tag:blogger.com,1999:blog-187101782008-07-20T23:18:32.685-04:00weblogART - ART, MEDIA and NEWSweblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comBlogger5698125tag:blogger.com,1999:blog-18710178.post-64820420946536936362008-07-20T18:32:00.000-04:002008-07-20T18:33:05.390-04:00'onedotzero_adventures in motion'SUBMISSION DEADLINE EXTENDED TO 31 JULY<br /><br />call for festival submissions for 'onedotzero adventures in motion' 2008/09 international tour<br /><br />the deadline has been extended to receive submissions of work for the 'onedotzero_adventures in motion' 2008/09 international tour.<br /><br />the tour launches with onedotzero_buenos aires in september 08, onedotzero_ch in zurich in october 08, reaching london in november 08, with a three day event at the prestigious bfi southbank, followed by an extensive global city tour.<br /><br />the festival is a great platform to gain global recognition and showcase your work alongside that of creative luminaries. we are looking for the most innovative and visually adventurous moving image work from all over the world. as ever, it's free to submit, and we welcome entries from all levels, including students and up-and-coming talent.<br /><br />submit your music videos, motion graphics, animation, motion typography, generative / processing, narrative shorts, documentary, experimental works, street art in motion, interactive, installations and live audiovisual. this year onedotzero invites work and proposals for categories surrounding new theme 'citystates', an engaging exploration of city life.<br /><br />deadline extended to 31 july 2008<br /><br />free to enter<br /><br /><a href="http://www.onedotzero.com/submissions">http://www.onedotzero.com/submissions</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-28152081007826432422008-07-20T18:20:00.000-04:002008-07-20T18:20:04.844-04:00Facebook Redesign To Go Live Tomorrow - ReadWriteWeb<a href="http://www.readwriteweb.com/archives/facebook_redesign_to_go_live_tomorrow.php">Facebook Redesign To Go Live Tomorrow - ReadWriteWeb</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-5411928806421523042008-07-17T19:14:00.002-04:002008-07-17T22:03:51.647-04:00Unlimited access4th International Video Journalism Awards, Mainz, Germany:<br />"Unlimited access"<br /><br />CALL FOR ENTRIES Deadline 15th of October 2008<br /><a href="http://www.vjawards.com/">http://www.vjawards .com</a><br /><br />Go out - find a story – publish it:<br />The „4th International Video Journalism Awards" is calling for entries!<br /><br />The Video Journalism Awards is looking for non-fiction videos from single authors, the so called videojournalists (short VJs). A VJ is responsible for the whole creative process starting from research and shooting as well as covering the whole process of editing and sometimes even the publication of the film.<br />A small camcorder and a laptop are the tools of the VJ, which is comparable to the pen and paper a newspaper journalist uses.<br /><br />The final deadline for entering films for the 4th International Video Journalism Awards is the 15th of October 2008. The awards are produced by vjawards.com , the host is ZDF German Television in Mainz.<br /><br />The internet is converging all kinds of media, which is reflected by this year's theme "unlimited access". The awards try to cover all known fields of video journalism: films from TV-stations and<br />publishing companies and productions from an independent background are awarded with a total of 12.000 € of prize money going to the seperated categories "independent and online" and "TV production".<br />Recent developements that influence the VJ-scene and future perspectives are discussed in the supporting programme of the 4th International Video Journalism Awards.<br /><br />Further information is provided on our website:<br /><a href="http://www.vjawards.com/">http://www.vjawards .com</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-19869736143723298862008-07-17T19:10:00.000-04:002008-07-17T19:11:13.036-04:00GAZING INTO THE 21st CENTURYGAZING INTO THE 21st CENTURY<br /><br />Second international conference on Image Science in Goettweig<br />October 16th -18th 2008<br /><a href="http://www.donau-uni.ac.at/dis">www.donau-uni.ac.at/dis</a><br /><br />Never before has the world of images changed so fast and the way images are produced transformed so drastically as in recent times. Second Life, Micromovies, Flickr, Virtual Reality, YouTube, Visual Music, Scientific Visualisation, Google Earth etc. are keywords standing for a multitude of new possibilities for individual producing, projecting and distributing of visual material.