: italic; color: rgb(255, 0, 0);">Where any mark has by ordinary and bona fide commercial usage become recognized in Canada as designating the kind, quality, quantity, destination, value, place of origin or date of production of any wares or services, no person shall adopt it as a trade-mark in association with such wares or services or others of the same general class or use it in a way likely to mislead, nor shall any person so adopt or so use any mark so nearly resembling that mark as to be likely to be mistaken therefor.<br /></blockquote>The SWA succeeded <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://decisions.fct-cf.gc.ca/en/2008/2008fc425/2008fc425.html">before Justice Harrington in the Federal Court</a>, but this decision was<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://decisions.fca-caf.gc.ca/en/2009/2009fca16/2009fca16.html"> reversed on appeal</a> - and quite properly so in my view. S. 10 simply doesn't apply in this situation. Justice Sexton of the Federal Court of Appeal correctly noted that many of the SWA members’ trade-marks containing GLEN would be in jeopardy if SWA’s argument on s. 10 had actually prevailed.<br /><br />It is therefore somewhat surprising that the SWA has now <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://scc-csc.gc.ca/information/cms-sgd/dock-regi-eng.asp?33079">sought leave to appeal</a> the FCA decision to the SCC. It will be, frankly, even more surprising if they get leave. Had the FCA gone the other way, it might well have been an issue of “public importance” because Canadian trade-marks law would have become quite unpredictable. However, the FCA reached the conclusion that most IP lawyers would have predicted and the law on s. 10 seems just fine as it stands now and always did.<br /></blockquote>Now, for those whose interests run more to suds than single malt whisky - from wherever it may hail - consider that Labatt is suing Brick Brewing over the Red Baron label on the left, which Labatt alleges is confusing with it label on the right. Interestingly, Brick has a registration in a very similar - though not identical - label to the one on the left that predates Labatt's registration on April 29, 2009 in the label on the right by about 18 years. Yet more interesting is that Labatt is suing for copyright infringement. Even more interesting is that Labatt is seeking interim and interlocutory injunctive relief - which is almost never granted in the Federal Court these days. I'd say that Labatt has an uphill battle here.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-1820139575847036094?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-49573812362134223872009-06-07T22:53:00.006-04:002009-06-07T23:48:24.976-04:00Copyright War Presentation Live Online Tuesday June 9 2009I will be participating on Tuesday June 9 at 3:15 EST in a day long session of online interactive presentations on Copyright Wars hosted by an exciting new enterprise called<span style="color: rgb(51, 102, 255);"> </span><a style="font-weight: bold; color: rgb(51, 102, 255);" href="http://brighttalk.com/">Brighttalk.com</a><span style="color: rgb(51, 102, 255);">.</span><br /><br />I would encourage you check out the other presentations and tune in free - you can see them listed <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.brighttalk.com/summit/copyrightwar">here.</a><br /><br />I'll be dealing with ACTA, WIPO and Canada. You'll be able to send in questions in real time...this is interactive.<br /><br />Hope to see you...<br /><br />HK<br /><br /><span style=";font-family:Arial;font-size:85%;color:blue;" ><span style=";font-family:Arial;font-size:10;color:blue;" ><object width="705" height="660"> <param name="movie" value="http://www.brighttalk.com/dc/swf/dotcom_base.swf?212"> <param name="flashvars" value="channelid=339&amp;commid=3246&amp;autoStart=FALSE"> <embed src="http://www.brighttalk.com/dc/swf/dotcom_base.swf?234" type="application/x-shockwave-flash" wmode="transparent" flashvars="channelid=339&amp;commid=3246&amp;autoStart=FALSE" width="705" height="660"></embed> </object></span></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-4957381236213422387?