<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-12764361</id><updated>2009-10-12T23:02:09.909-07:00</updated><title type='text'>limk1</title><subtitle type='html'>An art site of critical review.  Limk1 is a protein that arguably enables spatial cognition, by the way.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://limk1.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default?start-index=26&amp;max-results=25'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>43</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-12764361.post-3442675361727951788</id><published>2008-01-03T12:59:00.000-08:00</published><updated>2008-01-07T20:27:22.525-08:00</updated><title type='text'>olafur eliasson</title><summary type='text'>On a recent trip to San Francisco, I was delighted to find several fresh exhibitions on the upper floors of SFMOMA.  Among them was a retrospective of Jeff Wall's photography, displayed in very large format on light boxes.  Complementary to these works, there was a thorough survey of historical and contemporary photography which, curiously, housed a 90's era (still fresh) Rirkrit Tiravanija video</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3442675361727951788'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3442675361727951788'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2008/01/olafur-eliason.html' title='olafur eliasson'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_JrDGYvaCcLQ/R4CQRrQkulI/AAAAAAAAAJs/nI-4wdxSZY4/s72-c/SFMOMAOneWayTunnel_630x.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-8425395037864069589</id><published>2007-11-04T12:48:00.000-08:00</published><updated>2007-11-04T14:31:56.695-08:00</updated><title type='text'>About Joe Deutch</title><summary type='text'>The infamous UCLA performance/body artist, Joe Deutch who brought a shotgun into Chris Burden's classroom, performed at Telic Arts Exchange this Halloween.  Joe is also a participant in a group show at Marianne Boesky gallery in New York.  Jerry Saltz recently reviewed the Boesky show, describing it cumulatively as prescient and expressive of both being in loads of trouble on the macro level and </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8425395037864069589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8425395037864069589'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/11/about-joe-deutch.html' title='About Joe Deutch'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/Ry5BVrzP6QI/AAAAAAAAAJc/Y_qdTypqQs0/s72-c/saltz.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-8258623030414397798</id><published>2007-10-07T17:31:00.000-07:00</published><updated>2007-10-07T18:31:05.248-07:00</updated><title type='text'>MOCA:  Three artists testing borders</title><summary type='text'>The current exhibition at MOCA is popular, attracting busloads full of high school students, most regular gallery goers and some new explorers it seems.  It's popular and safe enough for the public schools, but, among the three artists represented,Cosima von Bonin, Matthew Monahan and Gordon Matta Clark there's some interesting rule breaking and boundary testing going on.  The most elegant and </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8258623030414397798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8258623030414397798'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/10/moca-three-artists-testing-borders.html' title='MOCA:  Three artists testing borders'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RwmDDdKF-XI/AAAAAAAAAI0/7BJkTHOPuLQ/s72-c/foto1%5B1%5D.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-708266934952003745</id><published>2007-09-16T21:16:00.000-07:00</published><updated>2007-09-16T21:51:50.314-07:00</updated><title type='text'>Tatzu Nishi:  Readymades, 2007</title><summary type='text'>Blum and Poe gallery host an exhibition by Tatzu Nishi, a Japanese artist based in Cologne, Germany.  Tatzu's exhibition catalogue is extensive.  He is an international artist, orchestrating works all over the world.  His works, the works he envisions and conceptualizes usually involve the collaboration of engineers, fabricators and builders. In this particualar show at Blum and Poe, Tatzu has </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/708266934952003745'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/708266934952003745'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/09/tatzu-nishi-readymades-2007.html' title='Tatzu Nishi:  Readymades, 2007'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/Ru4DGeMwppI/AAAAAAAAAH8/ySzAQXqQAFM/s72-c/04.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-2168269146237017678</id><published>2007-09-09T09:22:00.001-07:00</published><updated>2007-09-09T09:44:08.859-07:00</updated><title type='text'>War suck man suck war</title><summary type='text'>Two shows opening in LA Chinatown rekindle concerns for those of us removed and on the far edges of the culture of war.  