<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-13741263</id><updated>2009-10-13T13:00:35.313-07:00</updated><title type='text'>Film Queen Reviews</title><subtitle type='html'>Reviews of Movies I've seen, especially in the &lt;a href="http://www.frameline.org/festival/calendar/"&gt;Frameline33&lt;/a&gt; lesbian / gay / bisexual / transgender film festival</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default?start-index=26&amp;max-results=25'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>365</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-13741263.post-7762132158883314799</id><published>2009-06-19T14:15:00.000-07:00</published><updated>2009-07-06T00:26:15.589-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='transgender'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>Assume Nothing</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_axdJE4di1ME/SlGY5lVoQOI/AAAAAAAAAOY/_HWMwB_Yvzk/s1600-h/AssumeNothing.jpg"&gt;&lt;img style="margin: 0pt 10px 0pt 0pt; float: left; cursor: pointer; width: 140px; height: 166px;" src="http://2.bp.blogspot.com/_axdJE4di1ME/SlGY5lVoQOI/AAAAAAAAAOY/_HWMwB_Yvzk/s200/AssumeNothing.jpg" alt="" id="BLOGGER_PHOTO_ID_5355229546963026146" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;Friday, June 19, 2:15 pm, Castro Theatre, &lt;tt&gt;ASSU19C&lt;/tt&gt;&lt;br /&gt;&lt;i&gt;North American Premiere&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_axdJE4di1ME/SlGY59FtU7I/AAAAAAAAAOg/eOiBP81l7po/s1600-h/4bells.gif"&gt;&lt;img style="margin: 0pt 10px 0pt 0pt; float: left; cursor: pointer; width: 80px; height: 21px;" src="http://4.bp.blogspot.com/_axdJE4di1ME/SlGY59FtU7I/AAAAAAAAAOg/eOiBP81l7po/s200/4bells.gif" alt="" id="BLOGGER_PHOTO_ID_5355229553338700722" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Rebecca Swan is a professional photographer and a gender activist. She produced a book called &lt;i&gt;Assume Nothing&lt;/i&gt; with photos of several gender-variant individuals, challenging the notion that there are only two possible genders and even the idea that "male" and "female" are ends of a linear spectrum. In this documentary, we meet Swan and some of her subjects, delving into the per­son­al histories of androgyny, intersex, drag, and transgenderism, including some specifically South Pacific perspectives. For example, the Maori (indig&amp;shy;enous New Zealander) language has a gender-neutral pronoun for people, and traditional Sa'amoan culture reveres the fa'afafine (roughly, MTF). It's an intimate look inside some of the most personal aspects of identity. &lt;b&gt;Highly recommended.&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1734"&gt;Assume Nothing&lt;/a&gt;,&lt;/i&gt; dir. Kirsty MacDonald, New Zealand, 2009, 80 min.; &lt;a href="http://www.youtube.com/watch?v=4ISC6aJddYs"&gt;view trailer&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Assume+Nothing"&gt;Assume Nothing&lt;/a&gt;,&lt;a rel="tag" href="http://technorati.com/tag/Transgender"&gt;Transgender&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Photography"&gt;Photography&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Rebecca+Swan"&gt;Rebecca Swan&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Documentary"&gt;Documentary&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline33"&gt;Frameline33&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-7762132158883314799?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/7762132158883314799/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=7762132158883314799' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/7762132158883314799'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/7762132158883314799'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2009/06/assume-nothing.html' title='Assume Nothing'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_axdJE4di1ME/SlGY5lVoQOI/AAAAAAAAAOY/_HWMwB_Yvzk/s72-c/AssumeNothing.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-2596013208759645018</id><published>2009-06-19T12:00:00.000-07:00</published><updated>2009-07-06T00:27:45.561-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><category scheme='http://www.blogger.com/atom/ns#' term='Must See'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>The Naked Civil Servant</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_axdJE4di1ME/SlBHQdNybII/AAAAAAAAAOQ/Q0c-GY3tik0/s1600-h/naked-civil-svt.jpg"&gt;&lt;img style="margin: 0pt 0pt 0px 10px; float: right; cursor: pointer; width: 116px; height: 151px;" src="http://2.bp.blogspot.com/_axdJE4di1ME/SlBHQdNybII/AAAAAAAAAOQ/Q0c-GY3tik0/s200/naked-civil-svt.jpg" alt="Naked Civil Svt" id="BLOGGER_PHOTO_ID_5354858304989457538" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;Friday, June 19, 12:00 pm, Castro Theatre, &lt;tt&gt;TBA119C&lt;/tt&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_axdJE4di1ME/SlBHP-nvYkI/AAAAAAAAAOA/zrDYr-UKs6A/s1600-h/5bells.gif"&gt;&lt;img style="margin: 0pt 0pt 0px 0px; float: left; cursor: pointer; width: 80px; height: 21px;" src="http://1.bp.blogspot.com/_axdJE4di1ME/SlBHP-nvYkI/AAAAAAAAAOA/zrDYr-UKs6A/s200/5bells.gif" alt="5 bells" id="BLOGGER_PHOTO_ID_5354858296776811074" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Quentin Crisp was truly a trailblazer, with blazing red hair to under&amp;shy;score the point. In London from the 1930's onward, he took his homo&amp;shy;sexu&amp;shy;ality not as a secret shame to be hidden from the world, but as a badge of identity to be shouted from every rooftop. Before World War II, Crisp occasionally worked as a rentboy, selling his services for 7s6d (37½p in decimal), sometimes earning a 10-shilling (50p) note. By the time the war began, he had found other sources of income, but was nonetheless arrested and tried on charges of "soliciting for an immoral purpose." His testimony in his own defence shines as the high point of the film, although his arch wit shows in both the dialogue and the voiceover throughout the film.&lt;br /&gt;&lt;br /&gt;In 1975, &lt;i&gt;The Naked Civil Servant&lt;/i&gt; played on PBS in the United States, creating quite a stir, especially outside the major cities of the East and West Coasts. It also earned both the director and the star (John Hurt) BAFTA awards. Hurt reprised the role in the 2009 sequel, &lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2009/06/englishman-in-new-york.html"&gt;An Englishman in New York&lt;/a&gt;,&lt;/i&gt; completing the story of Crisp's remarkably unique life. Both films are on my &lt;b&gt;MUST SEE&lt;/b&gt; list.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1818"&gt;The Naked Civil Servant&lt;/a&gt;,&lt;/i&gt; dir. Jack Gold, UK, 1975, 77 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/The+Naked+Civil+Servant"&gt;The Naked Civil Servant&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Quentin+Crisp"&gt;Quentin Crisp&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline33"&gt;Frameline33&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-2596013208759645018?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/2596013208759645018/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=2596013208759645018' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/2596013208759645018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/2596013208759645018'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2009/06/naked-civil-servant.html' title='The Naked Civil Servant'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_axdJE4di1ME/SlBHQdNybII/AAAAAAAAAOQ/Q0c-GY3tik0/s72-c/naked-civil-svt.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-258926506321653042</id><published>2009-06-18T22:05:00.000-07:00</published><updated>2009-07-04T23:32:42.840-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='subtitled'/><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><title type='text'>The Country Teacher (Venkovský učitel)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_axdJE4di1ME/Sk_3TiDwdJI/AAAAAAAAANw/LrpgF1bbato/s1600-h/CountryTeacher.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 140px; height: 122px;" src="http://4.bp.blogspot.com/_axdJE4di1ME/Sk_3TiDwdJI/AAAAAAAAANw/LrpgF1bbato/s200/CountryTeacher.jpg" alt="" id="BLOGGER_PHOTO_ID_5354770396898948242" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Thursday, June 18, 10:05 pm, Castro Theatre, &lt;tt&gt;COUN18C&lt;/tt&gt;&lt;br /&gt;Monday, June 22, 9:30 pm, Elmwood Theatre, &lt;tt&gt;COUN22E&lt;/tt&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_axdJE4di1ME/Sk_3T2U7riI/AAAAAAAAAN4/g1uTE6l7mqA/s1600-h/3_5bells.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 80px; height: 21px;" src="http://4.bp.blogspot.com/_axdJE4di1ME/Sk_3T2U7riI/AAAAAAAAAN4/g1uTE6l7mqA/s200/3_5bells.gif" alt="" id="BLOGGER_PHOTO_ID_5354770402339696162" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A young science teacher leaves his prestigious prep-school job (and his over­bearing mother) in the big city, relocating to a small village school. He befriends a single mother and her teenage son, becoming almost part of the family, watching the boy's freely and openly sexual relation­ship with his girl­friend. But then a fuck­buddy from the city comes for a visit, throwing the teacher into a fog of uncertainty, rejecting sex without love but not sure how to find both together.&lt;br /&gt;&lt;br /&gt;The story line treads uncom­fortably close to stereo­types of gay men as pathetic emotional cripples who can't function in society. Indeed, the teacher is moping almost throughout the movie as he sits by on the sidelines, before he takes an even more disturbing turn. The cinematography is beautiful and the acting and directing are top-notch, but the central character knocks the film down a peg or two in my recommendations. Near the end, the towns­people show a surprisingly unstereotypical side. On the whole, I give it 3½ out of five bells.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1806"&gt;The Country Teacher (Venkovský učitel)&lt;/a&gt;,&lt;/i&gt; dir. Bohdan Sláma, Czech Republic, 2008, 113 min., in Czech with English subtitles; &lt;a href="http://www.filmmovement.com/trailers/videoplayer.asp?CLIP=182"&gt;watch the trailer&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/The+Country+Teacher"&gt;The Country Teacher&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Venkovsk%C3%BD+u%C4%8Ditel"&gt;Venkovský učitel&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline33"&gt;Frameline33&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-258926506321653042?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/258926506321653042/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=258926506321653042' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/258926506321653042'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/258926506321653042'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2009/06/country-teacher-venkovsky-ucitel.html' title='The Country Teacher (Venkovský učitel)'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_axdJE4di1ME/Sk_3TiDwdJI/AAAAAAAAANw/LrpgF1bbato/s72-c/CountryTeacher.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-4751354591562592507</id><published>2009-06-18T19:00:00.000-07:00</published><updated>2009-07-06T00:27:45.561-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><category scheme='http://www.blogger.com/atom/ns#' term='Must See'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>An Englishman in New York</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_axdJE4di1ME/SlBHQDGCwLI/AAAAAAAAAOI/lQ90xFCB1tA/s1600-h/Engl-in-NY.jpg"&gt;&lt;img style="margin: 0pt 0pt 0px 10px; float: right; cursor: pointer; width: 139px; height: 123px;" src="http://1.bp.blogspot.com/_axdJE4di1ME/SlBHQDGCwLI/AAAAAAAAAOI/lQ90xFCB1tA/s200/Engl-in-NY.jpg" alt="Englishman in NY" id="BLOGGER_PHOTO_ID_5354858297977651378" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;Thursday, June 18, 7:00 pm, Castro Theatre, &lt;tt&gt;ENGL18C&lt;/tt&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_axdJE4di1ME/SlBHP-nvYkI/AAAAAAAAAOA/zrDYr-UKs6A/s1600-h/5bells.gif"&gt;&lt;img style="margin: 0pt 0pt 0px 0px; float: left; cursor: pointer; width: 80px; height: 21px;" src="http://1.bp.blogspot.com/_axdJE4di1ME/SlBHP-nvYkI/AAAAAAAAAOA/zrDYr-UKs6A/s200/5bells.gif" alt="5 bells" id="BLOGGER_PHOTO_ID_5354858296776811074" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Thirty-four years ago, Quentin Crisp was intro&amp;shy;duced to a worldwide audience by the film &lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2009/06/naked-civil-servant.html"&gt;The Naked Civil Servant&lt;/a&gt;,&lt;/i&gt; illuminating his life of openly flamboyant homo&amp;shy;sexuality. John Hurt, whom young&amp;shy;er audiences will recognize as everyone from Mr. Ollivander, purveyor of magic wands to Harry Potter, to Chancellor Sutler, the über-villain of &lt;i&gt;V for Ven&amp;shy;detta,&lt;/i&gt; played Crisp in a break&amp;shy;through performance that earned him a BAFTA award for best actor. Hurt returns to the role, picking up Crisp's story where the first film left off, with the newly famous "civil servant" moving to New York City.