Blog This Rock

Photo of the Week: Kim Roberts and Regie Cabico

2010-01-05T14:26:00.003-05:00

This new feature will highlight a different photo each week from the 2008 festival. For more photos from the last festival, check out Split This Rock's Flickr.

Kim Roberts, editor of Beltway Quarterly, celebrating 10 years, and Regie Cabico, Split This Rock Youth Educator, at the Sunday March at the 2008 festival.

The Art of Extraction article at FPIF

2010-01-05T14:14:00.003-05:00

The following is excerpted from a Foreign Policy in Focus article on The Art of Extraction event in November. Read the full article here.

It's a vision of heaven and hell worthy of a medieval painter. Indeed, with their monumental black-and-white works, the Collective has updated the art of the triptych. Like Hieronymus Bosch's The Garden of Earthly Delights, the coal graphic is crammed with imagery that requires careful scrutiny and an accompanying guide to decode the symbolic content. It offers a three-part narrative of paradise, temptation, and damnation. And it is infused with a moral fervor that confronts the viewer with stark choices about how to live one's life.

For more information on Mark Nowak, check out his blog, Coal Mountain. For more information on The Beehive Collective, check out their website, BeehiveCollective.org.

2010 Adult Poetry Contest Deadline Extended to January 22!

2010-01-04T09:45:00.003-05:00

2010 Adult Poetry Contest - Deadline extended to January 22:
Split This Rock has extended the deadline for our third annual poetry contest, to be judged by Chris Abani, one of the 2010 festival's featured poets.

First place $500;
2nd and 3rd place, $250 each.

Winning poems will be published on SplitThisRock.org, and the 1st-place winner will be invited to read the winning poem at Split This Rock Poetry Festival in March 2010. We're excited to announce that the winning poem will also be published in Potomac Review.

NEW Deadline: January 22, 2010.

See the website for guidelines: SplitThisRock.org

Happy Tenth Birthday, Beltway Poetry Quarterly!

2010-01-04T09:32:00.002-05:00

Beltway Poetry Quarterly Celebrates Ten Years of Publication!

Announcing Volume 11.1: Winter 2010
Beltway Poetry's Tenth Anniversary Issue:
A Celebration of Guest Editors

Beltway's newest issue features poems and reminiscences from the 15 talented people who have generously served as guest editors since the journal's founding: Merrill Leffler, Brian Gilmore, 2008 Split This Rock Featured Poet, Hilary Tham, Saundra Rose Maley, Grace Cavalieri, 2008 Split This Rock Featured Poet, Naomi Ayala, 2008 Split This Rock Featured Poet, Sarah Browning, Split This Rock Co-Director, Andrea Carter Brown, Kwame Alexander, Teri Ellen Cross, Split This Rock advisory board member, Regie Cabico, Split This Rock core leader, Katie Davis , Maureen Thorson, Toni Asante Lightfoot, 2010 Split This Rock Featured Poet, and Dan Vera, key Split This Rock activist. Editor Kim Roberts is also a member of the Split This Rock advisory board.

Photo of the Week: Peace and Love

2009-12-31T10:20:00.006-05:00

This new feature will highlight a different photo each week from the 2008 festival. For more photos from the last festival, check out Split This Rock's Flickr.

Lauren Alleyne expresses Split This Rock's hope for the coming year.

Photo Credit: © jill brazel photography
To contact: jill at jillbrazel dot com

Please Consider a Gift to Split This Rock

2009-12-31T10:17:00.003-05:00

As you may have heard, we lost one of the world's great poet-activists this week, the South African Dennis Brutus, a fierce and beautiful advocate for justice.

We were so fortunate that Dennis joined us at the inaugural Split This Rock Poetry Festival on the fifth anniversary of the war in Iraq in March 2008. Dennis was uncompromising in his challenge to all of us in attendance: our taxes pay for the wars our government wages. What are we going to do about it?

Here at Split This Rock, as we put the final touches on the second biannual festival, scheduled for March 10-13, 2010, part of our answer is that we work hard to give poets and poetry lovers a forum for speaking out, together, here in the nation's capital.

This March, as we remember Dennis Brutus and honor his contributions to the struggle for justice, we'll speak out for an end to the wars in Iraq and Afghanistan, for true health care and economic reform, for a future that celebrates the dignity of each of us. We'll speak through our poetry, as Dennis so eloquently did, as in his poem "Somehow We Survive":

most cruel, all our land is scarred with terror,
rendered unlovely and unlovable;
sundered are we and all our passionate surrender

but somehow tenderness survives.