<br /><br />The images’ historical development between innovation, reflection and iconoclasm reaches a new level of global complexity in the 21st century. These transformations have hit society to a large extent unprepared. Nevertheless we have to recognize that we will not be able to handle the knowledge burst of our time without further development of new forms of visualization and “orders of visibility”.<br /><br />What inspiration do these new worlds of images gain from art? What influence does the medium have on the iconic character of the image? What chances and challenges do image dealers and museums face with the “liquidity” of the image?<br /><br />Together with international colleagues from science and art and keynotes by Felice FRANKEL (Harvard University, MIT), Barbara STAFFORD (Chicago) and Peter WEIBEL (ZKM) the conference will discuss the inventory, classification and historiography of the recent worlds of images concerning the worlds of art, popular culture and science.<br /><br />The lectures and discussions will cover the following topics:<br /><br />* NEW IMAGE FORMS AND TECHNIQUES<br /><br />* NEW STRATEGIES IN VISUAL ARGUMENTATION<br /><br />* NEW PRACTICES OF IMAGE TRANSFER<br /><br />Lectures among others by: Prof. Dr. Marie-Luise ANGERER, KHM; Dr. Elize BISANZ, University Lueneburg; Prof. Dr. Oliver GRAU, Danube University; Dr. Stefan HEIDENREICH, Humboldt-University Berlin; Mag. Jan HENSELDER, Berlin; Dr. Susanne HOLSCHBACH, HGB Leipzig; Dr. Harald KRAEMER, University Bern; Prof. Dr. Ann-Sophie LEHMANN, University Utrecht; Mag. Katja MAYER, University Vienna; Prof. Michael NAIMARK, University of Southern California; Michael NAIJAR, Berlin; Tim Otto ROTH, Koeln; Susanne SCHUMACHER MA, University Zuerich; Dr. David STEINMAN, University of Toronto; Dr. Dolores STEINMAN, University of Toronto; Prof. Dr. Nicolay VAN DER MEULEN, University Basel; Dr. Ingeborg REICHLE, BBAW Berlin; PD Dr. Martin SCHULZ, HfG Karlsruhe.<br /><br />At the same time an exhibition of scholarly POSTERS chosen by a jury from the international call with applicants from 19 countries is taking place at the DIS.<br /><br />Information and registration:<br /><a href="http://www.donau-uni.ac.at/dis/goettweig2008">http://www.donau-uni.ac.at/dis/goettweig2008</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-49408834014813781332008-07-16T17:39:00.000-04:002008-07-16T17:40:54.370-04:00STARTMILANO 2008STARTMILANO 2008<br />A week-end of openings<br /><br />Milan<br />September 19th - 21st, 2008<br /><br />The 4th edition of STARTMILANO will take place from September 19th to 21st 2008, in the headquartes of every associated gallery. STARTMILANO brings together the most important contemporay art galleries located in Milan.<br /><br /><a href="http://www.start-mi.net/">http://www.start-mi.net</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-34070649005217527752008-07-16T17:37:00.000-04:002008-07-16T17:38:27.659-04:00Takuro Mizuta LippitHarvestworks is pleased to announce a presentation by STEIM's Takuro Mizuta Lippit. Amsterdam's STEIM has been at the forefront of designing tools for composers and visual artists for decades, like LiSa, BigEye and ImagIne. STEIM's sensorlab was one of the first commercially available sensor interfaces.<br /><br />Takuro will present and discuss the history and current work at STEIM, and can answer questions in case you would be interested in spending time at STEIM to work on your own project. He will also present his own custom-made DJ setup.<br /><br /><a href="http://www.harvestworks.org">http://www.harvestworks.org</a><br /><br />PRESENTATION<br />Takuro will introduce the general history of STEIM, from its start in the late 60s as a collective of composers, improvisors and musicians to a research lab, artist in residence and venue for adventurous live electronic arts. Later he will demo his own performance set up consisting of a turntable, dj mixer, self-built USB controller and Max/MSP. Crossfader-triggered sampler "cut n play" and right-hand usb interface "audile" are some of the unique modules that he has designed to seamlessly integrate live sampling into the flow of turntable performance.