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_axdJE4di1ME/SlBHQdNybII/AAAAAAAAAOQ/Q0c-GY3tik0/s1600-h/naked-civil-svt.jpg"&gt;&lt;img style="margin: 0pt 0pt 0px 10px; float: right; cursor: pointer; width: 116px; height: 151px;" src="http://2.bp.blogspot.com/_axdJE4di1ME/SlBHQdNybII/AAAAAAAAAOQ/Q0c-GY3tik0/s200/naked-civil-svt.jpg" alt="Naked Civil Svt" id="BLOGGER_PHOTO_ID_5354858304989457538" border="0" /&gt;&lt;/a&gt;I remember seeing &lt;i&gt;The Naked Civil Servant&lt;/i&gt; when it was broadcast on PBS in the 1970's, although I didn't yet identify with the central figure — probably best for my odds of surviving puberty in Dallas, Texas. The sequel, though, picks up shortly before the time I my­self was living near New York City as a college stu&amp;shy;dent, just beginning my coming-out process. Where the first film dealt with Quentin Crisp as a gadfly in the London of the 1930's to early 1970's, bucking the ubi&amp;shy;quitous pressure to conform to hetero&amp;shy;sexual norms, the sequel focuses more on his "fish out of water" experience among the post-Stone­wall gay culture of New York. Some&amp;shy;one as eccentric as Quentin Crisp is not fated to truly fit in anywhere, it seems.&lt;br /&gt;&lt;br /&gt;John Hurt's performance is as breathtaking as his inauguration of the role, and indeed director Richard Laxton said he could not have imagined par&amp;shy;ti&amp;shy;ci&amp;shy;pating with anyone other than Hurt in the lead role. The supporting cast was fabulous as well, rounding out a worthy opening film for the Frameline fes&amp;shy;ti&amp;shy;val. Definitely a &lt;b&gt;MUST SEE&lt;/b&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1746"&gt;An Englishman in New York&lt;/a&gt;,&lt;/i&gt; dir. Richard Laxton, USA, 2009, 74 minutes.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/An+Englishman+in+New+York"&gt;An Englishman in New York&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Quentin+Crisp"&gt;Quentin Crisp&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/The+Naked+Civil+Servant"&gt;The Naked Civil Servant&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline33"&gt;Frameline33&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-4751354591562592507?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/4751354591562592507/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=4751354591562592507' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4751354591562592507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4751354591562592507'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2009/06/englishman-in-new-york.html' title='An Englishman in New York'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_axdJE4di1ME/SlBHQDGCwLI/AAAAAAAAAOI/lQ90xFCB1tA/s72-c/Engl-in-NY.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-8417023436846203689</id><published>2009-06-18T18:30:00.000-07:00</published><updated>2009-06-19T18:36:32.222-07:00</updated><title type='text'>Frameline 33 begins....</title><content type='html'>The 33rd annual &lt;a href="http://www.frameline.org/festival/"&gt;Frameline International LGBT Film Festival&lt;/a&gt; is underway, marking the beginning of my total immersion. For the next 10 days and 11 nights, I will basically wake up, go to movies, come home, and go to sleep, with occasional brief breaks for food and mental health breaks, because, after all, what could be a better way to celebrate the longest days of the year than spending them inside a dark theater? 8^}&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Frameline33"&gt;Frameline33&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-8417023436846203689?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/8417023436846203689/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=8417023436846203689' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/8417023436846203689'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/8417023436846203689'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2009/06/frameline-33-begins.html' title='Frameline 33 begins....'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-7696740460083111186</id><published>2009-01-30T13:10:00.000-08:00</published><updated>2009-01-30T13:44:33.177-08:00</updated><title type='text'>"U People" coming to Logo, DVD</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_axdJE4di1ME/SYN0g8KV5II/AAAAAAAAANU/lKRVtmYYrR8/s1600-h/u-people-on-logo-ch.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 215px;" src="http://2.bp.blogspot.com/_axdJE4di1ME/SYN0g8KV5II/AAAAAAAAANU/lKRVtmYYrR8/s320/u-people-on-logo-ch.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5297205695971976322" /&gt;&lt;/a&gt;&lt;br /&gt;Hanifah Walidah's powerful "accidental documentary" &lt;i&gt;U People&lt;/i&gt; (read &lt;a href="http://queerfilm.blogspot.com/2008/06/u-people.html"&gt;my review&lt;/a&gt;) will be playing on the &lt;a href="http://www.logoonline.com/"&gt;Logo&lt;/a&gt; cable channel in a few days, with the DVD re-release to follow shortly after.&lt;br /&gt;&lt;br /&gt;Airtimes (Eastern/Pacific, check local listings, etc.):&lt;br /&gt;Saturday, Feb. 7, 8:00 p.m.&lt;br /&gt;Sunday, Feb. 8, 9:30 a.m. and 4:30 p.m.&lt;br /&gt;Monday, Feb. 9, 5:30 p.m.&lt;br /&gt;&lt;br /&gt;Runtime as aired is 90 minutes. Set your &lt;a href="https://www3.tivo.com:443/tivo-tco/oneclick.do?searchCriteria=1800|14|tivo:ct.141569683|tivo:cl.141569701|programsearch"&gt;TiVo&lt;/a&gt;® now, or go to the &lt;a href="http://suckaforlife.com/upodcast/2008/12/10/news-u-people-tv-premiere-on-logo/"&gt;official website&lt;/a&gt; to find a viewing party in your area — or maybe even host one!&lt;br /&gt;&lt;br /&gt;The "first edition" DVD is available now on &lt;a href="http://www.amazon.com/U-People-First-Various/dp/B001J54A88/ref=sr_1_1?ie=UTF8&amp;s=dvd&amp;qid=1233351208&amp;sr=1-1"&gt;Amazon.com&lt;/a&gt;; the "collector's edition" is due out in February 2009.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/U+People"&gt;U People&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Hanifah+Walidah"&gt;Hanifah Walidah&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-7696740460083111186?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/7696740460083111186/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=7696740460083111186' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/7696740460083111186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/7696740460083111186'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2009/01/u-people-coming-to-logo-dvd.html' title='&quot;U People&quot; coming to Logo, DVD'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_axdJE4di1ME/SYN0g8KV5II/AAAAAAAAANU/lKRVtmYYrR8/s72-c/u-people-on-logo-ch.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-5482649398129976900</id><published>2008-07-09T15:26:00.000-07:00</published><updated>2009-01-30T13:46:13.583-08:00</updated><title type='text'>Outfest 2008</title><content type='html'>I won't be attending Outfest 2008 in Los Angeles, beginning tonight, but I've seen and reviewed a number of the films that will be screened. Here's a quick summary, with each title linked to the full review.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/affinity-frameline32-opening-night.html"&gt;Affinity&lt;/a&gt; (dramatic centerpiece)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/another-gay-sequel-gays-gone-wild.html"&gt;Another Gay Sequel&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/boystown-chuecatown.html"&gt;Boystown&lt;/a&gt; (Chuecatown)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/03/breakfast-with-scot.html"&gt;Breakfast with Scot&lt;/a&gt; (opening night)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/ciao.html"&gt;Ciao&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/derek.html"&gt;Derek&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/dream-boy.html"&gt;Dream Boy&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/its-still-elementary.html"&gt;It's STILL Elementary&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/jihad-for-love.html"&gt;A Jihad for Love&lt;/a&gt; (documentary centerpiece)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/lost-coast.html"&gt;The Lost Coast&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/mulligans.html"&gt;Mulligans&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/new-world-le-nouveau-monde.html"&gt;The New World&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/newcastle.html"&gt;Newcastle&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/on-other-hand-death.html"&gt;On the Other Hand, Death&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/out-in-india-familys-journey.html"&gt;Out in India&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/polymath-or-life-and-opinions-of-samuel.html"&gt;The Polymath&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/ready-ok.html"&gt;Ready? OK!&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/saturn-in-opposition-saturno-contro.html"&gt;Saturn in Opposition&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/secrets-ha-sodot.html"&gt;The Secrets&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/shes-boy-i-knew.html"&gt;She's a Boy I Knew&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/sordid-lives.html"&gt;Sordid Lives&lt;/a&gt;: the series&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/steam-dir-kyle-schickner.html"&gt;Steam&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/tru-loved.html"&gt;Tru Loved&lt;/a&gt; (closing night)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/u-people.html"&gt;U People&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/were-world-mine.html"&gt;Were the World Mine&lt;/a&gt; (awards night)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/wild-combination-portrait-of-arthur.html"&gt;Wild Combination&lt;/a&gt; (platinum centerpiece)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/world-unseen.html"&gt;The World Unseen&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/word-is-out-stories-of-some-of-our.html"&gt;Word is Out&lt;/a&gt; (legacy gala)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/xxy.html"&gt;XXY&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;br /&gt;&lt;i&gt;(You may also want to check the &lt;a href="http://queerfilm.blogspot.com/2008/06/frameline32-cross-reference.html"&gt;list of shorts&lt;/a&gt; I reviewed in Frameline32, in the entry directly below this one.)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Outfest"&gt;Outfest&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-5482649398129976900?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/5482649398129976900/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=5482649398129976900' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/5482649398129976900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/5482649398129976900'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/07/outfest-2008.html' title='Outfest 2008'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-2585958784929207873</id><published>2008-06-30T23:59:00.001-07:00</published><updated>2008-07-09T15:25:57.900-07:00</updated><title type='text'>Frameline32 cross-reference</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/affinity-frameline32-opening-night.html"&gt;Affinity&lt;/a&gt; (Frameline32 opening night)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/all-my-life.html"&gt;All My Life&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/another-gay-sequel-gays-gone-wild.html"&gt;Another Gay Sequel: Gays Gone Wild!