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-21367939673428002832009-06-05T18:06:00.011-04:002009-06-06T13:19:00.398-04:00British "compromise" v. French "Three Strikes"<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Speed_Limit_1_sign.svg/480px-Speed_Limit_1_sign.svg.png"><img style="cursor: pointer; width: 162px; height: 203px;" src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Speed_Limit_1_sign.svg/480px-Speed_Limit_1_sign.svg.png" alt="" border="0" /></a> <span style="font-size:180%;">or</span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.marlerblog.com/15%20Three%20Strikes.jpg"><img style="cursor: pointer; width: 331px; height: 200px;" src="http://www.marlerblog.com/15%20Three%20Strikes.jpg" alt="" border="0" /></a></div><br />The British Government - or what's left of it and if it survives - is considering a requirement that ISPs impose presumably significant bandwidth speed limits on alleged repeat infringers. What will be infringing and how this will work is unknown. Here's<span style="color: rgb(51, 102, 255);"> </span><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://news.bbc.co.uk/2/hi/technology/8083866.stm">the BBC report.</a><br /><div style="text-align: center;"><div style="text-align: left;"><br />I'm reluctant to disagree with the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://ipkitten.blogspot.com/2009/06/downloaders-not-to-be-cut-off-after-all.html">IP-Kat</a> because its such a good blog and <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://picasaweb.google.co.uk/lh/photo/4ZWQKVqvZrfS9xvwkDrdHQ?feat=directlink">Tufty</a> looks so judicious but I don't consider this a reasonable "compromise", presumably between the options of<span style="font-style: italic;"> </span><span>status quo</span><span style="font-style: italic;"> </span>and the French three strikes regime. I note that the IP-Kat qualified its endorsement in a potentially significant way - i.e. " <span style="font-weight: bold;">If the technical solution works</span>, it could be a nice compromise." (emphasis added).<br /><br />This approach makes about as much sense as imposing a severe speed governor on the family car because one the household teenagers gets a speeding ticket - or even three speeding tickets. Or three of the household teenagers or their friends each get a speeding ticket. In this case, its even worse because the record industry will be presumably be the traffic cop, the prosecutor, and the judge. And they will use a very invasive and unreliable form of photo radar.<br /><br />Severely crippled internet access is a severe penalty - especially when it could be imposed on an entire family - and imposed by mistake.<br /><br />HK<br /><br /><br /></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-2136793967342800283?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-70317197092527332012009-06-05T14:02:00.014-04:002009-06-07T10:30:55.320-04:00Canada’s IP Writing Challenge - Update<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.cise.ufl.edu/%7Ejcui/ENG1131/justice_blind.jpg"><img style="cursor: pointer; width: 185px; height: 164px;" src="http://www.cise.ufl.edu/%7Ejcui/ENG1131/justice_blind.jpg" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.transair.co.uk/images/watches/new_stopwatch_transair.gif"><img style="cursor: pointer; width: 179px; height: 179px;" src="http://www.transair.co.uk/images/watches/new_stopwatch_transair.gif" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.bankofcanada.ca/en/banknotes/graphs/photos/general/1986bg/1287a.gif"><img style="cursor: pointer; width: 223px; height: 106px;" src="http://www.bankofcanada.ca/en/banknotes/graphs/photos/general/1986bg/1287a.gif" alt="" border="0" /></a><br /><br /><br />MEA CULPA - earlier I today I said that there was a very short deadline until July 1, 2009 for this competition. I thought it was announced only today because I received a blast email from IPIC today. While the email and links seemed new, the subject of the email did indicate that it was a "reminder." My fault.<br /><br />In fact, it was apparently announced April 6, 2009 <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.iposgoode.ca/2009/04/canada-inaugural-ip-writing-challenge/">here.</a> Which still didn't leave a lot of time for the<span style="font-size:130%;"><span style="font-weight: bold; color: rgb(255, 0, 0);"> July 1, 2009 deadline</span></span> , considering the end of term, exams, etc. But much more than the three weeks I earlier wrongly indicated.<br /><br />So - consider this blog today as a "reminder" too.