<br /><br />BIO<br />dj sniff (Takuro Mizuta Lippit) believes in the instrumental autonomy of the turntable and the musicianship of the DJ. He is a turntable musician working in the field of improvised and experimental music. His music focuses on the live reconstruction and narratization of the phonographically amplified - the music, the sound, the technology and the past. To achieve this, he uses a unique setup consisting of hand-made hardware interfaces and a custom Max/MSP software along with one turntable and DJ mixer. He is also a concert/event curator for electronic music and a researcher of music technology.<br /><br />While studying Art History and Philosophy in Tokyo, he was active as a DJ in the underground electronic music scene and formed a collective called smashTV productions which organized genre-mixing events such as anti-Gravity and bistro-Smash!. In 2002, he moved to New York to pursue graduate studies in computer music and physical computing at NYU's ITP (Interactive Telecommunications Program).<br /><br />Since 2005 he has been involved with STEIM's (Studio for Electro-Instrumental Music, Amsterdam) R&amp;D lab and is currently its Artistic Director.<br />dj sniff regularly performs with computer musician Yutaka Makino as Audile and with saxophonist Keir Neuringer.weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-71034113445650521572008-07-16T17:33:00.000-04:002008-07-16T17:33:52.668-04:00SCOPE HamptonsSCOPE is proud to present the first Collector Mentorship Auction during SCOPE Hamptons 08. Continuing its "Art Fair as Resource" mandate, this silent auction features seasoned collectors Beth Rudin DeWoody, Melva Bucksbaum, Raymond Learsy, Eileen and Richard Ekstract, Adam Lindemann, Enrique Norten, Jed Walentas, Rick Wester, Dennis Oppenheim, Nancy Seltzer, Terrie Sultan, Kim Levin, Arnold Lehman, Rob Teeters, Richard Stewart, Lowell Pettit and others donating an hour of their time to mentor less experienced art enthusiasts. Bidding will be young collectors from MoMA, Whitney, The New Museum, The Parrish Museum, Guild Hall, Core Club and Soho House. This unique event, providing networking opportunities and educating beginning collectors while promoting philanthropy, will benefit the SCOPEFoundation.<br /><br /><a href="http://scopehamptons.com/index.php/documents/158">SCOPE Hamptons</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-43073266192168518922008-07-15T14:47:00.000-04:002008-07-15T14:47:05.131-04:00WHERE IS MY MIND?"COLOGNE’S OFF-SHOW FOR CONTEMPORARY ART<br />Starting in August 22nd till 31st 2008 „ARTRMX COLOGNE VOL.01” is a topic based art festival that presents contemporary photography, street art, painting, graphics and video art in an extraordinary frame – a platform for lively exchanges between international artists, collectors, gallery-owners and art interested people. <br />The artrmx cologne vol. 01 exhibitions take place in different locations (such as galleries, apartments, empty buildings or off-locations) throughout Cologne. To participate in these exhibitions, the artrmx e. V. invites artists to send in their work or their series in regards to the given subject for 2008 „WHERE IS MY MIND?“. In collaboration with artistic advisors, the artrmx e. V. will assemble and distribute the work among the different exhibition spaces."<br /><br /><a href="http://www.artrmx.com">http://www.artrmx.com</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-60573550315286719062008-07-15T14:45:00.000-04:002008-07-15T14:45:40.797-04:00„art bodensee 08"Die „art bodensee 08" ist ein Fixpunkt im internationalen Kunstmesse-Kalender. Seit 2001 ist die „art bodensee" sommerlicher Treffpunkt für Kunstfreunde, Sammler, Kuratoren und interessiertes Publikum aus Süddeutschland, der Schweiz, aus Liechtenstein, Österreich und Südtirol.