Will you help us bring the vital poetry of tenderness and resistance to a diverse public hungry for authentic and visionary language?

* $40 provides one student scholarship
* $75 provides one full scholarship
* $250 flies a festival featured poet from the East Coast
* $500 flies a festival featured poet from the West Coast

Any amount will make a tremendous difference. All donors are thanked on www.SplitThisRock.org and donors who can give $100 and above will be recognized in the festival program book. All gifts are tax-deductible through our partnership with the Institute for Policy Studies.

Three easy ways to give:

* Click here to give on-line;
* Register for the festival and add a donation to your registration fee. Register here;
* Send a check made out to Split This Rock/IPS to: 1112 16th Street, NW, Suite 600, Washington, DC 20036

Thank you!

With hopes for peace and justice in 2010,

Split This Rock Team
Sarah, Abdul, Alicia, Regie, Jaime, Katherine, Melissa

Dennis Brutus, 1924-2009

2009-12-26T09:40:00.004-05:00

Split This Rock mourns the passing and celebrates the life of Dennis Brutus, who shared his prophetic vision with us as a featured poet at Split This Rock's inaugural festival in March 2008. Our thoughts are with his family and with the broader human family Dennis cared about so much. We are all lucky to have been graced with his fierce, uncompromising love.

Statement from the Brutus Family on the passing of Professor Dennis Brutus

Professor Dennis Brutus died quietly in his sleep on the 26th December, earlier this morning. He is survived by his wife May, his sisters Helen and Dolly, eight children, nine grandchildren and four great-grandchildren in Hong Kong, England, the USA and Cape Town.

Dennis lived his life as so many would wish to, in service to the causes of justice, peace, freedom and the protection of the planet. He remained positive about the future, believing that popular movements will achieve their aims.

Dennis’ poetry, particularly of his prison experiences on Robben Island, has been taught in schools around the world. He was modest about his work, always trying to improve on his drafts.
His creativity crossed into other areas of his life, he used poetry to mobilize, to inspire others to action, also to bring joy.

We wish to thank all the doctors, nurses and staff who provided excellent care for Dennis in his final months, and to also thank St Luke’s Hospice for their assistance.

There will be a private cremation within a few days and arrangements for a thanks giving service will be made known in early January.
***

Dennis Vincent Brutus, 1924-2009

World-renowned political organizer and one of Africa’s most celebrated poets, Dennis Brutus, died early on December 26 in Cape Town, in his sleep, aged 85.

Even in his last days, Brutus was fully engaged, advocating social protest against those responsible for climate change, and promoting reparations to black South Africans from corporations that benefited from apartheid. He was a leading plaintiff in the Alien Tort Claims Act case against major firms that is now making progress in the US court system.
Brutus was born in Harare in 1924, but his South African parents soon moved to Port Elizabeth where he attended Paterson and Schauderville High Schools. He entered Fort Hare University on a full scholarship in 1940, graduating with a distinction in English and a second major in Psychology. Further studies in law at the University of the Witwatersrand were cut short by imprisonment for anti-apartheid activism.

Brutus’ political activity initially included extensive journalistic reporting, organising with the Teachers’ League and Congress movement, and leading the new South African Sports Association as an alternative to white sports bodies. After his banning in 1961 under the Suppression of Communism Act, he fled to Mozambique but was captured and deported to Johannesburg. There, in 1963, Brutus was shot in the back while attempting to escape police custody. Memorably, it was in front of Anglo American Corporation headquarters that he nearly died while awaiting an ambulance reserved for blacks.

While recovering, he was held in the Johannesburg Fort Prison cell which more than a half-century earlier housed Mahatma Gandhi. Brutus was transferred to Robben Island where he was jailed in the cell next to Nelson Mandela, and in 1964-65 wrote the collections Sirens Knuckles Boots and Letters to Martha, two of the richest poetic expressions of political incarceration.

Subsequently forced into exile, Brutus resumed simultaneous careers as a poet and anti-apartheid campaigner in London, and while working for the International Defense and Aid Fund, was instrumental in achieving the apartheid regime’s expulsion from the 1968 Mexican Olympics and then in 1970 from the Olympic movement.

Upon moving to the US in 1977, Brutus served as a professor of literature and African studies at Northwestern (Chicago) and Pittsburgh, and defeated high-profile efforts by the Reagan Administration to deport him during the early 1980s. He wrote numerous poems, ninety of which will be published posthumously next year by Worcester State University, and he helped organize major African writers organizations with his colleagues Wole Soyinka and Chinua Achebe.