At High Energy Constructs, Karl Erickson and Andrew Falkowski render images from movies and television series about war to underline the way the media has used humor and cult of personality to obscure and reduce the bloody awful meaning of war.  Lovely rendered acrylic </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/2168269146237017678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/2168269146237017678'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/09/war-suck-man-suck-war.html' title='War suck man suck war'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_JrDGYvaCcLQ/RuQfIlGn6MI/AAAAAAAAAHs/W13zKJiE_AM/s72-c/AF.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-6970434038796208137</id><published>2007-09-07T23:28:00.001-07:00</published><updated>2007-09-07T23:30:44.168-07:00</updated><title type='text'>I will work with Wangari Maathai</title><summary type='text'></summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6970434038796208137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6970434038796208137'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/09/i-will-work-with-wangari-maathai.html' title='I will work with Wangari Maathai'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_JrDGYvaCcLQ/RuJBb1Gn6KI/AAAAAAAAAHc/qyqD1jJMHRo/s72-c/pc06_03.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-1629023657563455959</id><published>2007-09-07T23:11:00.000-07:00</published><updated>2007-09-07T23:26:46.119-07:00</updated><title type='text'>Benjamin Butler's New Trees</title><summary type='text'>Karen Lovegrove gallery presents Benjamin Butler's "New Trees".  Benjamin has explored tree forms for approximately five years.  He told me that prior to the tree motif, he painted mountains.  The painting's impact hits me when I engage with the subtle, spatial brush work.  Lots of sensitive dry brushing of equally thick, equally spaced lines.  The sharp edge of Benjamin's sables distinguish the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/1629023657563455959'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/1629023657563455959'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/09/benjamin-butlers-new-trees.html' title='Benjamin Butler&apos;s New Trees'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RuJAjlGn6JI/AAAAAAAAAHU/Lsl9iLEXEGo/s72-c/thumbnail.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-8278802506411678030</id><published>2007-09-07T22:24:00.000-07:00</published><updated>2007-09-07T22:39:52.320-07:00</updated><title type='text'>A Practice in Islam</title><summary type='text'>Several posts back, I wrote about the Iraq Painting, a painting that involves tallying up the death toll in Iraq according to a September 2006 study produced by Lancet.  The number was 650,000 people and I had a difficult time understanding what that meant in lives.  What is the impact of this number, 650000?  So I started counting my brush strokes and found that I could average about 12000 marks</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8278802506411678030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8278802506411678030'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/09/practice-in-islam.html' title='A Practice in Islam'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_JrDGYvaCcLQ/RuIyyFGn6HI/AAAAAAAAAHE/UrLOXS7qox8/s72-c/IMGP5056.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-3808420470834939318</id><published>2007-09-07T22:09:00.000-07:00</published><updated>2007-09-07T22:24:03.742-07:00</updated><title type='text'>A few new works</title><summary type='text'>Here's a look at the Redoubts, paintings I've gone back into since returning to LA.  I'll just throw them up here for now.  </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3808420470834939318'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3808420470834939318'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/09/few-new-works.html' title='A few new works'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RuIv_lGn6EI/AAAAAAAAAGs/tfLLaXZFQs4/s72-c/IMGP4844.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-3883922689843932627</id><published>2007-09-07T21:41:00.000-07:00</published><updated>2007-09-07T22:08:36.605-07:00</updated><title type='text'>Cris Brodahl:  Iconic Clippings</title><summary type='text'>The current exhibition on display at Marc Foxx Gallery in Los Angeles is a show of fifteen recently completed works by Belgian artist, Cris Brodahl.  Walk into the gallery and you are immediately impacted by the odor of Black Forest wood, a strange sensation for a white cube gallery.  