<br /><br /><a href="http://www.dornbirnermesse.at/start.php4?m1id=5&amp;sch=800">Dornbirner Messe</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-29111872920608448332008-07-15T14:32:00.000-04:002008-07-15T14:32:10.147-04:00concorso Circolo Culturale Bertolt Brecht<a href="http://www.bertoltbrecht.it/dettaglio_concorso.asp?ID=8">Dettaglio concorso</a>:<br /><br />"Questo concorso si rivolge ai giovani artisti emergenti o aspiranti tali, al di sotto dei 35 anni (ossia tutti quelli nati dopo il primo gennaio 1973). Il Circolo Culturale Bertolt Brecht ha pensato di dedicare proprio a voi questa opportunità totalmente gratuita: compilando il form apposito in ogni sua parte e mandando via mail n. 4 immagini in formato .jpg (max 800x600 pixel/max 250 kb per immagine) dei propri lavori all'indirizzo indicato, si parteciperà alla web_competition!"weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-48096117650216109392008-07-15T14:30:00.000-04:002008-07-15T14:30:09.181-04:00MercantiaSi svolge dal 16 al 20 luglio, a Certaldo, MERCANTIA, il “Festival internazionale del teatro di strada” - giunto alla 21° edizione - punto di riferimento in Italia e all’estero per questo tipo di spettacolo che, dopo aver festeggiato le venti edizioni, propone un progetto teatrale nuovo: da un lato rimane la grande kermesse dionisiaca e coinvolgente, fatta di<br />musiche, colori e grandi spettacoli scenografici; dall’altro crescono le atmosfere rarefatte, per pochi spettatori, con spettacoli creati appositamente per una torre, un giardino, una cripta.<br /><br /><a href="http://www.mercantiacertaldo.it/">Mercantia - 21 Festival internazionale del teatro di strada 16-20 Luglio 2008, Certaldo (FI)</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-4648679737143824672008-07-15T14:26:00.000-04:002008-07-15T14:26:51.520-04:00Transformations: Camouflage and Land ArtThe word "camouflage" comes of common use in Europe during WWI. It seems that its etymologic origin,<br />dated from the '700, meant "to blow a gust of smoke at someone's face in order to disorientate him."<br />In England, it was Daily News that first used the term camouflage, on the 25th of May of 1917, to indicate<br />the action of hiding something from the enemy. The word was immediately transferred from the military uses<br />into daily life through the expression "eggs camouflaged in a scramble", or often to ironically denounce a<br />bluff: "he is nothing but camouflage."<br /><br />In the artistic context, the wish or the need to become 'smoky' or invisible has a quite curious but at the same<br />time significant origin, in an expression used by Franz Marc in a letter he wrote from the battlefront to his<br />wife (quoted in "Transformations: Camouflage and Land Art" from Helmut Friedel). In this letter, the artist<br />expressed the need to build some "Kandinskys" in order to make invisible the trenches in which he and his<br />soldiers were hidden.<br /><br />Exactly 70 years later, before starting his series of "Camouflages", Andy Warhol asked the following to one<br />of his assistants: "What can I do that is abstract, but not really abstract?" In other words, it seems that<br />mimicry, in its most appropriate and fiercely assumption of camouflage, can offer a different point of view<br />from that of the artistic abstract models of the '900 (and obviously contemporary), including those radical<br />experiences such as monochrome, located between a farewell and a suspension in the inner definition of<br />painting.<br /><br />Camouflage is the title of a show that will be developed in two stages at the Gentili Gallery in Prato. Curated<br />by Helmut Friedel and Giovanni Iovane, the first exhibition will exhibit works by Enrico Castellani, Isa<br />Genzken and Imi Knoebel.<br /><br />Enrico Castellani's works have been rigorously expressing over decades (and without mimicry) this<br />suspended condition of painting as a "promise" of an autonomous and authentic space (further beyond the<br />minimalist tautologies).<br /><br />On the other hand, Isa Genzken did a series of monochrome paintings (untitled "Basic Research") and of<br />concrete sculptures that strongly represented an efficient answer to Minimalist and to its phenomenological<br />neutrality.<br /><br />The works and installations of Imi Knoebel "destructure" decompose the idea of monochrome as a<br />presentation of "primary structures.