Following the political transition in South Africa, Brutus resumed activities with grassroots social movements in his home country. In the late 1990s he also became a pivotal figure in the global justice movement and a featured speaker each year at the World Social Forum, as well as at protests against the World Trade Organisation, G8, Bretton Woods Institutions and the New Partnership for Africa’s Development.

Brutus continued to serve in the anti-racism, reparations and economic justice movements as a leading strategist until his death, calling in August for the ‘Seattling’ of the recent Copenhagen summit because sufficient greenhouse gas emissions cuts and North-South ‘climate debt’ payments were not on the agenda.

His final academic appointment was as Honorary Professor at the University of KwaZulu-Natal Centre for Civil Society, and for that university’s press and Haymarket Press, he published the autobiographical Poetry and Protest in 2006.

Amongst numerous recent accolades were the US War Resisters League peace award in September, two Doctor of Literature degrees conferred at Rhodes and Nelson Mandela Metropolitan University in April – following six other honorary doctorates – and the Lifetime Achievement Award of the South African government Department of Arts and Culture in 2008.
Brutus was also awarded membership in the South African Sports Hall of Fame in 2007, but rejected it on grounds that the institution had not confronted the country’s racist history. He also won the Paul Robeson and Langston Hughes awards.

The memory of Dennis Brutus will remain everywhere there is struggle against injustice. Uniquely courageous, consistent and principled, Brutus bridged the global and local, politics and culture, class and race, the old and the young, the red and green. He was an emblem of solidarity with all those peoples oppressed and environments wrecked by the power of capital and state elites – hence some in the African National Congress government labeled him ‘ultraleft’. But given his role as a world-class poet, Brutus showed that social justice advocates can have both bread and roses.

Brutus’s poetry collections are:

* Sirens Knuckles and Boots (Mbari Productions, Ibaden, Nigeria and Northwestern University Press, Evanston Illinois, 1963).

* Letters to Martha and Other Poems from a South African Prison (Heinemann, Oxford, 1968).

* Poems from Algiers (African and Afro-American Studies and Research Institute, Austin, Texas, 1970).

* A Simple Lust (Heinemann, Oxford, 1973).

* China Poems (African and Afro-American Studies and Research Centre, Austin, Texas, 1975).

* Strains (Troubador Press, Del Valle, Texas).

* Stubborn Hope (Three Continents Press, Washington, DC and Heinemann, Oxford, 1978).

* Salutes and Censures (Fourth Dimension, Enugu, Nigeria, 1982).

* Airs and Tributes (Whirlwind Press, Camden, New Jersey, 1989).

* Still the Sirens (Pennywhistle Press, Santa Fe, New Mexico, 1993).

* Remembering Soweto, ed. Lamont B. Steptoe (Whirlwind Press, Camden, New Jersey, 2004).

* Leafdrift, ed. Lamont B. Steptoe (Whirlwind Press, Camden, New Jersey, 2005).

* Poetry and Protest: A Dennis Brutus Reader, ed. Aisha Kareem and Lee Sustar (Haymarket Books, Chicago and University of KwaZulu-Natal Press, Pietermaritzburg, 2006).

(By Patrick Bond)

Save the Date: Lifting Voices

2009-12-23T11:34:00.001-05:00

Click the Image to enlarge.

Poem-of-the-Week: Chris Abani

2009-12-23T00:19:00.003-05:00

The New Religion

The body is a nation I have never known.
The pure joy of air: the moment between leaping
from a cliff into the wall of blue below. Like that.
Or to feel the rub of tired lungs against skin-
covered bone, like a hand against the rough of bark.
Like that. "The body is a savage," I said.
For years I said that: the body is a savage.
As if this safety of the mind were virtue
not cowardice. For years I have snubbed
the dark rub of it, said, "I am better, Lord,
I am better," but sometimes, in an unguarded
moment of sun, I remember the cowdung-scent
of my childhood skin thick with dirt and sweat
and the screaming grass.
But this distance I keep is not divine,
for what was Christ if not God's desire
to smell his own armpit? And when I
see him, I know he will smile,
fingers glued to his nose, and say, "Next time
I will send you down as a dog
to taste this pure hunger."

-Chris Abani

From Hands Washing Water (2006). Used by permission.