<br /><br />Here's the basis scheme:<br /><blockquote style="font-style: italic; color: rgb(255, 0, 0);">One winner will be announced from each of three<br />separate author categories:<br /><br />1. Law student category (LL.B, J.D., BCL, and LL.L students)<br /><br />2. Graduate student category (LL.M, S.J.D. and PhD students)<br /><br />3. Professionals who have been practising 7 years or less<br />(patent agents, trade-mark agents, lawyers and other individuals who work in IP)<br /><br />Each winner will be eligible for:<br /><br />1. A prize of $1000 (CAD)<br /><br />2. Be considered for publication in the Canadian Intellectual Property Review;<br />and/or Osgoode Hall Review of Law and Policy (OHRLP)<br /><br />3. His/her work to be published on the IP Osgoode website</blockquote>Here's <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.ipic.ca/english/pdf/writing-challenge-rules-en.pdf">the full information about the IP Writing Challenge.</a><br /><br />The idea of this is a good one. There have been IP writing competitions in the past, and hopefully lessons have learned to ensure that there will be complete fairness and balance in the adjudication process, which has frankly not always been the case. There is a mechanism in place here to ensure “blind” judging in terms of the identity of the contestants. However, it will be interesting to see whether a submission that may be otherwise worthy but is considered too “copyleft”, for example, can survive whatever process and panel may be in place.<br /><br />There is no specific mention about who the judges will be.The Rules state that:<br /><blockquote><span style="font-style: italic; color: rgb(255, 0, 0);">All entries will be reviewed by a panel of judges selected by the Challenge Sponsors. </span><span style="font-weight: bold; font-style: italic; color: rgb(255, 0, 0);">The Challenge Sponsors reserve the right to not declare a winner in any or all of the challenge categories at their sole discretion.</span><br />(Emphasis added)<br /></blockquote>Hopefully, the panel of judges themselves will reflect true balance and will be looking not only for work of high quality but work that truly reflects the concept of “Challenge”.<br /><br />Let's hope that lots of students and young lawyers found out about this in time and that we get some really good papers out of it.<br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-7031719709252733201?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-79372140134781384072009-06-02T19:01:00.011-04:002009-06-02T23:21:35.361-04:00Salinger Sues for Sequel + Sibelius<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://s.wsj.net/media/salinger_CV_20090602161641.jpg"><img style="cursor: pointer; width: 165px; height: 165px;" src="http://s.wsj.net/media/salinger_CV_20090602161641.jpg" alt="" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://ecx.images-amazon.com/images/I/51LlwBORglL._SS500_.jpg"><img style="cursor: pointer; width: 166px; height: 166px;" src="http://ecx.images-amazon.com/images/I/51LlwBORglL._SS500_.jpg" alt="" border="0" /></a></div><br /><br />J. D. Salinger, now 90 years old, sues - again. The remarkably reclusive, litigious and non-prolific (as far we know from publications) writer has sued over the expected publication in the USA of an "unauthorized sequel" called <em>60 Years Later: Coming Through the Rye</em>, written by someone who the WSJ calls "a purported American living in Sweden named John David California." There's a brief discussion of the background <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://blogs.wsj.com/law/2009/06/02/a-closer-look-at-the-jd-salinger-lawsuit/">here</a> on the WSJ Blog, along with a good discussion and interview with a NYC copyright lawyer about sequels, parodies, and the possibility of copyright in a character.<br /><a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://online.wsj.com/public/resources/documents/salingersuit.pdf"><br />Here's</a> the complaint.<br /><br />Salinger and Jean Sibelius are examples of creators who enjoyed great success at a relatively early age and became unable or unwilling to follow up to any extent to satisfy the public's appetite for their creativity. That's no reason to shorten the term of copyright - but these are important and prominent examples of why longer terms and stronger rights do not necessarily provide an incentive to create - and in the case of some individuals with substantial incomes from early success may paradoxically provide precisely the exact opposite by, in effect, enabling very early and comfortable retirement.