&lt;/a&gt; (Frameline showcase)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/art-of-being-straight.html"&gt;The Art of Being Straight&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/be-like-others.html"&gt;Be Like Others&lt;/a&gt; (documentary) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/big-eden.html"&gt;Big Eden&lt;/a&gt; (retrospective) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/bound.html"&gt;Bound&lt;/a&gt; (retrospective)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/03/breakfast-with-scot.html"&gt;Breakfast with Scot&lt;/a&gt; (Frameline closing night)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dotties-magic-pocketsbuddy-g.html"&gt;Buddy G&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/byron-chief-moon-grey-horse-rider.html"&gt;Byron Chief Moon: Grey Horse Rider&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/ciao.html"&gt;Ciao&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/derek.html"&gt;Derek&lt;/a&gt; (documentary, Frameline showcase) Highly recommended&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dotties-magic-pocketsbuddy-g.html"&gt;Dottie's Magic Pockets&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/drifting-flowers-piao-lang-qing-chun.html"&gt;Drifting Flowers (Piao Lang Qing Chun) (漂浪青春)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Dyke Delights (2008)&lt;/a&gt; (shorts program)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/love-to-keep-electroshock.html"&gt;Electroshock (A Love to Keep)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/envisioning-justice-journey-of.html"&gt;Envisioning Justice: the journey of a transgenderered woman&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fairytale-of-kathmandu.html"&gt;Fairytale of Kathmandu&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/lilies-les-feluettes.html"&gt;Les feluettes (Lilies)&lt;/a&gt; (retrospective) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/simply-love-gewoon-liefde.html"&gt;Gewoon Liefde (Simply Love)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/its-still-elementary.html"&gt;It's STILL Elementary&lt;/a&gt; (documentary) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/japan-japan.html"&gt;Japan Japan &lt;bdo dir="ltr"&gt;(&lt;bdo dir="rtl"&gt;יפאן יפאן&lt;/bdo&gt;)&lt;/bdo&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/jihad-for-love.html"&gt;A Jihad for Love&lt;/a&gt; (documentary, Frameline showcase)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/kinsey-sicks-almost-infamous.html"&gt;The Kinsey Sicks: Almost Infamous&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/law-of-desire-la-ley-del-deseo.html"&gt;Law of Desire (La Ley del deseo)&lt;/a&gt; (retrospective) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/la-lon.html"&gt;La Léon&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/law-of-desire-la-ley-del-deseo.html"&gt;La Ley del deseo (Law of Desire)&lt;/a&gt; (retrospective) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/lilies-les-feluettes.html"&gt;Lilies (Les feluettes)&lt;/a&gt; (retrospective) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/lost-coast.html"&gt;The Lost Coast&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/love-to-keep-electroshock.html"&gt;A Love to Keep (Electroshock)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/mala-noche.html"&gt;Mala Noche&lt;/a&gt; (retrospective)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/manuela-y-manuel.html"&gt;Manuela y Manuel&lt;/a&gt;,  MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/mom-i-didnt-kill-your-daughter.html"&gt;Mom, I Didn't Kill Your Daughter &lt;bdo dir="ltr"&gt;(&lt;bdo dir="rtl"&gt;אמא, לא הרגתי את הבת שלך&lt;/bdo&gt;)&lt;/bdo&gt;&lt;/a&gt;,  MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/new-world-le-nouveau-monde.html"&gt;The New World (Le nouveau monde)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/new-world-le-nouveau-monde.html"&gt;Le nouveau monde (The New World)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/oh-happy-day.html"&gt;Oh Happy Day&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/on-other-hand-death.html"&gt;On the Other Hand, Death&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/out-in-india-familys-journey.html"&gt;Out in India: a family's journey&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/over-da-rainbow.html"&gt;Over Da Rainbow&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/pansy-division-life-in-gay-rock-band.html"&gt;Pansy Division: Life in a Gay Rock Band&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/perfect-man.html"&gt;The Perfect Man&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/drifting-flowers-piao-lang-qing-chun.html"&gt;Piao Lang Qing Chun (Drifting Flowers) (漂浪青春)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/polymath-or-life-and-opinions-of-samuel.html"&gt;The Polymath, or the life and opinions of Samuel R. Delany, Gentleman&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/ready-ok.html"&gt;Ready? OK!&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/ruby-blue.html"&gt;Ruby Blue&lt;/a&gt; (Frameline showcase) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/saturn-in-opposition-saturno-contro.html"&gt;Saturn in Opposition (Saturno contro)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/saturn-in-opposition-saturno-contro.html"&gt;Saturno contro (Saturn in Opposition)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/shes-boy-i-knew.html"&gt;She's a Boy I Knew&lt;/a&gt; (documentary) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/unspoken-passion-sikil.html"&gt;Sikil (Unspoken Passion)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/simply-love-gewoon-liefde.html"&gt;Simply Love (Gewoon Liefde)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/solos.html"&gt;Solos&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/sonja.html"&gt;Sonja&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/sordid-lives.html"&gt;Sordid Lives&lt;/a&gt; (tv series preview)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/steam-dir-kyle-schickner.html"&gt;Steam (dir. Kyle Schickner)&lt;/a&gt; MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/tru-loved.html"&gt;Tru Loved&lt;/a&gt; (Frameline showcase)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/u-people.html"&gt;U People&lt;/a&gt; (documentary) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/unspoken-passion-sikil.html"&gt;Unspoken Passion (Sikil)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/were-world-mine.html"&gt;Were the World Mine&lt;/a&gt;, MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/when-i-knew.html"&gt;When I Knew&lt;/a&gt; (documentary, Frameline showcase)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/u-people.html"&gt;U People&lt;/a&gt; (documentary) MUST) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/wild-combination-portrait-of-arthur.html"&gt;Wild Combination: a portrait of Arthur Russell&lt;/a&gt;&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/word-is-out-stories-of-some-of-our.html"&gt;Word is Out: Stories of Some of Our Lives&lt;/a&gt; (documentary, Frameline showcase) MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/world-unseen.html"&gt;The World Unseen&lt;/a&gt; (Frameline showcase) Highly recommended&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/xxy.html"&gt;XXY&lt;/a&gt; (Frameline centerpiece) MUST SEE&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;סרט חובה • MUST SEE (Mom, I Didn't Kill Your Daughter) &lt;a href="http://queerfilm.blogspot.com/2008/06/mom-i-didnt-kill-your-daughter.html"&gt;אמא, לא הרגתי את הבת שלך&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/japan-japan.html"&gt;(Japan Japan) יפאן יפאן&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/drifting-flowers-piao-lang-qing-chun.html"&gt;漂浪青春 (Piao Lang Qing Chun) (Drifting Flowers)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Shorts programs:&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Fun in Boys' Shorts (2008)&lt;/a&gt; (shorts program)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Fun in Girls' Shorts (2008)&lt;/a&gt; (shorts program)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Transtastic&lt;/a&gt; (shorts program)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Worldly Affairs (2008)&lt;/a&gt; (shorts program)&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;The Young and Evil&lt;/a&gt; (shorts program)&lt;br /&gt;&lt;br /&gt;Short films by title:&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;Alonso's Deadline&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Babysitting Andy&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;Baggage&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Bend It&lt;/a&gt;, "Transtastic"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Benni Has 2 Mothers&lt;/a&gt;, "Fun in Girls' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;The Bond&lt;/a&gt; (documentary), "Transtastic" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Bongo Bong&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Bonne Mère&lt;/a&gt;, "Worldly Affairs"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Bramadero&lt;/a&gt;, "Worldly Affairs"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Café com Leite (You, Me and Him)&lt;/a&gt;, "Worldly Affairs"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Congratulations, Daisy Graham&lt;/a&gt;, "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Country Life (Landleben) (Vie champetre)&lt;/a&gt;, "Worldly Affairs" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;The Cousin (El Primo)&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Crafty&lt;/a&gt;, "Dyke Delights" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;Dolls (short)&lt;/a&gt;, "The Young and Evil" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Donkey Girl&lt;/a&gt;, "Fun in Girls' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Donny &amp;amp; Ginger&lt;/a&gt;, "Transtastic"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Downstream (Im Fluß)&lt;/a&gt; (documentary), "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Duck Soup&lt;/a&gt;, "Fun in Girls' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;El Primo (The Cousin)&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;En el Instituto (In the High School)&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Felicia&lt;/a&gt; (documentary), "Transtastic"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/montral-mon-amour.html"&gt;For a Relationship&lt;/a&gt;, screened with &lt;i&gt;Ciao&lt;/i&gt;, Recommended&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Forever's Gonna Start Tonight&lt;/a&gt; (documentary), "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Forever's Gonna Start Tonight&lt;/a&gt; (documentary), "Transtastic"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/happenstance.html"&gt;Happenstance&lt;/a&gt;, "Fun in Girls' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/queer-youth-digital-video-project.html"&gt;Hello, My Name is Herman&lt;/a&gt;, documentary, "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;HerzHaft&lt;/a&gt;, "Worldly Affairs" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Hirsute&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;How Do I Say This? I'm Gay!&lt;/a&gt;, "Fun in Girls' Shorts" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Im Fluß (Downstream)&lt;/a&gt; (documentary), "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;In the High School (En el Instituto)&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Just Me?&lt;/a&gt; (documentary), "A Gay Old Time" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;King County&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Landleben (Vie champetre) (Country Life)&lt;/a&gt;, "Worldly Affairs" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;The Last Visit&lt;/a&gt;, "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Lezbro: Don't Cha Know&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;Lloyd Neck&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Lot's Wife&lt;/a&gt;, "Worldly Affairs"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Love Sucks&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;Maggots and Men, "Transtastic" [not reviewed]&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;Mars&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Menopausal Gals Gone Wild&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Mirror Mirror&lt;/a&gt;, "A Gay Old Time"&lt;br /&gt;No Bikini, "Fun in Girls' Shorts" [not reviewed]&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Operated by Invisible Hands&lt;/a&gt;, "Dyke Delights" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Overstuff&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Pages of a Girl (Páginas de Menina)&lt;/a&gt;, "Fun in Girls' Shorts" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Páginas de Menina (Pages of a Girl)&lt;/a&gt;, "Fun in Girls' Shorts" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Pat's First Kiss&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Pitstop&lt;/a&gt;, "Fun in Girls' Shorts" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;The Postcard&lt;/a&gt;, "Worldly Affairs"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;The Premiere&lt;/a&gt;, "Fun in Girls' Shorts"&lt;br /&gt;The Role I Was Born to Play, "Transtastic" [not reviewed]&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Screening Party&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;The Sheep and the Ranch Hand: A Sexyqueer Love Story&lt;/a&gt;, "Dyke Delights" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Silver Road&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Sistole/Diastole (Systolic/Diastolic)&lt;/a&gt;, "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Social Conflict Management&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;Souljah&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/gay-old-time.html"&gt;Systolic/Diastolic (Sistole/Diastole)&lt;/a&gt;, "A Gay Old Time"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Tá&lt;/a&gt;, "Worldly Affairs"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Thorn in Your Side&lt;/a&gt; (documentary), "Transtastic"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Toi et Moi&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;The Touch&lt;/a&gt;, "Fun in Girls' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;TRANSforming Healthcare&lt;/a&gt; (documentary), "Transtastic" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Unca Trans&lt;/a&gt;, "Transtastic"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;The Vicious &amp;amp; the Delicious&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;Vie champetre (Landleben) (Country Life)&lt;/a&gt;, "Worldly Affairs" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;The Window&lt;/a&gt;, "Fun in Boys' Shorts"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;A Work in Progress&lt;/a&gt;, "Dyke Delights"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html"&gt;Worst Case Scenario: Femme Edition&lt;/a&gt;, "Dyke Delights" MUST SEE&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html"&gt;You, Me and Him (Café com Leite)&lt;/a&gt;, "Worldly Affairs"&lt;br /&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/young-and-evil.html"&gt;The Young and Evil (short)&lt;/a&gt;, "The Young and Evil"&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-2585958784929207873?