Chris Abani's poetry collections are Hands Washing Water (Copper Canyon, 2006), Dog Woman (Red Hen, 2004), Daphne's Lot (Red Hen, 2003), and Kalakuta Republic (Saqi, 2001). His prose includes Song For Night (Akashic, 2007), The Virgin of Flames (Penguin, 2007), Becoming Abigail (Akashic, 2006), GraceLand (FSG, 2004), and Masters of the Board (Delta, 1985). He is a Professor at the University of California, Riverside, and the recipient of the PEN USA Freedom-to-Write Award, the Prince Claus Award, a Lannan Literary Fellowship, a California Book Award, a Hurston/Wright Legacy Award, a PEN Beyond the Margins Award, the PEN Hemingway Book Prize, and a Guggenheim Award. Library Journal says of Hands Washing Water, "Abani enters the wound with a boldness that avoids nothing. Highly recommended."

Abani will be featured at Split This Rock Poetry Festival: Poems of Provocation & Witness, March 10-13, 2010, in Washington, DC. The festival will present readings, workshops, panel discussions, youth programming, film, activism-four days of creative transformation as we imagine a way forward, hone our community and activist skills, and celebrate the many ways that poetry can act as an agent for social change.
For more information: info@splitthisrock.org.

Please feel free to forward Split This Rock Poem-of-the-Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

Split This Rock
www.splitthisrock.org
info@splitthisrock.org
202-787-5210

Full Moon on K Street: Poems about Washington DC

2009-12-22T17:18:00.006-05:00

Plan B Press will release a new print anthology in January 2010, edited by Kim Roberts, the publisher of the acclaimed online journal Beltway Poetry Quarterly. Full Moon On K Street: Poems About Washington, DC will include 101 poems, written by current and former residents of the city between 1950 and the present.

Featuring over one hundred contemporary poems, the book captures DC's unique sense of place, from monuments to parks, from lawyers to bus stations, from go-go music to chili half-smokes. All poems were written between 1950 and the present, by past and current residents of the city. This anthology captures the city's many moods: celebratory, angry, and fiercely political.

Contributors include: two-time US Poet Laureate Reed Whittemore; DC's first Poet Laureate, Sterling A. Brown; senator and five-time presidential candidate Eugene J. McCarthy; Cervantes prize winner for lifetime achievement in Spanish-language literature, Jose Emilio Pacheco; renowned gay rights activist Essex Hemphill; and President Obama's official inauguration poet, Elizabeth Alexander.

Preorder from Plan B Press now and get 25% off!

Buy Split This Rock Books at Teaching For Change!

2009-12-22T17:15:00.003-05:00

Check out the Teaching For Change online bookstore here.

Photo of the Week: Poets for Peace

2009-12-21T10:59:00.001-05:00

This new feature will highlight a different photo each week from the 2008 festival. For more photos from the last festival, check out Split This Rock's Flickr.

Photo Credit: © jill brazel photography To contact: jill@jillbrazel.com

DC Youth Slam Team Benefit Show!

2009-12-21T10:50:00.003-05:00

Click the pictures to enlarge.

Poem-of-the-Week: A.B. Spellman

2009-12-16T15:56:00.005-05:00

Things I Don’t Miss From My Youth

3. Not Knowing Better

florene barco moved
to philadelphia &
on a visit home told
us she went
to school with
white kids

it was a lunar image

everything shouted
inferior
to us
the patterns
we walked. the ease
with which they
commanded. that
we could not live

by the river
word of lynching
farther south & of course
the signs. i
thought it all to be
as much of nature
as the night sky
the birds of the air

the notion of place
meant not where
you stood but how
you talked
to a white man

place was
the wet brown earth
your knees
sank down in

& philadelphia
was the crescent
moon

- A.B. Spellman

Excerpt from “Things I Don’t Miss from My Youth” from Things I Must Have Known (2008). Used by permission.

····

A.B. Spellman is an author, poet, critic, and lecturer. He has published numerous books and articles on the arts, including Art Tatum: A Critical Biography (a chapbook),The Beautiful Days (poetry), andFour Lives in the Bebop Business, now available as Four Jazz Lives University of Michigan Press). His poetry collection, Things I Must Have Known, was recently was published by Coffee House Press. Mr. Spellman has served on numerous arts panels, including the Africa Diaspora Advisory Group and the Advisory Group on the African-American Museum for the Smithsonian Institution. In recognition of Spellman’s commitment and service to jazz, the National Endowment for the Arts in 2005 named one of its prestigious Jazz Masters awards the A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy. In March 2006 he received the Benny Golson Award from Howard University for his service to jazz. He was a poet-in-residence at Morehouse College, in Atlanta, Georgia, where he taught various courses in African-American culture, and at Emory, Rutgers, and Harvard Universities, where he offered courses in modern poetry, creative writing, and jazz.