<br /><br /><a href="http://www.galleriagentili.it/">Galleria Gentili</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-4152220852381229232008-07-15T03:32:00.000-04:002008-07-15T03:32:48.260-04:00RA DIOHEA_D / HOU SE OF_C ARDS - Google Code<a href="http://code.google.com/creative/radiohead/">RA DIOHEA_D / HOU SE OF_C ARDS - Google Code</a>:<br /><br />"Radiohead just released a new video for its song 'House of Cards' from the album 'In Rainbows'.<br /><br />No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes.<br /><br />Watch the making-of video to learn about how the video was made and the various technologies that were used to capture and render 3D data."weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-62497122960065904712008-07-15T03:31:00.000-04:002008-07-15T03:31:03.650-04:00Foo Camp<a href="http://en.wikipedia.org/wiki/Foo_Camp">Foo Camp - Wikipedia, the free encyclopedia</a>:<br /><br />"Foo Camp is an annual hacker event hosted by publisher O'Reilly Media. O'Reilly describes it as 'the wiki of conferences', where the program is developed by the attendees at the event, using big whiteboard schedule templates that can be rewritten or overwritten by attendees to optimize the schedule. The goal of the event is to reach out to new people who will increase the company's intelligence about new technologies, and to create opportunities for cross-fertilization between people and technologies that are on the O'Reilly radar.<br /><br />Some have described it as a meta-birds-of-a-feather session, that gets smart people together to discuss technology issues. This style of event has also been described as an unconference."weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-33681587514918768902008-07-14T22:03:00.001-04:002008-07-14T22:05:48.113-04:00Studio Azzurro - Galileo all'Inferno<div align="center"><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/rxan29oMB_U&amp;hl=en&amp;fs=1"><param name="allowFullScreen" value="true"><embed src="http://www.youtube.com/v/rxan29oMB_U&hl=en&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></div><br /><br />Studio Azzurro - Galileo all'Inferno<br />Da: teatroarcimboldi<br /><a href="http://www.teatroarcimboldi.it/">http://www.teatroarcimboldi.it/</a>/weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-83039029983968913752008-07-14T14:30:00.002-04:002008-07-14T14:50:44.275-04:00"Translocalmotion"<span><span style="color: rgb(0, 0, 0);">A steam train and dinosaurs are two of the treats in store for visitors to the Seventh Shanghai Biennale, this year entitled "Translocalmotion," Shanghai Daily reported.<br /><br />About 61 artists or groups of collaborators from 21 countries and regions will take part in the Biennale which will be launched on September 8 and go through November 16.<br /><br />The show will include some major names: Yue Minjun, Mike Kelley and Lonnie Van Brummelen &amp; Siebren De Haan who will all have solo exhibitions on the second floor of the Shanghai Art Museum during the Biennale.<br /><a href="http://www.shanghaibiennale.com/"><br />http://www.shanghaibiennale.com</a>/<br /></span></span>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-65886076005088315442008-07-14T14:10:00.000-04:002008-07-14T14:11:43.467-04:00Masterclass “Creative Research”Masterclass “Creative Research”<br /><br />Maarten Lamers &amp; Bas Haring<br />July 19, 14:00 - 17:00<br />voormalig Fotomuseum, Witte de Withstraat 63, Rotterdam<br /><br /><br /> “To raise new questions, new possibilities, to regard old problems from a new angle, requires creative imagination and marks real advances in science.” — Albert Einstein<br /><br /><br />There must be more room for creativity and unconventional ideas in scientific research. Only through dealing creatively with research itself can we achieve results that could otherwise not be envisioned, and can science remain groundbreaking. Just as in the Dutch concept of autonomous artists, there should be free-thinking and creative scientists - autonomous scientists.<br /><br />This idea is central in the Media Technology MSc programme of Leiden University. In the masterclass this creative research concept is presented - with many examples - and is much room for discussion. Some examples and results of unconventional scientific research are presented as installations in the exhibition.