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/2585958784929207873/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=2585958784929207873' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/2585958784929207873'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/2585958784929207873'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/frameline32-cross-reference.html' title='Frameline32 cross-reference'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-8929963212891681930</id><published>2008-06-28T20:30:00.000-07:00</published><updated>2009-01-30T13:54:02.084-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><title type='text'>Another Gay Sequel: Gays Gone Wild!</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_axdJE4di1ME/SG2Yqhus9NI/AAAAAAAAAK0/7Azq70wFlbk/s1600-h/AnoGaySeq-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_axdJE4di1ME/SG2Yqhus9NI/AAAAAAAAAK0/7Azq70wFlbk/s200/AnoGaySeq-small.jpg" alt="Another Gay Sequel" id="BLOGGER_PHOTO_ID_5218995399568454866" border="0" /&gt;&lt;/a&gt;Director Todd Stephens had a smash hit with his first film, the coming-out drama &lt;i&gt;Edge of Seventeen.&lt;/i&gt; He had difficulty with his second film, &lt;i&gt;Gypsy 83,&lt;/i&gt; because distributors said it was "not gay enough" for the sorts of DVD vendors that were happy to push &lt;i&gt;Edge.&lt;/i&gt; With his third film, he rose to the challenge of making the gayest film ever, 2006's &lt;i&gt;Another Gay Movie.&lt;/i&gt; He's back this year with the follow-up, &lt;i&gt;Another Gay Sequel: Gays Gone Wild!&lt;/i&gt; picking up the same foursome of boys, now in college and no longer virgins, going on spring break to Fort Lauderdale.&lt;br /&gt;&lt;br /&gt;Unfortunately, three of the four original cast members backed out of the sequel, two of them at the last minute. While the replacements aren't close lookalikes, they did an admirable job of capturing the mannerisms of the original characters, making it somewhat easier to keep track of who was which. Scott Thompson and Lypsinka are back as Andy's parents (although it's a new Andy), and RuPaul, The Lady Bunny, and Brent Corrigan splish-splash their way on the screen. The story line, though, lacks the freshness of the first film, making it a bit harder work to get the laughs that came so easily last time. It's largely a case of "sequel-itis," although it didn't help that I'm much less familiar with the source material being spoofed this time around: shifting from &lt;i&gt;American Pie&lt;/i&gt; and the John Hughes movies to Annette Funicello and &lt;i&gt;Beach Blanket Bingo,&lt;/i&gt; is bound to lose some of your target market. Where &lt;i&gt;Another Gay Movie&lt;/i&gt; was an out-of-the-park home run, the sequel is at best an infield double. It may have a very limited theatrical release, and the DVD is due around Christmas. &lt;b&gt;Recommended&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1490"&gt;Another Gay Sequel&lt;/a&gt;: Gays Gone Wild!&lt;/i&gt; dir. Todd Stephens, 2008 USA 90 min.; &lt;a href="http://anothergaysequel.com/"&gt;official website&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;update:&lt;/i&gt;&lt;/b&gt; I recently saw &lt;i&gt;Another Gay Sequel&lt;/i&gt; (now out on &lt;a href="http://wolfevideo.com/products.asp?id=1473"&gt;DVD&lt;/a&gt;), and it fares much better standing on its own than watching it soon after having watched &lt;i&gt;Another Gay Movie&lt;/i&gt; — the casting changes are much less jarring if the first film is not quite as fresh in your mind. In particular, my friends who had not seen the original at all, found the sequel very enjoyable. By all means, see both movies — just not back-to-back!&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Another+Gay+Sequel"&gt;Another Gay Sequel&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-8929963212891681930?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/8929963212891681930/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=8929963212891681930' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/8929963212891681930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/8929963212891681930'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/another-gay-sequel-gays-gone-wild.html' title='Another Gay Sequel: Gays Gone Wild!'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_axdJE4di1ME/SG2Yqhus9NI/AAAAAAAAAK0/7Azq70wFlbk/s72-c/AnoGaySeq-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-668851823794254395</id><published>2008-06-28T20:29:00.000-07:00</published><updated>2008-07-08T00:00:13.932-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='short film'/><title type='text'>Over Da Rainbow</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;i&gt;(screened before &lt;b&gt;Another Gay Sequel&lt;/b&gt;)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_axdJE4di1ME/SG2ZorXNpnI/AAAAAAAAAK8/H9ul0ivt4XY/s1600-h/OverDaRainbow-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp2.blogger.com/_axdJE4di1ME/SG2ZorXNpnI/AAAAAAAAAK8/H9ul0ivt4XY/s200/OverDaRainbow-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218996467306178162" border="0" /&gt;&lt;/a&gt;Rapper Terrier (teh-ree-AY) has a music video for his new song, "Kill Faggots" off the triple-platinum album &lt;i&gt;hoMOFObic,&lt;/i&gt; with lyrics like "a butthole ain't no buffet meal" and "stuff faggots' ass up with electric eels." Terrier wants to sample the 1980's "hair metal" song "Teri Why," but he must get Max Lightning's widow Theresa to sign off. She agrees on the condition that he reunite her with her estranged son Christopher, a gay-rights activist and childhood friend of Terrier's. Gee, do you suppose the lyric "so deviant, so sinister, that's why I &lt;i&gt;love&lt;/i&gt; killin' faggots named Christopher" might have some relevance to the plot line?&lt;br /&gt;&lt;br /&gt;It's a satire of the world of rap, where song lyrics are often only slightly less violently homophobic than this parody. I'm not at all sure, though, that people seeing the video by itself on the web (yes, it's out there) will grasp the context, even with the "OverDaRainbow.com" logo in the corner of the video, if they don't read the notes below it. I certainly &lt;i&gt;hope&lt;/i&gt; that it will provoke the discussion it aims to begin, and perhaps shame some of the real rappers into selling music instead of hate. &lt;b&gt;Recommended&lt;/b&gt;, with a caveat regarding &lt;i&gt;extremely&lt;/i&gt; offensive content.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1367"&gt;Over Da Rainbow&lt;/a&gt;,&lt;/i&gt; dir. Jay Lap, 2007 USA 20 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Over+Da+Rainbow"&gt;Over Da Rainbow&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-668851823794254395?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/668851823794254395/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=668851823794254395' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/668851823794254395'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/668851823794254395'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/over-da-rainbow.html' title='Over Da Rainbow'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_axdJE4di1ME/SG2ZorXNpnI/AAAAAAAAAK8/H9ul0ivt4XY/s72-c/OverDaRainbow-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-5484350162091651396</id><published>2008-06-28T15:30:00.000-07:00</published><updated>2008-07-08T01:38:05.927-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='shorts program'/><title type='text'>Dyke Delights (2008)</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_axdJE4di1ME/SG2U6LXzj3I/AAAAAAAAAKE/QWWCbZXJiHA/s1600-h/MenopGalsGWild-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp2.blogger.com/_axdJE4di1ME/SG2U6LXzj3I/AAAAAAAAAKE/QWWCbZXJiHA/s200/MenopGalsGWild-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218991270398234482" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Menopausal Gals Gone Wild:&lt;/i&gt; Who says that only college co-eds get to whoop it up and show some skin? We've got hot flashes! We don't need no steenkin' tampons! It's all in the flavor of those obnoxious late-night TV ads, but with a highly subversive twist — although you &lt;i&gt;can&lt;/i&gt; get your &lt;a href="http://www.cafepress.com/mickeefaust"&gt;MMGW merchandise&lt;/a&gt;, including shirts, coffee mugs, bumper stickers, and fridge magnets. Cute and funny, &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1375"&gt;Menopausal Gals Gone Wild&lt;/a&gt;,&lt;/i&gt; dirs. Donna Marie Nudd &amp;amp; Diane Wilkins, 2007 USA 4 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_axdJE4di1ME/SG2U6R6zDpI/AAAAAAAAAKM/XHXJFJncQzA/s1600-h/Crafty1-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp3.blogger.com/_axdJE4di1ME/SG2U6R6zDpI/AAAAAAAAAKM/XHXJFJncQzA/s200/Crafty1-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218991272155614866" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Crafty:&lt;/i&gt; an activist with a petition for E.R.T.V.S. — Equal Rights This Very Second — shows up on a woman's doorstep and decides that she wants more than just her signature. It includes such educational gems as the factoid that women in same-sex relationships are 70% less likely to be attacked by sharks. An excellent mix of sex and politics, &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1368"&gt;Crafty&lt;/a&gt;,&lt;/i&gt; dir. Erik Gernand, 2008 USA 9 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Toi et Moi:&lt;/i&gt; dance-offs and drag queens, in a music video style, set in Portland, Oregon, but with really bad French accents. Amusing; &lt;b&gt;recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1389"&gt;Toi et Moi&lt;/a&gt;,&lt;/i&gt; dir. Ali Cotterill, 2007 USA 3 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Social Conflict Management:&lt;/i&gt; a 1950's-style educational film, instructing young people on how to deal with some awkward situations. Cute, well done, &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1349"&gt;Social Conflict Management&lt;/a&gt;,&lt;/i&gt; dir. Dagny Thompson, 2005 Canada 8 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_axdJE4di1ME/SG2U6oa1mFI/AAAAAAAAAKU/dyZ0tREUiew/s1600-h/LezBro-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp2.blogger.com/_axdJE4di1ME/SG2U6oa1mFI/AAAAAAAAAKU/dyZ0tREUiew/s200/LezBro-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218991278195578962" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Lezbro: Don't Cha Know:&lt;/i&gt; Gay men have their "fag hags," but what do you call a straight man who hangs around with lesbians? He's a lezbro! A fun testament to cross-community harmony, &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1429"&gt;LezBro: Don't Cha Know&lt;/a&gt;,&lt;/i&gt; dirs. Melinda Bagatelos &amp;amp; Dara Sklar, 2008 USA 10 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;A Work in Progress:&lt;/i&gt; two writers with a past are thrown together to work on a project, with cinematic nods to &lt;i&gt;D.E.B.S.&lt;/i&gt; and &lt;i&gt;Go Fish.