····

Spellman will be featured at Split This Rock Poetry Festival: Poems of Provocation & Witness, March 10-13, 2010, in Washington, DC. The festival will present readings, workshops, panel discussions, youth programming, film, activism—four days of creative transformation as we imagine a way forward, hone our community and activist skills, and celebrate the many ways that poetry can act as an agent for social change.

For more information: info@splitthisrock.org.

Please feel free to forward Split This Rock Poem-of-the-Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

Split This Rock
www.splitthisrock.org
info@splitthisrock.org
202-787-5210

Zinn Education Project: Teaching a People’s History - a new website with free, downloadable teaching activities.

2009-12-16T08:25:00.005-05:00

The Zinn Education Project, a collaborative effort by Teaching for Change and Rethinking Schools, has launched the new Zinn Education Project: Teaching a People’s History website. Thanks to the support of an anonymous donor and the Caipirinha Foundation, the site features over 75 free, downloadable teaching activities for middle and high school classrooms to bring a people’s history to the classroom. These are the best history-teaching articles drawn from the archives of Rethinking Schools magazine. The site also lists hundreds of recommended books, films and websites. The teaching activities and resources are organized by theme, time period and grade level. This is the only collection of its kind for educators – print or online — in the country.

Please visit and bookmark the new Zinn Education Project: Teaching a People’s History website. Take advantage of the free resources and send your feedback.

I can UNDERSTAND pessimism, but I don’t BELIEVE in it. It’s not simply a matter of faith, but of historical EVIDENCE. Not overwhelming evidence, just enough to give HOPE, because for hope we don’t need certainty, only POSSIBILITY. - Howard Zinn

Photo of the Week: Dennis Brutus

2009-12-14T14:52:00.002-05:00

This new feature will highlight a different photo each week from the 2008 festival. For more photos from the last festival, check out Split This Rock's Flickr.

2008 Featured Poet Dennis Brutus reads.

Photo Credit: © jill brazel photography
To contact: jill at jillbrazel dot com

Registration is Open for Split This Rock Poetry Festival 2010!

2009-12-14T13:40:00.004-05:00

Split This Rock Poetry Festival invites poets, writers, artists, activists, dreamers, and all concerned world citizens to Washington, DC, for poetry, community building, and creative transformation as our country continues to grapple with two wars, a crippling economic crisis, and other social and environmental ills.

From March 10 through March 13, 2010, the festival will feature readings, workshops, panel discussions, youth programming, film, activism –- opportunities to speak out for social justice, imagine a way forward, and celebrate the many ways that poetry can act as an agent for social change.

Space is limited and registration fees increase after February 10, 2010. Please register early to reserve your spot! If you can't make it to the entire festival, one-day registrations are available.
We offer a limited number of scholarships. Please read the Scholarship Guidelines and send us your application before February 20 (postmark deadline).
Please contact us if you need help with registration or need registration forms in an alternate format.

Featured poets are Chris Abani, Lillian Allen, Sinan Antoon, Francisco Aragón, Jan Beatty, Martha Collins, Cornelius Eady, Martín Espada, Andrea Gibson, Allison Hedge Coke, Natalie Illum, Fady Joudah, Toni Asante Lightfoot, Richard McCann, Jeffrey McDaniel, Lenelle Moïse, Nancy Morejón, Mark Nowak, Wang Ping, Patricia Smith, A.B. Spellman, Arthur Sze, Quincy Troupe, and Bruce Weigl. Read their bios here.

We can't wait to see you in March!

Deadline Extended until Jan. 15 for Love Rise Up Anthology

2009-12-11T08:49:00.004-05:00

EXTENDED SUBMISSION DEADLINE: JANUARY 15.

Phil Young and Steve Fellner have been asked to co-edit an anthology for Benu Press; its working title is Love Rise Up. Both have been invested in the literary world for some time. Steve wrote and published a book of poems entitled Blind Date with Cavafy (Marsh Hawk Press, 2007) and a memoir entitled All Screwed Up (Benu Press, 2009); Phil has published in literary magazines such as Antioch Review.

