Kimunkey 2D Animator

Borders Sky Arts Idents

2009-06-29T06:24:00.000-07:00

I worked on three stop motion origami idents for Borders with Julia Bartl at 12foot6. This is the ident that I animated the paper folding on. I edited all 3 in After Effects. The other 2 can be seen at www.12foot6.com

Virgin Media Christmas Card

2009-06-29T06:00:00.000-07:00

12foot6 Christmas Film 2008

2009-06-29T03:28:00.000-07:00

Origami Christmas Nativity shot stop motion for 12foot6 Christmas e-card dec 2008. I story-boarded the film and had help making the figures and shooting the film from Karen Cheung, Barry Evans, Mia Nilsson, Asa Lucander and Julia Bartl.

2008-08-13T07:51:00.000-07:00

2008-08-13T07:49:00.000-07:00

Bookstart ad

2008-03-09T17:24:00.001-07:00

I animated the background animations on this advert. Asa Lucander designed the ad and animated the bed with mum and kid.

Bookstart clips

2008-03-09T17:23:00.000-07:00

Paramount Comedy ident Oct'07 - Mardi Gras

2008-03-09T17:13:00.000-07:00

Paramout Comedy ident Oct '07 - thief deckchair

2008-03-09T17:11:00.001-07:00

Paramout Comedy ident Oct '07 - thief seagull

2008-03-09T17:10:00.000-07:00

Paramount Comedy ident October 07 - gangster

2008-03-09T17:08:00.000-07:00

Hungry for Love

2007-06-24T11:04:00.000-07:00

Final film 2.58mins.

Untitled from kimunkey on Vimeo

Link to relevant National Gallery podcast
http://www.podcastdirectory.com/podshows/1947339
Link to National Gallery hosting of animation
http://www.nationalgallery.org.uk/collection/transcriptions/animation/hungryforlove/default.htm

Compilation of years animation

2007-06-24T11:03:00.003-07:00

compilation of years work from kimunkey on Vimeo

Lifedrawing

2007-06-24T11:01:00.001-07:00

Upcoming - slideshow of lifedrawing. For now you can see the stills further back in my blog

Testing composited advert scene

2007-06-08T11:27:00.000-07:00

In the the one thing that is not clear is the writing in the advert, and the whole animation would make no sense without being able to read "Pancake bride" on the ad. In the linetests this is ok because it is a focusing problem of the camera, but to check if it will work have coloured and composited this scene animo.

ad test scene from kimunkey on Vimeo

Min Sun suggested that I still need longer after the zoom for the audience to absorb whats on the screen, so I may have to repeat parts of the advert loop.

Testing backgrounds fading through time

2007-06-08T11:23:00.001-07:00

At the beginning of my animation I need to give the idea that the man and dog are being shown at different times and this relies a lot on my backgrounds - the clock hands change, the rubbish accumulates and the shadows from the window change as the sky darkens and lightens. To test if this works I've made a short movie clip of the backgrounds cross-dissolving into each other using Premier Pro. I was pretty satisfied with result.

Testing backgrounds fading through time from kimunkey on Vimeo

Processing - animo and photoshop

2007-06-08T11:06:00.000-07:00

After completeing the linetests reached the stage of colouring in. Have scanned all the drawings into animo and now need to colour the levels. Have scanned the backgrounds and foregrounds into photoshop and am colouring these using the techniques and texture Pete Hillier showed me. The aim is to have the end film looking roughly like the promotional stills below.

Below the greyer image is after colouring and shadowing in Photoshop. The top image is after applying a grain texture adjusting the colour levels to more red and yellow. Hopefully I can acheive a similar thing through animo director when the levels are coloured in.

After the line tests had to consider how to process the images. At the beginning of the project I had the idea to trace each still onto tracing paper and photograph these ontop of a background built from parchment paper. By trying it realised that this would probably take years as it took a few hours for just this one still, and it didn't look as good as I had hoped.

Processing - line tests

2007-06-08T10:57:00.000-07:00

I decided early on in the project that for it to have the style that I want I would need to handdraw the animation. So after making the animatic, and the acting and research I keyed out the whole project in as much detail as possible. I tried to include overshoot ands anticipation as well as all the main poses.

The overall length of the film grew from roughly 1 minute two just over two at this stage.

See the final linetest sequence below.

Final linetests from kimunkey on Vimeo

There were sections of this that proved difficult, such as conveying the idea that the man wants to cut the dogs heart out to give to the pancake woman to bring her to life. The man dancing with the pancake bride, and the dog jumping off the bed and walking backwards then turning and jumping back on were all technically challenging.

Atmosphere and style research

2007-06-08T10:42:00.000-07:00

My story is quite surreal and a bit twisted, I hope!, and I want this to be reflected in the look of the piece.

I got in touch with a sound engineer called Anthony Leung to help me from the audio side, and he showed me a clip from the Simpsons (Season 18, episode 14) to lister to the music, apparently similar to Astor Piazollas' music. Visually it was a really interesting piece of animation because it was all cross hatched and very dark and sinister. It was apparently a reference to artist Edward Gorey, so found an image (see below).

Like the textures in this image - it was on a card but I can't remember the artist's name. Background artist Pete Hillier at CSM gave a few of us a Photoshop tutorial and after that I experimented with some textures in my backgrounds.