&lt;/i&gt; &lt;b&gt;Highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1362"&gt;A Work in Progress&lt;/a&gt;,&lt;/i&gt; dir. Keshia Coe, 2008 USA 8 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_axdJE4di1ME/SG2U6vUrWPI/AAAAAAAAAKc/OvGy8n0WIWI/s1600-h/WCSFE-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp0.blogger.com/_axdJE4di1ME/SG2U6vUrWPI/AAAAAAAAAKc/OvGy8n0WIWI/s200/WCSFE-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218991280048789746" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Worst Case Scenario: Femme Edition:&lt;/i&gt; How do you, as a femme dyke, get that butch dyke to notice you? This black-and-white Super-8 instructional film will get you started. "Oh, didn't I see you at Moist Wet Pussysnatch [club]?" Very funny, &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1426"&gt;Worst-Case Scenario: Femme Edition&lt;/a&gt;,&lt;/i&gt; dir. Mary Guzman, 2008 USA 5 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_axdJE4di1ME/SG2U6lei7tI/AAAAAAAAAKk/nnY-Ta6X830/s1600-h/OpInvisHands-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0px; float: left; cursor: pointer;" src="http://bp3.blogger.com/_axdJE4di1ME/SG2U6lei7tI/AAAAAAAAAKk/nnY-Ta6X830/s200/OpInvisHands-small.jpg" alt="Op. by Invis. Hands" id="BLOGGER_PHOTO_ID_5218991277405826770" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Operated by Invisible Hands:&lt;/i&gt; Two dolls come to terms with the existential angst around feeling like you're being controlled by an unseen force, as if your life isn't your own and you have no free will. Brilliant script, hilarious, &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1372"&gt;Operated by Invisible Hands&lt;/a&gt;,&lt;/i&gt; dir. Nicole Brending, 2007 USA 7 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Love Sucks:&lt;/i&gt; For two lesbian vampires, it can be a real challenge to keep the relationship fresh, even with some help from a couples counselor, especially when they're trying to be socially responsible vampires, keeping live feedings to a minimum. Funny, well done, &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1381"&gt;Love Sucks&lt;/a&gt;,&lt;/i&gt; dirs. Ingrid Jungermann &amp;amp; Sara Winters, 2008 USA 10 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_axdJE4di1ME/SG2VBm387aI/AAAAAAAAAKs/Ob3U0octXkM/s1600-h/SheepRanchHand-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp1.blogger.com/_axdJE4di1ME/SG2VBm387aI/AAAAAAAAAKs/Ob3U0octXkM/s200/SheepRanchHand-small.jpg" alt="Sheep &amp;amp; Ranch Hand" id="BLOGGER_PHOTO_ID_5218991398039907746" border="0" /&gt;&lt;/a&gt;&lt;i&gt;The Sheep and the Ranch Hand: A Sexyqueer Love Story:&lt;/i&gt; You'll never hear the words "rack of lamb" quite the same way again, not to mention "C'mere, ewe!" A woman dreams of being a sheep, shacking up with a female ranch hand. Lots of little touches, several laugh-out-loud moments, &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1442"&gt;The Sheep and the Ranch Hand: A Sexyqueer Love Story&lt;/a&gt;,&lt;/i&gt; dir. Loretta Hintz, 2008 USA 14 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;King County:&lt;/i&gt; The challenge: find a bad 80's movie to turn into a Broadway-style stage musical for a Seattle audience. How about &lt;i&gt;Top Gun&lt;/i&gt; as performed by butch lesbians? Or maybe an all-bear version of &lt;i&gt;Showgirls.&lt;/i&gt; Fun, well done, &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1320"&gt;King County&lt;/a&gt;,&lt;/i&gt; dir. David Quantic, 2007 USA 7 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Vicious &amp;amp; the Delicious:&lt;/i&gt; An Australian soap opera, with some over-the-top plot twists, including a whole new meaning to "I'll rip your throat out!" It drags on a bit long, though, and not all of the gags work. No recommendation.&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1308"&gt;The Vicious &amp;amp; the Delicious&lt;/a&gt;,&lt;/i&gt; dir. Tonnette Stanford, 2007 Australia 11 min.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;"&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1539"&gt;Dyke Delights&lt;/a&gt;" (2008) (shorts program)&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Dyke+Delights"&gt;Dyke Delights&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-5484350162091651396?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/5484350162091651396/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=5484350162091651396' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/5484350162091651396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/5484350162091651396'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/dyke-delights-2008.html' title='Dyke Delights (2008)'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_axdJE4di1ME/SG2U6LXzj3I/AAAAAAAAAKE/QWWCbZXJiHA/s72-c/MenopGalsGWild-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-3202083189360824351</id><published>2008-06-28T13:30:00.000-07:00</published><updated>2008-07-07T23:32:47.114-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='subtitled'/><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><title type='text'>Sonja</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_axdJE4di1ME/SG2QqgzOxNI/AAAAAAAAAJ8/AqPMFXAWaSs/s1600-h/Sonja-small.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_axdJE4di1ME/SG2QqgzOxNI/AAAAAAAAAJ8/AqPMFXAWaSs/s200/Sonja-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218986603225990354" border="0" /&gt;&lt;/a&gt;Sonja is a 16-year-old girl who can't seem to fit in. She is alienated from friends and family alike, indifferent to her boyfriend, but irresistibly drawn to her friend Julia. She writes in her diary about her feelings for Julia, but her mother snoops and scowls, leading Sonja to take a holiday with her father. While at the beach house, she decides to try out this whole heterosexuality thing, but with a rather iffy older man. The teen angst is palpable throughout the film, but I didn't really get a good sense of the characters; in particular, the decision to have sex with a man seemed abrupt and lacking in context. I also felt that the film tried to say too much with wistful glances that ought to have been conveyed in dialogue. &lt;b&gt;Recommended&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1452"&gt;Sonja&lt;/a&gt;,&lt;/i&gt; dir. Kirsi Marie Liimatainen, 2007 Germany 73 min., in German with English subtitles&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=QbUhU1GtU6w"&gt;view trailer&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Sonja"&gt;Sonja&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-3202083189360824351?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/3202083189360824351/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=3202083189360824351' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3202083189360824351'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3202083189360824351'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/sonja.html' title='Sonja'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_axdJE4di1ME/SG2QqgzOxNI/AAAAAAAAAJ8/AqPMFXAWaSs/s72-c/Sonja-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-3701537234615349584</id><published>2008-06-27T15:00:00.000-07:00</published><updated>2008-07-09T14:58:16.271-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='subtitled'/><category scheme='http://www.blogger.com/atom/ns#' term='shorts program'/><title type='text'>Worldly Affairs (2008)</title><content type='html'>"&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1550"&gt;Worldly Affairs&lt;/a&gt;" (2008) shorts program of international films&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;Tá:&lt;/i&gt; Two young men gather in a toilet stall to snort some cocaine and talk about sex. One asks the other to help him get aroused, but it takes a bit of work. Very cute boys, and a nice surprise ending; &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1450"&gt;Tá&lt;/a&gt;,&lt;/i&gt; dir. Felipe Sholl, 2007 Brazil 5 min., in Portuguese with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_axdJE4di1ME/SG2O1rBmBlI/AAAAAAAAAJs/1ghNw1dk57I/s1600-h/HerzHaft-small.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_axdJE4di1ME/SG2O1rBmBlI/AAAAAAAAAJs/1ghNw1dk57I/s200/HerzHaft-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218984595925894738" border="0" /&gt;&lt;/a&gt;&lt;i&gt;HerzHaft:&lt;/i&gt; The 33yo soccer coach and a 15yo member of the team are having an affair, but things get dicey when the boy's (lesbian) mother finds out. Treads deftly between the extremes of NAM&amp;shy;BLA's view that children's sexuality is the same as adults' and the religious right's view that children have no sexu&amp;shy;al&amp;shy;ity at all; the reality is far more complicated. Excellent, &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1338"&gt;HerzHaft&lt;/a&gt;,&lt;/i&gt; dir. Martin Busker, 2007 Germany 15 min., in German with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_axdJE4di1ME/SG2OwszIIVI/AAAAAAAAAJk/5g1bAD0nFkA/s1600-h/Bramadero-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://bp1.blogger.com/_axdJE4di1ME/SG2OwszIIVI/AAAAAAAAAJk/5g1bAD0nFkA/s200/Bramadero-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218984510502740306" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Bramadero:&lt;/i&gt; Two men find a con&amp;shy;struc&amp;shy;tion site where they can explore their passion for each other. No dialogue at all, and no shortage of skin. However, the film seems to mistake slow motion for emotional intensity, and the lack of dialogue ultimately results in a lack of storyline. Eye candy aside, is this porn trying to pretend to be art or art trying to be porn? My recommendation: choose one or the other, because &lt;i&gt;Bramadero&lt;/i&gt; fails at trying to be both. &lt;b&gt;Not recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1451"&gt;Bramadero&lt;/a&gt;,&lt;/i&gt; dir. Julián Hernández, 2007 Mexico 22 min., no dialogue&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Bonne Mère:&lt;/i&gt; The Frameline program says only this: "Alfred leaves northern France for Marseille to look for his mother." She works as a prostitute, and he changes his name and becomes a hooker, too, to be just like dear old Mom. I just didn't see any point to it; my reaction is summed up in a single word: "Huh??" &lt;b&gt;Not recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1478"&gt;Bonne Mère&lt;/a&gt;,&lt;/i&gt; dir. Maxime Desmons, 2008 Canada 3 min., in French with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Postcard (그림엽서):&lt;/i&gt; Last year, filmmaker Josh Kim presented his first short, &lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2007/06/police-box.html"&gt;The Police Box&lt;/a&gt;;&lt;/i&gt; he's back with another fun short this year. A young man comes into the post office day after day to send a series of postcards with highly personal messages but only an address with no name. The gossipy female clerks try to figure out which of them he's flirting with, never guessing the truth, until things come to a head. &lt;b&gt;Highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1454"&gt;The Postcard&lt;/a&gt;,&lt;/i&gt; dir. Josh Kim, 2008 South Korea 15 min., in Korean with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Lot's Wife:&lt;/i&gt; A young man's family comes to his tenement to "rescue" him from his life of "shame," living with another young man. His mother isn't sure how to act, so she just watches. Even at 9 minutes, this short felt more like a prelude than an actual story. &lt;b&gt;Recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1552"&gt;Lot's Wife&lt;/a&gt;,&lt;/i&gt; dirs. Koray Durak &amp;amp; Harjant Gill, 2008 Turkey 9 min., in Turkish with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_axdJE4di1ME/SG2Op85Gq9I/AAAAAAAAAJc/U1ZbXzlqocw/s1600-h/CountryLife-small.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_axdJE4di1ME/SG2Op85Gq9I/AAAAAAAAAJc/U1ZbXzlqocw/s200/CountryLife-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218984394563693522" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Country Life (Landleben) (Vie champetre):&lt;/i&gt; Julian, a shy country boy, just came out to his best friend Simone. She introduces him to another gay friend, but Julian meets his mismatch in the very urban party boy Adi. The two young men are worlds apart, one seeking quiet solitude in the mountains while the other looks for the gay clubs in the big city. Cute, fun, and funny, with very cute boys. &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1422"&gt;Country Life&lt;/a&gt; (Landleben) (Vie champetre),&lt;/i&gt; dir. Lukas Egger, 2007 Switzerland 16 min., in (Swiss) German with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_axdJE4di1ME/SG2OjkZanKI/AAAAAAAAAJU/E328nD87iDs/s1600-h/YouMeHim-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://bp3.blogger.com/_axdJE4di1ME/SG2OjkZanKI/AAAAAAAAAJU/E328nD87iDs/s200/YouMeHim-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218984284909116578" border="0" /&gt;&lt;/a&gt;&lt;i&gt;You, Me and Him (Café com Leite):&lt;/i&gt; A young man and his boyfriend are planning to move into an apartment together, finally getting out from under their respective parents' roofs. Their plans change suddenly, and the two lovers must learn to live with the kid brother, and decide what to do about their plans for a honeymoon trip. Very well done, although I thought the ending left a few too many loose ends. &lt;b&gt;Highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1364"&gt;You, Me and Him&lt;/a&gt; (Café com Leite),&lt;/i&gt; dir. Daniel Ribeiro, 2007 Brazil 18 min., in Portuguese with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Worldly+Affairs"&gt;Worldly Affairs&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-3701537234615349584?