The focus of the anthology is on contemporary poets and poems that succeed on the following levels: 1.) The poem deals with social justice, not simply a social issue. In other words there has to be some action or suggestion of resistance or dealing with a social issue, not just having a social issue somewhere in the background. 2.) The poem offers an element of hope. This hope can be somewhat ambiguous, but at least some level of hope has to be detectable to the average reader. Think “Daybreak in Alabama ” by Langston Hughes. 3.) The poem is an “accessible narrative or lyric that contains elements of genuine drama or comedy.” 4.) If the poem were a movie, it would have to receive somewhere between a G and PG-13 rating.

Phil and Steve would really like to include a poem of yours in Love Rise Up.

If interested, please send us a poem(s) as a Word document to sfellner at brockport dot edu or pyoung at brockport dot edu We’d happily look at new work or previously published. The editors are responsible for paying all fees, so waivers are appreciated. Contributors will include D.A. Powell, Martin Espada (Spit This Rock Featured Poet 2008 and 2010), Denise Duhamel, Rigoberto Gonzalez, David Kirby, Sean Thomas Dougherty, Barbara Hamby, Cheryl Dumesnil, Fady Joudah (Split This Rock Featured Poet 2010), Rebecca Livingston (a past Sunday Kind of Love Feature), Alison Joseph, Laura Kasischke, Idra Novey, Eliot Khalil Wilson, Martha Collins Split This Rock Featured Poet 2010), David Baker, Jason Schneiderman, Minnie Bruce Pratt, among others.

When the anthology appears (in Fall 2010, tentatively), all contributors will receive one copy. Please call 585-637-4607 or e-mail the editors if you have any questions.

If you know that you will be offering something, please let the editors know by January 15. Please send this to anyone who you think may be interested.

Split This Rock Holiday Gift Guide

2009-12-10T13:21:00.005-05:00

Split This Rock Holiday Gift Guide

Chris Abani
*Song For Night (Novella) 2007 $12.95 Akashic Books
*The Virgin of Flames (Novel) 2007 $14.00 Penguin (available as an eBook)
*Hands Washing Water (Poetry) 2006 $15.00 Copper Canyon Press

Sinan Antoon
*I'jaam: An Iraqi Rhapsody (Novel) 2007 $8.37 (on sale) City Lights
*Baghdad Blues (Poetry) 2007 $10 Harbor Mountain Press

Francisco Aragon
*Puerta del Sol (Poetry) 2005 $12 Bilingual Review Press

Jan Beatty
*Red Sugar (Poetry -See Split This Rock's Review here) 2008 $14.00 University of Pittsburgh Press

Martha Collins
*Blue Front (Poetry) 2008 $14.00 Graywolf Press

Cornelius Eady
*Hardheaded Weather (Poetry) 2008 $14.00 Putnam (also available as an eBook)

Martin Espada
Crucifixion in the Plaza des Armas (Poetry) 2008 £7.95 Smokestack (UK) Purchase at Inpress
*The Republic of Poetry (Poetry) 2006 $13.95 Norton

Andrea Gibson
Yellow Bird (CD) 2009 $12.95 CDbaby.com
*Pole Dancing to Gospel Hymns (Poetry) 2008 $15.00 Write Bloody

Allison Hedge Coke
*Blood Run (Poetry) 2006 £7.99 or $12.97 (US store available online) Salt Publishing (UK)
*Off-Season City Pipe (Poetry) 2005 $14.00 Coffee House Press

Natalie Illum
On Writer's Block and Acrobats (Poetry) 3 Word Productions

Fady Joudah
*The Earth in the Attic (Poetry - See Split This Rock's review here) 2007 $30 Cloth $16 Paperback Yale University Press
*If I Were Another by Mahmoud Darwish (Translated Poetry) 2009 $28 Hardcover Farrar Straus and Giroux

Richard McCann
*Mother of Sorrows (Stories) 2005 $14.00 Random House
*Ghost Letters (Poetry) 1994 $9.95 Alice James Books

Jeffrey McDaniel
*The Endarkenment (Poetry) 2008 $14.00 University of Pittsburgh Press

Lenelle Moїse
Madivinez (CD & MP3) $15.00 CDbaby.com

Nancy Morejόn
*With Eyes and Soul: Images of Cuba (Poetry and Photography) 2004 $19 White Pine Press

Mark Nowak
*Coal Mountain Elementary (Poetry - See Split This Rock's Review here) 2009 $20 Coffee House Press

Wang Ping
*The Dragon Emperor: A Chinese Folktale (Folktale for ages 9-12) 2008 $25.26 Millbrook Press (A Division of Lerner Publishing)
*The Last Communist Virgin (Stories) 2008 $14.95 Coffee House Press
*The Magic Whip (Poetry) 2003 $15.00 Coffee House Press