Old Lady and the Pigeojns, directed by Sylvain Chomet is dark and twisted in the way that I want my film to be and I really liked the French style and colour schemes. See http://theoscarsite.com/pictures1997/oldlady.jpg&imgrefurl=http://theoscarsite.com/pictures1997/oldlady.htm&h=104&w=132&sz=6&hl=en&start=13&um=1&tbnid=BF8KGOfmdOmeSM:&tbnh=72&tbnw=92&prev=/images?q=old+lady+and+the+pigeons&svnum=10&um=1&hl=en&sa=N

Did an image search on Google of messy room pics to help with designing the backgrounds and this was one of the best I found!

Giving Jerome a character history

2007-06-08T10:14:00.000-07:00

We've been taught this year that when you create a character, in film or animation or writing ,that there are seven key questions that you need to be able to answer to contrsct and idea of who they are, because this will influence their actions, behaviour, posture and movement.

In the dvd extras to Belleview Rendevous director Sylvain Chomet also talks about the importance of his characters having a history. One of the first verisions of my animatic had an ex girlfriend tear up a photo and throw i ton Jerome, who then opens a drawer in his chair and drops it in. The camera follows the scraps drift onto a pile of photos and documents that refered to Jerome's history - see animatic still below.

1) WHO AM I? Mr Jerome Saint, 26 years old. Used to be a postie, popular with the locals, would take his dog Leo with him on his rounds. Spent most nights down the pub and always had a girlfriend, although most were short term because he was to carefree to commit and there was always another round the corner. When his mother passed away when he was 22 he began drinking more and more, turning up late for work and becoming moody. Eventually fired, couldn't afford the pub anymore, started drinking at home. Both Jerome and Leo started putting on weight because of not walking the postie round anymore. All he'd do is watch tv so his final girlfriend leaves him.

2) WHERE AM I? A local burrough in a big annonymous, grimy city. See sketck below. In a two room rented council flat - kitchen, with bathroom attached (never see this in animation), and living room / bedroom.

3) WHEN AM I? 21st century ie present day. When people believe anything can be bought.

4) WHAT DO I WANT? Jerome: Companionship and love without any effort. Beer, food,
pancake bride!
Leo: Simple life with master and no outside interference / competition. Food and love.

5) WHY DO I WANT IT? Jerome: Because he is lonely without a girlfriend, but doesn' t realise
that he has the kind of efforless companionship he wants with his dog.
Leo: Because he is a loyal dog whose instinct is to live in peace with his master.

6) HOW AM I GOING TO GET WHAT I WANT? Jerome: 1st by buying a mail order pancake
bride, then by realising that he had his dog all along.
Leo: By destroying the obstruction to the relationship - eating the pancake bride.

7) WHAT GETS IN THE WAY OF WHAT I WANT? Jerome: Leo eating the pancake bride.
(although this is really a blessing in disguise otherwise he would have killed his dog - the only
creature who still really loves him).
Leo: The pancake bride and Jerome wanting to kill him for his heart.

Jerome's cahacter design

2007-06-08T10:00:00.000-07:00

In my sketchbook I took photos of the plasticine models of my Jerome and sketched from these to get a stronger hold on the character and to get consistency in his design from different angles.

To help me to design the character and so that I have something in perspective to work from I made these two plasticine models of Jerome.

Wanted a guy who was more slobbish, with a beer belly an TV eyes.

Back in December this was a rough idea of my character.

TV Presenter

2007-06-08T09:51:00.000-07:00

When the man sees the advert for the pancake bride wanted it to feel like one of these really long American stlye adverts on the shopping channel for something that will unbelievably change your life. They are usualluy presented by a cheesily happy character, so I wanted the presenter to be slimy and untrustworthy ,which is why he's got wonky eyes.
Also wanted him to seem a bit like a puppet so he's got pegs at all his joints, to make him seem more false.

Pancake bride

2007-06-08T09:37:00.000-07:00

Why pancakes? When I was thinking of the original idea I had to think of something inanimate that the man could make a girlfriend from.
Pancakes are sweet and easy to make and I originally thought that it would need to be something someone skint could make at home. As the idea for the story developed it became more logical to have a mail order pancake bride, like people buy mail order wives over the internet, as this cut out a lot of animation.

She also had to be made out of something edible so that the dog can eat her at the end and re-establish the balance in his relationship with Jerome, because really the story is about the relationship between man and dog.

Dog Character Sketches

2007-06-08T09:02:00.000-07:00

Some sketches of dog getting fatter - from 4 legged run excercise, but very helpful for Leo the dog.

One of the first drawings of Jerome and Leo the dog together. Dog has to be aclled Leo because in the painting Saint Jerome has a lion in the corner! Tried to design the man and dog so that they look similar as people always say pets look like their owners.

Some sketches of dogs to work out the different body shapes.

Dog research

2007-06-08T08:47:00.000-07:00

Some sketches done while researching the 4 legged animal walk and run cycles in term 2. Were helpful for researching Leo's movement.

One of my biggest inspirations in animation in general is the work of Sylvain Chomet, and his dog in Belleview Rendez-vous is really fantastic - hugely fat with wee skinny legs that tremble under his weight!

For the scene with the man imagining cutting out the dog's heart I had a love heart pumping in the animatic. This confused a lot of people into thinking the dog was in love with the pancake woman. When I did the animation I found this diagram of a dog's heart and used this instead, which people seemed to find a lot clearer.

Muybridge's image sequences were really useful for scenes where the dog walks to and back from the kitchen, and the jumps off of and onto the bed.

The following is Plate 121 from Animals in Motion.

Researched dogs through videos on you tube ,but actually found photos more useful - the following were the most helpful that I found through a Google search.

Original sketches back in December.