The odoriferous effect is due to hinged doors with large wooden, Bauhaus-like hinges that do the job of either </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3883922689843932627'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3883922689843932627'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/09/cris-brodahl-iconic-clippings.html' title='Cris Brodahl:  Iconic Clippings'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RuIoWlGn6BI/AAAAAAAAAGU/blv5Dv7CLcs/s72-c/ab_1493.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-7734277462594737563</id><published>2007-07-24T20:15:00.000-07:00</published><updated>2007-07-24T20:54:56.245-07:00</updated><title type='text'>Permeability, Life, Human, Love</title><summary type='text'> In these images, the idea is to apply an arithmatic progression to a word in a Google search that determines the outcome of the image, and ultimately determines the treatment of the image in the photoshopping process.  In Permeability for instance I took the numerical value of the word, which is 135 if A is 1 and Z is 26.  Then I added 1, 3 and 5 to get 9.  Finally I divided 135 by nine to get </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/7734277462594737563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/7734277462594737563'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/07/permeability-life-human-love.html' title='Permeability, Life, Human, Love'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RqbJfOxtKeI/AAAAAAAAAGM/_rjluIOgf7w/s72-c/Untitled-5+copy.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-3549664949898858955</id><published>2007-07-24T19:38:00.000-07:00</published><updated>2007-07-24T20:11:12.553-07:00</updated><title type='text'>McCallum and Tarry: The Concept in Form</title><summary type='text'>A recent exhibition at one of my favorite galleries in Chelsea, Caren Golden, featured 2006 and 2007 works of the conceptual duo, Bradley McCallum and Jacqueline Tarry.  I was formerly unfamiliar with their works, but was attracted through the window by the images I saw on the wall.  Really the content of the wall pieces, which were painted reproductions of civil rights era documentary </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3549664949898858955'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3549664949898858955'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/07/mccallum-and-tarry-concept-in-form.html' title='McCallum and Tarry: The Concept in Form'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_JrDGYvaCcLQ/Rqa40extKRI/AAAAAAAAAEs/8aqMVUbFMfs/s72-c/artwork_images_602_260482_bradley-mccallumandjacquelinetarry.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-6085709163590887427</id><published>2007-07-19T15:57:00.000-07:00</published><updated>2007-07-19T15:58:26.043-07:00</updated><title type='text'>........</title><summary type='text'></summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6085709163590887427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6085709163590887427'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/07/blog-post.html' title='........'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/Rp_sdqTKpSI/AAAAAAAAAEk/YSXga36T3Y0/s72-c/Wi.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-3518244400718045731</id><published>2007-07-19T12:32:00.000-07:00</published><updated>2007-07-19T15:38:14.695-07:00</updated><title type='text'>Post Industrial Landscape with Edward Burtynsky and Andreas Gursky</title><summary type='text'>Chelsea becomes such a blur anymore.  I was up recently, scouring the art districts for fresh perspectives, talent without fanfare, vision, quiet strength.  Didn't find much of that but I did find those familiar faces that we've come to rely on.  Big names!  Headlining Uber Artists!!  The brave new world cannot be stopped and it's ambassadors have chronicled the spectacle.  So what popped out at </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3518244400718045731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3518244400718045731'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/07/post-industrial-landscape-with-edward.html' title='Post Industrial Landscape with Edward Burtynsky and Andreas Gursky'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_JrDGYvaCcLQ/Rp_f2aTKpMI/AAAAAAAAAD0/10wy27AmVEU/s72-c/gursky.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-5169772806902789784</id><published>2007-05-15T11:08:00.000-07:00</published><updated>2007-05-22T12:14:28.076-07:00</updated><title type='text'>Check Out David Mach</title><summary type='text'>More artists today are revolutionizing the ready made than ever before.  David Mach, showing at Forum Gallery in Los Angeles uses common household objects such as match sticks, coat hangers and collage to create rendered, almost manufactured looking sculptures.  Throw your brushes away!  Gather units of detritus and do what you do with the rubble.  