Patricia Smith
*Blood Dazzler (Poetry) 2008 $16.00 Coffee House Press

A.B. Spellman
*Things I Must Have Known (Poetry) 2008 $16.00 Coffee House Press

Arthur Sze
The Ginkgo Light (Poetry) 2009 $15.00 Copper Canyon Press

Quincy Troupe
*Miles and Me (Memoir) 2002 $16.95 University of California Press
*Transcircularities: New and Selected Poems (Poetry) 2002 $30 Hardcover, $17 Paperback Coffee House Press

Bruce Weigl
*Declension in the Village of Chung Luong 2006 $14 Ausable Press/Copper Canyon Press

Anthologies

*Fire and Ink: An Anthology of Social Action Writing
Eds. Frances Payne Adler, Debra Busman, and Diana García. 2009 $32.95 University of Arizona Press(20% off if you mention the magic code: "FLR" when you order from University of Arizona Press : 1-800-426-3797)

Editor Frances Payne Adler and Diana Garcia are presenting a panel discussion about the anthology and the joys of teaching social action writing at the university level with contributors Martín Espada, Patricia Smith, Alicia Ostriker, and Melissa Tuckey. Also includes contributions by past and present Split This Rock featured poets Sharon Olds, Sonia Sanchez, Carolyn Forché, and Jimmy Santiago Baca.

*Black Nature: Four Centuries of African American Nature Poetry
Ed. Camille T. Dungy. 2009 $48.97 Cloth (on sale) $17.47 Paper (on sale) University of Georgia Press

Editor Camille Dungy is presenting a reading of contributors at Split This Rock: Gregory Pardlo, E. Ethelbert Miller, Remica L. Bingham, Thomas Sayers Ellis, and Mark McMorris. Patricia Smith and Cornelius Eady (2010 Featured Poets) are also in the anthology as are past Sunday Kind of Love features Tim Seibles, Tara Betts, Patricia Spears Jones, and Terrance Hayes, among others.

I Go to the Ruined Place: Contemporary Poems in Defense of Global Human Rights Ed. Melissa Kwasny and M.L. Smoker 2009 $18. Lost Horse Press

Contributor Martha Collins is a Split This Rock Featured Poet in 2010 and contributor Philip Metres is participating in a panel at the 2010 festival. Other contributers include Carolyn Forché (2008 Split This Rock Featured Poet), Tamiko Beyer (2008 Split This Rock panelist) and Christi Kramer (a central Split This Rock activist).

*The Wind Shifts: New Latino Poetry
Ed. Francisco Aragón 2007 $17.95 University of Arizona Press

Editor Francisco Aragón is a Split This Rock Featured poet in 2010 and contributor Naomi Ayala is a member of the Split This Rock advisory board.

* Books marked with an asterisk are also available via Powell's Books. Split This Rock recommends Powell's because it is a union shop.

Where the War Lives in Us: Performance by Tiffany Higgins and Moises Mascimento

2009-12-10T10:35:00.004-05:00

(Click on the image to enlarge)

Poem-of-the-Week: Lillian Allen

2009-12-09T15:02:00.003-05:00

The Refugee

Silence rocks the night
nerve stretch tight
snapping left and right
anger peels…
a straight faced appeal
to the Canada that can
to save him

no one appeared
or dared to care
for the solitary heart
that paced the night

morning brought light
more panic and fright
for the vacant of days
that faced him

he ran from the light
took a balcony dive
plunges his life
to the pavement below
that plagued him

nothing resolved
a few problems got solve
two months rent defrayed
the credit companies got swayed
on his apartment a sign says
Now Renting

-Lillian Allen

From Women Do This Every Day (1993), used by permission.

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Lillian Allen is an award-winning Canadian poet, fiction writer, playwright, and cultural strategist. As one of its lead originators, she has specialized in the writing and performing of dub poetry, a highly politicized form of poetry, which is sometimes set to music. Her recordings, "Revolutionary Tea Party" and "Conditions Critical," won Juno awards in 1986 and 1988 respectively. Her publications include Theorize This (2004),Psychic Unrest (Insomniac Press, 2000), Women Do This Every Day (Women’s Press, 1993), Nothing but a Hero (Well-versed, 1992). Her many recordings include “Freedom & Dance,” 1999, and “Conditions Critical,” 1988. A past member of the Racial Equity Advisory of the Canada Council for the Arts, the Experts Advisory on the International Cultural Diversity Agenda, past executive member of the Sectoral Commission on Culture and Information of the Canadian Commission for UNESCO, Allen was named a Foremother of Canadian Poetry by the League of Canadian Poets in 1992.