<br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/commons/1/1a/Sib%C3%A9lius_1889-90.gif"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 130px; height: 174px;" src="http://upload.wikimedia.org/wikipedia/commons/1/1a/Sib%C3%A9lius_1889-90.gif" alt="" border="0" /></a><span style="font-size:78%;">Sibelius in 1889<br /><br /></span></div>BTW, the works of Sibelius (1865-1957) will be protected in the EU until the end of 2027. In the USA, some of his work may be protected that long if properly renewed, although anything published before 1923 in the USA would not be. He wrote no major works after his <a href="http://en.wikipedia.org/wiki/Symphony_No._7_%28Sibelius%29" title="Symphony No. 7 (Sibelius)"><span style="color: rgb(51, 102, 255); font-weight: bold;">Symphony No. 7 in C major</span></a><span style="color: rgb(51, 102, 255);"> </span>for orchestra, Op. 105 (1924). Not that it's relevant, but his work was stylistically anchored to the 19th century and essentially immune to 20th century influence. His work entered the public domain in Canada on January 1, 2008, along with others<a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://publicdomain.xanga.com/635272305/public-domain-day-2008/"> as chronicled yearly by Maestro McLean of the Public Domain. </a><br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-7937214013478138407?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-85313739208571291562009-06-01T17:26:00.008-04:002009-06-02T17:22:20.990-04:00Certainly Not a Certain Cert Petition<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.supremecourtus.gov/images/court_front_med.jpg"><img style="cursor: pointer; width: 250px; height: 249px;" src="http://www.supremecourtus.gov/images/court_front_med.jpg" alt="" border="0" /></a></div>Speaking of the US Supreme Court, Charlie Nesson - the Harvard professor who is leading the ultra-controversial defense of Joel Tenenbaum - has sought<span style="font-style: italic;"> certiorari</span> (i..e. "leave to appeal" in Canadian) from the US Supreme Court on the First Circuit's rebuff of his attempt to have the proceedings webcast.<br /><br />Oh yes, and a stay in the meantime. Which if granted could be a long time. The trial is currently set for July 20, 2009.<br /><br />Prof. Nesson concludes his cert petition by arguing:<br /><blockquote style="color: rgb(255, 0, 0); font-style: italic;">Internet now enables the members of the public<br />to come freely into court to attend and hear and witness<br />and learn for themselves what is going on. Total<br />prohibition of public access by all technological means<br />other than stenographic transcript is unnecessary,<br />unwise, unconstitutional, and radically out of step<br />with the current needs of our citizenry and our nation.<br /></blockquote>Now, I am not an American lawyer, much less an expert in US procedure, but I would be astounded if:<br /><ul><li>cert is granted on an arguably purely procedural, albeit interesting, matter - especially considering the less than satisfactory briefings by both sides in the first instance motion</li><li>in any event, the District Court agrees to stay this case for what could be a very long time.<br /></li></ul>Documents available <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://recordingindustryvspeople.blogspot.com/2009/06/tenenbaum-files-petition-for-certiorari.html">here</a> and hat tip as usual to Ray Beckerman.<br /><br />HK<br /><br />PS: June 2, 2009. No surprise. District Court Judge Gertner denied the motion for a stay. HT Ray Beckerman.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-8531373920857129156?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0tag:blogger.com,1999:blog-20803105.post-55402761574061970612009-06-01T12:52:00.002-04:002009-06-01T13:36:47.363-04:00US Supreme Court to Hear Bilksi Business Method Patent Case<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.aspenpublishers.com/%5CAspenUI%5CCoverImage%5C0735521581.jpg"><img style="cursor: pointer; width: 100px; height: 166px;" src="http://www.aspenpublishers.com/%5CAspenUI%5CCoverImage%5C0735521581.jpg" alt="" border="0" /></a><br /></div><br /><br />Not surprisingly, the US Supreme Court will hear an appeal in the Bilksi case <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.scotusblog.com/wp/todays-orders-39/"><br /><br />Here</a> are the background documents.<br /><br />This case involved a patent for a method of hedging in commodities trading developed by Bernard Bilski and Rand Warsaw. Here's a quick take from the <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://blogs.wsj.com/law/2009/06/01/bilski-supremes-grant-cert-on-business-method-patent-case/">WSJ.</a><br /><br />For the more determined, go to <a style="color: rgb(51, 102, 255); font-weight: bold;" href="http://www.patentlyo.com/patent/2009/06/bilski.html">Patently-O.</a><br /><br />HK<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20803105-5540276157406197061?l=excesscopyright.blogspot.com'/></div>Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.com0