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/3701537234615349584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=3701537234615349584' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3701537234615349584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3701537234615349584'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/worldly-affairs-2008.html' title='Worldly Affairs (2008)'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_axdJE4di1ME/SG2O1rBmBlI/AAAAAAAAAJs/1ghNw1dk57I/s72-c/HerzHaft-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-4422711077237659453</id><published>2008-06-27T10:27:00.000-07:00</published><updated>2008-06-27T10:51:48.613-07:00</updated><title type='text'>Pride Weekend at Frameline32</title><content type='html'>&lt;i&gt;a few selections for the final 3 days of the Frameline32 festival; note that I have only seen the ones marked with&lt;/i&gt; &amp;lowast;&lt;br /&gt;&lt;br /&gt;FRIDAY&lt;br /&gt;6:00 Cas: &amp;lowast;&lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/were-world-mine.html"&gt;Were the World Mine&lt;/a&gt;,&lt;/i&gt; choreographed h.s. rugby team — you gotta see this!&lt;br /&gt;9:00 Vic: &lt;i&gt;Chris &amp; Don,&lt;/i&gt; gay lit icon Christopher Isherwood &amp; his lover (doc.)&lt;br /&gt;&lt;br /&gt;SATURDAY&lt;br /&gt;11:00a Cas: &amp;lowast;&lt;i&gt;Yes, Nurse! No, Nurse!&lt;/i&gt; silly, campy, Dutch musical&lt;br /&gt;1:15 Cas: &amp;lowast;&lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/sordid-lives.html"&gt;Sordid Lives&lt;/a&gt;,&lt;/i&gt; preview of the new TV series coming later this year&lt;br /&gt;6:00 Cas: &amp;lowast;&lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2008/06/kinsey-sicks-almost-infamous.html"&gt;Kinsey Sicks&lt;/a&gt;,&lt;/i&gt; behind-the-wigs look at drag-a-pella politics&lt;br /&gt;6:00 Vic: &amp;lowast;&lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/jihad-for-love.html"&gt;Jihad for Love&lt;/a&gt;,&lt;/i&gt; doc. about gay Muslims. NOTE: &lt;i&gt;jihad&lt;/i&gt; does &lt;b&gt;not&lt;/b&gt; mean what the US media think it means!&lt;br /&gt;8:30 Cas: &lt;i&gt;Another Gay Sequel,&lt;/i&gt; must-see follow-up to &lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2006/06/another-gay-movie.html"&gt;Another Gay Movie&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;SUNDAY (all at the Castro Theatre)&lt;br /&gt;11:30a: &amp;lowast;"&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-girls-shorts-2008.html"&gt;Fun in Girls Shorts&lt;/a&gt;," some real gems, as usual&lt;br /&gt;2:00: &amp;lowast;"&lt;a href="http://queerfilm.blogspot.com/2008/06/fun-in-boys-shorts-2008.html"&gt;Fun in Boys Shorts&lt;/a&gt;," not as good as the Girls, but still worth seeing&lt;br /&gt;4:30: &amp;lowast;&lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2008/05/derek.html"&gt;Derek&lt;/a&gt;,&lt;/i&gt; moving doc. on Derek Jarman, narrated by Tilda Swinton&lt;br /&gt;7:30: &amp;lowast;&lt;i&gt;&lt;a href="http://queerfilm.blogspot.com/2008/03/breakfast-with-scot.html"&gt;Breakfast with Scot&lt;/a&gt;,&lt;/i&gt; closeted jocks reluctantly take on a foster child who challenges them on many levels&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-4422711077237659453?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/4422711077237659453/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=4422711077237659453' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4422711077237659453'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4422711077237659453'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/pride-weekend-at-frameline32.html' title='Pride Weekend at Frameline32'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-8064857264461607805</id><published>2008-06-26T21:30:00.000-07:00</published><updated>2008-07-07T23:09:22.454-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><title type='text'>On the Other Hand, Death</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_axdJE4di1ME/SG2K73jb1QI/AAAAAAAAAJE/ZuWqBcQUx3w/s1600-h/OTOHD-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp1.blogger.com/_axdJE4di1ME/SG2K73jb1QI/AAAAAAAAAJE/ZuWqBcQUx3w/s200/OTOHD-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218980304321762562" border="0" /&gt;&lt;/a&gt;&lt;a href="http://heretv.com"&gt;here!TV&lt;/a&gt;, the gay premium cable channel, has been bringing author Richard Stevenson's mystery novels, centering on gay detective Donald Strachey, to television. &lt;i&gt;On the Other Hand, Death&lt;/i&gt; is the latest, with Strachey (Chad Allen) caught up in a tangled web when his mystery client hires him to surveil a woman who turns out to be an undercover cop. In the mean time, a small-town lesbian couple (Margot Kidder and Gabrielle Rose) are facing homophobic vandalism, escalating to violent threats, plus angry parents upset that Kidder, a high-school guidance counselor, is telling her students about the &lt;a href="http://www.thetrevorproject.org/home2.aspx"&gt;Trevor Project&lt;/a&gt;, a crisis hotline for queer and questioning youth (1-866-4-U-TREVOR = 1-866-488-7386). Of course, there turns out to be a connection between the two threads, which Strachey uncovers — but not before a dead body turns up in Kidder and Rose's barn. It's an entertaining and engaging mystery story, in the tradition of Barnaby Jones or Columbo, but with a bit more of a &lt;i&gt;noir&lt;/i&gt; aesthetic and a definite gay twist. &lt;b&gt;Highly recommended&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1516"&gt;On the Other Hand, Death&lt;/a&gt;: A Donald Strachey Mystery,&lt;/i&gt; dir. Ron Oliver, 2008 USA 86 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/On+the+Other+Hand,+Death"&gt;On the Other Hand, Death&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Donald+Strachey"&gt;Donald Strachey&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-8064857264461607805?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/8064857264461607805/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=8064857264461607805' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/8064857264461607805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/8064857264461607805'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/on-other-hand-death.html' title='On the Other Hand, Death'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_axdJE4di1ME/SG2K73jb1QI/AAAAAAAAAJE/ZuWqBcQUx3w/s72-c/OTOHD-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-1873381173399952404</id><published>2008-06-26T19:00:00.000-07:00</published><updated>2008-07-07T22:46:40.372-07:00</updated><title type='text'>Pansy Division: Life in a Gay Rock Band</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_axdJE4di1ME/SG2KMbHOOvI/AAAAAAAAAI8/W1QT42sZbws/s1600-h/PansyDiv-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_axdJE4di1ME/SG2KMbHOOvI/AAAAAAAAAI8/W1QT42sZbws/s200/PansyDiv-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218979489233386226" border="0" /&gt;&lt;/a&gt;If you know anything at all about gay rock'n'roll, you've undoubtedly heard of Pansy Division. They take a defiantly in-your-face-queer approach to making rock music, but equally eschew the disco / boy-band / synthpop aesthetic of much of queer music. This documentary is a history of the band, made by their friend Michael Carmona and band member Chris Freeman, tracking from the very beginning when Jon Ginoli was Pansy Division as a solo act, to teaming up with Freeman, through the succession of drummers, the tour opening for Green Day just as they started tearing up the charts, and the change of record labels. Bits of concert footage, mostly submitted by fans with video cameras, are interwoven with TV appearances, plus interviews specifically for this film. I've known Jon Ginoli for years and been a Pansy Division fan, but I learned quite a bit about the band's ups and downs. &lt;b&gt;Highly recommended&lt;/b&gt; for any fan of rock'n'roll.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1319"&gt;Pansy Division: Life in a Gay Rock Band&lt;/a&gt;,&lt;/i&gt; dir. Michael Carmona, 2007 USA 84 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Pansy+Division"&gt;Pansy Division&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Queercore"&gt;Queercore&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/Homocore"&gt;Homocore&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-1873381173399952404?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/1873381173399952404/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=1873381173399952404' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/1873381173399952404'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/1873381173399952404'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/pansy-division-life-in-gay-rock-band.html' title='Pansy Division: Life in a Gay Rock Band'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_axdJE4di1ME/SG2KMbHOOvI/AAAAAAAAAI8/W1QT42sZbws/s72-c/PansyDiv-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-7580337254474258474</id><published>2008-06-26T16:00:00.000-07:00</published><updated>2009-07-06T00:27:45.562-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='Must See'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>Word is Out: Stories of Some of Our Lives</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_axdJE4di1ME/SG2Jj1VeWgI/AAAAAAAAAI0/HFcxHE0c5Mg/s1600-h/WordIsOut-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp0.blogger.com/_axdJE4di1ME/SG2Jj1VeWgI/AAAAAAAAAI0/HFcxHE0c5Mg/s200/WordIsOut-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218978791897848322" border="0" /&gt;&lt;/a&gt;Way back in 1977, the Mariposa Film Group interviewed 26 openly gay and lesbian people, from college-aged to senior citizens, about their lives. The result is a two-hour documentary that aired on PBS. In many respects, the interviewees are typical folks, but their candor about their sexuality was striking for the late 1970's. Some of them had stood up to oppression and violent homophobic attacks; for example, a woman who was in the WAC in World War II told of the soldiers who would attack the lesbians because they weren't making themselves sexually available for their pleasure. All of them displayed tremendous personal courage in standing up for themselves. In some ways, we are light years removed from the world of the 70's, as we fight for marriage equality and other issues that were not even on the radar back then, but it is important to remember our collective history, and &lt;i&gt;Word is Out&lt;/i&gt; provides a priceless window into that era. &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1460"&gt;Word is Out&lt;/a&gt;,&lt;/i&gt; dir. Mariposa Film Group, 1977 USA 124 min., restored print; DVD release is planned&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Word+is+Out"&gt;Word is Out&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-7580337254474258474?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/7580337254474258474/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=7580337254474258474' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/7580337254474258474'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/7580337254474258474'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/word-is-out-stories-of-some-of-our.html' title='Word is Out: Stories of Some of Our Lives'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_axdJE4di1ME/SG2Jj1VeWgI/AAAAAAAAAI0/HFcxHE0c5Mg/s72-c/WordIsOut-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-6379898236579087354</id><published>2008-06-26T13:00:00.000-07:00</published><updated>2009-07-06T00:27:45.562-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><category scheme='http://www.blogger.com/atom/ns#' term='Must See'/><category scheme='http://www.blogger.com/atom/ns#' term='closed captions'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>Big Eden</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_axdJE4di1ME/SHLpNekLQUI/AAAAAAAAAL0/F_15iRsvKu8/s1600-h/BigEden-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_axdJE4di1ME/SHLpNekLQUI/AAAAAAAAAL0/F_15iRsvKu8/s200/BigEden-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5220491335828193602" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Big Eden&lt;/i&gt; has the distinction of being my mother's favorite film ever from the Frameline festivals; in fact, it's one of only a very few I've ever gotten her to watch. Henry (Arye Gross, "Ellen") is an artist in New York City, looking forward to his big gallery opening with a level of enthusiasm usually reserved for root canals. The day before, he gets a call from Big Eden, his home town in the mountains of Montana, that his grandfather is dying, so he flies back, much to the dismay of his agent. He ends up staying for several months to care for "Sampa," and reconnects with some old friends, including his high-school crush Dean and the inscrutable Pike, now the owner of the general store. Henry is preoccupied with Dean, who is now divorced with two kids; in the mean time, Henry is oblivious to Pike's steady interest. The small town turns out to be very different from the redneck hellhole one might imagine, and it seems that the biggest obstacle to Henry's coming out is himself. It's a beautiful story, told flawlessly, down to the smallest details of plot, dialogue, costumes, and props. All of the major characters give award-worthy performances, and the film more than earned its thunderous standing ovation the first time it screened at the Castro, 2000-06-22. Definitely a &lt;b&gt;MUST SEE&lt;/b&gt;, and a must for your &lt;a href="http://wolfevideo.com/products.asp?id=90"&gt;DVD&lt;/a&gt; collection.