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Allen will be featured at Split This Rock Poetry Festival: Poems of Provocation & Witness,March 10-13, 2010, in Washington, DC. The festival will present readings, workshops, panel discussions, youth programming, film, activism—four days of creative transformation as we imagine a way forward, hone our community and activist skills, and celebrate the many ways that poetry can act as an agent for social change. For more information: info@splitthisrock.org.

Please feel free to forward Split This Rock Poem-of-the-Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

Split This Rock
www.splitthisrock.org
info@splitthisrock.org
202-787-5210

The World and Me Youth Poetry Contest

2009-12-07T10:02:00.003-05:00

Split This Rock is excited to announce the opening of our youth poetry contest, The World & Me. We invite children and youth who live or go to school in the District of Columbia to speak out and share voices and thoughts on their communities. If you are a teacher, please encourage your students to submit their work to the contest. And if you know other educators and youth counselors who could make the contest a part of their curriculum and learning activities please pass the word on to them.

Additional flyers and the required application form are available here.

Split This Rock seeks poems on the theme: "The World & Me."
What about your neighborhood/city/country/planet makes you happy and proud? What makes you sad? If you were in charge, what would you change? Are there issues you care deeply about? Situations in the news or in your neighborhood that make you mad? Or glad?
Tell us in a poem!

Eligible Writers: Poets must live in or attend school in DC, as well as qualify for either of the following contest groups:
-Ages 12 and under or
-High school students ages 13 and up

Directions: Please print and complete the application form (http://splitthisrock.org/contests.html#youth) and send 1-3 poems to:

Split This Rock/The World & Me Poetry Contest
1112 16th Street, NW, Suite 600
Washington, DC20036

Or Fax: (202) 387-7915

Postmark Deadline: Friday, January 15, 2010
You may also hand-deliver the poems by 5 pm on January 15.

Questions? Email: info at splitthisrock dot org
or call (202) 787-5210

Poems for Peace and Protest

2009-12-07T09:58:00.003-05:00

Split This Rock offers the following poems for your vigils, demonstrations, and actions. Feel free to read one or many during your event, but please always remember to say the poet's name when you read his or her poem. For more information and more poems of provocation and witness: info [at] splitthisrock [dot] org. For more poems, check out the Foreign Policy in Focus article including the poems.

First Poem

The first poem at a reading
Should always shock and awe

It should be a love poem
Of overwhelming force

Maybe the mother
Of all poems

War reduces everything
To silence

Every soldier's grave a place
Too loud for sleep

E. Ethelbert Miller
From D.C. Poets Against the War (Argonne House Press, 2004). Used with permission.

Photo of the Week: Princess of Controversy

2009-12-07T09:51:00.002-05:00

This new feature will highlight a different photo each week from the 2008 festival. For more photos from the last festival, check out Split This Rock's Flickr.

Photo credit Daniela Schrier

Featured poet Princess of Controversy reads at the Friday open mic.

Phyllis Bennis in the Huffington Post

2009-12-03T13:09:00.003-05:00

The following is an excerpt from a piece by Phyllis Bennis, Director of the New Internationalism Project at the Institute for Policy Studies, in the Huffington Post, about the escalation in Afghanistan. The full article can be found here"

In a speech like this, widely acknowledged to be setting the framework for the security/foreign policy/military paradigm for the bulk of Obama's still-new presidency, location matters. West Point was crucial partly for tactical reasons (nowhere but a military setting, with young cadets under tight command, could the president count on applause and a standing ovation in response to a huge escalation of an unpopular war). But it was also important for Obama to claim West Point as his own after Bush's 2002 speech there, an address that first identified preemptive war as the basis of the Bush Doctrine and a new foreign policy paradigm.

There was an important honesty in one aspect of President Obama's speech. All claims that the U.S. war was bringing democracy to Afghanistan, modernizing a backward country, and liberating Afghan women, are off the agenda - except when the Pentagon identifies them as possible "force multipliers" to achieve the military goal. And that goal hasn't changed - "to disrupt, dismantle, and defeat al-Qaeda in Afghanistan and Pakistan, and to prevent its capacity to threaten America and our allies in the future." So now it's official. It's not about Afghanistan and Afghans at all - it's all about us.