<br /><br />Six years creative research<br /><br />The masterclass is taught by Maarten Lamers and Bas Haring and is part of the six years creative research exhibition presented by the V2_Institute for the Unstable Media. Admission to the masterclass and exhibition is free and open to anyone.<br /><a href="http://mediatechnology.leiden.edu/news/masterclass-creative-research-july-19/"><br />mediatechnology.leiden.edu</a>/weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-31030988978164521622008-07-14T03:48:00.003-04:002008-07-14T03:52:46.555-04:00Second Life pictures - Bubbles machineSecond Life pictures - Bubbles machine<br /><br /><div style="text-align: center;"><div><embed src="http://widget-0c.slide.com/widgets/slideticker.swf" type="application/x-shockwave-flash" quality="high" scale="noscale" salign="l" wmode="transparent" flashvars="cy=un&amp;il=1&amp;channel=72057594050060556&amp;site=widget-0c.slide.com" style="width: 426px; height: 320px;" name="flashticker" align="middle"></embed><div style="width: 426px; text-align: left;"> <a href="http://www.slide.com/pivot?cy=un&amp;at=ffb&amp;id=72057594050060556&amp;map=F" target="_blank"><img src="http://widget-0c.slide.com/p4/72057594050060556/un_t017_v000_s0ffb_f00/images/xslide42.gif" ismap="ismap" border="0" /></a></div></div><br /></div><br />Bubbles Machine - Albertini &amp; Moioli in Second Life<br /><br />SLurl: LifeLog Studio Headquarters, Lifelog island (124, 143, 28)<br /><br /><br />view also RL exhibition in via Solferino in Milan:<br /><a href="http://weblogart.blogspot.com/2008/04/albertini-e-moioli.html">http://weblogart.blogspot.com/2008/04/albertini-e-moioli.html</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-53299919823940367322008-07-14T03:34:00.001-04:002008-07-14T03:44:24.328-04:00Brooklyn is Watching<div style="text-align: center;"><div><embed src="http://widget-11.slide.com/widgets/slideticker.swf" type="application/x-shockwave-flash" quality="high" scale="noscale" salign="l" wmode="transparent" flashvars="cy=bb&amp;il=1&amp;channel=72057594050060561&amp;site=widget-11.slide.com" style="width: 400px; height: 320px;" name="flashticker" align="middle"></embed></div><br /></div><br /><br />"At Jack the Pelican Presents ( 487 Driggs Ave, Brooklyn, NY 11211, USA ) where gallery visitors will be able to see and interact with anything that happens at the above SLURL on the 52 inch monitor."<br /><br /><a href="http://brooklyniswatching.com/">http://brooklyniswatching.com</a>/weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-37763578539268942682008-07-14T03:05:00.003-04:002008-07-14T03:13:27.241-04:00" Working in Virtual Worlds"<div style="text-align: center;"><div><embed src="http://widget-e8.slide.com/widgets/slideticker.swf" type="application/x-shockwave-flash" quality="high" scale="noscale" salign="l" wmode="transparent" flashvars="cy=bb&amp;il=1&amp;channel=72057594050060520&amp;site=widget-e8.slide.com" style="width: 400px; height: 320px;" name="flashticker" align="middle"></embed></div><br /></div>Meeting with the students and visiting the projects from the course " Working in Virtual Worlds" - Texas University and other students<br /><br />sleducators-coop<br /><br />some partecipants links<br /><br /><a href="http://adventuresofyoshikawa.blogspot.com/">http://adventuresofyoshikawa.blogspot.com</a>/<br /><br /><a href="http://machinimalibrarians.blogspot.com/">http://machinimalibrarians.blogspot.com</a>/<br /><br /><a href="http://samanthajean.net/">http://samanthajean.net</a>/<br /><a href="http://www.thinkerer.org/Background/BakSiteMap.htm"><br />http://www.thinkerer.org/Background/BakSiteMap.htm</a><br /><br /><a href="http://www.slprofiles.com/minime/Jayne%20Urqhart">http://www.slprofiles.com/minime/Jayne%20Urqhart</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-6372599088787594672008-07-14T02:51:00.000-04:002008-07-14T02:51:04.744-04:00art.xxXtenxion 2008"Breathtaking developments in new media offer new gateways to the work of artists. Used as archive, for presenting works, for linear communications it now unspools new horizons coined as web 2.0. The artist takes position in networks and virtual environments which are still emerging from very basic make believe worlds into more immersive environments of the future. Active participation lights the way to a real glocal approach or to speak with Stephan Doesingers Bastard Space Manifesto: 'Ambition and artificial light are the strongest building materials!