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1512"&gt;Big Eden&lt;/a&gt;,&lt;/i&gt; dir. Thomas Bezucha, 2000 USA 117 min.; &lt;a href="http://www.youtube.com/watch?v=CZXgtGqhgws"&gt;view the trailer&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Big+Eden"&gt;Big Eden&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-6379898236579087354?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/6379898236579087354/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=6379898236579087354' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/6379898236579087354'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/6379898236579087354'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/big-eden.html' title='Big Eden'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_axdJE4di1ME/SHLpNekLQUI/AAAAAAAAAL0/F_15iRsvKu8/s72-c/BigEden-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-1078923993054084122</id><published>2008-06-25T21:15:00.000-07:00</published><updated>2008-07-08T01:42:29.845-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='subtitled'/><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><title type='text'>A Love to Keep (Electroshock)</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_axdJE4di1ME/SG2H1yxHoCI/AAAAAAAAAIs/E1q80u9-44I/s1600-h/LoveToKeep-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_axdJE4di1ME/SG2H1yxHoCI/AAAAAAAAAIs/E1q80u9-44I/s200/LoveToKeep-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218976901422882850" border="0" /&gt;&lt;/a&gt;Based on a true story, &lt;i&gt;A Love to Keep&lt;/i&gt; begins in fascist Spain in the early 1970's. The two main characters are school teachers Elvira and Pilar, two women who live a quiet but happy life together until Pilar's parents intervene and have her shipped off to a psychiatric hospital for "treatment," including electroshock aversion therapy. She remains confined for over 4 years, finally released after Franco's death, as the fascists give way to a more open society and political system. However, she is a broken woman, beset by nightmares and sudden mood swings — side effects of the electroshock therapy — and their hopes for a happy life after their long-awaited reunion slowly unravel. It's a moving story, although heavily downbeat and at times difficult to watch. As a made-for-TV movie, the production values are a little rough around the edges, but the performances make up for those minor issues. &lt;b&gt;Highly recommended&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1463"&gt;A Love to Keep&lt;/a&gt; (Electroshock),&lt;/i&gt; dir. Juan Carlos Claver, 2006 Spain 98 min., in Spanish with English subtitles&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/A+Love+to+Keep"&gt;A Love to Keep&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Electroshock"&gt;Electroshock&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-1078923993054084122?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/1078923993054084122/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=1078923993054084122' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/1078923993054084122'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/1078923993054084122'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/love-to-keep-electroshock.html' title='A Love to Keep (Electroshock)'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_axdJE4di1ME/SG2H1yxHoCI/AAAAAAAAAIs/E1q80u9-44I/s72-c/LoveToKeep-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-4249170934755277940</id><published>2008-06-25T19:00:00.000-07:00</published><updated>2009-07-06T00:27:45.562-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><category scheme='http://www.blogger.com/atom/ns#' term='Must See'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>Ruby Blue</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_axdJE4di1ME/SG2HJCzUj4I/AAAAAAAAAIk/24gC0YuMruQ/s1600-h/RubyBlue-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp3.blogger.com/_axdJE4di1ME/SG2HJCzUj4I/AAAAAAAAAIk/24gC0YuMruQ/s200/RubyBlue-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218976132632973186" border="0" /&gt;&lt;/a&gt;Jack (Bob Hoskins, &lt;i&gt;Who Framed Roger Rabbit?&lt;/i&gt;) is a recent widower, still trying to regain his footing after his wife's death. He has a flock of racing pigeons in the back yard, but even they only barely hold his interest. A nosy little girl begins to draw him out of his shell, but it's Stephanie, the French divorcée across the street, who gently nudges him to re-engage with life, giving him several surprises, some pleasant and others unsettling. A teenaged hooligan-in-training comes under Jack's wing, learning how to care for and race the pigeons. Things get ugly when the little girl goes missing and rumors fly that Jack is a pedophile, but Stephanie and some of the neighborhood children stand up for him. It's well-written, with strong performances across the board, and a story of hope and connection; &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1448"&gt;Ruby Blue&lt;/a&gt;,&lt;/i&gt; dir. Jan Dunn, 2008 UK 112 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Ruby+Blue"&gt;Ruby Blue&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Pigeon+Racing"&gt;Pigeon Racing&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-4249170934755277940?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/4249170934755277940/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=4249170934755277940' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4249170934755277940'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4249170934755277940'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/ruby-blue.html' title='Ruby Blue'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_axdJE4di1ME/SG2HJCzUj4I/AAAAAAAAAIk/24gC0YuMruQ/s72-c/RubyBlue-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-4651650841287513795</id><published>2008-06-25T16:30:00.000-07:00</published><updated>2008-07-09T15:06:26.741-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='shorts program'/><title type='text'>A Gay Old Time</title><content type='html'>"&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1543"&gt;A Gay Old Time&lt;/a&gt;," a program of short films by or about older members of our LGBT community&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;Systolic/Diastolic (Sistole/Diastole):&lt;/i&gt; A short film dealing with end-of-life issues, including senility. Well done, &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1423"&gt;Systolic/Diastolic&lt;/a&gt; (Sistole/Diastole),&lt;/i&gt; dir. Pelayo Muñiz, 2006 Spain 20 min., in Spanish with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_axdJE4di1ME/SG2F6565PuI/AAAAAAAAAIM/KQ_aL4t6iE8/s1600-h/Forever-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_axdJE4di1ME/SG2F6565PuI/AAAAAAAAAIM/KQ_aL4t6iE8/s200/Forever-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218974790219022050" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Forever's Gonna Start Tonight:&lt;/i&gt; (documentary) Vicki Marlane, at 71 "the oldest living, con&amp;shy;tin&amp;shy;u&amp;shy;ous&amp;shy;ly performing transgender drag performer" tells some tales, including Ethel Merman and the entire Broadway cast of &lt;i&gt;Gypsy&lt;/i&gt; giving the female impersonators a standing ovation for &lt;i&gt;their&lt;/i&gt; version. &lt;b&gt;Highly recommended&lt;/b&gt; &lt;i&gt;(also screened as part of the "&lt;a href="http://queerfilm.blogspot.com/2008/06/transtastic.html"&gt;Transtastic&lt;/a&gt;" shorts program)&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1396"&gt;Forever's Gonna Start Tonight&lt;/a&gt;,&lt;/i&gt; dir. Michelle Lawler, 2007 USA 9 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Last Visit:&lt;/i&gt; a woman visits her bubbie (grandmother), wringing her hands as she brings the news, "Yes, bubbie, I met someone." &lt;b&gt;Recom&amp;shy;men&amp;shy;ded&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1344"&gt;The Last Visit&lt;/a&gt;,&lt;/i&gt; dir. Bee Sack, 2007 Canada 5 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Congratulations, Daisy Graham:&lt;/i&gt; A schoolteacher is being honored for her many years of service, but she has something far more pressing to worry about (although she does pause long enough to correct the grammar in her congratulations letter): her partner fades in and out of contact with reality, sometimes violently. Daisy has a rifle and a box of bullets; how will she get out of this awful situation? &lt;b&gt;Highly recom&amp;shy;men&amp;shy;ded&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1348"&gt;Congratulations, Daisy Graham&lt;/a&gt;,&lt;/i&gt; dir. Cassandra Nicolaou, 2007 Canada 15 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Downstream (Im Fluß):&lt;/i&gt; Two older women ponder the unthinkable: what will either of them do if the other passes away? Their lives are so interwoven after decades together that it's hard to imagine. We see them both literally and figuratively floating down the river of life together. &lt;b&gt;Highly recom&amp;shy;men&amp;shy;ded&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1390"&gt;Downstream&lt;/a&gt; (Im Fluß),&lt;/i&gt; dirs. Claudia Lorenz &amp;amp; Cecilia Barriga, 2007 Switzerland 5 min., in German with English subtitles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Mirror Mirror:&lt;/i&gt; (no, not the famous &lt;i&gt;Star Trek&lt;/i&gt; episode!) Joe has shared the last many years with his alter-ego Jana, but now he must kill off his inner drag queen. &lt;b&gt;Highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1325"&gt;Mirror Mirror&lt;/a&gt;,&lt;/i&gt; dir. John Winter, 2007 Australia 10 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_axdJE4di1ME/SG2GL1bTiLI/AAAAAAAAAIc/o6Jnm-g20pU/s1600-h/Herman-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_axdJE4di1ME/SG2GL1bTiLI/AAAAAAAAAIc/o6Jnm-g20pU/s200/Herman-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218975081070561458" border="0" /&gt;&lt;/a&gt;&lt;i&gt;Hello, My Name is Herman:&lt;/i&gt; I saw this one up in its native Toronto in May. The &lt;a href="http://queerfilm.blogspot.com/2008/05/queer-youth-digital-video-project.html"&gt;Queer Youth Digital Video Project&lt;/a&gt; helps a handful of young Torontonians make short films; Karine decided to introduce her grandfather to us. He's 91, and loves Karines's girlfriend almost as much as her. Definitely worth seeing twice; &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_axdJE4di1ME/SG2GFYnwncI/AAAAAAAAAIU/5zeK-9LTl8A/s1600-h/JustMe-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp0.blogger.com/_axdJE4di1ME/SG2GFYnwncI/AAAAAAAAAIU/5zeK-9LTl8A/s200/JustMe-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218974970258955714" border="0" /&gt;&lt;/a&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1307"&gt;Hello, My Name is Herman&lt;/a&gt;,&lt;/i&gt; dir. Karine Silverwoman, 2007 Canada 10 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Just Me?:&lt;/i&gt; Am I &lt;i&gt;really&lt;/i&gt; the only lesbian in the family, or is there something I should know about my great grandmother? It seems Nana had a "good friend" (and housemate and traveling companion) named Betty.... Excellent, &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1318"&gt;Just Me?&lt;/a&gt;,&lt;/i&gt; dir. Amy Neil, 2007 USA 22 min.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/A+Gay+Old+Time"&gt;A Gay Old Time&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-4651650841287513795?