I like the ethos, even if they are all new </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/5169772806902789784'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/5169772806902789784'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/05/check-out-david-mach.html' title='Check Out David Mach'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RkoZ-sAD00I/AAAAAAAAADE/KZmkXIeb3SA/s72-c/artist_108_8.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-6616407825277497303</id><published>2007-05-14T23:38:00.000-07:00</published><updated>2007-05-15T11:04:47.914-07:00</updated><title type='text'>Erwin Redl Exhibition at ACE Beverly Hills</title><summary type='text'>Erwin Redl, electronic tinkerer, reveler of '11.000.' code is now exhibiting at ACE gallery Beverly Hills.  Redl works with LED light constructions to create large geometric 3 dimensional installations.  He programs the LED's which are suspended in sequence by positive and ground wires or by metal rods or some other electrical conductor to change light intensity or color so that the pieces have a</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6616407825277497303'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6616407825277497303'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/05/erwin-redl-exhibition-at-ace-beverly.html' title='Erwin Redl Exhibition at ACE Beverly Hills'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RknzU8AD0zI/AAAAAAAAAC8/snKl1QcSSCQ/s72-c/ER_matrixXV02.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-8244830667173663135</id><published>2007-03-28T00:13:00.000-07:00</published><updated>2007-03-28T00:19:37.451-07:00</updated><title type='text'>100% Information, almost.</title><summary type='text'>Publications    + A Prior Magazine    + ADBUSTERS MAGAZINE    + Ag    + AK47 : An online art    + Animal New York    + aperture    + Art in America    + Art Monthly    + ART ON PAPER    + ART-e-FACT    + art.es    + ARTFORUM    + Artist Newsletter [a - n ] Magazine    + Artnet Magazine Germany    + Artnet Magazine US    + ARTnews    + ArtReview    + Arts &amp; Letters Daily    + ArtsEditor    + artsy</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8244830667173663135'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8244830667173663135'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/100-information-almost.html' title='100% Information, almost.'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-6927885861715558803</id><published>2007-03-20T18:54:00.000-07:00</published><updated>2007-03-20T18:56:06.730-07:00</updated><title type='text'>Lisa Sanditz at ACME</title><summary type='text'>This link will take you to the review.  file://localhost/Users/andycline/Desktop/Sanditz%20review.html</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6927885861715558803'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6927885861715558803'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/lisa-sanditz-at-acme.html' title='Lisa Sanditz at ACME'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-3287244590889697758</id><published>2007-03-20T15:02:00.000-07:00</published><updated>2007-03-20T15:11:53.559-07:00</updated><title type='text'>Andrea Fraser's New Post at UCLA</title><summary type='text'>Andrea Fraser, Friedrich Petzel gallery, has taught as a UCLA visiting lecturer, but has recently taken a tenured position in the New Genres department.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3287244590889697758'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/3287244590889697758'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/andrea-frasers-new-post-at-ucla.html' title='Andrea Fraser&apos;s New Post at UCLA'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-292360976826128296</id><published>2007-03-20T14:14:00.000-07:00</published><updated>2007-03-20T15:13:19.608-07:00</updated><title type='text'>Process:  The Iraq Painting</title><summary type='text'>An incredibly long and relatively painful project I've started since being in LA is the Iraq painting shown here.  These images show the painting at about 1/3 completion. The idea here was to make as many marks as there are dead Iraqis as a result of the US occupation.  The study I used was the Lancet study that was produced in conjunction with Johns Hopkins University, a controversial report </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/292360976826128296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/292360976826128296'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/process-iraq-painting.html' title='Process:  The Iraq Painting'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RgBQhzQwoqI/AAAAAAAAACc/oHu5iAvqVic/s72-c/IMGP1671.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-2504498874762411740</id><published>2007-03-20T11:43:00.000-07:00</published><updated>2007-03-20T14:10:54.925-07:00</updated><title type='text'>Photography:  People and Places: part 1</title><summary type='text'>I've taken a lot of photos since I've been in LA.  