“ and : 'Public space is a media construction.“ art.xxXtenxion 2008 offers workshops, videos, lectures, talks and a mixxXed reality scenario.<br />art.xxXtenxion 2008 focuses on exchange, participation and insights behind the stage. art.xxXtenxion 2008 international artists-in-residency and guests project."<br /><br /><a href="http://xxxtenxion.blogspot.com/">art.xxXtenxion 2008</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-81212125658218190972008-07-14T02:39:00.001-04:002008-07-14T02:42:22.860-04:00Gracie Kendal exhibition party<div style="text-align: center;"><div><embed src="http://widget-c3.slide.com/widgets/slideticker.swf" type="application/x-shockwave-flash" quality="high" scale="noscale" salign="l" wmode="transparent" flashvars="cy=bb&amp;il=1&amp;channel=72057594050060483&amp;site=widget-c3.slide.com" style="width: 400px; height: 320px;" name="flashticker" align="middle"></embed></div><br /></div><br /><br />SL <a href="http://graciekendal.wordpress.com">http://graciekendal.wordpress.com</a>/<br /><br />RL <a href="http://www.kristineschomaker.net">http://www.kristineschomaker.net</a>/<br /><br /><br />other links of the audience<br /><br />gallery location: <a href="http://www.bluefusionsl.com">http://www.bluefusionsl.com</a>/<br /><br /><a href="http://isoldeflamand.blogspot.com">http://isoldeflamand.blogspot.com</a>/<br /><br /><a href="http://www.flickr.com/people/11756104@N02">http://www.flickr.com/people/11756104@N02</a><br /><a href="http://cultivatingexcellence.com"><br />http://cultivatingexcellence.com</a>/<br /><br /><a href="http://www.art-photograph.com">http://www.art-photograph.com</a>/<br /><a href="http://www.derbauer.de"><br />http://www.derbauer.de</a>/<br /><br /><a href="http://insilico.ning.com/profile/SKiLLS">http://insilico.ning.com/profile/SKiLLS</a><br /><br /><a href="http://www.myspace.com/gracefolk">http://www.myspace.com/gracefolk</a><br /><br /><a href="http://youtube.com/watch?v=H2AKHeIm9lY">http://youtube.com/watch?v=H2AKHeIm9lY</a><br /><br /><a href="http://www.effinjay.com">http://www.effinjay.com</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-28730161577520104402008-07-13T21:16:00.008-04:002008-07-14T22:23:38.534-04:00Second Life pictures - Mario Gerosa ospite del Brain2Brain<div style="text-align: center;"><div><embed src="http://widget-7b.slide.com/widgets/slideticker.swf" type="application/x-shockwave-flash" quality="high" scale="noscale" salign="l" wmode="transparent" flashvars="cy=bb&amp;il=1&amp;channel=72057594050059899&amp;site=widget-7b.slide.com" style="width: 400px; height: 320px;" name="flashticker" align="middle"></embed><div style="width: 400px; text-align: center;"><br /></div></div></div><br />Second Life pictures - Mario Gerosa ospite del Brain2Brain<br /><br />Mario Gerosa, domenica 13 Luglio alle ore 21,45, e' stato ospite del Brain2Brain Creative Cultural Club, di Zygmunt Ballinger.<br /><br />links di alcuni partecipanti<br /><br /><a href="http://mariogerosa.blogspot.com/">http://mariogerosa.blogspot.com</a>/<br /><br /><a href="http://www.brain2brain.net/">http://www.brain2brain.net</a><br /><br /><a href="http://stexauer.blogspot.com/">http://stexauer.blogspot.com</a>/<br /><br /><a href="http://www.slexchange.com/modules.php?name=Marketplace&amp;MerchantID=85144">http://www.slexchange.com/modules.php?name=Marketplace&amp;MerchantID=85144</a><br /><a href="http://www.moyacircus.com/1trimestre08.htm"><br />http://www.moyacircus.com/1trimestre08.htm</a><br /><br /><a href="http://www.moyacircus.com/">http://www.moyacircus.com</a>/<br /><br /><a href="http://www.neupaul.it/anexistenza/homepage.htm">http://www.neupaul.it/anexistenza/homepage.htm</a><br /><br /><a href="http://www.secondlifelab.it/">http://www.secondlifelab.it</a>/<br /><br /><a href="http://arcorosca.blogspot.com/">http://arcorosca.blogspot.com</a>/<br /><br /><a href="http://eleonoraporta.blogspot.com/">http://eleonoraporta.blogspot.com</a>/<br /><br /><a href="http://www.crashinews.net/">http://www.crashinews.net</a>/<br /><br /><a href="http://www.neupaul.it/anexistenza/homepage.htm">http://www.neupaul.it/anexistenza/homepage.htm</a><br /><br /><a href="http://www.piublog.it/">http://www.piublog.it</a><br /><a