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/4651650841287513795/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=4651650841287513795' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4651650841287513795'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/4651650841287513795'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/gay-old-time.html' title='A Gay Old Time'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_axdJE4di1ME/SG2F6565PuI/AAAAAAAAAIM/KQ_aL4t6iE8/s72-c/Forever-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-1176043172389645833</id><published>2008-06-25T14:15:00.000-07:00</published><updated>2009-07-06T00:27:45.562-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><category scheme='http://www.blogger.com/atom/ns#' term='Must See'/><category scheme='http://www.blogger.com/atom/ns#' term='closed captions'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>Lilies (Les feluettes)</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_axdJE4di1ME/SG1zS05SigI/AAAAAAAAAH8/ddnjWknqExk/s1600-h/Lilies_booth-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_axdJE4di1ME/SG1zS05SigI/AAAAAAAAAH8/ddnjWknqExk/s200/Lilies_booth-small.jpg" alt="Lilies 1" id="BLOGGER_PHOTO_ID_5218954310466046466" border="0" /&gt;&lt;/a&gt;I was in the Castro Theatre on 1997-06-26, when &lt;i&gt;Lilies&lt;/i&gt; played to an enthusiastic capacity crowd. Other movies have followed with some of the cinematic elements &lt;i&gt;Lilies&lt;/i&gt; pioneered, but the film itself has lost none of its lustre. The setting is a Québec prison in 1952; the bishop has come, ostensibly to hear the confession of one of the prisoners, but he arrives to find the tables turned. The prisoner, the young man for whose murder he is imprisoned, and the bishop were boyhood schoolmates, and with help from the other inmates and the chaplain, the prisoner stages a play about their shared past. The top of the confession booth lifts off, and the bishop finds himself transported back to Roberval, on the shores of Lac St.-Jean. &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_axdJE4di1ME/SG1zYiMDVFI/AAAAAAAAAIE/5eyuz6OI-j0/s1600-h/Lilies_dinner-small.jpg"&gt;&lt;img style="margin: 3pt 0pt 3px 6px; float: right; cursor: pointer;" src="http://bp0.blogger.com/_axdJE4di1ME/SG1zYiMDVFI/AAAAAAAAAIE/5eyuz6OI-j0/s200/Lilies_dinner-small.jpg" alt="Lilies 2" id="BLOGGER_PHOTO_ID_5218954408523682898" border="0" /&gt;&lt;/a&gt;We see the young Bishop Bilodeau (Matthew Ferguson, &lt;a href="http://www.imdb.com/title/tt0109705/"&gt;&lt;i&gt;Eclipse&lt;/i&gt;&lt;/a&gt;), wracked with jealousy over Simon's affection for Vallier. A variety of other characters enter the story, most notably a Parisian lady who arrives by hot-air balloon. The interplay between the characters in the flashback and the present, weaves an enchanting tapestry, drawing the viewer completely into its world. Flawless performances, exquisite cinematography, a compelling story, and a liberal sprinkling of eye candy, justify not only &lt;i&gt;Lilies'&lt;/i&gt; place in the pantheon of gay cinema, but also its Genie&lt;span style="font-size:78%;"&gt;&lt;sup&gt;®&lt;/sup&gt;&lt;/span&gt; award (Canada's answer to the Oscars&lt;span style="font-size:78%;"&gt;&lt;sup&gt;®&lt;/sup&gt;&lt;/span&gt;). Any serious gay film buff must have &lt;i&gt;Lilies&lt;/i&gt; in the &lt;a href="http://www.amazon.com/Lilies-Ian-D-Clark/dp/B00001QGJ6/ref=sr_1_1?ie=UTF8&amp;amp;s=dvd&amp;amp;qid=1215474909&amp;amp;sr=1-1"&gt;DVD&lt;/a&gt; collection. &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1510"&gt;Lilies&lt;/a&gt; (Les feluettes),&lt;/i&gt; dir. John Greyson, 1996 Canada 95 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Lilies"&gt;Lilies&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Les+feluettes"&gt;Les feluettes&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-1176043172389645833?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/1176043172389645833/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=1176043172389645833' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/1176043172389645833'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/1176043172389645833'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/lilies-les-feluettes.html' title='Lilies (Les feluettes)'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_axdJE4di1ME/SG1zS05SigI/AAAAAAAAAH8/ddnjWknqExk/s72-c/Lilies_booth-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-6079495567142629145</id><published>2008-06-24T21:30:00.000-07:00</published><updated>2009-07-06T00:27:45.563-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='Must See'/><category scheme='http://www.blogger.com/atom/ns#' term='recommended'/><title type='text'>She's a Boy I Knew</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_axdJE4di1ME/SG1wYHTfjyI/AAAAAAAAAH0/jPlm2eVpj8k/s1600-h/SABIK-small.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://bp2.blogger.com/_axdJE4di1ME/SG1wYHTfjyI/AAAAAAAAAH0/jPlm2eVpj8k/s200/SABIK-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218951102772252450" border="0" /&gt;&lt;/a&gt;&lt;i&gt;She's a Boy I Knew&lt;/i&gt; is a transgender documentary with a major twist: the filmmaker is not only transgedered herself, she is the subject, giving a much closer first-person narrative than any other similar work I've seen. Gwen Haworth began life as Steven, and she uses family photos and videos and interviews to explore the emotional dimensions of her transition, not only in her life but in the lives of the people around her. Steven's wife Malgosia is supportive, but she fell in love with a man and isn't sure she wants to stay married to a woman, Gwen's father speaks of his feelings of losing a son even as he embraces his new daughter, but Gwen's friend Roari is a champion of acceptance and support. Gwen herself is both an interesting subject and a capable filmmaker, creating a compelling documentary. &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1443"&gt;She's a Boy I Knew&lt;/a&gt;,&lt;/i&gt; dir. Gwen Haworth, 2007 Canada 70 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/She%27s+a+Girl+I+Knew"&gt;She's a Girl I Knew&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-6079495567142629145?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/6079495567142629145/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=6079495567142629145' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/6079495567142629145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/6079495567142629145'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/shes-boy-i-knew.html' title='She&apos;s a Boy I Knew'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_axdJE4di1ME/SG1wYHTfjyI/AAAAAAAAAH0/jPlm2eVpj8k/s72-c/SABIK-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-3924410636255775231</id><published>2008-06-24T19:00:00.000-07:00</published><updated>2008-07-07T16:03:53.879-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><title type='text'>Ready? OK!</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_axdJE4di1ME/SG1vjQlCa9I/AAAAAAAAAHs/dWQp2q7qJdo/s1600-h/ReadyOK-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_axdJE4di1ME/SG1vjQlCa9I/AAAAAAAAAHs/dWQp2q7qJdo/s200/ReadyOK-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218950194728692690" border="0" /&gt;&lt;/a&gt;Joshua is on the cusp of his 11th birthday, going to Catholic school, living with his single mother in Normal Heights, USA. But Joshua is not so much interested in being on the wrestling team, as in cheering the team on to victory. For Halloween, he goes to school dressed as Maria von Trapp from &lt;i&gt;Sound of Music.&lt;/i&gt; He gets some help and support from his gay next-door neighbor Charlie (Michael Emerson, &lt;i&gt;Lost&lt;/i&gt;), although his mother is clearly uneasy with the stereotypes her son's behavior plays into. Joshua does his best to tough it out, but it's clear that he doesn't belong on the "straight and narrow" path.&lt;br /&gt;&lt;br /&gt;The backdrop of the family dynamic is a bit uneven, particularly the character of Joshua's vagrant loser uncle, who seems mostly to point up the lack of stable male role models in Joshua's life. But Lurie Poston as Joshua lights up the screen, leaping into the role with "gimme a V" V-E-R-V-E. (Remarkably, he was unable to attend the Frameline screening because he's away at football camp in South Carolina!) Look for him later this summer in the Will Ferrell movie &lt;i&gt;Step Brothers.&lt;/i&gt; Michael Emerson plays the gay neighbor with quiet grace and understated elegance. Carrie Preston as the mother captures the uncertainty of trying to understand and deal with her son's likely homosexuality — how much should she try to butch him up? How much should she give him free rein to simply be himself, straight or gay, macho or sissy, quiet or flaming? Cute and sweet, with a strong child actor in a strong child role; &lt;b&gt;highly recommended&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1366"&gt;Ready? OK!&lt;/a&gt;,&lt;/i&gt; dir. James Vasquez, 2008 USA 91 min.&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Ready%3F+OK%21"&gt;Ready? OK!&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-3924410636255775231?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/3924410636255775231/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=3924410636255775231' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3924410636255775231'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3924410636255775231'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/ready-ok.html' title='Ready? OK!'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_axdJE4di1ME/SG1vjQlCa9I/AAAAAAAAAHs/dWQp2q7qJdo/s72-c/ReadyOK-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13741263.post-3516040105095812908</id><published>2008-06-24T15:00:00.000-07:00</published><updated>2008-07-06T21:21:00.663-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='feature film'/><category scheme='http://www.blogger.com/atom/ns#' term='closed captions'/><title type='text'>Bound</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_axdJE4di1ME/SG1uqy7DPtI/AAAAAAAAAHk/2cdAy7jjg28/s1600-h/Bound-small.jpg"&gt;&lt;img style="margin: 0pt 6px 3px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_axdJE4di1ME/SG1uqy7DPtI/AAAAAAAAAHk/2cdAy7jjg28/s200/Bound-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5218949224695283410" border="0" /&gt;&lt;/a&gt;Before &lt;i&gt;The Matrix&lt;/i&gt; trilogy or &lt;i&gt;V for Vendetta,&lt;/i&gt; never mind &lt;i&gt;Speed Racer,&lt;/i&gt; the Wachowski Brothers made a movie that remains a classic of lesbian film, pairing Gina Gershon and Jennifer Tilly as two small-time criminals with a plan to make their big score by putting one over on the Mob. Watching this film, you'd be hard-pressed to imagine that it was written and directed by a couple of straight boys making their second feature film. The heat between Gershon and Tilly is so intense, it's a wonder the screen doesn't melt. There are some gruesome scenes of violence, too, but the center of the story is the pas-de-deux of these two women figuring out how far they can trust one another, both in love and in crime. A dozen years later, it's a real treat to see it in 35mm on a big screen, even though it's already in any serious queer film buff's DVD collection. &lt;b&gt;MUST SEE&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;a href="http://www.frameline.org/festival/film/detail.aspx?id=1511"&gt;Bound&lt;/a&gt;,&lt;/i&gt; dirs. Andy Wachowski &amp;amp; Larry Wachowski, 1996 USA 108 min., available on &lt;a href="http://www.amazon.com/BOUND-UNRATED-WS/dp/0782008364/ref=pd_bbs_3?ie=UTF8&amp;s=dvd&amp;qid=1215404387&amp;sr=8-3"&gt;DVD&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Technorati tags: &lt;a rel="tag" href="http://technorati.com/tag/Bound"&gt;Bound&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Wachowski"&gt;Wachowski&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/Frameline32"&gt;Frameline32&lt;/a&gt;, &lt;a rel="tag" href="http://technorati.com/tag/LGBT+Film"&gt;LGBT Film&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13741263-3516040105095812908?l=queerfilm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queerfilm.blogspot.com/feeds/3516040105095812908/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13741263&amp;postID=3516040105095812908' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3516040105095812908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13741263/posts/default/3516040105095812908'/><link rel='alternate' type='text/html' href='http://queerfilm.blogspot.com/2008/06/bound.html' title='Bound'/><author><name>Lincoln Madison</name><uri>http://www.blogger.com/profile/14625854358421443659</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16799717175418820108'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_axdJE4di1ME/SG1uqy7DPtI/AAAAAAAAAHk/2cdAy7jjg28/s72-c/Bound-small.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry></feed>