The camera relates to my work because for one, it gives me hard physical evidence of a non-solipsistic world, a world where objects and subjects exist on their own accord and on their own terms, they don't melt and morph to coincide with the fancies of my mind.  I started using the camera a lot because it was helpful to have reference photos when</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/2504498874762411740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/2504498874762411740'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/photography-people-and-places-part-1.html' title='Photography:  People and Places: part 1'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JrDGYvaCcLQ/RgBEGzQwolI/AAAAAAAAAB0/8niJtVJB7s4/s72-c/DSC00406.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-2372235440521987372</id><published>2007-03-20T03:32:00.000-07:00</published><updated>2007-03-20T03:32:31.937-07:00</updated><title type='text'>foggy GRIZZLY: Interview with Katrin Plavcak</title><summary type='text'>foggy GRIZZLY: Interview with Katrin Plavcak</summary><link rel='related' href='http://foggygrizzly.blogspot.com/2007/01/interview-with-katrin-plavcak.html' title='foggy GRIZZLY: Interview with Katrin Plavcak'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/2372235440521987372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/2372235440521987372'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/foggy-grizzly-interview-with-katrin.html' title='foggy GRIZZLY: Interview with Katrin Plavcak'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-8229959040575692609</id><published>2007-03-20T02:45:00.000-07:00</published><updated>2007-03-20T03:17:42.435-07:00</updated><title type='text'>Nicola Tyson at Marc Foxx</title><summary type='text'>If ever there was an artist' artist, it was the solipsistic one, fulfilled by reveling in their own painting history, the be all and end all and the singular compulsion for painting.  Often when I see painting shows these days, people who fit this description are the ones that are still doing something interesting with the medium itself.  Those who carry, intentionally or not, the flag of Cezanne</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8229959040575692609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/8229959040575692609'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/nicola-tyson-at-marc-foxx.html' title='Nicola Tyson at Marc Foxx'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_JrDGYvaCcLQ/Rf-yIjQwokI/AAAAAAAAABs/9jv-jD5wH70/s72-c/main.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-6817615403543727587</id><published>2007-03-20T01:49:00.000-07:00</published><updated>2007-03-20T02:19:33.666-07:00</updated><title type='text'>The Day Job, part 1</title><summary type='text'>These posts combine visual information from my work in films, music videos, commercials, tv, photo shoots and other entertainment related art and design jobs with my concerns and interests as a fine artist.  I want to explain in "The Day Job" posts why production designing, art directing, set dressing, prop mastering and other related jobs have been invaluable to me in forming more developed </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6817615403543727587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/6817615403543727587'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/day-job-part-1.html' title='The Day Job, part 1'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_JrDGYvaCcLQ/Rf-iBTQwoiI/AAAAAAAAABc/W5dLM80t8BA/s72-c/IMGP2199.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-12764361.post-881630699725598629</id><published>2007-03-19T23:04:00.000-07:00</published><updated>2007-03-19T23:58:09.617-07:00</updated><title type='text'>Robert Wilson at ACE, Los Angeles</title><summary type='text'>Voom Portraitsby Andy ClineRobert Wilson, internationally acclaimed playwright, choreographer, stage designer, and on and on, whose accomplishments in the theatrical and collaborative realms rival any of the most prolific artists in their fields has adorned the walls of ACE gallery with a new collection of Voom portraits, looped video portraits of mostly famous actors and other celebrities such </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/881630699725598629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12764361/posts/default/881630699725598629'/><link rel='alternate' type='text/html' href='http://limk1.blogspot.com/2007/03/robert-wilson-at-ace-los-angeles.html' title='Robert Wilson at ACE, Los Angeles'/><author><name>Andy Cline</name><uri>http://www.blogger.com/profile/01978054834801735746</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='14432287738403251945'/></author></entry></feed>