href="http://www.dimensionearte.it/artista.php?codiceutente=95&amp;id_lingua=1"><br />http://www.dimensionearte.it/artista.php?codiceutente=95&amp;id_lingua=1</a><br /><a href="http://www.cyberlandia.net/index.php?page=home&amp;btn=1"><br />http://www.cyberlandia.net/index.php?page=home&amp;btn=1</a><br /><br /><a href="http://posthumanlab.wordpress.com/">http://posthumanlab.wordpress.com</a>/<br /><br /><a href="http://williamnessuno.splinder.com/">http://williamnessuno.splinder.com</a><br /><br /><a href="http://www.metaverserepublic.org/">http://www.metaverserepublic.org</a><br /><br /><a href="http://www.flickr.com/photos/24801860@N08">http://www.flickr.com/photos/24801860@N08</a>/<br /><a href="http://www.flickr.com/groups/npirl/pool/page2/"><br />http://www.flickr.com/groups/npirl/pool/page2/ not possible real life</a><br /><br /><a href="http://npirl.blogspot.com/">http://npirl.blogspot.com</a>/not possible in real life<br /><a href="http://lucanialab.ning.com/photo?page=3"><br />http://lucanialab.ning.com/photo?page=3</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-61145928642818694322008-07-13T10:59:00.001-04:002008-07-13T11:00:58.424-04:00THINKING NOTHINGA Journal of Critical Philosophy (<a href="http://www.parrhesiajournal.org/">www.parrhesiajournal.org</a>) and COLLAPSE - Journal of Philosophical Research and Development (<a href="http://www.urbanomic.com/">www.urbanomic.com</a>) in collaboration with iRes, University College Falmouth, present a one day symposium:<br /><br />THINKING NOTHING - the void and its resurgence in contemporary thought<br /><br />Thursday, 31st July, 2008<br />from 10am to 5 pm<br />Library Seminar A<br />Woodlane campus,<br />University College Falmouth,<br />Cornwall, UK<br /><br />From the emergence of empty set as a basis for ontology, to materialist negative theology, to Metzinger's 'nemocentric' destitution of the subject, contemporary thought seems to be obsessed with nothing. But the politics of this nothing seems drastically different from its earlier existentialist and postmodern nihilistic incarnations. This symposium seeks to explore the problem of nothing in contemporary thought, asking precisely how the postulation of an inherent negativity as a productive realm of philosophical discourse has come to characterise our intellectual landscape, and how the contemporary void relates to those of Ancient and Modern philosophical traditions.<br /><br />Speakers (TBC) to include:<br /><br /><span style="font-weight: bold;">Justin Clemens</span> (University of Melbourne); Author of 'The Mundiad', 'Avoiding the Subject' [with Dom Pettman], and coeditor/translator of Alain Badiou's 'Infinite Thought'<br /><span style="font-weight: bold;">Ray Brassier</span> (Middlesex University); Author of 'Nihil Unbound', Translator of Alain Badiou's 'Saint Paul'<br /><span style="font-weight: bold;">John Sellars </span>(University of the West of England); Author of 'The Stoics' and 'The Art of Living'<br /><span style="font-weight: bold;">Robin Mackay</span> (Middlesex University); Editor of 'Collapse', Translator of Alain Badiou's 'Number and Numbers'<br /><span style="font-weight: bold;">Iain Hamilton Grant</span> (University of the West of England); Author of 'Philosophies of Nature After Schelling'<br /><span style="font-weight: bold;">Alex Murray</span> (University of Exeter); Co-editor of parrhesia: a journal of critical philosophy, co-editor of 'The Work of Giorgio Agamben<br /><br /><a href="http://www.ires.org.uk/news/02_07_08.php">iRes - Research in Interactive Art &amp; Design</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.comtag:blogger.com,1999:blog-18710178.post-68013974450227250042008-07-13T09:54:00.001-04:002008-07-13T09:56:28.975-04:00BOLD TENDENCIES IIBOLD TENDENCIES II MONUMENTAL OUTDOOR SCULPTURE<br /><br />14 - 20 JULY, open daily 12noon - 6pm<br />Level 10 , Peckham Rye Multistorey Car Park, 95A Rye Lane SE15 4ST <br /><br />Michael Allen, James Balmforth, Tom Barnett, Thomas Brock, James Capper, Nathan Cash, Bobby Dowler, Christopher Green, Oliver Griffin and Henry Stringer, Nicholas Jeffrey, Shaun McDowell, Robin Shepherd, Matthew Stone, Edward Wallace<br /><br /><a href="http://www.hannahbarry.com/exhibition.php">HANNAH BARRY GALLERY</a>weblogarthttp://www.blogger.com/profile/11770019671323978539noreply@blogger.com